Made for Me Watch This Space Smartly Dressed

Total Page:16

File Type:pdf, Size:1020Kb

Made for Me Watch This Space Smartly Dressed Enjoy life in and around the place you live Summer/Autumn 2013 The future issue Made for Me Product design gets personal Watch this space Space tourism blasts off sMARTLY DRESSED Fashion meets function Take Sound editors Chris Abel Nick Jones The fuTure issue SeriouSly deputy editor Katie Park design director Matt hill London has always been a city at the forefront of progress and innovation. digital design from the adventurers who departed the city in search of new lands, to simon hodgkinson today's digital 'explorers' dreaming up the latest technological advances. picture editor sarah Moor st James is a company dedicated to innovation. harnessing the very latest production manager Cynthia Duku-Asamoah in design, technology and construction to create unique lifestyles that are Writers truly world-class. This year, in particular, sees the launch of two schemes – hayley Ard Merano residences and The Corniche – both of which will afford a living Josh sims rebecca hattersley experience unlike anything seen in the city before. We are a proud member Claire Walsh harriet Cox of the Berkeley Group of companies, one of theu K's most respected publisher residential developers. Totality uK Ltd cover so it seems fitting that we dedicate this edition ofh omes & London to our The Corniche, Albert seemingly ceaseless pursuit of the new – those ideas, inventions, experiences embankment, London. Computer generated image. and services that enrich every aspect of our lives. from culture to cuisine, entertainment to business, we celebrate the best of today and look forward to tomorrow. Printed by Park Communications on fsC® certified paper. This document is printed on Core silk, a paper containing 100% virgin fibre sourced from well managed, responsible, fsC® certified forests. The Homes & London pulp used in this product is on your tablet bleached using an elemental chlorine free (eCf) process. Available on your iPad or Android tablet. search homes & London to download the The views expressed by latest edition. contributors are not necessarily shared by the st James Group. No part of this magazine may be reproduced, stored in a retrieval system or transmitted in any form without permission. Homes & London is published on behalf of the st James Group by Totality uK Ltd. A proud member of the Berkeley Group of companies All rights reserved. Introducing BeoLab 14 – a redefinition of surround Computer generated images sound and living proof that amazing sound matters are indicative only. bang-olufsen.com Homes & London – 01 3211 BeoLab 14 Ad for Homes & London 235x280mm 01.indd 1 20/06/13 14.28 p12 p04 The future issue Contents CoNTeNTs Summer 2013 p19 04 Seed capital 52 Fast forward The St James collection Through research, global networks, number- Meet the experts whose job it is to predict 76 crunching data, and high and low-tech what we might want, need or desire, long Places to live with St James processing, the Kew royal Botanic Gardens' before the idea even enters our head.f rom 78 Merano Residences Millenium seed Bank Partnership is saving fashion to food, technology to travel, come 82 Kew Bridge West the world, one seed at a time. and gaze into the crystal ball. 86 Riverlight 12 Watch this space 59 A more social life Today, anyone who can afford the price tag st James is a company at the cutting 90 Queen Mary's Place can buy a ticket for a real-life space adventure. edge of lifestyle design – creating a host 92 Roehampton House We explore what it’s taken to make that dream of experiences to enjoy within world-class p43 a reality. places to live. We explore the rise of these 93 Langham Square so-called ‘third spaces’ and discover what 19 Smartly dressed 94 Wye Dene it takes to create the very best. The things we wear are becoming intelligent. 95 Kennet Island “Travelling into space is to enter from internet-enabled glasses that sense 62 Smart solutions 96 the greatest unknown.” what interests us, to workout clothes designed Welcome to our selection of the latest gadgets and Hurlingham Gate to improve posture. We discover how style gizmos designed to improve your everyday life. 100 Emerald Square eugene Cernan is getting smarter. 65 Sensory sensations Coming soon 23 Movers + shakers London is being revived by a new wave 101 Brewery Wharf London has always been a magnet for creators of restaurants, cinemas and olfactory events and entrepreneurs. We meet five of todays that tantalise the senses. homes & London 102 The Corniche brightest and best. uncovers the capital’s most unusual experiences. p43 104 Butlers Court 30 The diary 69 Made for me Plan your future with our pick of the most in a world driven by mass production interesting events taking place across the we explore the rise of the one-off, and how capital this summer. we as individuals are becoming the new designers and manufacturers of tomorrow. 