9. Cajun & Zydeco Festival 2009
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
6 Inspiring Cajun Musicians
LeadingLadies 6 INSPIRING CAJUN MUSICIANS In what has become our now annual music their voices have been heard and met with guide, we decided to do something a little praise – even Grammy nominations. All six different. Rather than focus on venues, clubs of these women are carrying on the tradition and places to go, we chose to focus on faces of their Cajun ancestors and bringing it to look for – and more importantly, voices to into the future, and we hope that the trend hear. In the music industry in general – and of women leading their own bands will gain especially when it comes to Cajun music, momentum as they continue to inspire others. women are outnumbered by men. Fortunately, That, we think, is worth singing about. By Michael Patrick Welch \\ Photos by Romero & Romero acadianaprofile.com | 31 gigs as Petite et les Patates (Little and the AT THE AGE OF 18, Potatoes), a quieter three-piece traditional musician Jamie Lynn Fontenot was Cajun band. overtaken by the desire to learn Cajun Along with accordion player Jacques French. “My grandparents, Mary ‘Mimi’ fontenotBoudreaux, Petite et les Patates also often Fontenot and John ‘Toe’ Fontenot, from features Fontenot's husband, French fiddle Opelousas are great, really strong Cajun player Samuel Giarrusso, who moved to speakers,” says Fontenot from her home in Louisiana in 2012 from France to be near his Lafayette. “My siblings and I wanted them father, also a Cajun French musician. “Petite to teach us Cajun French, so she would play et les Patates is actually a constantly rotating me all these old Cajun vinyl records, and band, where I am the only constant,” says she’d tell me the stories the singers were Fontenot. -
Peter Novelli Peternovelli.Com
Peter Novelli peternovelli.com Guitarist / singer / songwriter Peter Novelli is based in New Orleans. The Peter Novelli Band plays Louisiana roots and blues, a blend of blues-rock-R&B-funk with some zydeco-cajun influences. Novelli’s CD Louisiana Roots & Blues (June 12 release) with his core rhythm section Darryl White (drums, formerly w/ Tab Benoit and Chris Thomas King), Chris Chew (bass, North Mississippi Allstars), Joe Krown (B3 and piano, formerly w/ late Gatemouth Brown), and special guests Chubby Carrier (Grammy-winning zydeco accordionist), Chris Thomas King (lap slide guitar, Grammy “Oh Brother, Where Art Thou”), Shamarr Allen (trumpet) and Elaine and Lisa Foster on vocals. Novelli’s debut CD, produced by bassist David Hyde, hit the charts within a month of release and gathered widespread critical acclaim. His originals, with a few selected covers, made a journey through Louisiana-American blues-roots music. Guests include Dr. John, Paul Barrere, Augie Meyers, the late Gatemouth Brown’s rhythm section, and top Lousiana musicians. The CD includes an historical Tribute To Slim Harpo, with members of Harpo’s band including James Johnson, and interviews with Johnson, the late Raful Neal and “Big” Johnny Thomassie. Novelli started violin at age 6, picked up guitar at 14 after hearing a BB King record. The intensity, passion and raw emotional content of some of the blues masters (black and white, American and British) stuck in his ear and that is what drives him to this day. He likes to combine this feel with harmonic ideas of jazz, the relentless groove of zydeco, and just about any cool and unusual style of music or rhythm that works. -
Thursday, April 25, 2019
Thursday, April 25, 2019 Sheraton Allison Miner Cultural Acura Gentilly Congo Square Blues Economy Hall New Orleans Jazz & Gospel Lagniappe Exchange WWOZ Kids Tent Music Heritage Stage Stage Stage Tent Tent Fais Do-Do Heritage Stage Tent Stage Pavilion Jazz Tent Stage Stage World Journey OUTDOOR CAROUSEL 12:00pm - 6:00pm Chouval Bwa Traditionnel 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am of Martinique 11:20 am Kid Simmons’ Goldman Fi Yi Yi The Loyola & the Mandingo Mia Borders Nigel Hall University Local Thibodeaux Wimberly Family 11:30 am 11:30 am 11:30 am Jonathon Long Warriors Gospel Singers Jazz Band International & the Lawtell Mardi Gras Indians Michael