DOCSLIB.ORG

Steven Hevey Playwright/Script Writer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Steven Hevey Playwright/Script Writer Steven Hevey Playwright/Script writer CURRENT KIN - Written treatment for original drama series. Currently under option with Kudos – Karen Wilson and Naomi De Pear. MY WAY – Developing comedy series with Mark Brotherhood for Hat Trick Productions CREDITS Television 2013 WEST END BOYS - Original drama series (co-creator and writer with Dominic Mitchell) under option with Noho films). 2012 BRIGHT FUTURES (LTD) - Original comedy series (co-creator and writer with Dominic Mitchell) under option with HAT TRICK COMEDY (Producer: Mark Talbot). Theatre 2016 KING FOR A DAY Rehearsed reading at Prince of Wales Theatre, October 2016. THE TEST Play commissioned by the Old Vic. Rehearsed reading July 2016. 2015 Selected as one of the Old Vic 12 P45 Full length play selected for workshop and rehearsed reading by the Finborough Theatre for their annual Vibrant Festival. WE KNOW WHERE YOU LIVE Full production as part of the Finborough Theatre’s Summer Season SIRIUS Reading at the Old Vic Theatre as part of their Old Vic New Voices Festival KING FOR A DAY Reading at the Theatre Royal Haymarket 2014 APOPHIS 1 Full length play selected for workshop and rehearsed reading by the Finborough Theatre for their annual Vibrant Festival. Winner of OffWestEnd.com’s Adopt a playwright award 2014 Commissioned by Old Vic New Voices to write a full length play for 2015 season of new work 2013 WE KNOW WHERE YOU LIVE Full length play selected for workshop and rehearsed reading by the Finborough Theatre for their annual Vibrant Festival. AN EDUCATION Presented by Kris Milnes as part of evening of short plays at the Soho Theatre. THE COLLECTED WORKS OF STEVEN HEVEY Seven short plays selected for a student drama end of year project at Northbrook college, Worthing, Sussex. SHORT PLAYS BY STEVEN HEVEY A selection of short plays performed at the Soho Theatre 2012 HEROES A commission specifically targeted for school. Commissioned by Only Connect Theatre company. COMING UP Short play commissioned by new writing company Writers Avenue for the Soho Theatre. AN EDUCATION Directed by Kirsty Patrick Ward at the Lyric Theatre Hammersmith, studio space. EVERY BIT OF MY LOVE Commissioned by the Old Vic Theatre to write a play in response to NOISES OFF as part of their TIME WARNER IGNITE SCHEME. I FEEL FUNNY Short play commissioned by Natalie Ibu for site specific event AVE IT at the Old Vic Tunnels. 2011 ASSASSINS Commissioned by The Old Vic Theatre to write a play in response to their signature production of RICHARD THE III. Performed at the Waterloo East Theatre. DARK MATTER Short play commissioned by new writing company DRY WRITE and The OXFORD SCHOOL OF DRAMA. Performed at the Hampstead Theatre’s Michael Frayn Space. TS. ELIOT UK/US EXCHANGE PROGRAMME MILLENUIM (Short play) performed at THE VINEYARD Theatre, Off-Broadway, New York. Directed by Natalie Ibu and presented by Old Vic New Voices. 2010 2 MY EVERYTHING Monologue written for New York theatre Company COUNTER POINT. Performed at the Bowery Electric, New York and was directed by Allison-Troup Jenson. PAY AS YOU GO Full length play presented Good Night Out Productions and Olivier award winning theatre The Cock Tavern. Directed by Samuel Miller produced by Adam Spreadbury-Maher and Ben Cooper. IN MY NAME - NEW YORK PREMIER Presented by New York theatre company SUPER WOLF at the Brecht Forum, NY, directed by Artistic Director Sherri Kronfeld. MY LITTLE PRINCE Monologue written for ground breaking theatre company DRY WRITE. Was performed at The Bush Theatre, London. WISH YOU WHERE HERE Short play performed at THE ALBANY, London. 2009 LET ME GO Short play written for New York theatre company SUPER WOLF and performed at the Bowery Poetry Club. 2008 IN MY NAME Full length play transferred to the WEST END (Trafalgar Studios) after a sell-out run at the Old Red Lion Theatre Islington where it smashed box office records. LONDON BELONGS TO ME Short play performed at the Globe Theatre London and directed by Roxana Silbert. 2007 BIG, BIG MONKEY MAN Monologue (Writer and performer) presented at the Trafalgar Studios London. Directed by George Perrin. 2006 – BAGGAGE Short play written as part of the Soho Theatre’s Young Writers Programme for the Soho Theatre. Directed by Suzanne Gorman. PRESS QUOTES 'Steven Hevey's In My Name, a ticking, short-fused bomb of a drama...brave and exciting' Ben Brantley, New York Times This play is a stylish small explosion...Hevey (writer) executes it with blackly comic panache' Sam Marlowe, The Times 'This is what new writing should be about' Jeremy Austin, The Stage 3 4 .
