Read Book Shawls, Wraps, & Ponchos Ebook, Epub

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Shawls, Wraps, & Ponchos Ebook, Epub SHAWLS, WRAPS, & PONCHOS PDF, EPUB, EBOOK Jean Leinhauser,Rita Weiss | 40 pages | 01 Jun 2013 | LEISURE ARTS INC | 9781609003883 | English | Little Rock, United States Shawls, Wraps, & Ponchos PDF Book Rose Finch Capelet Sweet Softies. Use only one and a half skeins of yarn in a v-stitch pattern, and your shawl is ready to wear. Where will my image appear? How can I get this pattern? About the latest deals and store news. The seams…. You agree that you will not upload, post, e-mail or otherwise transmit Materials to us or our Affiliates that contain software viruses or any other computer code, files, or programs designed to interrupt, destroy or limit the functionality of any computer software or hardware or telecommunications equipment. Or pick a classic windowpane or color block design you can wear for any occasion. Filter By. A stitch video is also included for visual learners. Click here to view your Crochet Patterns. This Agreement is in addition to, and does not supersede or modify, the terms and conditions of use of the web sites of Prime Publishing and its Affiliates. Instructions are included for both a regular-sized shawl and a smaller "shawlette," so you can be sure it will fit you just right. Maia Triangular Shawl Underground Crafter. Petite New Arrivals. We are sorry. Crochet Wrap Patterns If you're looking for the perfect crochet piece of clothing, look no further than these wraps. Looking for free patterns for beautiful accessories? Pinterest is using cookies to help give you the best experience we can. Join Through Facebook. You might not be able to choose just one! This crochet vintage shawl is great for any age. Viewing of Womens Floral Embossed Belts. Log In Register Now! Defined by a striking snakeskin print, this wrap from Collection XIIX boasts metallic details for a shimmery effect. Do include captions for your images. Find the shawl that you've been looking for! It says to sc in first sc, ch 7, skip next 4sc, sc in next sc, etc across. It could be made seamlessly, but I chose to use these 4 seams specifically to add structure to the garment. What's Hot. Please turn it on so that you can experience the full capabilities of this site. Please share images that will help other visitors. This Purple Serenity Shawl is super easy to work up and creates a perfect triangular pattern. Limited time only! I really love this website, I see so many patterns. Hi, robinenedy This super fast crochet sweater pattern features a stylish high-low design and can be finished in a single weekend! Most are knit back and forth on circular needles, although one cape is knit in the round completely. Wear this little poncho two ways, too. Shawls, Wraps, & Ponchos Writer Style by Appointment. Other 7 Jumbo. Free eBooks. Scallops Scarf Crochet Instinct. Filet Scarf Woofter Creations. Book an Appointment. I'm sure we can all admit that we've tried a fabulous shawl on in a store and just stared at ourselves in the mirror for 10 minutes, only to put it back on the rack because it was just too pricey. All changes will be effective upon posting to the Service. This free crochet poncho pattern for women comes in sizes small to 3XL. Autumn Style Inspiration. Where will my image appear? Check this out now! This Purple Serenity Shawl is super easy to work up and creates a perfect triangular pattern. What shouldn't I share? Scarves and shawls are perfect accents for bundling up in style. Link you have, is broken. Thanks for subscribing! Beats me. This knitting book also a great resource for those who knit prayer shawls or wraps for charity. How long does it take to upload an image? Which do you prefer: shawls, ponchos, or wraps? You've viewed 18 of 26 products. Forgot Your Password? You grant Prime Publishing, its Affiliates and sublicensees the right to use the name that you submit in connection with the Materials. This shawl can be made for all sizes from children to adults, too! Our failure to enforce your strict performance of any provision of this Agreement will not constitute a waiver of our right to enforce such provision or any other provision of this Agreement subsequently. Plus Size Cowlneck Plaid Poncho. It doesn't say where to attach it. This crochet shawl pattern features a fringe detail to give it a more dressed up look. Your browser's Javascript functionality is turned off. Take a look: 19 Quick and Easy Crochet Scarves. Agar-Celli for AllFreeKnitting. The pattern of increases at the beginning creates a bit of shoulder shaping. I have made one and it was really easy. LauraLee Nov 01, Pure Cashmere Wrap - Sleigh Plaid. Rachel Whitley Aug 26, Use only one and a half skeins of yarn in a v-stitch pattern, and your shawl is ready to wear. This page will be constantly