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Operaharmony

#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .
(C) First Edition Riddle's Collection of Scots Playford's Scotch Tunes of 1700 and 1701, Aria Reels, C

CJj'e •fllustca/.. Vol. VII., No. 2. ist OCTOBER 1925. Pkice Fourpence. NEW EDUCATIONAL WORKS Just Published ij.—NOVELLO'S MUSIC PRIMERS. No. 101.—NOVELLO'S MUSIC PRIMERS. BREATHING FOR VOICE-PRODUCTION EAR-TRAINING (Rewritten and brought up to date) EURHYTHM: THOUGHT IN ACTION. MUSICAL APPRECIATION AND By H. H. HULBERT. RHYTHMIC MOVEMENTS. Price ... Three Shillings. Paper Buards, 45. MABEL CHAMBERLAIN. Just Published. Complete, Six Shillings, Or No. 100.—NOVELLO'S MUSIC PRIMERS. In Two Books: Letterpress and Illustrations, as. Music only, 35. PRONUNCIATION FOR The Ear-Training Course outlined in this book is intended VOICE-PRODUCTION primarily for Class use, but if a judicious selection be made from FROM the exercises, the course can be used with equal benefit by private EURHYTHM : THOUGHT IN ACTION. teachers for individual pupils. Senior pupils and students who desire to Study music, and who have received little or no previous By H. H. HULBERT. tuition, cannot do better than work rapidly through these progress- ive exercises and tests. A Prospectus will be sent on application. Pkice, One Shilling and Sixpence. LONDON NOVELLO & COMPANY LIMITED A valuable Work of Reference for all School and Music Teachers The " His Master's Voice " Education Catalogue has been compiled especially for the use of Teachers and Stu- dents who are using the Gramophone. It is intended to be a simple guide to a "His very large number of Records that have Master's been chosen for their educational value. Voice" The above Catalogue can be obtained free from all "His Master's Voice" accredited dealers, or from The Gramophone Company, Ltd.
County Still Moving Towards Malloy Landing Purchase

JeffersonFriday, February 22, 2019JournalVol. 12 number 30 county 75¢ +tax ECBPUBLISHING . COM County still moving towards Malloy Landing purchase Lazaro Aleman That property is Malloy Landing, Commission recently approved an Thursday evening, Feb. 7, the ECB Publishing, Inc. traditionally a recreational spot that application for a grant to pay for a property's appraised value proved gives access to the Wacissa River via portion of the property's purchase much lower than expected. Jefferson County officials are the Little River and that residents price, with the rest to come from the “Forty-five thousand was the taking steps to fast-track the purchase once enjoyed the use of, until a board BP settlement funds and possibly appraised value,” Reams said, adding of a property in the southern part of decision in 2010 closed asset to the some county money. that the county was constrained by the county that they have long been site. As Clerk of Court Kirk Reams this number. “We're asking for a eyeing and that once was at the center In pursuit of the landing's informed the commission at the $22,500 grant from the Land and See PURCHASE page 3 of a heated controversy. purchase, the Jefferson County public hearing on the issue on Repaving on the way Elections office to relocate Lazaro Aleman ECB Publishing, Inc. The elections office's move from its present location on Dogwood Street to the government complex on Walnut Street could happen as soon as this summer. July, in fact, is the target month for the relocation. Clerk of Court Kirk Reams recently raised the issue before the Jefferson County Commission on behalf of Elections Supervisor Marty Bishop, who generally avoids the limelight.
CUL Keller Archive Catalogue

HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles.
CHAN 3014 Book Cover.Qxd 24/7/07 2:55 Pm Page 1