Skinkus Young Makueto Rumba Buena 11:55 am 11:55 am Audiences 12:00 pm 12:00 pm 12:00 pm Allstars Playboys and Moyuba Groove 12:05 pm 12:05 pm 12:05 pm with guest Performing Arts & Friends 12:05 pm Michael Ray Showcase 12:15 pm 12:15 pm 12:20 pm 12:15 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm Arrianne 12:25 pm 12:25 pm Keelen Gal Holiday Grayson 12:30 pm & the Bill Summers Brockamp 101 Runners 12:35 pm 12:35 pm 12:40 pm J. Monque'D Charlie Gabriel 12:50 pm 12:40 pm Grayhawk James Rivers Honky Tonk & Jazalsa and the Balfa Toujours Revue New Orleans Blues Revue and Friends 1:00 pm presents Interviewer: Pride of Zulu Kinfolk 1:05 pm Wildlife Band Tom Leggett Native American Matt Sakakeeny of South Africa 1:10 pm 1:10 pm 1:00 pm Lore & Tales Brass Band 1:15 pm 1:15 pm 1:15 pm Band 1:15 pm Cynthia Girtley’s 1:20 pm 1:20 pm 1:20 pm Tribute to 1:30 pm 1:25 pm 1:30 pm 1:30 pm Mahalia Jackson 1:35 pm 1:30 pm 1:35 pm 1:35 pm 1:35 pm 1:45 pm When women speak, Smitty Dee's they make a difference! Russell Batiste New Orleans Brass Band 1:45 pm Mia X, Keedy Black, 1:45 pm Amy Helm Rev. -
Katherine Conrad Doss a Thesis Submitted to the Faculty of The
LOUISIANA ROMP: EXAMINING THE PERFORMANCE OF TRADITIONAL CAJUN MUSIC WITHIN A CONTEMPORARY SETTING Katherine Conrad Doss A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of the Arts in the Curriculum in Folklore. Chapel Hill 2008 Approved by: William R. Ferris James L. Peacock Patricia E. Sawin 2008 Katherine Conrad Doss ALL RIGHTS RESERVED ii ABSTRACT KATHERINE CONRAD DOSS: Louisiana Romp: Examining the Performance of Traditional Cajun Music Within a Contemporary Setting (Under the direction of William R. Ferris) The Lost Bayou Ramblers, a young Cajun band based in South Louisiana, infuse energy and vivacity into the traditional creative expression of Cajun music, as they travel to share their sound and thus their culture with the world. I suggest that the Ramblers, in the face of globalization, are purposefully engaged in protecting and enhancing their culture by performing this roots music far and near. They offer a compelling performance and thus transport, produce, and extend their culture through music, which serves as a powerful symbol, drawing each audience into participation of it. Through a focus on the specific dynamic between culture, its music, and the performance techniques of these particular cultural practitioners, I examine how music acts as an agent of cultural understanding while simultaneously transforming the place and culture that produced it. iii DEDICATION To the members of the Lost Bayou Ramblers, whose inimitable talent and vision captured me and countless others, drawing us into their world. Their willingness to extend their friendship and share their stories, insights, sense of humor, dance tips and van space is deeply appreciated. -
Music Web Quest Resource Sheet
Louisiana Voices Folklife in Education Project www.louisianavoices.org Unit VI Louisiana's Musical Landscape Lesson 1 Music Around the State: Sound and Place Music Web Quest Resource Sheet Name Date Directions: • Use these webpages for a Music Web Quest <http://www.louisianavoices.org/Unit6/edu_unit6w_music_webquest.html> about different styles of traditional music in Louisiana. • Record your findings on the Music Web Quest Record Sheet <http://www.louisianavoices.org/Unit8/edu_unit6w_webquest_recordsheet.html>. • Compare your findings with classmates and draw conclusions about what was found. Louisiana Music Online • American Routes <http://americanroutes.wwno.org/> radio program features many audio clips about Louisiana musicians. Find a list at American Routes and Louisiana Voices <http://www.louisianafolklife.org/Resources/amrlv.html>. • folkstreams.net / Dry Wood by Les Blank <http://www.folkstreams.net/film,43> (video) Features entire video documentary about Creole musicians Alphonse "Bois Sec" Ardoin and Canray Fontenot. Includes transcripts and notes. • Louisiana State Museum Jazz Collection <http://louisdl.louislibraries.org/cdm/landingpage/collection/JAZ> (audio) Features radio broadcasts from the 1960s. • Red Hot Jazz Archive <http://www.redhotjazz.com/> (audio, video) (Search for a jazz artist to get a list of online music). Features jazz before 1930. • River of Song / Louisiana <http://www.pbs.org/riverofsong/artists/> (audio, video) The fourth episode of this PBS series is Louisiana: Where Music is King, which features 11 musicians and ensembles. Episodes 1-3 feature 30 additional groups from the Chippewa Nation in Minnesota to the Mississippi Mass choir. Includes an online Teacher's Guide. • Southern Mosaic: John and Ruby Lomax Recording Trip <http://memory.loc.gov/ammem/lohtml/lohome.html> (audio) (Scroll down to Special Presentation: The 1939 Recording Expedition. -