updated with the latest free pattern releases and great new finds, so come again to see the latest additions! Choose your favorite combination of worsted weight yarn and work up this Beginner Baby Blanket today. Pattern of the Day. Lace Wrap Pretty Peaceful. Vince Camuto Scarf. Shawls, Wraps, & Ponchos Reviews We will not share or sell your email address. It's easier to make than it looks, and with it's asymmetrical hem and mitered stitching, it's designed to flatter larger bodies as well as smaller ones - and look as good with jeans and boots as it does with a crown and glass slippers! Shawl Crochet Patterns The classic crochet shawl never goes out of style because it will be eternally useful and just as versatile. Are you sure you would like to report this comment? Cashmere Shop. It could be made seamlessly, but I chose to use these 4 seams specifically to add structure to the garment. What shouldn't I share? Forgot Password? Tipped Houndstooth Ruana. This crochet shawl pattern measures 24 inches wide by 60 inches long, although it's designed to accommodate whatever length you want. Each project lists finished dimensions, supplies needed and skill level required, as well as finishing instructions. Something worth saving? Pure Cashmere Wrap - Dazzle Plaid. Triangulation Shawlette Underground Crafter. It's that perfect crochet piece that will keep you warm on those chilly nights and complete any outfit. Adorn yourself in iCollection's luxurious drapy robe featuring scallop lace, side slit laced sleeves and relaxed elastic tie front waist. This crochet vintage shawl is great for any age. Got it! In row 10 it says ch 7,dc6tog, ch 7 ,dc6tog, ch 7 dc6tog across the row. Who owns the images I upload? Vince Camuto Scarf. Try a more sophisticated look with this one. Pure Cashmere Poncho. Before starting , please help me share this great resource by pinning my image on your Pinterest board! Here you can find simple pocket shawl crochet patterns that a beginner will find easy enough to attempt. You'll get a window that gives you the option to "copy. For example: Images that highlight a article's features "Here are the controls on this music player", "See the clasp for this necklace", "Look at the box this came in" Images showing someone using a product "Here I am wearing this scarf", "Install the ink cartridge here" Images related to a topic "My dog Skipper", "A great outfit", "Our family at Yellowstone", "How to glue a chair using a cabinet clamp" Images that show how a product performs "I took this picture with this camera", "This shirt shrunk in the wash", "The saw blade after cuts" Images that give a sense of the size of the product "This refrigerator is actually 6' tall", "A cellphone the size of a credit card" Do include captions for your images. Generally your image will appear where you uploaded it: in the article image gallery. Without our prior written consent, you may not use our intellectual property, including, without limitation, our trademarks, trade names, trade dress, or copyrighted material, in any manner. Rose Finch Capelet Sweet Softies. This crochet shawl pattern features a fringe detail to give it a more dressed up look. This Chevron Lace Wrap is no doubt going to get you compliments when you wear it. Crochet Greus Asymmetric Cowl - a free crochet cowl pattern on the blog mycrochetory. Hi, robinenedy Help others by adding images to this pattern. It will make you feel so stylish and fashionable. Art of the Scarf. Shawls, Wraps, & Ponchos Read Online Confirm Password:. Defined by a striking snakeskin print, this wrap from Collection XIIX boasts metallic details for a shimmery effect. Sign in using email and password Email: Password: Remember Me. A collection of the best Free Clothing Crochet accessories Looking for free patterns for beautiful accessories? Limited time only! This crochet vintage shawl is great for any age. Connect With Us. Womens Lace Junior Kimonos. Style by Appointment. I also do Afghans, too. You can upload two images. In row 10 it says ch 7,dc6tog, ch 7 ,dc6tog, ch 7 dc6tog across the row. The eleven designs range from easy to intermediate in skill level, ensuring that there is something for every knitter, although a basic understanding of how to knit is needed to tackle these projects. Super-soft, super-breathable fabrics, so you can stay at your perfect temperature all night long. They can be worn under heavy coats or they can be worn over tank tops to complete an outfit. Plus Size Cowlneck Plaid Poncho. Make this gorgeous crochet cover up pattern for layering this summer.
Recommended publications
  • Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
    Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern
    [Show full text]
  • Dressing for the Times: Fashion in Tang Dynasty China (618-907)
    Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks.