Load more

Recommended publications
  • Albion Full Cast Announced
    Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts.
    [Show full text]
  • Sundowning by Nessah Muthy
    Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings.
    [Show full text]
  • Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
    Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems.
    [Show full text]
  • Titilola Dawudu CV
    Titilola Dawudu is a Nigerian-born British writer and editor and trustee for Theatre Centre. She is on the advisory board for Beyond Face and recently became a board member for CreativeMornings. She worked for GMTV before moving onto youth organisation, Headliners where she was an outreach journalist. She worked with Croydon-based youth charity, Reaching Higher, where she started an all-girls theatre platform called STAGES which sees girls create work by drawing influence from their own life experiences. After completing an MA in Dramatic Writing at Central Saint Martins and receiving a distinction, she became an associate with Tamasha theatre and wrote an audio installation as part of playwright, Ishy Din’s Taxi Tales. she co-created and edited Hear Me Now Audition Monologues for Actors of Colour with Tamasha, published by Oberon Books. She has worked with Soho Theatre and nitroBEAT. She was on the Emerging Producer’s Development Programme at Edinburgh Fringe in 2016 and was one of China Plates’ Enhanced Optimist in 2017. She is an associate Writer for Beyond Face Theatre company having written Where’s Abi? performed at Theatre Royal in Plymouth in 2017 and a new piece called I’m a Stargazer! as part of their ‘Alright Petal?’ body of work came out in September. She wrote Nafisah, a play about child marriage for Theatre Royal Arojah in Abuja, Nigeria. Her monologues have been performed at Soho theatre (Womb) 2016 and for SlaMinutes at the Arcola Theatre (One Rung) in 2018. She won The Student Guide to Playwriting Award for her play Down Hair in 2016 and her monologue Old Me/New Me was performed at the Bush theatre and is featured in the book, The Student Guide to Playwriting.
    [Show full text]
  • Communications Officer As We Continue to Re-Open Our Live Programme at Our Home in Dean Street, the Audience and Communications
    Communications officer As we continue to re-open our live programme at our home in Dean Street, the Audience and Communications team are looking for a Communications Officer to focus on the marketing campaigns for our comedy and cabaret programme. Experience is desirable (transferrable skills can work too). Most important is passion and commitment to Soho Theatre’s work and our sales and audience development. SOHO THEATRE is London’s most vibrant producer for new theatre, comedy and cabaret. We pursue creative excellence, harnessing an artistic spirit that is based in our new writing roots, the radical ethos of the fringe and the traditions of punk culture and queer performance. We champion voices that challenge from outside of the mainstream, and sometimes from within it too. We value entertainment, accessibility and enjoy a good show. We are a registered charity and social enterprise and our audiences are diverse in age, background and outlook. We are mission driven and we measure our success in: - the NEW WORK that we produce, present and facilitate - the CREATIVE TALENT that we nurture with artists, in our participation work and with our own staff - the DIVERSE AUDIENCES that we play to and engage Bang in the creative heart of London, our home is one of the country’s busiest venues with a year-round festival programme and a buzzing bar. By day we’re a hive of writing, workshops, showcases, meetings and events and by night we’re stage to an average of six shows and a throng of audiences. Ordinarily our work plays to live audiences of 250,000 audiences a year in our Dean Street venue, at the Edinburgh Fringe and beyond.
    [Show full text]
  • Emerging Producers Development Programme Current and Past Participants
    Emerging Producers Development Programme current and past participants 2016 Almudena Adalia Puppetry / physical theatre Almudena loves strongly visual theatre with a passion. She has worked with The Lion King, Blind Summit, Little Soldier, Arcola Theatre, Dotted Line Theatre and Told by an Idiot and produced and directed puppetry for the Little Angel Theatre. Bethan Highgate-Betts Multidiscipline Bethan is a freelance producer and maker from the South West. Since graduating from Falmouth University in 2013 she has forged a successful creative career and worked with many talented and inspiring organisations. She particularly likes to work within the realms of live art and unusual performances. Bethany West Multidiscipline Bethany West is a Bristol-based independent producer who currently works with MAYK, Bristol Old Vic Ferment, Still House and Propolis Theatre. She is particularly interested in contemporary theatre and dance, live art and site-specific performance, and work with an emphasis on outreach or audience development. Christabel Holmes Multidiscipline Christabel is a freelance theatre producer based in Bristol and London. Working predominantly on fringe and festival projects, she is passionate about the development of new and inventive contemporary work. She has a strong interest in theatre that is socially interrogative but, above all, she loves engaging human stories. Daisy Hale Being dyslexic, Daisy has often relied on visual language as opposed to the written. She is fascinated by the use of languages without borders in theatre, whether that be in a design concept or in physical body language, this is what speaks to her the most. Florent Trioux Dance Florent has been working in administration, production and development for independent companies and cultural organisations such as Cie Olivier Dubois, Centre Chorégraphique National de Roubaix and Cannes Lions Festival of Creativity.
