Women's Rights Or Wrongs?
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The Naked Surgeon the Power and Peril of Transparency in Medicine
JULY 2015 POPULAR SCIENCE / HEALTH Giulia Enders Gut translated by the inside story of our body’s most under-rated organ David Shaw The key to living a happier, healthier life is inside us. Our gut is almost as important to us as our brain or our heart, yet we know very little about how it works. In Gut, Giulia Enders shows that rather than the utilitarian and — let’s be honest — somewhat embarrassing body part we imagine it to be, it is one of the most complex, important, and even miraculous parts of our anatomy. And scientists are only just discovering quite how much it has to offer; new research shows that gut bacteria can play a role in everything from obesity and allergies to Alzheimer’s. Beginning with the personal experience of illness that inspired her research, and going on to explain everything from the basics of nutrient absorption to the GIULIA ENDERS is a two-time latest science linking bowel bacteria with depression, scholarship winner of the Enders has written an entertaining, informative health Wilhelm Und Else Heraeus handbook. Gut definitely shows that we can all benefit Foundation, and is doing from getting to know the wondrous world of our inner research for her medical workings. doctorate at the Institute for Microbiology in Frankfurt. In this charming book, young scientist Giulia Enders In 2012, her presentation of takes us on a fascinating tour of our insides. Her Gut won her first prize at the message is simple — if we treat our gut well, it will treat Science Slam in Berlin, and us well in return. -
A Cause for Animation: Harry Reade and the Cuban Revolution
A cause for animation: Harry Reade and the Cuban Revolution Max Bannah This thesis is submitted in the Visual Arts Department, Creative Industries Faculty, Queensland University of Technology, in fulfilment of the requirements of the degree of Master of Arts (Research), February 2007. Abstract This monographic study examines the life of the Australian artist Harry Reade (19271998), and his largely overlooked contribution to animation within historical, social, political and cultural contexts of his time. The project constitutes a biography of Reade, tracing his life from his birth in 1927 through to his period of involvement with animation between 1956 and 1969. The biography examines the forces that shaped Reade and the ways in which he tried to shape his world through the medium of animation. It chronicles his experiences as a child living in impoverished conditions during the Great Depression, his early working life, the influence of left wing ideology on his creative development, and his contribution to animation with the Waterside Workers’ Federation Film Unit, in Sydney. The study especially focuses on the period between 1961 and 1969 during which Reade supported the Cuban Revolution’s social and cultural reform process by writing and directing animated films at the Instituto Cubano del Arte e Industria Cinematográficos (Cuban Institute of the Art and Industry of Cinema – ICAIC), in Havana. The thesis argues that Reade played a significant role in the development of Cuban animation during the early years of the Cuban Revolution. Further, his animated work in this cultural sphere was informed by a network of political alliances and social philosophies that were directly linked to his experiences and creative development in Australia. -
Censorship and the Political Cartoonist
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ This is the publisher’s copyrighted version of this article. The original can be found at: http://www.adelaide.edu.au/apsa/docs_papers/Others/Manning.pdf © 2004 APSA Published version of the paper reproduced here in accordance with the copyright policy of the publisher. Personal use of this material is permitted. However, permission to reprint/republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution to servers or lists, or to reuse any copyrighted component of this work in other works must be obtained from APSA. Censorship and the Political Cartoonist Dr Haydon Manning School of Political