About Heritage Auctions Features

Total Page:16

File Type:pdf, Size:1020Kb

About Heritage Auctions Features COMICS & COMIC ART Maximize your results through Heritage Auctions! 2 2 3 3 4 4 1 5 5 WHY CONSIGN YOUR COLLECTION WHAT SETS HERITAGE TO HERITAGE AUCTIONS? AUCTIONS APART? You’ve spent years, even decades, putting your collection together, and maybe the time has come to sell. Or perhaps you’ve inherited some items as part of an estate. Whatever your situation, whatever your reason, you have one goal: to realize the very best price for every piece. OUR MISSION — Our mission is to be the world’s most trusted Heritage Auctions, the world’s third largest auction house, can help you accomplish that goal. and efficient marketplace and information resource serving owners of fine art, vintage collectibles and other precious objects. YOUR CONSIGNMENT DECISION Our knowledgeable staff and suite of auction tools help our clients assemble the best collections possible using the latest technological advancements – far Heritage Auctions knows that educating yourself is the most important step in the process of and away the best in the business – that ultimately enhance the personal and selecting your auctioneer, and we want to make sure you have all the tools you need to make financial well-being of our consignors. an educated decision. Examine the advantages that Heritage offers, and you will learn how we continually achieve some of the highest prices in the marketplace. EXPERIENCE — Heritage Auctions has presented more than 9,300 successful auctions, selling more than $873 million in 2020. More than 336,000 Your consignment is welcome, no matter the size, whether it is an entire collection or a single consignments have been sold successfully, with full, timely payment to every valuable piece. We answer your questions, provide practical options, and help you decide which consignor. 85,154 bidders have used our unique and patented HERITAGE items are most appropriate for our various auction venues. In order to maximize your profits, Live!®1 online bidding platform, winning more than 1,199,016 lots valued well in we develop the best sales strategy for your collection, from estimating and researching your excess of $1.8 billion in recent years. AMAZING FANTASY #15 comics or artwork, to presenting it to the right buyers. Our offices and galleries in Dallas, New (Marvel, 1962) CGC NM 9.4 MARVEL COMICS #1 Off-white to white pages York, Beverly Hills, San Francisco and Chicago allow for extensive advertising and promotion in STRONG PRICES REALIZED — Some of our notable auction Windy City pedigree (Timely, 1939) SOLD for $795,000 America’s largest and richest markets. CGC NM 9.4 Off-white pages March 2020 results of the last few years are shown on these pages. We look forward to SOLD for $1,260,000 attaining similarly impressive results for your pieces. Our success in the comic November 2019 auction realm is second to none. Our ten most recent Comic & Comic Art FRANK FRAZETTA Famous Funnies #209 Signature® auctions (January 2019 through January 2021) have averaged an Cover Original Art astonishing $10 million-plus each in prices realized on behalf of our consignors. (Eastern Color, 1953) SOLD for $552,000 We’re especially proud of this landmark achievement because no auction firm February 2019 other than Heritage has ever conducted even one $10 million Comics & Comic Art auction. on the cover: 1. THE INCREDIBLE HULK #1 1 U.S. Patent No. 9,064,282 (Marvel, 1962) CGC NM- 9.2 White pages SOLD for $336,000 November 2018 2. ACTION COMICS #1 (DC, 1938) CGC FN- 5.5 BATMAN #1 (DC, 1940) CGC Cream to off-white pages. NM 9.4 White pages SOLD for $956,000 SOLD for $2,220,000 August 2016 January 2020 3. FRANK MILLER BATMAN: THE DARK KNIGHT RETURNS #2. Cover Original Art (DC, 1986) SOLD for $478,000 August 2013 4. FANTASTIC FOUR #1 White Mountain Pedigree (Marvel, 1961) CGC NM-9.2 SOLD for $203,150 THE AVENGERS #1 (Marvel, 1963) CGC NM+ 9.6 July 2012 FRANK FRAZETTA Off-white to white pages DETECTIVE COMICS #27 Egyptian Queen 5. NEAL ADAMS SOLD for $215,100 (DC, 1939) CGC FN/VF 7.0 Painting Original Art (1969) Green Lantern #76 November 2015 Off-white pages SOLD for $5,400,000 Cover Original Art (DC, 1970) May 2019 SOLD for $442,150 SOLD for $1,500,000 November 2015 November 2020 2 3 EXPERT CATALOGING AND APPRAISAL SERVICES — PRESENTATION — Heritage Auctions understands Heritage Auctions has recently organized its that presentation is a key factor to generating demand. Our appraisal services into a centralized department experts describe each of your consigned items to maximize its that will produce formal fair market value and appeal while maintaining strict standards for accuracy. retail replacement appraisals for estate tax, gift The award-winning catalogs produced for each of our tax, financial planning, insurance