39 Bank of tomorrow Born out of London's defunct industrial 73 All hail! framework, springs a brand new quarter few British tech companies have gathered on the river and right in the heart of the city, such a devoted following as hailo, the mobile home to some of the most cutting edge phone app that lets users virtually hail a taxi. architecture in the world. A quarter of a million passengers worldwide use the on-demand taxi service, an idea which 43 Space age style emerged over tea and toast in a small café. p52 Visions of science and tomorrow have long “it’s an unbelievable story,” co-founder russell inspired the way in which we style the places hall tells homes & London. we live. from soft flowing sci-fi curves to the precision of molecular geometry, our home styling choices will transport your home back to the future. 47 City of culture London is a grand canvas for public art. The wealth of work on show today ranges p62 from sculpture sited on historic plinths, to unique contemporary pieces commissioned p59 p23 by st James. This is our guide to what ot see now and what to look out for in the future. 02 – Homes & London Homes & London – 03 The uniquefuture issue issue SpiritSeed capital of London seed capital Protecting the world’s diverse and threatened wild plant species is the mission pledge of Kew Royal Botanic Gardens' Millennium Seed Bank Partnership (MSBP). Through research, global networks, number-crunching data, and high and low-tech processing, the MSBP is saving the world, one seed at a time. WRITER Claire Walsh – PHOTOGRAPHY Jon Stevens ILLUSTRATION David Young 04 – Homes & London Homes & London – 05 The future issue commissioned and opened in 2000 to house the Seed capital MSB’s expanding work and collection. Designed by architects Stanton Williams, the low-level construction features barrel-vaulted roofing t was British designer Thomas Heatherwick’s and acres of glazing inside and out, to both echo Seed Cathedral – the startling UK Pavilion and enable the visibility that the MSB promotes icreated for the 2010 Shanghai Expo – that, for in its operations. me, spotlighted the important work being done It’s a ‘belt and braces’ approach below by the MSBP. The Cathedral featured 250,000 ground, with the two main cold stores – seeds sourced from the Kunming Institute of the actual seed bank – being located in an Botany, in China (a member of the MSBP). underground vault, behind a heavy reinforced- The seeds were cast in 60,000, seven and half steel door. Although the door is a little dramatic, metre long acrylic rods, which protruded out and more appropriate for protecting bullion, of a small box-like building. It resembled a it is a reminder of the serious work the MSBP giant seed head, shimmering in the daylight, undertakes, safeguarding essential wild-plants and illuminated at night. The pavilion was for all our futures. visited by 7 million people, and won the expo’s On the ground floor, laboratories line gold medal. It made Heatherwick a global a public central space. Probert tells me he star and catapulted the work of the MSBP into advocates the upper level of the building public conscience. being so accessible; “the general public can I’m in Wakehurst, the National Trust estate walk straight in and see into the labs and see in West Sussex, where Kew’s Millennium Seed exhibition hall at the MsB visitor centre scientists going about their day-to-day work”. Bank (MSB) is located, and I am expecting There are around 70 technicians, graduate boiler suits, hydrochloric arms and iris scientists, and post-doctorial researchers screening. I sign in, with a regular paper and working here. Many are linguists, so as to pen, and am met by my guide Robin Probert seed Cathedral, uK Pavilion at the 2010 shanghai expo aid communication with the 120 partner – the knowledgeable and affable head of organisations, located in 50 countries. conservation and technology at the bank. As we Gone is the Empire attitude of exploitation, make our way through the building, he explains global partners now identify the seeds they the scene here is an “active operation”. The wish to collect, be it because they are rare MSBP’s humane pledge of conservation is and endangered, or incredibly useful. Seed underpinned by human involvement at every The MSB is referred to as the collections are focused on alpine, dry lands, stage of their operations. Robin Probert coastal and island ecosystems, as these are most Kew had always collected and stored seeds, 'mothership' by partner organisations. head of Conservation vulnerable to climate change. but after National Lottery investment in 1996 & Technology MsB it was able to establish the MSBP and expand MsB visitor centre seed sculpture seeds on exhibit seeds on exhibit their horizon.
