December 2015/January 2016

Total Page:16

File Type:pdf, Size:1020Kb

December 2015/January 2016 FOR RESIDENTS OF THE JEWISH HOME OF SAN FRANCISCO DECEMBER 2015/JANUARY 2016 “Kindle the taper like the steadfast star Ablaze on evening’s forehead o’er the earth, And add each night a lustre till afar An eightfold splendor shine above thy hearth.” ~Emma Lazarus, “The Feast of Lights” Chanukah show for residents: 2:00 p.m., Wed., Dec. 9 – Goodman Lobby Chanukah show for community: 2:00 p.m., Sun., Dec. 13 – Frank Family Lounge CONTENTS DECEMBER 2015/JANUARY 2016 2 MEMORIES 12 BRAVO! A boy’s bits and pieces Employees of the month ~ December Rudy Hooremans 13 ACTRESS KATHY BATES ON WHAT SHE 3 VITAMIN D KNOWS NOW Ellen Marks-Hinkle 14 COUNCIL OF RESIDENTS 4 HOMER AND THE LANDLORDS OF SAN November meeting minutes FRANCISCO Bernice Hunold 16 HAPPENINGS AT HOME Taking fact-learning to heart by 6 IN MEMORY looking the part Veterans Day tribute 6 A SMALL ASSORTMENT OF TINY TRIVIA 20 RESIDENTS’ BIRTHDAYS 7 WATCHING OUR WORDS December and January celebrants Submitted by Edie Sadewitz 21 OUT & ABOUT 8 SCENES OF NATURE AND SUNSETS RISE Kol Haneshama “sages” present at SFJCC’s fair TO THE LIMELIGHT Myron Bernstein puts his photos on exhibit 22 HAPPENINGS AT HOME and answers questions from his sisters Works of art 11 WIT & HUMOR Seeing the funny (Jewish) side of life If Christmas Songs Were Written About Chanukah AT HOME contents are for the benefit of residents SUBMIT TO AT HOME! of the Jewish Home. At Home is based on the E-mail submissions by the 15th: tradition of free expression; submissions made Ilana Glaun: [email protected] by residents should be viewed as not necessarily representing the opinion, position or policies of HANDWRITTEN SUBMISSIONS to staff or the Home. switchboard by the 15th, or ask recreation staff for assistance. EDITING without approval of the author is a staff editor: Ilana Glaun reserved right, due to space and time constraints. designer: Michael Wickler Only content written or submitted by those connected with the Home will be accepted. JEWISH HOME 1 SAN FRANCISCO RESIDENTS WRITE ADAPTED FROM MEMORIES By Rudy Hooremans Rudy Hooremans A BOY’S BITS AND PIECES When I was about 11 years old, we moved to the floor. My legs were numb! Still half-dazed, I from The Hague’s Daguerre Straat to crept over to the bookcase and reached up to the number 267 Columbus Straat. Moeder and raucously ringing clock. I couldn’t find the blooming Vader owned this three-story house. We shut-off button! So as not to wake my parents, I occupied the first apartment, renting the stuffed the thing into my pajamas, crawled back to second one to an elderly widower and the bed, and put it under my pillow. Just about then, third one to a family. Our home extended the clock’s spring had unwound completely and silence returned. Meantime, both Moeder and Vader from the front, or street-side façade, to had hastened up the stairs to investigate the cause approximately half the depth of the building. of the big crash. (I loved that clock, though, and kept The adjacent apartment was located directly it with me for many years – through the war and to behind ours, extending to the rear façade. the U.S., until it finally gave out.) My bedroom was a delight to me. My own room! It My bed consisted of a steel frame with springs. had a door that I could close, thus giving me a lot The frame was hinged on the legs nearest the wall, of privacy. On the street side it had a pair of wood so that if I wanted more room, I could swing the and glass doors that swung open to give access to a bed up flat with the wall, similar to a Murphy bed. narrow balcony. (Actually, I can’t remember ever making use of this feature, except Vader did, once or twice, to get his For me, the room was nice and large. Along one “lazy bugger” out of bed!) With an inner spring wall stood a table and chair, where I could write, mattress and a heavy Dutch wool blanket, even read, and do my homework. I had a bookcase with during the coldest winter nights, once abed, I was as two shelves behind sliding glass doors, and at the snug as the proverbial bug in a rug. bottom, one shelf behind two swinging wood doors with a lock, in which I could hide my “secret” stuff. I had a little phonograph. I