Upbeat Summer 2012
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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
All Strings Considered a Subjective List of Classical Works
All Strings Considered A Subjective List of Classical Works & Recordings All Recordings are available from the Lake Oswego Public Library These are my faves, your mileage may vary. Bill Baars, Director Composer / Title Performer(s) Comments Middle Ages and Renaissance Sequentia We carry a lot of plainsong and chant; HILDEGARD OF BINGEN recordings by the Anonymous 4 are also Antiphons highly recommended. Various, Renaissance vocal and King’s Consort, Folger Consort instrumental collections. or Baltimore Consort Baroque Era Biondi/Europa Galante or Vivaldi wrote several hundred concerti; try VIVALDI Loveday/Marriner. the concerti for multiple instruments, and The Four Seasons the Mandolin concerti. Also, Corelli's op. 6 and Tartini (my fave is his op.96). HANDEL Asch/Scholars Baroque For more Baroque vocal, Bach’s cantatas - Messiah Ensemble, Shaw/Atlanta start with 80 & 140, and his Bach B Minor Symphony Orch. or Mass with John Gardiner conducting. And for Jacobs/Freiberg Baroque fun, Bach's “Coffee” cantata. orch. HANDEL Lamon/Tafelmusik For an encore, Handel's “Music for the Royal Water Music Suites Fireworks.” J.S. BACH Akademie für Alte Musik Also, the Suites for Orchestra; the Violin and Brandenburg Concertos Berlin or Koopman, Pinnock, Harpsicord Concerti are delightful, too. or Tafelmusik J.S. BACH Walter Gerwig More lute - anything by Paul O'Dette, Ronn Works for Lute McFarlane & Jakob Lindberg. Also interesting, the Lute-Harpsichord. J.S. BACH Bylsma on period cellos, Cello Suites Fournier on a modern instrument; Casals' recording was the standard Classical Era DuPre/Barenboim/ECO & HAYDN Barbirolli/LSO Cello Concerti HAYDN Fischer, Davis or Kuijiken "London" Symphonies (93-101) HAYDN Mosaiques or Kodaly quartets Or start with opus 9, and take it from there. -
Signumclassics
126booklet 13/5/08 11:28 Page 1 ALSO AVAILABLE ON signumclassics Ragtime & Blue Brahms and Schumann Haydn Piano Sonatas Elena Kats-Chernin - Piano John Lill - Piano John Lill - Piano SIGCD058 SIGCD075 SIGCD097 Elena Kats-Chernin is a composer who Much-loved pianist, John Lill, plays John Lill returns to take the listener on a defies categorisation: a virtuosic pianist touchstones of the 19th-century romantic journey through the many moods of Haydn, and improviser, her compositions flow piano tradition. Lill is at his sparkling in brilliant performances of some from her like a fountain. This CD is best in this wonderful repertoire. composer’s most intriguing works for drawn from the small works she often the keyboard. writes for her own enjoyment - a cornucopia of rags, blues and heart- melting melodies. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 126booklet 13/5/08 11:28 Page 3 MESSIAEN: CHAMBER WORKS MESSIAEN: CHAMBER WORKS The general perception of Messiaen is of a always turned up at class with mountains of work 1. Fantaisie [8.59] composer who lived in some rarefied atmosphere (not guaranteed to ensure popularity!) and was of his own, floating far above the mundane, recognised as a young man likely to succeed. But Quatuor pour la fin du Temps material world. Given his preoccupation with any view of Messiaen as vague or indecisive in his 2. Liturgie de cristal [2.37] esoteric rhythms, sound-colours, theology and opinions needs to be set against the truth - for all birdsong, this is perhaps a reasonable judgment his pacific demeanour (and, in later years, 3. -
The UK's Newest International Conference and Exhibition Centre