Recommended publications
  • Emerging Producers Development Programme Current and Past Participants
    Emerging Producers Development Programme current and past participants 2016 Almudena Adalia Puppetry / physical theatre Almudena loves strongly visual theatre with a passion. She has worked with The Lion King, Blind Summit, Little Soldier, Arcola Theatre, Dotted Line Theatre and Told by an Idiot and produced and directed puppetry for the Little Angel Theatre. Bethan Highgate-Betts Multidiscipline Bethan is a freelance producer and maker from the South West. Since graduating from Falmouth University in 2013 she has forged a successful creative career and worked with many talented and inspiring organisations. She particularly likes to work within the realms of live art and unusual performances. Bethany West Multidiscipline Bethany West is a Bristol-based independent producer who currently works with MAYK, Bristol Old Vic Ferment, Still House and Propolis Theatre. She is particularly interested in contemporary theatre and dance, live art and site-specific performance, and work with an emphasis on outreach or audience development. Christabel Holmes Multidiscipline Christabel is a freelance theatre producer based in Bristol and London. Working predominantly on fringe and festival projects, she is passionate about the development of new and inventive contemporary work. She has a strong interest in theatre that is socially interrogative but, above all, she loves engaging human stories. Daisy Hale Being dyslexic, Daisy has often relied on visual language as opposed to the written. She is fascinated by the use of languages without borders in theatre, whether that be in a design concept or in physical body language, this is what speaks to her the most. Florent Trioux Dance Florent has been working in administration, production and development for independent companies and cultural organisations such as Cie Olivier Dubois, Centre Chorégraphique National de Roubaix and Cannes Lions Festival of Creativity.
    [Show full text]
  • The Secret Cinema ‘Activist’ Brand and the Commodification of Affect Within ‘Experience Communities’
    . Volume 14, Issue 2 November 2017 ‘Join a cast of 1000s, to sing and dance in the Revolution’: the Secret Cinema ‘Activist’ brand and the commodification of affect within ‘experience communities’ Helen W. Kennedy University of Brighton, UK Abstract: This article traces the evolution of a specific activist discourse within the cultural branding of Secret Cinema experiences as these develop from marginal and subcultural events to highly profitable and highly visible commercial offerings. Through a detailed analysis of their most successful undertaking to date – the presentation of Baz Luhrmann’s 2001 Moulin Rouge! – I examine the irreconcilable paradox between their alleged political intentions and this event as the final and full realisation of the complete commodification of all aspects of their participant’s behavior and affective engagement. In doing so, I draw on the influential work of David Harvey (2005) in setting the neoliberal context within which to comprehend the ‘commodification of everything’, but here particularly; cultural participation. By further invoking the concept of the ‘experience community’ (Atkinson & Kennedy 2018), I illuminate the ultimately transient and fleeting nature of any political or activist sentiment that is activated through these experiences. Key words: Secret Cinema, Affect, Activism, Experience Community Participatory and Collaborative Research Methodologies This essay is part of a much wider collaborative project that has included a great deal of fieldwork related to the study of Secret Cinema and other participatory cinematic events. In previous work, Atkinson and I have examined the wider landscape of Live Cinema in general, and Secret Cinema in relation to novel forms of experience design that harness existing fan practices and pleasures.
    [Show full text]
  • Upbeat Summer 2012
    The Magazine for the Royal College of Music I Summer 2012 marks the spot Exploring Exhibition Road RCM Upbeat Magazine - June-Summer 2012.indd 2 13/06/2012 15:49 What’s inside... Welcome to upbeat... Anyone who’s visited the RCM recently can’t have failed to notice the transformation to Exhibition Road. After two years of building works it was officially opened by Boris Johnson Contents in February and marks the beginning of an exciting new chapter for the road and the institutions that line it. 4 In the news The original idea for this cultural heartland grew out of Prince Albert’s vision and the Great Updating you on recent RCM Exhibition of 1851 and in this issue we talk to the Chief Exec of Exhibition Road Cultural activities including the President’s Group Paul Cutts to find out what it means to be part of such an exciting cultural quarter visit and the RCM’s participation today. The RCM has many special relationships with our Exhibition Road neighbours which in the Jubilee celebrations have resulted in countless opportunities for RCM performers and composers. On page 12 we find out about the College’s long standing relationship with theRoyal Albert Hall and 9 The Britten Theatre 25th its latest incarnation as the West London hub. Outgoing SA President Charles Bradley Anniversary News also gives us a glimpse into his working relationship with student bodies at the RCA and The latest events to mark the Imperial College and how that enriches College life. anniversary of this much loved space As usual Upbeat is also packed full with news from around the College, so if you want to find out which RCM professor recently featured in the BBC seriesMaestro at the Opera then read on! 10 All about Exhibition Road Paul Cutts explains what it means We’re always keen to hear from students past and present, so if you have anything you’d like to be part of such an exciting us to feature in the next issue of Upbeat, send your news and pictures to [email protected] cultural quarter by 17 September.