had to wind it with a handle, set the needle and diaphragm armature On top of the bookcase stood my alarm clock. When onto the record, and the sound would come out of Oom Jo (Moeder’s brother from Paris) came to the horn. Sometimes I would set the phonograph visit, he presented me with a Mickey Mouse alarm on my night table on my little balcony. Our next- clock. It had a bell on top that rang loud enough door neighbor wasn’t very thrilled with the raspy to wake the dead. One morning it startled me out sounds emanating from the contraption and of a deep sleep. I jumped out of bed – and crashed regularly yelled out of his window for me to stop AT HOME 2 DECEMBER 2015/JANUARY 2016 Ellen Marks-Hinkle VITAMIN D By Ellen Marks-Hinkle Do you remember when you were young and ran and played in the sun? Also, as a youth or young adult, you played it. He didn’t have much tolerance for boys. When outside no matter what kind of weather. my neighborhood friends and I played stickball in the street, he would call the police. They would Now you can be as active as you can. I will almost usually confiscate our ball and take us to the station guarantee that you will never crack a tooth! house, from where we had to be picked up by our parents. I called our neighbor “de zure haring,” the What you need to do is grab a good book, like sour herring. Gloria Houtenbrink, go outside and soak up some rays. Read until the latter part of the day, or talk As a typical, energetic boy, I, of course, never walked and schmooze with a good friend – like Gloria’s up the stairs to my room. I ran, most often taking wonderful friend Edie Sadewitz. These two ladies them two steps at a time. The door to my room had love to talk, laugh, read, and they do relax indeed. a pane of translucent glass in the upper panel, and on two occasions, I didn’t quite manage to stop in I feel this magical vitamin D is so easy to get (I will time, missed the doorknob, and stuck my hand right bet). You will have a happier, healthier day and life. through the glass, which then cascaded in shards to the floor. Luckily, my injuries were minor, but my There is a strong mind/body/spirit connection, and piggy bank hurt after I had paid for a new pane. it can also reduce asthma attacks or they will be less frequent. It also helps maintain bones and teeth. Read more of Rudy’s memories in the next issue of AtHome. Going outside in the sun can benefit everyone. JEWISH HOME 3 SAN FRANCISCO RESIDENTS WRITE HOMER AND THE Bernice Hunold Photo by Ray Hunold A look of disgust oozed across the landlord’s face. LANDLORDS OF “Madam, I would not love your dog,” he said. He jammed the rental agreement back in his pocket SAN FRANCISCO and showed me the door. By Bernice Hunold I didn’t set foot in the Marina District for weeks, but I did try the hills of San Francisco. On Russian Hill I met a landlord who was “Nyet, not I used to live in New York. In New York I was a dok lofer.” a children’s book editor, author and reviewer. Then I moved to San Francisco and I had On Nob Hill I met a landlord who was “Certainlee not a dog lovere.” to change my profession. In San Francisco I became a fulltime apartment hunter. On Telegraph Hill I met Grace Marchant. She was the remarkable woman who, with her own two Let me tell you about the landlords of San Francisco. hands, transformed that hill into a garden. What was This is back in 1970, when we – my husband Ray and she like? Well, at the gateway to her cottage was I, and our 4-year-old – first moved here. It was the a big box of tulip bulbs and a sign that read “Help 4-year-old who turned out to be a problem because yourself.” Grace wouldn’t turn a dog away, but Grace the landlords simply didn’t like him. His name was had cats ... that attacked dogs. Her cats were not Homer and he was a big German shepherd. In fact, dog lovers. And so the search went on. Homer was so big that when he put his paws on my shoulders, I had to look up to get a kiss from him. In the meantime, we were in an apartment temporarily, paying double the rent of any I had a hint that Homer might be a problem the first apartment on the block. The unfairness of this really day I went apartment hunting. I found one in the irked me, and I finally had an idea. I went to every Marina District.