    [Show full text]
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]
  • Alexandra Spencer-Jones
    ALEXANDRA SPENCER-JONES Alexandra is Artistic Director of the theatre company ‘Action to the Word’ (www.actiontotheword.com). She won the Musical Theatre Matters:UK award for Best Emerging Artist for the writing and direction of the new musical CONSTANCE & SINESTRA AND THE CABINET OF SCREAMS. Directing Credits Include: LEGALLY BLONDE Upcoming Director Royal Conservatoire of Scotland CITY OF ANGELS Director Rose Bruford BATBOY Royal Conservatoire of Scotland A GENEROUS LOVER Edinburgh Festival and Camden People’s Theatre Director Voted ‘Best of the Fest’ One of The Scotsman’s 10 Top Picks ★★★★ “Elegant, incisive and intoxicating” – The Scotsman “A masterclass in solo work…exquisite” – Fringe Review ★★★★ “A fierce originality and a cutting charm” – The List ★★★★ “Extremely absorbing and impressive” – ScotsGay ★★★★★ “Unmissable” – To Do List GOBSMACKED US & Asia Tour http://gobsmackedtheshow.com/ STREET SCENE Royal Conservatoire of Scotland ★★★★ The Herald ‘Bravo and brava to all concerned. This is a production of infinite quality’ Glasgow Theatre Blog A CLOCKWORK ORANGE New World Stages, New York transfer CONSTANCE & SINESTRA AND THE CABINET OF SCREAMS Rose Bruford WOMEN BEWARE WOMEN LIPA A CLOCKWORK ORANGE The Park Theatre 200, Glynis Henderson Productions / Action to the Word ★★★★★ WhatsOnStage ★★★★★ Sydney Morning Herald ★★★★★ Daily Star ★★★★★ Three Weeks ★★★★★ Broadway Baby ★★★★ The Independent ★★★★ The Telegraph ★★★★ Metro ★★★★ Evening Standard ★★★★ Time Out London ★★★★ The Scotsman GOBSMACKED Director Southbank Centre, London & Hong
    [Show full text]
  • Upbeat Summer 2012
    The Magazine for the Royal College of Music I Summer 2012 marks the spot Exploring Exhibition Road RCM Upbeat Magazine - June-Summer 2012.indd 2 13/06/2012 15:49 What’s inside... Welcome to upbeat... Anyone who’s visited the RCM recently can’t have failed to notice the transformation to Exhibition Road. After two years of building works it was officially opened by Boris Johnson Contents in February and marks the beginning of an exciting new chapter for the road and the institutions that line it. 4 In the news The original idea for this cultural heartland grew out of Prince Albert’s vision and the Great Updating you on recent RCM Exhibition of 1851 and in this issue we talk to the Chief Exec of Exhibition Road Cultural activities including the President’s Group Paul Cutts to find out what it means to be part of such an exciting cultural quarter visit and the RCM’s participation today. The RCM has many special relationships with our Exhibition Road neighbours which in the Jubilee celebrations have resulted in countless opportunities for RCM performers and composers. On page 12 we find out about the College’s long standing relationship with theRoyal Albert Hall and 9 The Britten Theatre 25th its latest incarnation as the West London hub. Outgoing SA President Charles Bradley Anniversary News also gives us a glimpse into his working relationship with student bodies at the RCA and The latest events to mark the Imperial College and how that enriches College life. anniversary of this much loved space As usual Upbeat is also packed full with news from around the College, so if you want to find out which RCM professor recently featured in the BBC seriesMaestro at the Opera then read on! 10 All about Exhibition Road Paul Cutts explains what it means We’re always keen to hear from students past and present, so if you have anything you’d like to be part of such an exciting us to feature in the next issue of Upbeat, send your news and pictures to [email protected] cultural quarter by 17 September.