and International Studies, Flinders University and Dr Robert Phiddian Department of English, Flinders University Refereed paper presented to the Australasian Political Studies Association Conference University of Adelaide 29 September – 1 October 2004 Manning & Phiddian: Censorship and the Political Cartoonist Abstract Cartoonist with the New Zealand Herald, Malcolm Evans, was dismissed from the paper after he refused to follow his editor’s instruction to cease cartooning on the Israeli-Palestinian conflict. Members of the Jewish community were upset by a number of his cartoons, drawn during the first half of 2003. As an award winning editorial cartoonist Evans, observed in his defense, that his cartoons may offend but that their content was not necessarily wrong.1 Much like his brethren cartoonists, he guards fiercely his licence to mock politicians, governments and states. This paper examines the space within which cartoonists examine political subjects, analyses the Evans case, assesses the legal environment and the parameter within which mass circulation newspaper editors operate. -
131496 Readings Catalogue VIC.Art 10/11/08 10:31 AM Page 2
131496 readings_catalogue VIC.art 10/11/08 10:31 AM Page 2 WIN GREAT PRIZES GUARANTEE You can win a library of books worth more If, on inspection, you’re not happy with a than $5000 or a $100 gift voucher by book selected through this guide, you can selected by Australia’s best booksellers correctly answering the questions scattered return it (in saleable condition) within 14 days throughout this guide – see the back cover of purchase and we’ll exchange it for another for details. book of equivalent value or for a book voucher – the choice is yours. ART, DESIGN AND PHOTOGRAPHY 12–13 GIFT 21 CAN’T DECIDE? BIOGRAPHY 9–12 HISTORY 14–15 If you’re not 100% sure about what book will FREE ORDER SERVICE suit, why not give one of our gift vouchers? CDS – CLASSICAL 26 HUMOUR 20 Our special order service is free, fast and efficient – if we don’t have it, we’ll CDS – POP AND JAZZ 24–25 KIDS 22–23 DELIVERY SERVICE get it for you! CRIME AND THRILLERS 6–7 LANGUAGE, POETRY AND ESSAYS 7–8 Your books can be delivered anywhere in DVDS 27 ORDER FORM BACK COVER Australia for a small charge. See the back STOP PRESS! FICTION 2–6 POLITICS AND SOCIETY 15 cover for details. Express and overseas rates All details were correct at the time of FOOD AND TRAVEL 16–18 SCIENCE AND NATURE 19 are available on request. printing, and we will make every effort to maintain advertised prices. However, FREE GIFTWRAP prices of imported items may change We’ll giftwrap all books on request when you without notice due to the recent volatility organise delivery through us! of the Australian dollar. -
Animated Tail Credits
(The film ends with a joke commercial about a useless toaster which doesn't brown all the surface of the bread, but which proves to be handy on the moon) Title: Thank you to all the Filmmakers and Animators whose work appeared in this film. (It's followed by a piece of animation nostalgia) Good Night (animated - an old commercial TV closer at a time when Australian stations still closed for the night) (A puppetry band appears beneath the end credits, building to a frenzy which results in an explosion as the last copyright notice appears) Doing lunch … David Atkinson Bruce Petty Frank Benier Geoff Pike John Bird Joy Porter David Deneen Sally Prior Ken Emerson Andrew Quinn Gaye Evans Noel Richards Cam Ford Nell Robinson Steven French Jim Russell Peter Gardiner Edwin Schefferle Ross Gathercole Graham Sharpe Maggie Geddes Laurie Sharpe Peter Green John Skibinski Rowl Greenhaigh Robert Smit Yoram Gross Ray Strong Frank Hellard John Taylor John Hill Dennis Tupicoff Anne Jolliffe Jean Tych Raymond Lea Vern Wagstaff Don McKinnon Stan Walker Gus McLaren Peter Watson Gwyn Perkins Monty Wedd Paul Williams Cinematography Robert Dupear Wayne Taylor Andrew Lesnie Darryl Wood Editing Tim Litchfield Edward Ötton Stewart Young Sound Recording Darryl Wood John Phillips Leo Sullivan Peter Hammond Tony McCullough Production Manager Christine Woodruff Research Craig Monahan Christine Woodruff Yvonne Ashman Bronwyn Nicholas Gaffer Mark Gilfedder Grips Adrian Kortus Joe Bruneteau Set Decoration/Luncheon John Dowding Eddie Jones Camera Assistants Helene Fontan Peter -