Recommended publications
  • PREVIEW PREVIEW Previewstrictly on the Surface, ‘The Platters Rock’ Just Doesn’T Sound Right
    PREVIEW PREVIEW PREVIEWStrictly on the surface, ‘The Platters Rock’ just doesn’t sound right. During the mid-to-late 1950s, the ultra- polished vocal group was the epitome of cool, velvet-smooth harmonizing as they cranked out an avalanche of smash ballads under the supervision of manager Buck Ram. Filmmakers cast them as the relatively safe and sedate antidote to the otherwise steamy sounds dished up in the memorable films ‘Rock Around the Clock,’ ‘The Girl Can’t Help It,’ ‘Rock All Night,’ ‘Carnival Rock,’ and ‘Girls Town,’ their segments allowing overheated teenagers a chance to to. They’d started out as an R&B vocal group cool down a bit in their sweaty theater seats. before magnificently crossing over to the pop realm, and that early training never deserted Yet a close examination of their mammoth them altogether. catalog for Chicago’s Mercury Records reveals a surprising number of up-tempo The quintet’s unusual four-guys-and-one- gems that entirely legitimize the concept of gal lineup was influential in itself, mirrored this collection. You may not recognize all by a number of African American vocal of the titles at first glance, but taken as a groups that followed in their wake (most whole they confirm that The Platters could notably Smokey Robinson’s Miracles). But indeed rock whenever Ram allowed them very few outfits could boast the presence of 5 a stratospheric lead tenor the equal of The Bass singer Herb Reed was the first Platters’ Tony Williams, whose powerful, member that we now revere as a Platter to PREVIEWgymnastic vocal flights approximated a ride come into the fold.
    [Show full text]
  • Inventory of American Sheet Music (1844-1949)
    University of Dubuque / Charles C. Myers Library INVENTORY OF AMERICAN SHEET MUSIC (1844 – 1949) May 17, 2004 Introduction The Charles C. Myers Library at the University of Dubuque has a collection of 573 pieces of American sheet music (of which 17 are incomplete) housed in Special Collections and stored in acid free folders and boxes. The collection is organized in three categories: African American Music, Military Songs, and Popular Songs. There is also a bound volume of sheet music and a set of The Etude Music Magazine (32 items from 1932-1945). The African American music, consisting of 28 pieces, includes a number of selections from black minstrel shows such as “Richards and Pringle’s Famous Georgia Minstrels Songster and Musical Album” and “Lovin’ Sam (The Sheik of Alabami)”. There are also pieces of Dixieland and plantation music including “The Cotton Field Dance” and “Massa’s in the Cold Ground”. There are a few pieces of Jazz music and one Negro lullaby. The group of Military Songs contains 148 pieces of music, particularly songs from World War I and World War II. Different branches of the military are represented with such pieces as “The Army Air Corps”, “Bell Bottom Trousers”, and “G. I. Jive”. A few of the delightful titles in the Military Songs group include, “Belgium Dry Your Tears”, “Don’t Forget the Salvation Army (My Doughnut Girl)”, “General Pershing Will Cross the Rhine (Just Like Washington Crossed the Delaware)”, and “Hello Central! Give Me No Man’s Land”. There are also well known titles including “I’ll Be Home For Christmas (If Only In my Dreams)”.
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • Sandspur, Vol. 73 No. 06, November 07, 1966
    University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-7-1966 Sandspur, Vol. 73 No. 06, November 07, 1966 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol. 73 No. 06, November 07, 1966" (1966). The Rollins Sandspur. 1287. https://stars.library.ucf.edu/cfm-sandspur/1287 ROLLIN NJDSFUR THE ROLLINS SANDSPUR, WINTER PARK, FLORIDA November 7, 1966 College Convocation Today Dedicates Crummer School Rollins will dedicate Crummer introduce Hugh F. McKean, Rol­ movie screens, turn on or off pro­ Hall, the $700,000 building hous­ lins' President; Dr. Donald W. jection equipment, change slides ing the Roy E. Crummer School Hill, Dean of the College; Dr. automatically and control sound of Finance and Business Admin­ Charles A. Welsh, Dean of The and lighting. The main section istration, today in connection Crummer School of Finance and also accommodates microphone with the College's 81st Anniver­ Business Administration; and outlets including an overhead sary Convocation beginning at James Gamble Rogers III, archi­ microphone hoist and tape record­ 4:30 p.m. tect of Crummer Hall. er packs. The building and its programs F. Monroe Alleman, president constitute a $1.5 million project.