    [Show full text]
  • PRESS RELEASE Friday 1 February 2019
    PRESS RELEASE Friday 1 February 2019 WRITERS RABIAH HUSSAIN, LETTIE PRECIOUS AND ROSS WILLIS AWARDED THE FIRST ROYAL COURT THEATRE AND KUDOS WRITING FELLOWSHIPS Ross Willis, Lettie Precious, Rabiah Hussain. Photo credit: Ali Wright Last night the Royal Court Theatre and Kudos announced that writers Rabiah Hussain, Lettie Precious and Ross Willis had been selected to each receive £10,000 through new writing fellowships created by the two companies. This is the first year that the fellowships, which support three writers already establishing a career in order to focus purely on their writing for six months, have been in place. Commenting on the Fellowships Lucy Morrison, Royal Court Associate Director said; “Stories are still one of the most powerful ways we have to get people to imagine a different life, a different world and to understand our experiences as humans. We need to ensure that the right people are given the opportunities to tell their stories and this fellowship enables that. These three extraordinary writers can make change happen. Together with Kudos, we will support, challenge them and celebrate them to make art and tell the stories everyone needs to hear.” Diederick Santer, CEO of Kudos added; “I’m truly buzzing at the potential of these three writers and delighted that Kudos has joined forces with the Royal Court again to find and encourage fresh new voices. This scheme really gets to the heart of the issue for any emerging writer; how to live while building a career. It will be thrilling to see how these incredibly talented writers develop given the space and support to immerse themselves entirely in their work.” The Royal Court and Kudos met with 13 writers who perceived that there are barriers to getting their work developed and produced in theatre and television.
    [Show full text]
  • Blanche Mcintyre Director / Writer
    Blanche McIntyre Director / Writer * Winner - Best Director: TMA 2013 UK Theatre Awards * Winner of the 2011 Critcs' Circle Most Promising Newcomer Award for ACCOLADE and FOXFINDER (both at the Finborough Theatre) * FOXFINDER: Listed in Independent's top 5 picks for 2011 * ACCOLADE: Best Director and Best Production at Off West End Theatre Awards 2011; Listed in the Spectator's Top Ten Plays for 2011; Time Out's Best Fringe Show 2011 National Theatre Studio Director's Course (2010) Winner - Leverhulme Bursary (2009) Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE LITTLE FOXES Gate Theatre, Dublin By Lillian Hellman 2020 Theatre Production Company Notes HYMN Almeida / Sky Arts By Lolita Chakrabarti 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes BOTTICELLI IN THE FIRE Hampstead By Jordan Tannahill 2019 BARTHOLOMEW FAIR Shakespeare's Globe - By Ben Jonson 2019 Sam Wanamaker Playhouse TARTUFFE National Theatre By Molière 2019 Adapted by John Donnelly & Director Blanche McIntyre WOMEN IN POWER Nuffield Based on Aristophanes' 2018 ASSEMBLY WOMEN THE WINTER'S TALE Shakespeare's Globe By William Shakespeare 2018 THE WRITER Almeida By Ella Hickson 2018 TITUS ANDRONICUS RSC By William Shakespeare 2017 THE NORMAN CONQUESTS Chichester Festival By Alan Ayckbourn 2017 Theatre THE TWO NOBLE KINSMEN RSC: The Swan By William Shakespeare 2016 NOISES
    [Show full text]
  • Going out Life&Style
    48 METRO Thursday, January 10, 2013 Life&Style going out CLUBS THEATRE REVIEW A VERY OLD MAN FABRICLIVE + LFO WITH ENORMOUS WINGS HHHH$ + BLACKOUT + Magic realism and puppetry are tups for the sick and the curious natural bedmates: both come to gawp at the creature she is SOUNDCRASH from the same imaginative convinced must be an angel, space, where the mundane is albeit one now locked up in a transformed into the miraculous chicken coop. Although the Tomorrow night, join Hessle Audio and the extraordinary can production expands on this co-founder Ben UFO for a headline suddenly !t into your hand. moral aspect, the narrative is a slot at Fabric to celebrate the This collaboration between bit saggy. Instead, the glory is in release of his FabricLive Little Angel Theatre and the detail – in the array of rod compilation. The superclub will be Kneehigh is based on the puppet villagers, from the taken over by a powerful Gabriel García Márquez story libidinous priest to the bank combination of electronic music’s about the old man with manager with the expanding key players with Manchester’s wings who falls from stomach and in the outstanding premiere underground night nowhere into the stagecraft played out on Lyndie Hoya:Hoya relocating to room garden of a villager Wright’s perspective-shifting set. two; Ben UFO and the Hessle and instantly Most spellbinding of all is the Audio family, Pangaea and heals the knobbly old man, who here Pearson Sound in room one; and woman’s sick takes on a mysterious, cruci!ed IDM (intelligent dance music) son.
    [Show full text]