Reformulating Native Title in Mabo's Wake: Aboriginal Sovereignty and Reconciliation in Post- Centenary Australia Carlos Scott Lopez
Tulsa Journal of Comparative and International Law Volume 11 | Issue 1 Article 3 9-1-2003 Reformulating Native Title in Mabo's Wake: Aboriginal Sovereignty and Reconciliation in Post- Centenary Australia Carlos Scott Lopez Follow this and additional works at: http://digitalcommons.law.utulsa.edu/tjcil Part of the Law Commons Recommended Citation Carlos S. Lopez, Reformulating Native Title in Mabo's Wake: Aboriginal Sovereignty and Reconciliation in Post-Centenary Australia, 11 Tulsa J. Comp. & Int'l L. 21 (2003). Available at: http://digitalcommons.law.utulsa.edu/tjcil/vol11/iss1/3 This Article is brought to you for free and open access by TU Law Digital Commons. It has been accepted for inclusion in Tulsa Journal of Comparative and International Law by an authorized administrator of TU Law Digital Commons. For more information, please contact [email protected]. REFORMULATING NATIVE TITLE IN MABO'S WAKE: ABORIGINAL SOVEREIGNTY AND RECONCILIATION IN POST-CENTENARY AUSTRALIA Carlos Scott L6pezt I. INTRODUCTION AND RECENT CURRENT EVENTS Few issues have spurred more vigorous debate among Australia's citizenry than Native Title and, more broadly, the roles of Native Australians.' Like most former colonial outposts, the settlement of the Australian continent was marked by nothing less than an invasion by a European power (Great Britain), which subsequently imposed its will on the Native Peoples living in its newly "discovered" lands. These peoples were viewed as largely uncivilized and in need of protection. Hundreds of years later the debate continues over how to reconcile the present with the past. 'Co-Director, Jerome Frank Legal Services Organization at The Yale Law School (New Haven, CT, USA) and formerly with the Refugee Advice and Casework Service (Sydney, New South Wales, Australia) and the Refugee and Immigration Legal Centre (Melbourne, Victoria, Australia). -
Literature Review
The impact of the counterculture on Australian cinema in the mid to late 20th century A thesis submitted in partial fulfillment of the requirement for the degree of Master of Art Administration (Hons) within the School of Art History and Art Education, College of Fine Arts, University of New South Wales, Sydney, Australia. Fiona Hooton 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hooton First name: Fiona Other name/s: Abbreviation for degree as given in the University calendar: School: School of Art History and Art Education Faculty:COFA Title: The impact of the counterculture on Australian cinema in the mid to late 20th century 2 Abstract 350 words maximum: (PLEASE TYPE) This thesis discusses the impact of the counterculture on Australian cinema in the late 20thcentury through the work of the Sydney Underground Film group, Ubu. This group, active between 1965 -1970, was a significant part of an underground counter culture, to which many young Australians subscribed. As a group, Ubu was more than a rat bag assemblage of University students. It was an antipodean aspect of an ongoing artistic and political movement that began with the European avant-garde at the beginning of the 20th century and that radically transformed artistic conventions in theatre, painting, literature, photography and film. Three purposes underpin this thesis: firstly to track the art historical links between a European avant-garde heritage and Ubu. Experimental film is a genre that is informed by cross art form interrelations between theatre, painting, literature, photography and film and the major modernist aesthetic philosophies of the last century. -
Cartoons for the Cause: Cartooning for Equality in Australia Marian Sawer