    [Show full text]
  • The Platters Biography Back to Profile
    search Rock Hall VISIT THE GET THE THE STORY THE UPCOMING LIBRARY & SHOP MUSEUM INVOLVED INDUCTEES OF ROCK EXHIBITS EVENTS EDUCATION ARCHIVES ROCK HALL OVERVIEW ALL INDUCTEES: ALPHABETICALLY ALL INDUCTEES: BY YEAR PAST INDUCTION CEREMONIES THE INDUCTION PROCESS The Platters Biography back to profile The Platters were one of the top vocal groups of the Fifties, delivering smooth, stylized renditions of pop standards. Like the Ink Spots a decade earlier, they were the most popular black group of their time, achieving success in a crooning, middle-of-the-road style that put a soulful coat of uptown polish on pop-oriented, harmony-rich material. Their lengthy string of hits began in 1955 with “Only You” and continued until the end of the decade, including four singles that reached Number One : “The Great Pretender,” “My Prayer,” “Twilight Time” and “Smoke Gets in Your Eyes.” The secret of the Platters’ success had to do with their choice of material: adult ballads and standards that predated the rock and roll era and delivered with crisp, impeccable harmonies framed by string-laden arrangements. Much of the credit is due to Buck Ram, the group’s producer, manager and guiding light, who had worked with acts like the Ink Spots in the Forties. The group got its start in Los Angeles in 1952. The original lineup included Alex Hodge, Cornell Gunter, David Lynch, Joe Jefferson, Gaynel Hodge and Herb Reed. Reed is credited with creating the group’s name. In June 1953, Gunter was replaced by Tony Williams, and Jefferson was no longer in the group.
    [Show full text]
  • Buck RAM S Personality Productions (Paperback)
    GIW9M4GSPHT6 / Doc / Buck RAM s Personality Productions (Paperback) Buck RA M s Personality Productions (Paperback) Filesize: 5.72 MB Reviews This publication will not be easy to get going on reading but really exciting to read through. it was writtern really perfectly and beneficial. I found out this pdf from my i and dad suggested this publication to find out. (Garrett Adams) DISCLAIMER | DMCA D4O05PRZV5R7 // PDF » Buck RAM s Personality Productions (Paperback) BUCK RAM S PERSONALITY PRODUCTIONS (PAPERBACK) To read Buck RAM s Personality Productions (Paperback) PDF, remember to access the hyperlink below and save the ebook or gain access to other information which might be have conjunction with BUCK RAM S PERSONALITY PRODUCTIONS (PAPERBACK) book. Createspace Independent Publishing Platform, United States, 2017. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Buck Ram is best known for his management of The Platters, and his hit songs including -Only You, - -The Great Pretender, - and -The Magic Touch- but Personality Productions represented dozens of acts over the years including The Flares, The Penguins and Benny Joy, and Morton Downey, Jr. This photo book was done on the occasion of Jean Bennett s 9th birthday in memory of hr 38 years business partnership with Ram. Read Buck RAM s Personality Productions (Paperback) Online Download PDF Buck RAM s Personality Productions (Paperback) 0EVFQ9JUOWGL / Book > Buck RAM s Personality Productions (Paperback) Oth er Books [PDF] Where Is My Mommy?: Children s Book Follow the hyperlink beneath to download and read "Where Is My Mommy?: Children s Book" PDF file. Read eBook » [PDF] Children s Handwriting Book of Alphabets and Numbers: Over 4,000 Tracing Units for the Beginning Writer Follow the hyperlink beneath to download and read "Children s Handwriting Book of Alphabets and Numbers: Over 4,000 Tracing Units for the Beginning Writer" PDF file.