The UK’s newest International Conference and Exhibition Centre, and Arena Venue Opening Winter 2023 The Gateshead Quays Development will sit on the banks of the River Tyne at the heart of the Gateshead Quayside Located on Gateshead Quays, in the heart of NewcastleGateshead, North East England The Gateshead Quays Development will sit on the banks of the River Tyne at the heart of the Gateshead Quayside Dedicated, purpose-built international conference and exhibition centre, and arena venue Fully lock- downable for maximum safety and security Able to host events for 12 – 5,000 delegates 1. 6,300 sqm main exhibition hall (67,812 sqft) Pillar-free space 2. Conference halls 1,620 sqm 3. Conference rooms 990 sqm 4. Feature boardroom • 6,300 sqm main exhibition hall Pillar-free space • 60m x 105m • Sub divisible into 3 halls: 1. 60m x 45m 2. 60m x 30m 3. 60m x 30m • 9m ceiling height • 1,620 sqm large, multi-purpose conference hall, with various options to subdivide. • On same floor as main exhibition hall • 6m ceiling height • 990 sqm multi-purpose meeting / event space • all located on own dedicated floor All river facing overlooking the Gateshead Millennium Bridge and NewcastleGateshead Quayside Some with feature balconies Various options to subdivide 1,350 sqm unique outdoor events space with infrastructure for staging events Perfect for: • socially distanced networking • social events • outdoor presentations • outdoor exhibition Venue is joined seamlessly to Sage Gateshead Designed by world-renowned architects Foster + Partners Home to the -
Boston Symphony Orchestra Concert Programs, Season 100, 1980-1981, Subscription
# o '?, *ne Hundredth Season . MIST SOFTENS tf/EFYTHING rr touches. What a pleasant way to feel the soft touch of Irish Mist, in "Liquid Sunshine'.' Start with a tall glass of ice. add 1 part Irish Mist and 3 parts orange juice. Irish Mist, the centuries old liqueur sweetened with a hint of heather honey, will blend with almost anything. Pour the soft touch of Irish Mist anytime. anywhere. You'll like the way it feels. IRISH MIST THE LEGENDARY SPIRIT Imported Irish Mist® Liqueur. 70 Proof. ©1980 Heublein, Inc., Hartford, Conn. U.S.A. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundredth Season, 1980-81 The Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Mrs. Harris Fahnestock, Vice-President Leo L. Beranek, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Mrs. Norman L. Cahners George H. Kidder David Rockefeller, Jr. George H. A. Clowes, Jr. David G. Mugar Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson William A. Selke Mrs. John L. Grandin Thomas D. Perry, Jr. John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Allen G. Barry John T. Noonan Richard P. Chapman Mrs. James H. Perkins Edward G. Murray John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager Peter Gelb Gideon Toeplitz Daniel R. -
Upbeat Autumn 2011
The Magazine for the Royal College of MusicI Autumn 2011 What’s inside... Welcome to upbeat… This issue we’re celebrating the 25th anniversary of the Britten Theatre, so we’ve been out and about collecting memories from those involved in the Contents opening of this much-loved venue. 4 In the news The theatre was opened in November 1986 with three spectacular gala concerts. Hidden away in the chorus was none other than leading mezzo- Updating you on recent College activities including museum soprano Sarah Connolly! Turn to page 11 to hear her memories of performing developments and competition with leaping Lords and dancers dressed as swans, all in aid of raising funds for successes the theatre. We also talk to Leopold de Rothschild, who as Chairman of the Centenary 9 New arrivals Appeal, played a significant role in making sure the project came to fruition. The RCM welcomes a host of new On page 14, he remembers conducting the RCM Symphony Orchestra and faces to the College reveals what the Queen said to him on opening night… We’re always keen to hear from students past and present, particularly if you 10 The Britten Theatre… the perfect showcase have any poignant memories of the Britten Theatre. Send your news and pictures to [email protected] by 9 January 2012 to be featured in the next As we celebrate 25 years of the edition of Upbeat. Britten Theatre, Upbeat discovers how the College is seeking ways to update and improve it for the NB: Please note that we cannot guarantee to include everything we receive and that we 21st century reserve the right to edit submissions. -