    [Show full text]
  • Steven Hevey Playwright/Script Writer
    Steven Hevey Playwright/Script writer CURRENT KIN - Written treatment for original drama series. Currently under option with Kudos – Karen Wilson and Naomi De Pear. MY WAY – Developing comedy series with Mark Brotherhood for Hat Trick Productions CREDITS Television 2013 WEST END BOYS - Original drama series (co-creator and writer with Dominic Mitchell) under option with Noho films). 2012 BRIGHT FUTURES (LTD) - Original comedy series (co-creator and writer with Dominic Mitchell) under option with HAT TRICK COMEDY (Producer: Mark Talbot). Theatre 2016 KING FOR A DAY Rehearsed reading at Prince of Wales Theatre, October 2016. THE TEST Play commissioned by the Old Vic. Rehearsed reading July 2016. 2015 Selected as one of the Old Vic 12 P45 Full length play selected for workshop and rehearsed reading by the Finborough Theatre for their annual Vibrant Festival. WE KNOW WHERE YOU LIVE Full production as part of the Finborough Theatre’s Summer Season SIRIUS Reading at the Old Vic Theatre as part of their Old Vic New Voices Festival KING FOR A DAY Reading at the Theatre Royal Haymarket 2014 APOPHIS 1 Full length play selected for workshop and rehearsed reading by the Finborough Theatre for their annual Vibrant Festival. Winner of OffWestEnd.com’s Adopt a playwright award 2014 Commissioned by Old Vic New Voices to write a full length play for 2015 season of new work 2013 WE KNOW WHERE YOU LIVE Full length play selected for workshop and rehearsed reading by the Finborough Theatre for their annual Vibrant Festival. AN EDUCATION Presented by Kris Milnes as part of evening of short plays at the Soho Theatre.
    [Show full text]
  • Going out Life&Style
    48 METRO Thursday, January 10, 2013 Life&Style going out CLUBS THEATRE REVIEW A VERY OLD MAN FABRICLIVE + LFO WITH ENORMOUS WINGS HHHH$ + BLACKOUT + Magic realism and puppetry are tups for the sick and the curious natural bedmates: both come to gawp at the creature she is SOUNDCRASH from the same imaginative convinced must be an angel, space, where the mundane is albeit one now locked up in a transformed into the miraculous chicken coop. Although the Tomorrow night, join Hessle Audio and the extraordinary can production expands on this co-founder Ben UFO for a headline suddenly !t into your hand. moral aspect, the narrative is a slot at Fabric to celebrate the This collaboration between bit saggy. Instead, the glory is in release of his FabricLive Little Angel Theatre and the detail – in the array of rod compilation. The superclub will be Kneehigh is based on the puppet villagers, from the taken over by a powerful Gabriel García Márquez story libidinous priest to the bank combination of electronic music’s about the old man with manager with the expanding key players with Manchester’s wings who falls from stomach and in the outstanding premiere underground night nowhere into the stagecraft played out on Lyndie Hoya:Hoya relocating to room garden of a villager Wright’s perspective-shifting set. two; Ben UFO and the Hessle and instantly Most spellbinding of all is the Audio family, Pangaea and heals the knobbly old man, who here Pearson Sound in room one; and woman’s sick takes on a mysterious, cruci!ed IDM (intelligent dance music) son.