    [Show full text]
  • Holiday-Licensing-Guide.Pdf
    V1 Before you embark on a holiday release that will include your recorded version of iconic songs from Christmases and Hanukkahs past, you must first acquire all the necessary licenses. Any time you repro- duce and distribute a recording of someone else’s composition, you need a mechanical license allowing you the use of the composition – even if you’re giving it away as a gift! That’s right, just like you need a license to drive a car, fly an airplane or sell real estate, Copyright Law requires that all music artists and/or record labels obtain a mechanical license before distributing a recording that includes a song or composition they didn’t write. are calculated on the actual number of downloads. In this Mechanical License same example, if your new album is downloaded 500 times, you would owe another $136.50 (500 x .091 x 3). Additionally, A mechanical license is a broad term that dates back to 1909, if your cover songs are available as singles, the same rates soon after the invention of the phonograph, when the US apply to all downloaded single tracks. Copyright Act was significantly revised. The Copyright Act of 1909 created the first compulsory mechanical license If you don’t intend to sell the CDs – maybe these are special designed to prevent anyone from making a “mechanical gifts to fans or a holiday incentive to spark larger sales – you reproduction” of a musical composition without the consent still need a license for every cover song included on your al- of the copyright owner.
    [Show full text]
  • Click Here for Program Notes
    ANN ARBOR SYMPHONY ORCHESTRA 2 Music in the Key of A ® presents AARON BEROFSKY violin CHARLES BEROFSKY organ & piano Holiday Pops VIRTUAL 12.18.20 CONCERT This concert is cosponsored by and Tom & Debby McMullen and is supported by a grant from - PROGRAM - ARIOSO from CANTATA BWV 156 Johann Sebastian Bach, arr. by Sam Franko Tonight’s performance of Arioso is sponsored by the Second Thursday Book Club in memory of Carl Van Appledorn I’LL BE HOME FOR CHRISTMAS Kim Gannon, Walter Kent, Buck Ram; arr. by Charles Berofsky Tonight’s performance of “I’ll Be Home for Christmas” is sponsored by Sarah & Norm Bishara ADAGIO IN E MAJOR, K. 261 Wolfgang Amadeus Mozart SELECTIONS from “A CHARLIE BROWN CHRISTMAS” Vince Guaraldi Tonight’s performance of “A Charlie Brown Christmas” is sponsored by Carol Sewell & Jeff Weikinger, saying thank you to everyone at the A2SO office for continuing to make the music happen during this unparalleled season. WHITE CHRISTMAS Irving Berlin Special thanks to Shawn Greco for his help filming the Ann Arbor scenes. PROGRAM NOTES BY BENJAMIN TISHERMAN Bach Cantata BWV I’ll Be Home for A Charlie Brown 156 is composed Christmas is composed Christmas is composed 1729 1776 1943 1954 1965 Adagio in E Major White Christmas is composed is composed Arioso from Cantata BWV 156 Johann Sebastian Bach Born 1685; Eisenach, Germany. Died 1750; Leipzig, Germany Bach’s Cantata 156 is one of over 200 works composed for specific occasions in the Lutheran liturgical calendar. Bach wrote this particular cantata in Leipzig in 1729, for the Third Sunday after Epiphany.
    [Show full text]
  • Top Ten Vocal Groups Rhythm and Blues
    THE Top Ten Vocal Groups of the Golden ‘50s The Great R&B Files (# 6 of 12) Updated July 10, 2019 THE Top Ten Vocal Groups of the Golden ‘50s Rhythm and Blues Harmony Presented by Claus Röhnisch The R&B Pioneers Series - Volume Six of twelve Also read page 1 (86) - Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of R&B - The John Lee Hooker Session Discography with Year-By-Year Recap - The Blues Giants of the 1950s - Twelve Great Legends - Ten Sepia Super Stars of Rock ‘n’ Roll – Idols making Music Histouy - Transitions from Rhythm to Soul – Twelve Original Soul Icons - The True R&B Pioneers – Twelve Hit-Makers from the Early Years - Predecessors of the Soul Excplosion in the 1960s – Twelve Famous Favorites - The R&B Pioneers Series – The Top 30 Favorites - Clyde McPhartter - the Original Soul Star - The Clown Princes of Rock and Roll: The Coasters - Those Hoodlum Friends – The Coasters The Great R&B-files Created by Claus Röhnisch Find them all at http://www.rhythm-and-blues.info The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Two great ”reference” books on Doo-Wop: The Doo-Wop Decades, 1945-1965 by B. Lee Cooper and Frank W, Hoffman CSIPP, US 2017 The Top 1000 Doo-Wop Songs by Anthony Gribin and Matthew Schiff Ttgpress, 2014 2 The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Introduction Of all the countless (and mostly black) vocal groups, who gave us that exciting and wonderful harmony singing in the 1950s, I have selected ten outstanding pioneer R&B groups.