Cajun Revival - Music - New York Times 03/09/2007 03:55 PM
Cajun Revival - Music - New York Times 03/09/2007 03:55 PM HOME PAGE MY TIMES TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Free 14-Day Trial Log In Register Now Music Arts All NYT WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER MUSIC More Articles in Arts » Cajun Sound, Rock ’n’ Roll Energy TicketWatch - Theater Offers by E-Mail Sign up for ticket offers from Broadway shows and other advertisers. See Sample | Privacy Policy Jillian Johnson Among the bands bringing Cajun music into the 21st century are the Pine Leaf Boys, from left: Cedric Watson, Blake Miller, Drew Simon, Wilson Savoy and Jon Bertrand. By GEOFFREY HIMES Published: March 4, 2007 SIGN IN TO E-MAIL OR LAFAYETTE, La. SAVE THIS PRINT THIS wasn’t a show for Mardi Gras tourists. On Multimedia Lundi Gras, as they call the day before Fat Tuesday in REPRINTS MOST POPULAR south Louisiana, the Pine Leaf Boys were onstage ''Pine Leaf Boy Two Step'' (mp3) SHARE E-MAILED BLOGGED SEARCHED before a crowd of locals at the Grant Street Dancehall here. The five musicians, all in their 20s, played 1. Journey From a Chinese Orphanage to a Jewish Rite of Passage songs by Cajun legends like the 1950s accordionist Iry 2. Dress Codes : Slim Suits: The Attraction Is Physical ''Zydeco Gris Gris'' (mp3) LeJeune and the 1930s fiddler Dennis McGee, but the 3. 36 Hours in Charleston, S.C. dancers who were packed shoulder to shoulder on the 4. -
Cajun Country Bibliography 2011 Southern Foodways Alliance Field Trip
Cajun Country Bibliography 2011 Southern Foodways Alliance Field Trip Books and Articles (Academic journal articles are available through www.jstor.org. Newspaper and magazine articles are available online through the websites of their respective publications.) Anderson, Brett. “Hawk’s: The Chez Panisse of Boiling Pots?” The Times-Picayune, March 21, 2008. ----. “Cajun Food Has Long Enjoyed a Complicated Relationship with New Orleans Cuisine.” The Times-Picayune. April 18, 2010. Ancelet, Barry Jean. Cajun Country (Folklife in the South Series). University Press of Mississippi, 1991. ----. “Zydeco/Zarico: Beans, Blues and Beyond.” Black Music Research Journal 8:1 (1988), 33–49. ----. “A Perspective on Teaching the ‘Problem Language’ in Louisiana.” The French Review 61:3 (1988), 345–356. Bernard, Shane K. The Cajuns: Americanization of a People. University Press of Mississippi, 2003. Bernard, Shane K., and McIlhenny, Paul C.P. Tabasco: An Illustrated History. University Press of Mississippi, 2007. Bienvenu, Marcelle. Who’s Your Mama, Are You Catholic, and Can You Make a Roux? A Cajun/Creole Family Album Cookbook. Times of Acadiana Press, 1991. (Now in its fourth edition from Acadian House Publishing, 2006.) Bienvenu, Marcelle, Brasseaux, Carl A., and Brasseaux, Ryan A. Stir the Pot: The History of Cajun Cuisine. Hippocrene Books, 2005. Brasseaux, Carl A. Acadian to Cajun: Transformation of a People 1803–1877. University Press of Mississippi, 1992. ----. (With photographs by Philip Gould.) Acadiana: Louisiana’s Historic Cajun Country. Louisiana State University Press, 2011. Bruce, Clint, and Gipson, Jennifer. Cajun French Dictionary and Phrasebook. Hippocrene Books, 2002. Coen, Chere. “The French Press.” Country Roads, April 2010. Cajun Country Bibliography 2011 Southern Foodways Alliance Field Trip p. -
Mus Pop 20 DEC OK A.Indd 119 20/12/05 12:43:22 Sara LE MENESTREL