    [Show full text]
  • Das Secret Cinema Als Hybride Kino-Erfahrung
    Thomas Klein Das Secret Cinema als hybride Kino-Erfahrung Seit den 1990er Jahren habe sich, so Francesco Casetti, ein Paradigmenwechsel in der filmischen Erfahrung vollzogen. Der Zuschauer wohne nicht mehr nur einer Filmvorstellung bei, er habe sich stattdessen zu einem eingreifenden Subjekt ent- wickelt: «Diesen Typus des Sehens, der von einer Intervention des Zuschauers ausgeht und das Modell der attendance weitgehend ersetzt, werde ich als performance bezeich- nen. Dabei versteht es sich von selbst, dass performance sich auf eine Vielfalt von Umgebungen und Handlungsebenen bezieht. So hört die Filmerfahrung nicht auf, ein sinnliches Tun zu sein. […] Auch ist die Filmerfahrung weiterhin ein kognitives Tun. […] Und gleichzeitig bleibt die Filmerfahrung ein affektives Tun: Nur umfasst sie nicht mehr nur die klassischen filmischen Emotionen, sondern auch radikalere Formen der ‹Erschütterung›, die an ein wachsendes Bedürfnis nach Staunenswertem geknüpft sind.»1 Die Filmgeschichte beweist, dass es derartige Veränderungen und Variationen des Erfahrungsraums Kino immer schon gab. Eine einzige Kinoerfahrung, wie es in der Apparatus-Theorie vertreten wird, gibt es nicht. Der Zuschauer muss in seinem Handeln im Kinosaal nicht auf die Leinwand fixiert sein. Das Bedürfnis nach Staunenswertem ist in der Filmgeschichte schnell gewach- sen. Zudem ist es nicht typisch für den Film, sondern gilt für die gesamte Unterhal- tungsindustrie. Deren Bereiche haben sich immer wieder überlappt. Vor allem in der Entwicklungsphase eines Mediums, wenn sich eine spezifische mediale Form noch nicht konsolidiert hat, treten derartige Vermischungen auf. Sie sind jedoch nicht auf diese Phase beschränkt und entwickeln sich auch nicht kontinuierlich, sondern sind vielmehr zirkulär. Sie können immer wieder dann in Erscheinung treten, wenn der Film in einer Krise vermutet wird oder wenn neue technische Entwicklungen stattfinden.
    [Show full text]
  • Download the Issue
    Spring 2012 Volume 24 Issue 01 totaltheatre.org.uk ARTISTS TaKING THE LEAD: FROM LANDGUARD POINT TO LONDON BUS TOPS, LONE TWIN AND THE LIONHEART PROJECT THE DEVIL AND MISTER PUNCH! JULIAN CROUCH, IN HIS OWN WORDS NEW YORK, NEW YORk – A WORLDVIEW OF PERFORMANCE USA HaVING A WHalE OF A TIME: LEVIATHAN paRT THE SECOND PLUS: BEING THERE WITH LITTLE BUlb, THE WORKS OF NIE, AND REVIEWS FROM THE LONDON INTERNATIONal MIME FESTIVal, IF ONly…! AT BLUECOAT LIVERPOOL, AND THE SaCRED SEASON AT CHELSEA THEATRE TOT al TOTAL THEATRE MAGAZINE THE TOTAL THEATRE MAGAZINE Editor A TRE Spring 2012 Volume 24 Issue 01 Dorothy Max Prior M [email protected] A G A Deputy Editor ZINE John Ellingsworth [email protected] Spring 2012 Volume Spring24 IssueVolume 2012 01 Welcome to the spring 2012 edition of Total Theatre. Do I need to remind you that this June sees the coming of the Olympics to our fair land? It’s been the subject of all sorts of debates and Reviews Editor grumbles within the arts world, but at last – for better or worse – the time is almost nigh. Beccy Smith [email protected] So, to provide a little background for those not from these parts, or those who are perhaps on a seven-year arts news hiatus: Given that the same government department that funds the arts is Advertising & also responsible for sport, the announcement, in 2005, of London’s successful Olympic bid for Subscriptions Manager 2012 was met with wary scepticism in some artistic quarters. Wouldn’t this mean that arts funding Christian Francis would suffer? We were reassured that alongside the Olympics would run the Cultural Olympiad, a [email protected] scheme that would create a whole succession of arts events that would circle the sports events that [email protected] in turn would circle the Olympics and Paralympics themselves.