and charitable Signature® auctions are second to none: beautifully produced donation purposes. Working with our experts, by professional graphic designers with full-color images of you will receive thorough, illustrated appraisal each lot composed in detail by professional photographers. reports written in compliance with all IRS, USPAP The result is a book that is both a gorgeous and collectible and Insurance standards. Should you later auction catalog, and a treasured reference work for students, decide to sell your property listed in a Heritage scholars and collectors. Such an elaborate presentation will appraisal, all fees will be rebated in full or on a On average, HA.com receives 75,000+ visits per day. no doubt make you proud and ensure your legacy for years to prorated basis against the seller’s commissions. (Source: SimilarWeb.com) come. Heritage Auctions employs the top talent in the appraisal business to give you the best possible information on the value of your collection. WORLDWIDE MARKETING REACH — NEAL ADAMS BATMAN #251 COVER Our auctions are events watched by the world. Previous The Joker Original Art (DC, 1973) MULTIPLE VENUES TO SOLD for $600,000 auctions have generated national and international press November 2019 coverage on major TV, radio, newspaper and Internet news ACCOMMODATE YOUR ENTIRE outlets. Every year we spend $20+ million dollars marketing COLLECTION — We realize that most our consignors’ items to a worldwide audience. collections include a variety of material, from the rare and valuable to the more common. For Marketing campaigns begin with press releases to a variety this reason, Heritage Auctions has established of news organizations announcing important consignments multiple selling venues, several with low lot and significant highlights, followed by advertisements in trade minimums, so that we can likely handle the publications and mainstream press. Updates and targeted entirety of your consignment, rather than “cherry messaging are also regularly distributed to interested buyers. picking” the best material and leaving you with Heritage Auctions boasts more than 3.1 million collectors in the rest, as many auction houses are renowned our customer database, more than 1.4 million of which – in for doing. 195 countries worldwide – are online bidder-members on HA.com. All of this exposure means more money for each Heritage’s Signature® auctions are for the most MyBids lets every bidder track and research lots. piece you consign! valuable material in your collection. These HERITAGE SIGNATURE® AUCTIONS items are spotlighted in our full-color illustrated are among the biggest events in the comic book hobby. catalogs, which are sent to our best buyers. Signature® auctions consist of exciting live floor sessions in which bidders from all over the world compete for your treasures in person, over the phone and through HERITAGE Live!® BILL WATTERSON CALVIN AND HOBBES HAND-COLORED SUNDAY COMIC STRIP ORIGINAL ART (Universal Press Syndicate, 1986) TOP-FLIGHT MATERIAL that’s consigned to us is MyConsignments keeps consignors abreast of their SOLD for $203,150 featured in our full-color catalogs that are distributed to bid status. November 2012 thousands of bidders worldwide. 4 5 PROFESSIONALISM WHAT OUR CLIENTS SAY “Far as I’m concerned, the real Heritage Auctions’ fine reputation is not a matter of chance. It reflects our The real measure of any business’s success is what its customers say superheroes are the great guys relentless drive to always improve our services. Innovation is a Heritage about it. Here are just a few comments from past Heritage clients: at Heritage. I really lucked out when I met ’em ’cause they got trademark, seen in every element of our auction process from policy to me prices that exceeded my technology. We combine this with a strong corporate ethic, uncompromising “I was thrilled to find a comic book from my adolescence that I thought I’d lost -- a wildest expectations, plus it was a real kick to work with them. integrity, transparency and old-fashioned customer service. That’s why we well-read copy of Amazing Fantasy #15. It’s been 50 years (gulp!) since I collected comics, so my only impulse was to find the best price at auction for this collector’s I don’t want this to sound like are the third largest auction house in the world, with $873+ million in sales in item that I could manage. A still-active collector friend pointed me to Heritage, so I a TV commercial but, so help 2020. We’ve sold and fully settled more than 336,000 consignments, on time sent a message about my find to them via their website. I don’t think five minutes me Spidey, there’s no one I’d rather entrust with my collection. and in full. had gone by before Matt Griffin, comics consignment manager at Heritage, called me back to express HA’s interest in handling my auction.