French music, Cajun, Creole, Zydeco 1 Ligne de couleur et hiérarchies sociales dans la musique franco-louisianaise Sara LE MENESTREL Résumé : Ces dernières années, les artistes et intellectuels locaux ont multiplié leurs efforts pour faire valoir les collaborations étroites et les échanges entre Cadiens et Créoles dans le répertoire musical franco-louisianais. Cette représentation inclusive n’amoindrit pas la portée de certains clivages et d’identité diasporiques, même s’ils sont toujours combinés à d’autres critères d’appartenance. La ligne de couleur transparaît au travers des catégorisations musicales qui prévalent depuis la deuxième moitié du 20e siècle et modèle les jugements musicaux actuels. Les clivages observés reposent également sur des hiérarchies sociales internes, issues notamment des multiples dimensions des identités créoles louisianaises. Les Cadiens et les Créoles partagent par ailleurs un sens aigu de la localité, combiné à une démarche commerciale inscrite dans une stratégie de reconnaissance. Mots-clés : Louisiane, ligne de couleur, musique cadienne/cajun, musique créole, zydeco. Summary : These past few years in Southwestern Louisiana, many artists and intellectuals have increasingly tried to emphasize the close collaborations and exchanges between Cajuns and Creoles within French music. Albeit inclusive, this representation of local music persist alongside social divisions and diasporic identities, while at the same time combining them with other relevant identity-building criteria. The color line appears through musical categories which have prevailed since the second half of the 20th century and which have shaped the present judgements on music. These divisions are also based on internal social hierarchies given the multiple facets of Louisiana Creole identities. -
Southeast Texas: Hot House of Zydeco Hot House of Zydeco
Wood: Southeast Texas: Hothouse of Zydeco Southeast Texas: Hot House of Zydeco Texas: Southeast Hot House of Zydeco From The Roots of Texas Music, forthcoming from Texas A&M University Press By Roger Wood 23 The neighboring states of Texas and Louisiana share much history and culture, yet in popular consciousness they often seem to be drastically different places. Media-perpetuated stereotypes—such as the Lone Star cowboy riding the open prairie or the savvy Creole paddling through the swamp—are obviously not entirely representative, past or present. Yet they persist, and such public images surely do affect perceptions, the ways others see us and the ways we see ourselves. In truth, however, there are prairies and cowboys in Louisiana as well as swamps and Creoles in southeast Texas. Indeed, the landscape Photo of Little Joe Washington at Miss Ann’s Player, Houston, 1998. By James Fraher and the people along one side of the Sabine River often have accordion-led melodies, plaintive vocals in French and English, much in common with those along the other. And interchange and highly syncopated rubboard-based rhythms have enhanced across that waterway has occurred since the days of the earliest soundtracks of feature films, television commercials, and settlements. But the Texas heritage of one of its most fascinating numerous mainstream recordings. Zydeco CDs and audiocassettes musical results remains largely unrecognized today. are now regularly stocked in their own category in music stores Over recent decades, popular music has increasingly around the globe. And zydeco superstars have taken center stage appropriated the now familiar sound of zydeco. -
Arrests Were Made Fol- 12:46 Lobby Complaint Damage to Property at the Walmart Ovr Parking
Grasses Lady Cats make for make history sustainable Page 6 landcapes Page 10 The Eunice News VOL. 116 NO. 91 SUNDAY, NOVEMBER 8, 2020 $1.00 Chief: Officer numbers linked to crime rate By Harlan Kirgan if you look at our violent ing to climb up again,” he level and it leveled off. In 1,000 residents. In 2017, department has, the pro- Editor crime rate is still down said. 2016, we maxed out on the the number of officers active they can be in com- More officers on the from what it was when I The Eunice Police force number of police officers. dropped to slightly more bating crime, he said. police force translate to first took office and so is maxed out on the number That’s when we were al- than 2.8, went up in 2017 “Believe me these peo- lower