    [Show full text]
  • Contemporary Phuthai Textiles
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 Contemporary Phuthai Textiles Linda S. McIntosh Simon Fraser University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons McIntosh, Linda S., "Contemporary Phuthai Textiles" (2004). Textile Society of America Symposium Proceedings. 481. https://digitalcommons.unl.edu/tsaconf/481 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Contemporary Phuthai Textiles Linda S. McIntosh Simon Fraser University [email protected] © Linda S. McIntosh 2004 The hand-woven textiles of the Phuthai ethnic group continue to represent Phuthai identity but also reflect exposure to foreign elements such as through trade and changes in the regional political power. If one asks a Phuthai woman what is Phuthai dress, she will answer, sin mii lae suea lap lai, or a skirt decorated with weft ikat technique and a fitted blouse of indigo dyed cotton, decorated with hand-woven, patterned red silk. Despite the use of synthetic dyes readily available in the local markets, many women still grow indigo and cotton, and indigo-stained hands and the repetitious sounds of weaving are still found in Phuthai villages. This paper focuses on the Phuthai living in Savannakhet Province, Laos, but they are also found in Khammuan, Bolikhamsay, and Salavan provinces of Laos as well as in Thailand and Vietnam.1 Contemporary refers to textile production in the last thirty years but particularly in the last ten years after the liberalization of the Lao government policies and the return of private business and tourism after the 1980s.
    [Show full text]
  • Garments, Parts of Garments, and Textile Techniques in the Assyrian
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eoN - Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa University of Copenhagen Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Gaspa, Salvatore, "Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eN o-Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 3. http://digitalcommons.unl.edu/texterm/3 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The Neo- Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa, University of Copenhagen In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed.
    [Show full text]
  • The Indian Cashmere Shawl and Social Status in British Art, 1760-1870
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The Indian cashmere shawl and social status in British art, 1760-1870 https://eprints.bbk.ac.uk/id/eprint/40406/ Version: Full Version Citation: Van Schoor, Jennifer Ann (2019) The Indian cashmere shawl and social status in British art, 1760-1870. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Indian Cashmere Shawl and Social Status in British Art, 1760–1870 Jennifer Ann van Schoor VOLUME 1: TEXT Submitted for the degree of Doctor of Philosophy Birkbeck College, University of London Department of History of Art March 2019 THE INDIAN CASHMERE SHAWL AND SOCIAL STATUS IN BRITISH ART, 1760–1870 DECLARATION I hereby declare that the work submitted is my own and that appropriate credit has been given where reference has been made to the work of others. Jennifer Ann van Schoor 14/02/2019 Copyright The copyright of this thesis rests with the author, who asserts her right to be known as such according to the Copyright Designs and Patents Act 1988. No dealing with the thesis contrary to the copyright or moral rights of the author is permitted. 2 THE INDIAN CASHMERE SHAWL AND SOCIAL STATUS IN BRITISH ART, 1760–1870 ACKNOWLEDGEMENTS I would first and foremost like to thank the Arts and Humanities Research Council (AHRC) for funding this Doctoral Award, without which it would not have been possible.
    [Show full text]
  • Baseline Shawl Pattern
    Triangular garter stitch shawl with an i-cord border. To minimise bleeding, gently soak the swatch and The striping is rather striking, especially using high finished item in cold water with a mild detergent or contrast yarns. The shawl is quite sizeable and in wool wash. The gentler you wash your project the the shlanket territory, but you will be adding width better it will look over time. in sections and you can simply choose to stop adding sections at any time for a smaller shawl. FINISHED SIZE Kidsilk Lace adds a wonderful fuzzy texture and a Approx. 170cm wingspan and 120cm deep. delicate translucent effect. NEEDLE Try carrying your striping yarns inside the i-cord 4mm, circular would work best due to large edge, instead of cutting after every stripe. It’s easy, number of stitches towards the end. The shawl is just make sure the working colour is picked up knitted flat. from underneath the resting colour and the yarns will be carried up practically invisibly. The working YARN colour will wrap around the resting colour. Red stripes: A: 1x Sporty Merino - Zephyr Make sure you keep the i-cord stitches very B: 1x Sporty Merino - Graphite loose, especially at the beginning of the shawl. C: 1x Sporty Merino Juniper The very tip of my shawl curled a bit, but it relaxed 1x Kidsilk Lace - Pucker after a bath and it blocked smooth. Green yellow: Whether you are using commercially dyed yarn or A: 1x Sporty Merino - Fly lovely hand-dyed skeins, please keep in mind that B: 1x Sporty Merino - Graphite colours might bleed.