Recommended publications
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • Oktober 1968 CM # 005 (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Inker: John Tartaglione Hit Comics Nr. 203 , 1970 Rä
    CAPTAIN MARVEL Checkliste (klassische Deutsche Ausgaben 1967-1977) Marvel Super-Heroes (Vol. 1) # 12-13 Oktober 1968 (Dezember 1967 - März 1968) CM # 005“The Mark Of The Metazoid!” (20 Seiten) Captain Marvel (Vol. 1) # 1-14 Autor: Arnold Drake, Zeichner: Don Heck, (Mai 1968 - Juli 1969) Inker: John Tartaglione Hit Comics Nr. 203 Dezember 1967 „Der Angriff des Metazoids“, 1970 MSH # 12“The Coming Of Captain Marvel!” (15 Seiten) Autor: Stan Lee, Zeichner: Gene Colan, Inker: Frank Giacoia Rächer Nr. 12-15„Das Los des Metazoiden!“ , (keine deutsche Veröffentlichung) Dezember 1974-März 1975 Übersetzung: Hartmut Huff, März 1968 Lettering: C. Raschke/U. Mordek/ MSH # 13“Where Stalks The Sentry!” (20 Seiten) M. Gerson/U. Mordek Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Paul Reinman November 1968 (keine deutsche Veröffentlichung) CM # 006“In The Path Of Solam!” (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Mai 1968 Inker: John Tartaglione CM # 001“Out Of The Holocaust - - A Hero!” (21 Seiten) Hit Comics Nr. 203 Autor: Roy Thomas, Zeichner: Gene Colan, „Die Macht des Solams“, 1970 Inker: Vince Colletta Hit Comics Nr. 121 Rächer Nr. 16-18„Auf Solams Spur!“ , „Ein Sieger ohnegleichen“, 1969 April-Juni 1975 Übersetzung: Hartmut Huff, Rächer Nr. 1-3„Der Kampf der Titanen!“ , Lettering: Marlies Gerson, Januar-März 1974 Ursula Mordek (Rächer 16) Lettering: Ursula Mordek (nur Seite 1-7) (Originalseite 15 fehlt) Juli 1968 CM # 002 “From The Void Of Space Comes-- The Super Skrull!” (20 Seiten) Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Vince Colletta Hit Comics Nr. 121 „Der Angriff des Super-Skrull“, 1969 Rächer Nr.
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc.
    [Show full text]
  • Alter Ego #78 Trial Cover
    Roy Thomas ’Merry Mar vel Comics Fan zine No. 50 July 2005 $ In5th.e9U5SA Sub-Mariner, Thing, Thor, & Vision TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.; Caricature ©2005 Estate of Alfredo Alcala Vol. 3, No. 50 / July 2005 ™ Editor Roy Thomas Roy Thomas Associate Editors Shamelessly Celebrates Bill Schelly 50 Issues of A/E , Vol. 3— Jim Amash & 40 Years Since Design & Layout Christopher Day Modeling With Millie #44! Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Contents Mike Friedrich Production Assistant Writer/Editorial: Make Mine Marvel! . 2 Eric Nolen-Weathington “Roy The Boy” In The Marvel Age Of Comics . 4 Cover Artists Jim Amash interviews Roy Thomas about being Stan Lee’s “left-hand man” Alfredo Alcala, John Buscema, in the 1960s & early ’70s. & Jack Kirby Jerry Ordway DC Comics 196 5––And The Rest Of Roy’s Cover Colorist Color-Splashed Career . Flip Us! Alfredo Alcala (portrait), Tom Ziuko About Our Cover: A kaleidoscopically collaborative combination of And Special Thanks to: three great comic artists Roy worked with and admired in the 1960s and Alfredo Alcala, Jr. Allen Logan ’70s: Alfredo Alcala , John Buscema , and Jack Kirby . The painted Christian Voltan Linda Long caricature by Alfredo was given to him as a birthday gift in 1981 and Alcala Don Mangus showed Rascally Roy as Conan, the Marvel-licensed hero on which the Estelita Alcala Sam Maronie Heidi Amash Mike Mikulovsky two had labored together until 1980, when R.T.
    [Show full text]
  • Alter Ego #78 Trial Cover
    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
    [Show full text]
  • JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
    JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate.