CHAN 3014 book cover.qxd 24/7/07 2:55 pm Page 1 Chan 3014(3) CHANDOS O PERA IN ENGLISH David Parry PETE MOOES FOUNDATION CHAN 3014 BOOK.qxd 24/7/07 3:00 pm Page 2 Charles Gounod (1818–1893) Faust AKG Opera in five acts (with ballet music) Libretto by Jules Barbier and Michel Carré English translation by Christopher Cowell Faust, a learned doctor ............................................................ Paul Charles Clarke tenor Mephistopheles ................................................................................ Alastair Miles bass Marguerite ...................................................................................... Mary Plazas soprano Valentin, Marguerite’s brother, a soldier........................................ Garry Magee baritone Siébel, a village youth, in love with Marguerite ..............Diana Montague mezzo-soprano Wagner, a student...................................................... Matthew Hargreaves bass-baritone Martha, Marguerite’s neighbour .......................................... Sarah Walker mezzo-soprano Geoffrey Mitchell Choir Charles Gounod Philharmonia Orchestra Nicholas Kok assistant conductor David Parry conductor 2 3 CHAN 3014 BOOK.qxd 24/7/07 3:00 pm Page 4 COMPACT DISC ONE Scene 3 35:26 [p. 54] 11 Act I 27:08 [p. 54] ‘Pride of place to the golden calf !’ 2:04 [p. 65] Mephistopheles, Chorus 1 7:03 [p.58] Introduction 12 ‘Your song deserves our thanks!’ 2:47 [p. 66] Scene 1 35:26 [p. 54] Chorus, Valentin, Wagner, Mephistopheles, Siébel 2 6:14 [p.58] ‘Nothing! In vain I have probed…’ 13 ‘Though the fiends of hell may defy resistance’ 2:32 [p. 67] Faust Siébel, Valentin, Wagner, Chorus 3 ‘Lazy little daughter open up your eyes’ 2:55 [p. 58] Scene 4 35:26 [p. 54] Chorus, Faust 14 ‘You haven’t seen the last of me yet!’ 1:33 [p.
Catalogue @ 01.01.2017

1 CRQ EDITIONS – CATALOGUE @ 01.01.2017 Verdi: Ernani (abridged) Iva Pacetti / Antonio Melandri / Gino Vanelli / Corrado Zambelli / Ida Mannarini / Aristide Baracchi / Giuseppe NessiChorus and Orchestra of La Scala, Milan / Lorenzo Molajoli Recorded in Milan in 1930 by the Columbia Graphophone Company. A superb example of operatic performance in Milan during the inter-war years - never before released on CD. Classic Record Quarterly Editions CRQ CD001 (1 CD) Tchaikovsky: Symphony No. 6 in B minor, ‘Pathétique’, Op. 74 London Philharmonic Orchestra / Sir Adrian Boult The 1959 Miller International recording, with correct stereo channels applied. Boult in masterly form in repertoire not recorded by him elsewhere. Classic Record Quarterly Editions CRQ CD002 (1 CD) Homage to Mogens Wöldike Danish State Radio Chamber Orchestra / Mogens Wöldike J. C. Bach: Sinfonia in B flat major Op. 18 No. 2; F. J. Haydn: Divertimento in G major; F. J. Haydn: Six German Dances; W. A. Mozart: Symphony No. 14 in A major, K. 114; K. D. von Dittersdorf: Symphony in C major Originally recorded by Decca and HMV. A representative programme demonstrating the genius of one of the early pioneers of period performance practice. Classic Record Quarterly Editions CRQ CD003 (1 CD) Verdi: Macbeth Margherita Grandi, Walter Midgley, Francesco Valentino, Italo Tajo Glyndebourne Festival Chorus, Scottish Orchestra / Berthold Goldschmidt, conductor Recording of the performance of 27th August 1947 given by Glyndebourne Festival Opera at the first Edinburgh Festival, First issued on ‘The Golden Age of Opera’ LPs by Ed Smith The ethos of the Weimar Republic’s Verdi revival, Glyndebourne’s exacting musical standards, and the occasion of the first Edinburgh Festival combine to create a memorable evening.
Descendants of Henry Reynolds