    [Show full text]
  • Identification Guidelines for Shahtoosh & Pashmina
    Shahtoosh (aka Shah tush) is the trade name for woolen garments, usually shawls, made from the hair of the Tibetan antelope (Pantholops hodgsonii). Also called a chiru, it is considered an endangered species, and the importation of any part or product of Pantholops is prohib- ited by U.S. law. Chiru originate in the high Himalaya Mountains of Tibet, western China, and far northern India where they are killed for their parts. Their pelts are converted into shahtoosh, and horns of the males are taken as trophies. No chirus are kept in captivity, and it reportedly takes three to five individuals to make a single shawl (Wright & Kumar 1997). Trophy Head with Horns of male Pantholops hodgsonii SHAWL COLORS Off-white and brownish beige are the natural colors of the chiru’s pelage. Shahtoosh shawls in these natural colors are the most traditional. How- ever, shahtoosh can be dyed almost any color of the spectrum. Unless the fibers are dyed opaque black, most dyed fibers allow the transmission of light so that the internal characteristics are visible under a compound microscope. (See "Microscopic Characteristics" in Hints for Visual Identification.) DIFFERENT PATTERNS AND/OR DECORATION SIZES - Solid color - Standard shawl 36" x 81" - Plaid - Muffler 12" x 60" - Stripes - Man-size, Blanket 108" x 54" - Edged in wispy fringe - Couturier length (4' x 18' +) - Double color (each side of shawl is a different color) - All-over embroidery APPROXIMATE PRICE RANGES Cost Wholesale Retail Plain $550-$1,000 $700-$2,500 $1,500-$2,450 Pastels $700-$850 $1,300-$2,600 $1,800-$3,000 Checks/Plaids $600-$1,500 $800-$1,180 $1,300-$2,450 Stripe $600-$800 $1,300-$1,800 $2,450-$3,200 Double color $800-$1,000 $1,380-$2,800 $2,100-$3,200 Border embroidery $850-$3,050 $1,080-$1,600 $1,500-$3,200 All-over embroidery $800-$5,000 $1,380-$5,500 $3,000-$6,500 White $1,800 $2,300 $4,600 Above prices are for standard size shawls in year 2000.
    [Show full text]
  • Manipur Traditional Costumes
    Manipur Traditional Costumes Manipur traditional costumes are very charisma and attractive and very simple and easier to wear them. The patterns and designs on the costumes are very unique and colorful. Manipur Traditional Costumes for Women: Innaphi and Phanek are the Manipuri traditional dress for women in Manipur. All Manipuri women wore these costumes. Phanek is worn like a sarong. The Manipuri dress is woven with the hand in horizontal line designs. The people also weave special Phanek, those called Mayek Naibi. The designs on Naibi are horizontal stripes and very attractive to look. This dress gives an extra appearance to the women and glows the beauty of the wearer. Meitai Females only stitch a cloth which called Kanap Phanek. The Kanap Phanek seems in the design of skirt and Meitai females stitched it with various designs. ‘Lai-Phi is another attractive cloth, which is in white color having a yellow border. ‘Chin-Phi’ is also another Manipuri traditional costume; the costumes made with embroidered Phanek. Manipur Traditional Costumes for Men: Manipur Men wear their traditional costume dhoti with a jacket. The white turban called Pagri wear commonly. The superior member of society wears cloth which called Khamen Chatpa. The Khamen Chatpa is generally worn on the ritual occasions. In ancient period the kings gifted Khamen Chatpa to the Genius, Poets and well-known people as the gifts and award. In ancient times the kings wear the special Ningthoupee dress and the warriors wear Zamphie during the wars. Manipuri Dress For Modern People: Manipur people strictly follow their tradition and culture.
    [Show full text]
  • The Textile Museum Thesaurus
    The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................