    [Show full text]
  • Annual Report Scottsdale Cultural Council
    2010-11ANNUAL REPORT SCOTTSDALE CULTURAL COUNCIL Scottsdale Center for the Performing Arts Scottsdale Museum of Contemporary Art Scottsdale Public Art VISION Excellence and innovation in the arts – for everyone. MISSION To serve Scottsdale residents, visitors, cultural institutions and artists by creating and advancing high-quality arts and cultural experiences and opportunities. VALUES SERVICE Leadership, transparency and responsiveness to the community. EXCELLENCE High standards in all that we do. DIVERSITY Programming, audiences, leadership and management that respect and reflect our communities. ACCOUNTABILITY Reliability and sustainability. INNOVATION Open to creative change and continuous improvement. INCLUSIVENESS Partnership and collaboration. UNDERSTANDING Education and participation in the arts. The Scottsdale Cultural Council, a private non-profit 501(c)(3) organization, is contracted by the City of Scottsdale, Ariz., to administer certain City arts and cultural projects and to manage the City-owned Scottsdale Center for the Performing Arts, Scottsdale Museum of Contemporary Art and Scottsdale Public Art. The programs of the Scottsdale Cultural Council are made possible, in part, by the support of members and donors and grants received from the Arizona Commission on the Arts through appropriations from the Arizona State Legislature and the National Endowment for the Arts. Cover: Soleri Bridge and Plaza Scottsdale Waterfront Commissioned by Scottsdale Public Art Photo: Bill Timmerman 2010-11 SCOTTSDALE CULTURAL COUNCIL ANNUAL
    [Show full text]
  • Download Complete-Skywald-Checklist
    MAY JUL SEP http://w w w .enjolrasw orld.com/Richard%20Arndt/The%20Complete%20Skyw ald%20Checklist.htmGo Close 44 captures 16 21 Jan 05 - 13 Feb 15 2010 Help2011 2012 Last updated 2 Dec. 2010. The latest version of this document can always be found at www.enjolrasworld.com. See last page for legal & © information. Additions? Corrections? Contact Richard J. Arndt: [email protected]. The Complete Skywald Checklist This index is as complete as possible given Skywald’s custom of often dropping credits off stories, hiding credits in the art of the story {mostly under Hewetson’s reign—in windowsills, gables, panel borders, as debris, etc.}, the heavy use of pseudomyns & single names and the miscrediting of stories to the wrong artist. Many of the mysteries regarding credits have been solved by access to Al Hewetson’s notes & checklists as well as the extensive aid of Christos N. Gage. Check out the end of the bibliography for interviews with Al Hewetson, Ed Fedory, Augustine Funnell & Maelo Cintron. You’ll be glad you did! Nightmare 1. cover: Brendan Lynch? (Dec. 1970) 1) The Pollution Monsters [Mike Friedrich/Don Heck & Mike Esposito] 10p 2) Master Of The Dead! [?/Martin Nodell &Vince Alascia] 6p [reprint from Eerie #14, Avon, 1954] 3) Dance Macabre [?/? & Bill Everett?] 6p [reprint from the 1950s] 4) Orgy Of Blood [Ross Andru & Mike Esposito/Ross Andru & Mike Esposito] 8p 5) A Nightmare Pin-Up [Bill Everett] 1p 6) The Skeletons Of Doom! [Art Stampler/Bill Everett] 3p [text story] 7) Help Us To Die! [?/?] 6p [reprint from the 1950s] 8) The Thing From The Sea! [?/Wally Wood & Mike Esposito?] 7p [reprint from Eerie #2, Avon, 1951] 9) The Creature Within! [?/?] 3p [reprint from the1950s] 10) The Deadly Mark Of The Beast! [Len Wein/Syd Shores & Tom Palmer] 8p open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com 11) Nightmares’s Nightmail [letters’ page] 1p Notes: Publisher: Sol Brodsky & Israel Waldman.
    [Show full text]
  • By JOHN WELLS a M E R I C a N C H R O N I C L E S
    AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of
    [Show full text]
  • Gary Friedrich
    Roy Thomas' Hard-Driving Comics Fanzine FROM HELL-RIDER TO GHOST RIDER! FROM SGT. FURY TO–SGT. DARKK!? GARY $9.95 FRIEDRICH In the USA No. 169 May RIDES AGAIN! 2021 HANG LOOSE, HERBIE! 7 4 3 4 0 0 8 5 6 2 8 1 Art TM & © Marvel Characters, Inc. Vol. 3, No. 169 / May 2021 Editor Roy Thomas Associate Editor Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Don’t STEAL our J.T. Go (Assoc. Editor) Digital Editions! Comic Crypt Editor C’mon citizen, DO THE RIGHT Michael T. Gilbert THING! A Mom & Pop publisher Editorial Honor Roll like us needs every sale just to Jerry G. Bails (founder) survive! DON’T DOWNLOAD Ronn Foss, Biljo White OR READ ILLEGAL COPIES ONLINE! Mike Friedrich, Bill Schelly Buy affordable, legal downloads only at www.twomorrows.com Proofreaders or through our Apple and Google Apps! Rob Smentek William J. Dowlding & DON’T SHARE THEM WITH FRIENDS OR POST THEM ONLINE. Help us keep Cover Artist producing great publications like this one! Mike Ploog Cover Colorist Unknown With Special Thanks to: Heidi Amash Beverly Hahs Contents Richard J. Arndt Kirk Hastings Bob Bailey Robert Higgerson Writer/Editorial: My Best Friend—Gary Friedrich .......... 2 Carol Bierschwal Sean Howe “Gary Friedrich And I Were Part Of Each Other’s Lives Danny Bierschwal Jim Kealy Ray Bottorff, Jr. Troy R. Kinunen For Over 60 Years” ................................. 3 Len Brown Katy Kirn A conversation with Roy Thomas about those six decades, conducted by Richard Arndt. Jean Caccicedo Tyler M.