    [Show full text]
  • Bsac Film Conference 2012
    BSAC FILM CONFERENCE 2012 Thursday, 22 March THE RUTHERFORD CONFERENCE CENTRE, 76 PORTLAND PLACE, LONDON, W1B 1NT Sponsored by Below is a summary of the presentations given on the day. Chair’s Introduction Stephen Garrett, Chairman, Kudos Film and Television and Executive Chairman, Shine Pictures The Chair welcomed guests to the ninth annual BSAC Film Conference. Stephen highlighted a quote from Steve Jobs, who had grown the most successful business in history, that he felt would be useful to keep in mind over the course of the day, ‘here’s to the crazy ones, the misfits, the rebels, the trouble makers, the round pegs in the square holes, the ones who see things differently. They’re not fond of rules. You can quote them, disagree with them, glorify or vilify them; but the only thing you can't do is ignore them, because they change things. They push the human race forward, and whilst some may see them as the crazy ones, we see genius, because the ones that think that they can change the world are the ones who do’. Today’s conference would focus on how the film business was adapting to change. The business was entering a world where cinemas would be 100% digital, superfast broadband would enable new ways of delivering films and films were available globally across a multiplicity of devices and platforms. The Apple ecosystem was becoming ever more attractive to consumers as the new iPad 3 had an HD screen, which was better than most 40” TVs as well as boasting 3D capability.
    [Show full text]
  • The Judas Kiss
    2016 BAM Winter/Spring #TheJudasKiss Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer The Judas Kiss BAM Harvey Theater May 11—14, 17—21, 24—28 & 31, Jun 1—4, 7—11 at 7:30pm; May 14, 21, 28, Jun 4 & 11 at 2pm; May 15, 22, 29, Jun 5 & 12 at 3pm Running time: approx. two hours & 20 mins. including intermission Written by David Hare Directed by Neil Armfield Chichester Festival Theatre in association with Robert Fox, Theatre Royal Bath Productions, and Hampstead Theatre Productions Season Sponsor: Set design by Dale Ferguson Costume design by Sue Blane Major support for theater at BAM provided by: The Gladys Krieble Delmas Foundation Lighting design by Rick Fisher The Francena T. Harrison Foundation Trust Sound design by Paul Groothuis Donald R. Mullen Jr. Original Casting Director Cara Beckinsale CDG The Fan Fox & Leslie R. Samuels Foundation, Inc. The Morris and Alma Schapiro Fund Composed by Alan John The SHS Foundation The Shubert Foundation, Inc. Additional support provided by Broadway Stages. The Judas Kiss FOR THE JUDAS KISS General manager Kathy Bourne Associate director Jonathan O’Boyle Costume supervisor Allan Watkins Co-Costume supervisor/Wardrobe mistress Josie Thomas Wigs supervisor Helen Keelan Associate lighting Andrew Murrell Associate sound David Gregory Production manager Simon Marlow Production carpenter Micky Murray Company stage manager Ba Penney Deputy stage manager Sophia Dalton Canadian assistant stage manager Kathleen Harrison Rehearsal assistant stage manager Paul Puttock American stage manager R.
    [Show full text]
  • The Future of the Entertainment Sector Brochure 2
    CREATING GROWTH THE FUTURE OF THE UK ENTERTAINMENT SECTOR NNLP_white_paperLP_white_paper 5.indd5.indd 3 001/04/20151/04/2015 08:2508:25 NNLP_white_paperLP_white_paper 5.indd5.indd 4 001/04/20151/04/2015 08:2508:25 CREATING GROWTH: THE FUTURE OF THE UK ENTERTAINMENT INDUSTRY CONTENTS: Nyman Libson Paul We started in 1933 when the wonderful world of celluloid was in its infancy, TV 6 providing a wide range of services from traditional accountancy and tax compliance to much broader commercial and business advice. Over 80 years Film 10 later we have looked after some of the biggest and brightest stars and projects Animation 14 in Film, TV, Music and Theatre. This continues to the day with our knowledge and expertise expanding into the world of Animation, Video Games and Digital Video Games 18 as we continue to evolve with our client base. Our network and knowledge extend around the world assisting our clients with their global ambitions and Theatre 22 keeping pace with the rapid globalisation of the entertainment industry. References 26 Executive Summary Though a year of uneven economic growth, 2014 was highly successful for the UK’s creative industries. A recent government report reveals that the creative industries are now worth £76.9 billion a year to the UK economy, with the gross value added having risen to 9.9%, a marked increase on 2013.1 What’s more, the UK entertainment industy is predicted to grow annually by 3.1% until at least 2018, giving investors the confi dence to invest even further in the creative industries.2 Indeed, this investment provides an important opportunity for Britain to consolidate its international position.