Cartoons for the Cause: Cartooning for Equality in Australia Marian Sawer CARTOONS FOR THE CAUSE CARTOONING FOR EQUALITY IN AUSTRALIA by Marian Sawer In February 2000 I noticed an advertisement headed ‘Cartoonist needed’. This advertisement was placed by the Sex Discrimination Unit of the Human Rights and Equal Opportunity Commission. They were seeking to commission cartoons for a new set of guidelines for employers on how to manage pregnancy in the workplace. This stimulated me to think how much government agencies in Australia in the last twenty years have relied on cartoonists to get their message across in a disarming but effective way. The use of cartoonists by government agencies with equity responsibilities seemed to be an interesting extension of the way graphic images have been used as part of the repertoire of social movements. The extent to which Australian social movements ‘look to the state’ has often been noted. In creating new government bodies, these movements have also imported some new forms of symbolic discourse into government communication. That process of importation is dealt with in the latter part of this paper. However, my first concern is to outline the way in which nineteenth-century cartooning was almost uniformly hostile to women’s rights, both in the United Kingdom and Australia and to show how themes common at that time continue in currency. I take as an example of this hostility the trope of the ‘man in the apron’, with us for over a hundred years. Suffragists themselves were regularly depicted in the English-speaking world as sharp-featured and short-sighted termagants. -
Part Five Appendices APPENDIX 1
LAND • NATION • PEOPLE ParT FIVe Appendices APPENDIX 1 COUNCIL AND COMMITTEES OF THE NATIONAL MUSEUM OF AUSTRALIA Council members are appointed under section 13(2) of the National Museum of Australia Act 1980. Council Members as at 30 June 2004 The Hon. Anthony Staley (Chairman) LLB (Melbourne) Company director, RAMS Home Loans Pty Ltd; Chairman, Australian Business Access 22 September 1999 – 21 September 2002 Reappointed: 22 September 2002 – 21 September 2005 Attended 5/5 meetings Mr David Barnett OBE Farmer/Journalist 17 December 1998 – 16 December 2001 Reappointed: 27 March 2002 – 26 March 2005 Attended 5/5 meetings Mr Benjamin Chow BE (Sydney) Managing Director, Sydney Subdivision Pty Ltd; Chairman, Council for Multicultural Australia 15 May 2003 – 14 May 2006 Attended 5/5 meetings Dr William Timothy Duncan PhD (Melbourne); BA (Hons) (Melbourne) Senior Consultant, Hinton & Associates, fi nancial communications 20 November 2003 – 19 November 2006 Attended 2/2 meetings Dr John Fleming PhD (Philosophy and Medical ethics) (Griffi th) President, Campion College, Sydney 27 August 2003 – 26 August 2006 Attended 4/4 meetings Ms Marian Gibney BA/LLB (Hons) Deputy General Counsel, ANZ Corporate Centre and Technology Legal Group 24 June 2004 – 23 June 2007 Attended 0/0 meetings 130 Ms Sally Anne Hasluck Dip Ed (London) Museum consultant 19 February 2004 – 18 February 2007 Attended 1/1 meeting Dr John Hirst (Deputy Chairman) BA (Hons), PhD (Adelaide) Reader in History, La Trobe University 27 August 2003 – 26 August 2006 Attended 4/4 meetings Mr -
POLITICAL ECONOMY of AUSTRALIAN CAPITALISM Ftp I
POLITICAL ECONOMY OF AUSTRALIAN CAPITALISM ftp I • ESSAYS IN THE POLITICAL ECONOMY OF AUSTRALIAN CAPITALISM VOLUME 5 OTHER BOOKS BY E.L. WHEELWRIGHT OWNERSHIP & CONTROL OF AUSTRALIAN COMPANIES INDUSTRIALIZATION IN MALAYSIA THE HIGHEST BIDDER (WITH BRIAN FRITZPATRICK) HIGHER EDUCATION IN AUSTRALIA (EDITOR) ANATOMY OF AUSTRALIAN MANUFACTURING INDUSTRY (WITH JUDITH MISKELLY) THE CHINESE ROAD TO SOCIALISM (WITH BRUCE MCFARLANE) RADICAL POLITICAL ECONOMY ESSAYS IN THE POLITICAL ECONOMY OF AUSTRALIAN CAPITALISM VOLUMES 1, 2, 3, AND 4 (WITH KEN BUCKLEY) READINGS IN POLITICAL ECONOMY VOLUMES 1 AND 2 (WITH FRANK J.B. STILWELL) CAPITALISM, SOCIALISM OR BARBARISM? AUSTRALIA & WORLD CAPITALISM (CO-EDITOR WITH TED WILSHIRE & GREG CROUGH) AUSTRALIA: A CLIENT STATE (WITH GREG CROUGH) OTHER BOOKS BY KEN BUCKLEY TRADE UNIONS IN ABERDEEN 1878-1900 THE AMALGAMATED ENGINEERS IN AUSTRALIA 1852-1920 OFFENSIVE & OBSCENE: A CIVIL LIBERTIES CASEBOOK ESSAYS IN THE POLITICAL ECONOMY OF AUSTRALIAN CAPITALISM VOLUMES 1, 2, 3 AND 4 (WITH E.L. WHEELWRIGHT) ALL ABOUT CITIZENS' RIGHTS THE HISTORY OF BURNS PHILP: THE AUSTRALIAN COMPANY IN THE SOUTH PACIFIC (WITH K. KLUGMAN) ESSAYS IN THE POLITICAL ECONOMY OF AUSTRALIAN CAPITALISM VOLUME 5 Edited by E.L. Wheelwright and Ken Buckley AUSTRALIA & NEW ZEALAND BOOK COMPANY SYDNEY MELBOURNE BRISBANE AUCKLAND First published in 1983 by Australia & New Zealand Book Co Pty Ltd. 10 Aquatic Drive Frenchs Forest NSW 2086 Australia National Library of Australia Cataloguing-in-Publication Data Essays in the political economy of Australian capitalism. Volume 5. Includes index. ISBN 0 85552 123 6. ISBN 0 85552 124 4 (pbk.). 1. Capitalism — Addresses, essays, lectures. 2. Marxian economics — Addresses, essays, lectures. -