The Sage, Gateshead
Sightline Journal of Theatre Technology and Design The Sage, Gateshead A five-sided notebook: 1996-2001 DanceCity, Newcastle-upon-Tyne An introduction to tension wire grids Corporate Manslaughter Bill Tallescopes in theatres Explosives Regulations Winter 2005 Sightline vol. 28 no. 4 Association of British Theatre CONTENTS Technicians Editorial 6 55 Farringdon Road, The Sage, Gateshead 8 London EC1M 3JB Tel: 020 7242 9200 A five-sided notebook: 1996-2001 18 Fax: 020 7242 9303 DanceCity, Newcastle-upon-Tyne 21 Email: offi[email protected] Website: www.abtt.org.uk “Practically perfect” 23 Registered Charity 282069 Summer surprises 25 What goes around 27 An introduction to tension wire grids 30 Corporate Manslaughter Bill 32 Tallescopes in theatres 34 Letters 35 OFFICERS & COUNCIL Mark White Chairman Explosives Regulations update 37 Brod Mason Vice-Chairman David Adams Hon. Treasurer Members News 39 Robin R Townley Hon. Secretary Bo Barton Neil Bohanna Michael E Hall Chris Harding-Roberts Cover: Hall Two, The Sage, Gateshead. Photo: Nigel Young / Foster and Partners. Andy Hayles Chris Higgs Anne Minors Nikki Scott Editor Geoffrey Joyce EX OFFICIO MEMBERS OF Editorial Board David Adams, Peter Ruthven Hall, COUNCIL Tim Foster, Anne Minors, Jenny Straker David Adams Chairman, Safety Committee Publisher John Offord Entertainment Technology Press Ltd. Chairman, NorthNet – ABTT The Studio, High Green, Great Shelford, Tim Foster Cambridge, Cambs CB2 5EG Chairman, Theatre Planning Committee Tel: 01223 550805 Fax: 01223 550806 Roger Fox Annual Subscription Chairman, Historical Research Committee Sightline is available by annual subscription of £30 (four issues). Cheques should be Peter Maccoy made payable to Entertainment Technology Press Ltd and sent to the Publishers as Chairman, Training & Education Comm. -
MEC FM - Rio De Janeiro Dial: 99,3 Execução Data Hora Música Intérprete Compositor Programa Vivo Mec
Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A - EBC CNPJ: 09.168.704/0001-42 Nome fantasia: Rádio MEC FM - Rio de Janeiro Dial: 99,3 Execução Data Hora Música Intérprete Compositor Programa Vivo Mec. ORQUESTRA DE FILADÉLFIA 01/12/2019 02:22:39 "SYLVIA" - SUÍTE DE BALLET. DELIBES (Leo) (1836-1891)(Francês) X REGENTE: EUGENE ORMANDY Programação Musical ORQUESTRA POPS DE BOSTON (1840 - 1893) 01/12/2019 02:35:11 SUÍTE DO BALÉ "O QUEBRA NOZES", OPUS 71 A. X REGENTE: JOHN WILLIAMS TCHAIKOVSKY (Pyotr Ilyich) Programação Musical REGENTE: ROBERTO MINCZUK VILLA-LOBOS (Heitor) 01/12/2019 03:01:35 BACHIANAS BRASILEIRAS Nº2 X ORQUESTRA SINFÔNICA DE SÃO PAULO (OSESP) (1887 - 1959) Programação Musical (1862 - 1918) 01/12/2019 03:24:25 CLAIR DE LUNE, DA SUÍTE BERGAMASQUE PIANO: NELSON FREIRE X DEBUSSY (Claude) Programação Musical REGENTE: LORIN MAAZEL RaVeL (Maurice) 01/12/2019 03:30:04 RAPSÓDIA ESPANHOLA X ORQUESTRA FILARMÔNICA DE VIENA (1875 - 1937) Programação Musical REGENTE: RICHARD STUDT HOLST (Gustav)(1874-1934)(Reino Unido) 01/12/2019 03:48:32 SUÍTE SAINT PAUL OP.29 X SINFONIETTA DE BOURNEMOUTH (1874 - 1934) Programação Musical REGENTE: CARLO MARIA GIULINI (1840 - 1893) 01/12/2019 04:02:04 SINFONIA Nº 6 EM SI MENOR OPUS 74 - PATÉTICA X ORQUESTRA FILARMONIA TCHAIKOVSKY (Pyotr Ilyich) Programação Musical ORQUESTRA DE PARIS SAINT-SAENS (Camille) (1835 - 1921) (França) 01/12/2019 04:50:11 DANÇA MACABRA VIOLINO SOLO: LUBEN YORDANOFF X (1835 - 1921) REGENTE: DANIEL BAREMBOIM Programação Musical ORQUESTRA DO FESTIVAL -