    [Show full text]
  • The Lost Songs of Somerville
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2012 The Lost Songs of Somerville Scott Cerreta CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/510 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 The Lost Songs of Somerville By Scott Cerreta 2 I And a one, a two, a one, two, three, four. Remember me? I used to be the face of America, at least according to the painted cover of a once famous magazine. You’ll remember the picture if I show it to you: I’m the kid in the middle with the chipped tooth, a small flag planted in one young fist and a dying sparkler in the other; I’m sitting on a grassy hill with my family and some neighbors and the picture’s perspective is that of being just downhill looking up at us; our faces, still glowing with wonder, are all staring up into a darkening evening sky filled with fireworks which are, at that moment, in exact full neon blossom. Can’t find the likeness? Well, it was a long time ago and though some of us do, I guess most of us don’t, as children, much resemble our eventual adult selves. Anyway, the face of America wasn’t really me, it was our town, Somerville, they were referring to, back when this country was still knowable enough that one could imagine its true essence being found in such a small and simple space.
    [Show full text]
  • Web Magazine Approaches to Christmas
    Page 1 of 3 Print entire issue Web Magazine Approaches to Christmas Issue 198: December 19, 2006 FEATURED ARTICLES The Spouse Who Stole Christmas By Sue Eisenfeld Her non-Jewish husband decided not to do Christmas, but now she misses it. Read More Bringing Christmas Back By Gina Hagler If you convert, can you still have a tree? Read More Don't Bring Christmas Back By Dawn C. Kepler An outreach professional responds to Bringing Christmas Back. http://www.interfaithfamily.com/site/pp.aspx?c=ekLSK5MLIrG&b=1711661&printmode... 12/19/2006 Page 2 of 3 Read More Learning to Let Go of Christmas By Alice Hale Now that she's converted, she's ready to stop celebrating Christmas. But her kids aren't. Read More ALSO IN THIS ISSUE More Articles on Approaches to Christmas What Will We Do About Christmas? (After the Grandparents Are Gone) By Suzanne Koven Hanukkah at home, Christmas at the in-laws. But what happens when the in-laws die? Planning "Far Enough" By Rosanne Levitt An outreach professional responds to What Will We Do About Christmas? (After the Grandparents Are Gone). The Greatest Game: Playing Dreidel in Iowa By Susan Freudenheim A self-avowed East Coast liberal introduces her husband's devout Catholic family to gelt and latkes. "In the Mix": (Out of the) Home for Christmas By Julie Wiener A Jewish woman struggles to keep Christmas at arm's length from her interfaith family. News Survey: Interfaith Families Raising Jewish Kids Can Negotiate Christmas By Sue Fishkoff http://www.interfaithfamily.com/site/pp.aspx?c=ekLSK5MLIrG&b=1711661&printmode..
    [Show full text]
  • 2009–2010 Season Sponsors
    2009–2010 Season Sponsors The City of Cerritos gratefully thanks our 2009–2010 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Friend Margie and Ned Cherry The Fish Company $50,001-$100,000 $1-$1,000 Drs. Frances and Philip Chinn Elizabeth and Terry Fiskin José Iturbi Foundation Maureen Ahler Patricia Christie Louise Fleming and Tak Fujisaki Cheryl Alcorn Richard Christy Jesus Fojo Patron Sharlene and Ronald Allice Rozanne and James Churchill Anne Forman $20,001-$50,000 Susan and Clifford Asai Neal Clyde Dr. Susan Fox and Frank Frimodig Bryan A. Stirrat & Associates Larry Baggs Mark Cochrane Sharon Frank National Endowment for the Arts Marilyn Baker Michael Cohn Teresa Freeborn Eleanor and David St. Clair Terry Bales Claire Coleman Roberta and Wayne Fujitani Sallie Barnett Mr. and Mrs. Joseph Consani II Elaine Fulton Patricia Cookus Partner Alan Barry Samuel Gabriel Cynthia Bates Nancy Corralejo Therese Galvan $5,001-$20,000 Barbara Behrens Virginia Correa Arthur Gapasin Dr.
    [Show full text]