    [Show full text]
  • The American Clock
    Press Information Rediscoveries2012 Season February to April 2012 The Steam Industry, Franklin Productions Ltd and Neil McPherson at the Finborough Theatre by arrangement with Josef Weinberger Limited presents The first professional UK production in more than 25 years THE AMERICAN CLOCK by Arthur Miller . Directed by Phil Willmott. Designed by Philip Lindley. Lighting Design by Jason Meininger. Sound Design by Edward Lewis. Costume Design by Gregor Donnelly. Cast includes: Michael Benz. David Ellis. Eva Fontaine. Michael J Hayes. Christopher Heyward. James Horne. Natalie Kent. Richard Morse. Daniel Norford. Megan Elizabeth Pitt. Patrick Poletti. Issy Van Randwyck. Multi-award-winning director – and former Artistic Director – Phil Willmott returns to the Finborough Theatre with the first professional UK production in more than 25 years of Arthur Miller's The American Clock , opening at the Finborough Theatre on Tuesday, 27 March 2012 ( Press Night: Thursday, 29 March 2012 at 7.30pm ) for a four week limited season. Inspired partly by Studs Terkel's oral history Hard Times , and partly by Arthur Miller's own recollections, The American Clock is a panoramic 'dramatic vaudeville' about the Great Depression of the 1930s. When the stock market crashes, a well-to-do family loses everything and is forced to move from their plush penthouse apartment to the modest home of a relative in Brooklyn... More relevant than ever, The American Clock is a deeply affecting evocation both of a tortured time in American history and of the indomitable spirit of the people who survived in the face of unaccustomed adversity. The American Clock premiered on Broadway at the Biltmore Theatre in 1980.
    [Show full text]
  • Tuesday 17 July PRODUCTION IMAGES RELEASED for THE
    IMAGE RELEASE – Tuesday 17 July IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Instagram / website #SoundsandSorcery PRODUCTION IMAGES RELEASED FOR THE VAULTS NEW IMMERSIVE SHOW SOUNDS AND SORCERY CELEBRATING DISNEY FANTASIA OPENING TONIGHT AND RUNNING UNTIL 30 SEPTEMBER IMAGES, AVAILABLE TO DOWNLOAD HERE, INCLUDE: - THE SORCERER’S APPRENTICE FEATURING THE SORCERER AND BROOMS - THE DANCE OF THE HOURS FEATURING THE HIPPO, OSTRICH, ELEPHANT AND CROCODILE - THE RITE OF SPRING FEATURING PRE-HISTORIC VOLCANOES - NUTCRACKER SUITE FEATURING HUMAN-SIZED PLANT LIFE - AVE MARIA FEATURING A MYSTICAL FOREST - INSTRUMENT INSTALLATION Production images are today released for The Vaults' highly anticipated immersive show, Sounds and Sorcery celebrating Disney FANTASIA ahead of its opening night this evening. In their latest production inspired by the ground-breaking 1940 Disney animation, The Vaults presents a reimagining of the many worlds of Fantasia featuring a Grecian Disco Palace, pre-historic volcanic wasteland, mirrored waterfall, human fishtank, and mystical forest among the sights. The production runs at the Vaults beneath Waterloo until 30 September. Sounds and Sorcery celebrating Disney FANTASIA is a modern, innovative multi- sensory show that brings to life the world's most iconic classical music through unique installations, theatrical performances and technical wizardry. Audience members are invited to step inside The Vaults maze of tunnels in Waterloo, London, where, wearing individual headphones, the orchestra will guide them on an interactive concert experience combining cutting edge binaural sound, 3D projections, elaborate set designs and dazzling lighting effects. Arrive at your destination underneath Waterloo station, collect your headphones at the door and step inside the tunnels. It's time for a dance with a funky hippo, walk in a prehistoric wasteland, seek out the fairies in a magical forest and, if you dare, sneak into the Sorcerer's lair.
    [Show full text]