Sbs Independent: Productive Diversity and Counter-Memory
SBS INDEPENDENT: PRODUCTIVE DIVERSITY AND COUNTER-MEMORY Amanda Malel Trevisanut, BA (Hons) Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy December 2013 School of Culture and Communication The University of Melbourne Printed on archival quality paper ii iii ABSTRACT This thesis examines SBSi as cultural institution from its establishment in 1994 through to its merger with SBS-TV in 2007. As a cultural institution SBSi functioned governmentally to effect neo-liberal reform, significantly reshaping labour processes within the independent film and public service sectors. This thesis argues that SBSi carefully manoeuvred within this neo-liberal regime allowing non-assimilative cultural practices to manifest. Using a creative labour approach this thesis demonstrates how SBSi cultivated the resource of productive diversity to shape new creative labour practices, allowing new filmmaking milieux to form, and new counter-memorial filmmaking strategies to flourish. It analyses SBSi in relation to cultural policy developments, linking its activities as a commissioning house for SBS, to productive diversity; a State policy for harnessing the cultural and linguistic diversity (CALD) of Australian citizens as a national economic resource. Drawing on original interviews and archival sources it elaborates creative management processes developed by SBSi to foster productive diversity, and demonstrates how these shaped labour processes to inaugurate mentorship and early career opportunities for Indigenous, regional and CALD filmmakers. It also demonstrates how SBSi rejuvenated an ailing independent production sector by developing new niche audiences for innovative local content. Finally, this thesis adopts a critical race and whiteness approach to analyse the SBSi catalogue, and demonstrate how SBSi manoeuvred within a governmental logic to give rise to a new counter-memorial genre. -
Stgd Human Contraptions 2
Human Contraptions LIBBY TUDBALL 1 STUDYGUIDE Synopsis an integrated curriculum approach, to look at cartoons from around drawing on English skills, as well as the world produced in the last Academy Award-winning animator, an understanding of the content that decade. Bruce Petty, takes us on an anarchic is drawn from other disciplines. • Teachers and students could ex- journey that is a satirical look at the plore some of the references on inner mechanics of the ‘contraptions’ Before watching the films cartoons listed at the end of this that shape our lives. Education, sex, guide. finance, globalism, art, media, medi- Students could develop an under- • To find out more about Bruce cine, law, government and even the standing of the genres Petty uses in Petty’s career as a cartoonist, brain are all transformed into evolving Human Contraptions before watching visit www.about.theage.com.au/ machines. the films. view_profile.asp?intid=854 • Try to draw a political cartoon Each of the ten five-minute episodes • In a class discussion, talk about yourself, and then compare and begins with the basic concept at your views on these questions: discuss other classmates’ car- the nucleus of the machine. Then, What do you see as the purpose toons. by combining high-energy, free- of political cartoons? Do you The political cartoon can certainly form illustrations with photographs, think that political cartoons influ- be a devastating weapon—it can paintings and other snippets from ence people? To test your theory, make you laugh if it suits your the ‘real’ world, Petty takes us on a construct some questions and point of view, or it could fill you journey through history, as each ap- survey friends and family from with anger if it does not.