crime, Eunice Police our property crimes rates officers in 2016 at about most at full capacity,” he to about 3 officers per ple on the streets that are Chief Randy Fontenot said are still down although 3.1 officers per 1,000 resi- said. 1,000 residents and in committing these crimes after reviewing the latest they seemed to have a hit dents. According to the FBI 2019 dipped to 2.2 officers they know how many of- FBI crime statistics. bottom. Last year was the “You’ll see how in 2010 statistics, there were per 1,000 residents. ficers we have and they “I do see a trend because low and they are start- we pretty much reached a about 2.8 officers per The more officers the (See Crime, Page 9) Hospital assessment School asked to help pay Medicaid Board care costs members By Harlan Kirgan Editor Allegiance Health Man- agement representatives talk about asked the St. -
Leblanc, Antoine J. “A.J.” (1929-2018)
Collection 337 LeBlanc, Antoine J. “A.J.” (1929-2018). Collection, 1900-2012, n.d. 13 feet, 27 volumes Biography: Antoine Jude “A.J.” LeBlanc was born on November 18, 1929 in Lafayette. He married Louella “Lou” Thibodeaux and they had two children, Susan LeBlanc Guilbeau and Jay Louis LeBlanc. Before engaging in a career of Acadian education, LeBlanc worked for a while as a car salesman, where he was praised for his honesty and dependability. He died on January 22, 2018 at the age of 88. LeBlanc was dedicated to promoting tourism in Acadiana through his involvement in many Louisiana tourism organizations. He was a member of the Louisiana Tourist Development Commission and the Louisiana Scenic Byways Commission. He served as president of several organizations, including: CAFA (Confederation of Associations of Families Acadian), the Louisiana Fairs and Festivals Association, the Louisiana Attractions Association, and the Lafayette Chapter of CODOFIL (Council for the Development of French in Louisiana). He served as a board member for the Acadiana Chapter of the Louisiana Restaurant Association and the Louisiana Travel Promotion Association. He was director of Acadian Village from 1982 to 1999. He received numerous awards and honors over the years, including: Louisiana Travel Attraction Employee of the Year (awarded by the Louisiana Travel Association and Louisiana Attractions Association), the CFMA (Cajun French Music Association) 1991 Ambassador at Large Award, “King Cotton” of the Ville Platte, LA Cotton Festival, and 1989 Distinguished Service Award from the Louisiana Restaurant Association. He had the honor of meeting King Carlos I and Queen Sofia of Spain in 2001 along with a delegation of Acadian representatives. -
Baltimorefolkmusicsocie
BALTIMORE F OLK M USIC S OCIETY Member, Country Dance & Song Society www.bfms.org July/August 2007 Buffalo Jamabalaya 2007 August 9-12, 2007, Camp Ramblewood, Darlington, MD Our annual Cajun/Zydeco dance camp returns to Camp Ramblewod for four fun-filled days and nights with three great bands. Step Rideau and the Zydeco Outlaws have been a cornerstone of the Houston Zydeco scene for over 15 years. The Lost Bayou Ramblers have a vast reper- toire of early dancehall tunes, pre-century fiddle tunes, Cajun swing, and original songs. Terry and The Zydeco Bad Boys are a young and ener- getic band with an expanding “Nouveaux Zydeco presence. Great Cajun cuisine prepared by chef Michael Richard . Dance workshops by Ben Pagac and Debbie Shaw and by Cal and Lou Courville , all excellent and experienced dance instructors. Plus enjoy art workshops and the Cajun/ Creole Culture Center. Camp Ramblewood is just 1 hour north of Baltimore. Registration fees: $300 full time/ $255 part time by July 9 (full time is Thursday through Sunday, part time is Friday through Sunday). After July 9: $340 full/$295 part. $10 discount for BFMS members! For more information and to reg- ister, go to www.buffalojam.org, or call Paul at 703-749-7949 or Terry and the Zydeco Bad Boys [email protected]. Regis- ter with Linda at 336-274- 6350 or [email protected], or use the flyer inserted Step Rideau The Lost Bayou Ramblers in this newsletter. Contra Dance Musician’s Workshop Featuring Marc Glickman Saturday, August 11, 44----7:157:15 PM St.