    [Show full text]
  • Fashion Text Book
    Fashion STUDIES Text Book CLASS-XII CENTRAL BOARD OF SECONDARY EDUCATION Preet Vihar, Delhi - 110301 FashionStudies Textbook CLASS XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110 301 India Text Book on Fashion Studies Class–XII Price: ` First Edition 2014, CBSE, India Copies: "This book or part thereof may not be reproduced by any person or agency in any manner." Published By : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 Design, Layout : Multi Graphics, 8A/101, W.E.A. Karol Bagh, New Delhi-110005 Phone: 011-25783846 Printed By : Hkkjr dk lafo/ku mísf'kdk ge] Hkkjr ds yksx] Hkkjr dks ,d lEiw.kZ 1¹izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kkRed x.kjkT;º cukus ds fy,] rFkk mlds leLr ukxfjdksa dks% lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /eZ vkSj mikluk dh Lora=krk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj 2¹jk"Vª dh ,drk vkSj v[kaMrkº lqfuf'pr djus okyh ca/qrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/ku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~ }kjk bl lafo/ku dks vaxhÑr] vf/fu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶izHkqRo&laiUu yksdra=kkRed x.kjkT;¸ ds LFkku ij izfrLFkkfirA 2- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶jk"Vª dh ,drk¸ ds LFkku ij izfrLFkkfirA Hkkx 4 d ewy dÙkZO; 51 d- ewy dÙkZO; & Hkkjr ds izR;sd ukxfjd dk ;g dÙkZO; gksxk fd og & (d) lafo/ku
    [Show full text]
  • Dress Code: Latvian
    Dress Code: Latvian 1 Cover photo: National dress is an integral part of Latvia’s heritage. If you have ever looked at one, you must have noticed Contemporary remake that more attention was paid to beauty than practicality. The many colourful layers, ornaments, brooches of a Rucava region folk and embroideries probably did not make life easier for Latvians of the past. Yet even today, when you spot dress made out of 9 belts, someone in such a costume, you will sense the elegance and grace radiating from both the wearer and 4 trousers, 3 crocheted garments. blankets, a jacket, shirt, sweater and a bicycle Of course, garments that have survived up to the present are costumes worn on festive occasions. They gearwheel. Recycled.lv have been handed down from generation to generation as treasured heirlooms. Nowadays, you are most collection Etnography, likely to come across people dressed in these timeless jewels during the Nationwide Song and Dance cel- 2014. ebration. All participants of choirs and dance ensembles are likely to wear costumes from their respective region of ancestry. Upper right: Contemporary At its essence, a traditional Latvian costume was the dress worn by the indigenous inhabitants of Latvia – accessories with the Balts and Livs. It includes everything that its owner hand-made for the various seasons and occasions. traditional Latvian graphic In contemporary Latvia, artists and designers still draw inspiration from the countless ornaments, symbols, symbols. Each sign has colour combinations and designs, the knowledge of which has been kept alive throughout the centuries. its own meaning and was The oldest models date back to as early as the 13th century.
    [Show full text]
  • Federal Register/Vol. 81, No. 197/Wednesday, October 12, 2016
    70490 Federal Register / Vol. 81, No. 197 / Wednesday, October 12, 2016 / Notices DEPARTMENT OF STATE compilation includes reports of both are being reported in 2015 as the Office tangible gifts and gifts of travel or travel of the Chief of Protocol, Department of [Public Notice: 9749] expenses of more than minimal value, State, did not receive the relevant as defined by the statute. Also included information to include them in earlier Office of the Chief of Protocol; Gifts to are gifts received in previous years reports. Federal Employees From Foreign including one gift in 1997, one gift in Publication of this listing in the Government Sources Reported to 2001, one gift in 2002, one gift in 2003, Federal Register is required by Section Employing Agencies in Calendar Year one gift in 2004, five gifts in 2006, thirty 7342(f) of Title 5, United States Code, as 2015 gifts in 2007, twenty-two gifts in 2008, added by Section 515(a)(1) of the The Department of State submits the sixty-one gifts in 2009, twenty-seven Foreign Relations Authorization Act, following comprehensive listing of the gifts in 2010, twenty-one gifts in 2011, Fiscal Year 1978 (Pub. L. 95–105, statements which, as required by law, forty-six gifts in 2012, twenty-five gifts August 17, 1977, 91 Stat. 865). federal employees filed with their in 2013, fifty gifts in 2014, and twelve Dated: September 22, 2016. employing agencies during calendar gifts with unknown dates. With the Patrick F. Kennedy, year 2015 concerning gifts received from exception of the gifts reported by the Under Secretary for Management, U.S.
    [Show full text]