MUSICWEB INTERNATIONAL Recordings of the Year 2019
MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec. -
Download Walking Map
A B C D E F G H J K 1 Exhibition Park Heaton Park A167 towards Town Moor B1318 Great North Road towards West Jesmond & hotels A1058 towards Newcastle Falcons Wylam Brewery Gosforth 10 minute walk Jesmond Dene Jesmond Kingston Park & hotels 5 minute walk Newcastle Racecourse Brandling O Wallsend S Newcastle International Airport A1 North B International Ferry Terminal Village O A1 North Skateboard park R North Shields N E The Coast WIN T D E SOR TER A19 North RACE R R A Dental C Hospital E C L Philip Robinson Medical AR Jesmond Vale E Library T AD School M ES D RO O W FOR Y T N AD ND T O A S R S D R N C O E M T R S E P E S O J N O W 2 Royal Victoria Great North E E A T V R H R O D T R Infirmary Museum: A C G L D L A R G FO Hancock N T ET Great Hatton D M R RA E D A T R A O R S T N S R O K North Gallery O T T IC O O S H W R Star & E D A R A A S Children’s Northern R D IN M W T D D A T R W S R Shadow E L N E A R D R Hospital Stage Northumbria E O E ST T A A A W F T T R O Cinema T L Y E D I U O E E N P F University E S D R G T R A E E P O R Y R REET T H D A 1 R L ST O T I R ICK E C D T RW N E R Gallery 6 T WA H O R S R T O S A N 7 S R O Y A R D A A A North N R D D ( L D B A M S S O I E W O I O R ) M N R Y H R S O Newcastle E Church of B O D A T A G D C O University St Thomas D S I R I Boating Lake V ’S King’s Gate R the Martyr Northumbria T O G B Civic Centre N N D I University E S K D E A CE Sport Central A A T R PL City Stadium S U Y’S E AR R R ST M W Q A T P IEW A189 towards O V 3 B S D R TH Leazes Park ST A U RO T T O Fenham TH D L S -
Emerging Producers Development Programme Current and Past Participants
Emerging Producers Development Programme current and past participants 2016 Almudena Adalia Puppetry / physical theatre Almudena loves strongly visual theatre with a passion. She has worked with The Lion King, Blind Summit, Little Soldier, Arcola Theatre, Dotted Line Theatre and Told by an Idiot and produced and directed puppetry for the Little Angel Theatre. Bethan Highgate-Betts Multidiscipline Bethan is a freelance producer and maker from the South West. Since graduating from Falmouth University in 2013 she has forged a successful creative career and worked with many talented and inspiring organisations. She particularly likes to work within the realms of live art and unusual performances. Bethany West Multidiscipline Bethany West is a Bristol-based independent producer who currently works with MAYK, Bristol Old Vic Ferment, Still House and Propolis Theatre. She is particularly interested in contemporary theatre and dance, live art and site-specific performance, and work with an emphasis on outreach or audience development. Christabel Holmes Multidiscipline Christabel is a freelance theatre producer based in Bristol and London. Working predominantly on fringe and festival projects, she is passionate about the development of new and inventive contemporary work. She has a strong interest in theatre that is socially interrogative but, above all, she loves engaging human stories. Daisy Hale Being dyslexic, Daisy has often relied on visual language as opposed to the written. She is fascinated by the use of languages without borders in theatre, whether that be in a design concept or in physical body language, this is what speaks to her the most. Florent Trioux Dance Florent has been working in administration, production and development for independent companies and cultural organisations such as Cie Olivier Dubois, Centre Chorégraphique National de Roubaix and Cannes Lions Festival of Creativity.