    [Show full text]
  • Alter Ego #78 Trial Cover
    Roy Thomas’ Und ea d Comics Fanzine HELLZAPOPPIN’ HALLOWEEN ISSUE! $6.95 In the USA No.53 THOMAS October & GIORDANO’S 2005 DRACULA DICK BRIEFER’S FRANKENSTEIN ANDRU & & ESPOSITO’S ESPOSITO’S MISTER MYSTERY MR. MONSTER’S COMIC CRYPT AND MORE! PLUS:PLUS: [Art ©2005 Dick Giordano; Marvel Dracula TM & ©2005 Marvel Characters, Inc.] Vol. 3, No. 53 / October 2005 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout ChrisTopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. GilberT Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo WhiTe, let me show Mike Friedrich YOU more of my newspaper Production Assistant comic strip Eric Nolen-WeaThingTon samples... Cover Artist Dick Giordano Cover Colorist Contents Tom Ziuko And Special Thanks to: Writer/Editorial: A-Haunting We Will Go! . 2 ChrisTian VolTar JosTein Hansen Alcala & Family Jack C. Harris Heidi Amash Daniel Herman Three Decades Of Dracula —And Coun ting . 3 Tom Andrae Carmine InfanTino Giordano, Thomas, & Beazley on The 30-year voyage of Stoker’s Dracula . David ArmsTrong Rob Jones Ger Apeldoorn Michael W. KaluTa Happy Halloween! . 15 Joan AppleTon Richard Kyle HaunTed arT by WrighTson, Brunner, HeaTh, KaluTa, Alcala, DiTko, BisseTTe, EvereTT, eT al. Rodrigo Baeza Phil LaTTer PaT BasTienne Mark Luebker Michael BauldersTone Mike Mignola Frankenstein In The Funny Pages? – Part II . 26 AlberTo BecaTTini Mike Mikulolvsky Dick Briefer and his MonsTer-ous newspaper sTrip—a special A/E comics secTion. Richard Beaizley Fred Mommsen Mark Beazley MaTT Moring Allen Bellman Brian K. Morris “Ross Andru And I Had A Handshake Partnership John Benson Frank MoTler Daniel BesT Will Murray That Lasted Until The Day He Died” .
    [Show full text]
  • 142 APPENDIX 1: American and Australian Comics (Historical And
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au APPENDIX 1: American and Australian Comics (historical and process examples). All images and characters © Their respective copyright holders, and included as examples of concepts and ideas discussed within the body of thesis. For educational purposes only. Figure 1.01: The original comic page depiction of The Batman (circa 1940) by Bill Finger and Bob Kane. 142 Figure 1.02: One of the earliest pages from Superman (circa 1938) by Jerry Siegel and Joe Shuster. 143 Figure 1.03: Simon & Kirby’s Captain America (#3, May 1941). Note the dynamic figures that “explode” out of the panels. 144 1.04 Figure 1.04 & 1.05: Steve Ditko and Stan Lee’s The Amazing Spider-man (circa 1.05 1962-63). The 1960s Marvel Comics era ushered in a new take on the superhero: “Heroes with feet of clay”. 145 1.06 1.07 1.08 1.09146 1.11 1.10 1.12 1.13 147 1.14 1.15 Figures 1.06 – 1.16: Examples of Australian Action /Superhero comics over the years, including (but not limited to): 1.06: Captain Atom (circa 1948) 1.07: Phantom Commando (circa 1959) 1.08: Cyclone! Comics (Superhero anthology book circa 1985) 1.09: The Southern Squadron (circa 1987) 1.10: Captain Atom and Ghost Rider (circa 1947) 1.11: The Panther (circa 1958) 1.12: The Crimson Comet (circa 1953) 1.13: Captain Justice (circa 1955) 1.14: Silver Starr (circa 1949) 1.15: The Lone Avenger (circa 1949) 1.16: Phantom Commando (circa 1960) 1.16 148 Figure 1.17: Iron Outlaw – a parody Australian Superhero newspaper strip by Graeme Rutherford and Gregor MacAlpine (1971).
    [Show full text]