Descendants of Henry Reynolds Charles E. G. Pease Pennyghael Isle of Mull Descendants of Henry Reynolds 1-Henry Reynolds1 was born on 2 Jun 1639 in Chippenham, Wiltshire and died in 1723 at age 84. Henry married Jane1 about 1671. Jane was born about 1645 and died in 1712 about age 67. They had four children: Henry, Richard, Thomas, and George. 2-Henry Reynolds1 was born in 1673 and died in 1712 at age 39. 2-Richard Reynolds1 was born in 1675 and died in 1745 at age 70. Richard married Anne Adams. They had one daughter: Mariah. 3-Mariah Reynolds1 was born on 29 Mar 1715 and died in 1715. 2-Thomas Reynolds1 was born about 1677 in Southwark, London and died about 1755 in Southwark, London about age 78. Noted events in his life were: • He worked as a Colour maker. Thomas married Susannah Cowley1 on 22 Apr 1710 in FMH Southwark. Susannah was born in 1683 and died in 1743 at age 60. They had three children: Thomas, Thomas, and Rachel. 3-Thomas Reynolds1 was born in 1712 and died in 1713 at age 1. 3-Thomas Reynolds1,2,3 was born on 22 May 1714 in Southwark, London and died on 22 Mar 1771 in Westminster, London at age 56. Noted events in his life were: • He worked as a Linen Draper. • He worked as a Clothworker in London. Thomas married Mary Foster,1,2 daughter of William Foster and Sarah, on 16 Oct 1733 in Southwark, London. Mary was born on 20 Oct 1712 in Southwark, London and died on 23 Jul 1741 in London at age 28.
ISBN TITLE AUTHOR PUBLISHER/MMEDIUM AREA SHELF LOCATION QUANT 9780761453482 Born for Adventure Kathleen Karr Two Lions Hardcover

ISBN TITLE AUTHOR PUBLISHER/MMEDIUM AREA SHELF LOCATION QUANT 9780761453482 Born for Adventure Kathleen Karr Two Lions Hardcover Ackerman Children's Literature: Africa 1 9780374371784 Time's Memory Julius Lester Farrar Straus GHardcover Ackerman Children's Literature: Africa 1 At the Crossroads Rachel Isadora Greenwillow Hardcover Ackerman Children's Literature: Africa 1 9780517885444 Tar Beach Faith Ringgold Dragonfly BooPaperback Ackerman Children's Literature: Africa 1 Never Forgotten Patricia McKissack Schwartz and Hardcover Ackerman Children's Literature: Africa 1 9781563978227 Madoulina (Story from West Africa) Joe Bognomo Boyds Mills PrPaperback Ackerman Children's Literature: Africa 1 9780374312893 Circle Unbroken Margot Theis Raven Farrar, Straus Hardcover Ackerman Children's Literature: Africa 1 9780688102562 African Beginnings Kathleen Benson; James Haskins Amistad Hardcover Ackerman Children's Literature: Africa 1 9780688151782 Storytellers, The Ted Lewin Harpercollins Hardcover Ackerman Children's Literature: Africa 1 9780027814903 Abiyoyo Pete Seeger Simon and SchHardcover Ackerman Children's Literature: Africa 1 9780671882686 Fire on the Mountain Earl B. Lewis Simon & SchuHardcover Ackerman Children's Literature: Africa 1 9780690013344 Honey, I Love and Other Love Poems Eloise Greenfield HarperCollins Hardcover Ackerman Children's Literature: Africa 1 9780545270137 One Hen: How One Small Load Made a Big Difference Katie Smith Milway Scholastic Paperback Ackerman Children's Literature: Africa 2 Man of the People: A Novel
The Delius Society Journal

The Delius Society Journal April 1981,Number 7l The Delius Society Full Membership97.00 per year Studentsf,3.50 Subscription to Libraries (Journal only) f,5.00 per year USA and CanadaUS S17.00per year President Eric Fenby OBE, Hon D Mus, Hon D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith DaviesMA, B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon D Mus Vernon Handley MA, FRCM, D Univ (Surrey) Chairman R B Meadows 5 WestbourneHouse, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 1 Cherry Tree Close,St. Leonards-on-Sea,Sussex TN37 6EX Secretary Miss Estelle Palmley 22 Kingsbury Road, London NW9 ORR Editor Stephen Lloyd 4l MarlboroughRoad, Luton, BedfordshireLU3 IEF Tel: Luton (0582\ 20075 Contents Editorial 3 The President'sAddress 6 Beecham:The Delius Repertoire 9 An Eveningwith Norman Del Mar l9 Book Review 2l Obituary: Robert Aickman 23 Forthcoming Events 23 Cover lllustration An early sketch of Delius by Edvard Munch reproducedby kind permissionof the Curator of the Munch Museum,Oslo, Norway. Additional copiesof this issuef,l each,inclusive of postage. ISSN-0306-0373 Editorial No recent publication can have commandedsuch widespreadcritical attention in the musical world as The New Grove whose additional adjectivein its title might seemdesigned to bestow eternal youth on this fountain of musicalknow- ledge. One wonders what they will name the seventh edition years hence. Its twenty volumesare an impressiveachievement and a pleasureto read and handle, though for the purchaserat f,850 a set a costly touch.
Download Booklet

of Opera at Covent Garden”. She may however have joined imparts the requisite solidity of tonal foundation to the CAVALLERIA RUSTICANA (Rustic Chivalry) BNOC after it left Covent Garden, or perhaps she was specially whole performance.” A Melodrama in One Act by Pietro Mascagni - English words by Frederic E.Weatherly. promoted from the chorus for this recording. She did record Principals, Chorus and Orchestra of the British National Opera Company, (1935-1926) for the small Beltona record label but she is not Biographical Notes © Chris Ball conducted by Aylmer Buesst mentioned in any of the standard reference books nor any of the biographies or autobiographies of musicians who had A Pristine Audio restoration by Andrew Rose. 1 Prelude [1.55] 11 So thou seest what thou hast done [2.46] connections with BNOC. Booklet design: Divine Art 2 Siciliana [2.09] 12 Ah, ‘tis the Lord who hast sent thee [2.53] Print preparation: Blake Printers Ltd. Aylmer Buesst (1883-1970) was born in Melbourne. He With thanks to Chris Ball for providing worked with the Moody-Manners Company – a touring 3 Prelude (reprise) [2.20] 13 Sweet Mistress Santa [1.42] the biographical notes. company founded by the husband and wife team of Charles Manners and Fanny Moody – before joining the Beecham © Divine Art Limited 2005 4 Opening Chorus [2.41] 14 Intermezzo [2.45] company. He was one of the founders of the BNOC and he wrote a concise and lucid analysis of Wagner’s Ring which 5 Tell me, Mother Lucia [2.41] 15 Now homeward returning [2.03] is well worth reading.
The Harold E. Johnson Jean Sibelius Collection at Butler University

Butler University Digital Commons @ Butler University Special Collections Bibliographies University Special Collections 1993 The aH rold E. Johnson Jean Sibelius Collection at Butler University: A Complete Catalogue (1993) Gisela S. Terrell Follow this and additional works at: http://digitalcommons.butler.edu/scbib Part of the Other History Commons Recommended Citation Terrell, Gisela S., "The aH rold E. Johnson Jean Sibelius Collection at Butler University: A Complete Catalogue (1993)" (1993). Special Collections Bibliographies. Book 1. http://digitalcommons.butler.edu/scbib/1 This Book is brought to you for free and open access by the University Special Collections at Digital Commons @ Butler University. It has been accepted for inclusion in Special Collections Bibliographies by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. ^ IT fui;^ JE^ Digitized by the Internet Archive in 2010 with funding from Lyrasis IViembers and Sloan Foundation http://www.archive.org/details/haroldejohnsonjeOOgise The Harold E. Johnson Jean Sibelius Collection at Butler University A Complete Catalogue Gisela Schliiter Terrell 1993 Rare Books & Special Collections Irwin Library Butler University Indianapolis, Indiana oo Printed on acid-free paper Produced by Butler University Publications ©1993 Butler University 500 copies printed $15.00 cover charge Rare Books & Special Collections Irwin Library, Butler University 4600 Sunset Avenue Indianapolis, Indiana 46208 317/283-9265 Dedicated to Harold E. Johnson (1915-1985) and Friends of Music Everywhere Harold Edgar Johnson on syntynyt Kew Gardensissa, New Yorkissa vuonna 1915. Hart on opiskellut Comell-yliopistossa (B.A. 1938, M.A. 1939) javaitellyt tohtoriksi Pariisin ylopistossa vuonna 1952. Han on toiminut musiikkikirjaston- hoitajana seka New Yorkin kaupungin kirhastossa etta Kongressin kirjastossa, Oberlin Collegessa seka viimeksi Butler-yliopistossa, jossa han toimii musiikkiopin apulaisprofessorina.
Over 100 Opera Makers

#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .