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Mozart Requiem Realisations
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 MOZART REQUIEM REALISATIONS STEPHEN CLEOBURY CONDUCTOR ELIN MANAHAN THOMAS CHRISTINE RICE JAMES GILCHRIST CHRISTOPHER PURVES ACADEMY OF ANCIENT MUSIC T MOZART rac REQUIEM REALISATIONS Disc One Requiem – Realisations 16 Amen (Fugue) – C. Richard F. Maunder 01:41 Requiem – Wolfgang Amadeus mozart (ed. süssmayr) k L 17 Sanctus – Robert D. Levin / Franz Beyer 01:34 introitus 18 Benedictus – Duncan Druce 07:10 1 Requiem aeternam 04:07 19 Cum sanctis tuis – Robert D. Levin 02:53 Kyrie 20 Lacrimosa – Michael Finnissy 03:08 2 Kyrie eleison 02:39 ist Total Time 62:17 sequentia 3 i. Dies irae 01:55 4 ii. Tuba mirum 02:59 5 iii. Rex tremendae 01:51 Disc Two 6 iv. Recordare 04:59 7 v. Confutatis 02:37 Mozart’s Requiem: An Audio Documentary 8 vi. Lacrimosa 02:50 Written by Cliff Eisen. Offertorium Read by Elin Manahan Thomas, with additional dialogue from Andy Doe (Track 1), Kate Caro 9 i. Domine Jesu 03:24 (Track 3), Simon Kiln (Track 3), Duncan Druce (Track 3) and Michael Finnissy (Track 3). 10 ii. Hostias 04:00 sanctus 1 Chapter 1: Mozart in 1791 and the commissioning of the Requiem 13:45 11 Sanctus 01:26 2 Chapter 2: The Composition of the Requiem 18:21 Benedictus 3 Chapter 3: Reception 34:25 12 Benedictus 04:50 Total Time 66:31 Agnus Dei 13 Agnus Dei 02:54 communio 14 i. Lux aeterna 02:31 15 ii. Cum sanctis tuis 02:49 Disc One French Translation Aurélie Petiot (PhD student at King’s) Recorded in the Chapel of King’s College, Cambridge, by kind permission of the Provost and Fellows German Translation Dr Godela Weiss-Sussex (Fellow of King’s) 26 & 27 June and 27 September 2011. -
Steve Harley Lee Nelson
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary. -
Dave Brubeck's Definitive “Jazzanians”
Journal of Jazz Studies vol. 9, no. 1, pp. 53-93 (Summer 2013) Dave Brubeck’s Definitive “Jazzanians” Vasil Cvetkov On December 5, 2012, American contemporary music lost one of its most important personalities—pianist and composer Dave Brubeck, who died one day before his 92nd birthday. His death marks the passing of one of the most creative and versatile musicians in American history. Widely known as an innovative jazz musician, Brubeck’s skills in writing and arranging music for classical ensembles went far beyond jazz traditions, making him a subject of interest and investigation for contemporary music researchers. He became an emblematic figure for those, who, like me, received a classical music upbringing and became fascinated by his ability to fuse jazz and classical sources into the specific style that eventually became his trademark. Despite having received a classical education, I have always been attracted by the jazz sound, so that discovering and demonstrating the plenitude of Brubeck's legacy became a natural research goal in my graduate studies. In planning this personal tribute to the late Dave Brubeck, I came to the conclusion that, perhaps, the most eloquent examples of his unique compositional style could be demonstrated around the story of a little tetrachord. Throughout a period of 17 years (1987-2003), it inspired Brubeck to create five important compositions and came to be known, by those who love Brubeck's music, as the “Jazzanians tetrachord.” The compositions varied in form, covering the full spectrum of jazz, classical, and fusion styles. I call these compositions “realizations.” Trying to trace Brubeck’s realizations chronologically through that 17- year period, I first examined published scores but discovered that there were mysterious gaps. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
October 2013 List Blu-Ray New Releases
tel 0115 982 7500 fax 0115 982 7020 OCTOBER 2013 LIST See inside for valid dates Dear Customer Boxsets feature heavily in our list this month, primarily due to a big promotion that we now have running until Christmas (pp.12-19), but we would also like to point out couple of exciting new boxes that might be of interest. The Decca Sound is a brilliant 50 album overview of analogue recordings that Decca produced in the pre-digital era. The beginnings of high fidelity, their ‘Full Frequency Stereophonic Sound’ became a worldwide hallmark of sonic excellence, bringing in a golden age of classical recorded music. Included in the box are celebrated recordings from the likes of Solti, Haitink, Kertesz and Dorati - recordings and performances that certainly still stand the test of time today. See p.2 for details. The Bach Cantata Pilgrimage is a series that has been closely followed by many collectors over the past few years, especially since the Monteverdi Choir’s move from DG to the wonderful presentation of the SDG label. For those who have eagerly picked up every volume, the complete collection in a single box may be superfluous, but for anyone who has simply dabbled, or maybe not even tried, it is a real treat. Coming in at £149.95, it is also a great saving on the c.£500 value of the individual items (especially bearing in mind that several volumes have now been deleted). See p.3 for details. As we are rapidly running out of space, we will just mention a few other items quickly. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
BRUBECK COLLECTION SERIES 5: VIDEO and FILM (Many Recording Have Multiple Shows with Various Dates)
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 5: VIDEO AND FILM (many recording have multiple shows with various dates) SUBSERIES A: Appearances (on VHS or DVD) Box 1: 1937-1961 “Round up at the Grant Ranch [in Ione]” [1937] silent (also available on film in subseries F) “Lake Tahoe 41” 1941 silent “A brief history of Dave Brubeck” 1990 (includes very short clips from circa 1950- 1987) “Stompin’ for Milli” color [1954] “A Visit with Darius Milhaud” 1955 “March of Dimes 1956” Ed Sullivan Show 1955, 1960, 1962 Subject is Jazz 1958, Subject is Jazz 1979, Ellington is Forever 1968, Dave Brubeck c.1980 Jam Session, Stars of Jazz 1958, Dave Brubeck on Ed Sullivan Show 1962, Belgium TV 1965 DBQ in Rome Italy 1959 Darius on “I’ve Got a Secret” Dave, Dari, Chris, and Dan—Tonight Show ’78, October 16, 1960 Ed Sullivan Show with Mort Sahl, Johnny Mathis, Peggy lee, and the Limeliters “Dave Brubeck #19, Sony Music Studios Columbia Jazz” [1961] “Dave Brubeck: Five Rare Ones” Jazz of Brubeck with Walter Cronkite 1961, Playboy After Dark with Hugh Hefner [1961], Jazz Casual with Ralph Gleason 1961, Look Up and Live no date, All-Star Swing Festival 1972 Dave Brubeck Quartet at Playboy Club, Chicago 1961 “Warren Taylor Tape” “All Night Long” 1961, Best of Carson 1983, Kennedy Center Tonight 1981 “Ralph Gleason’s Jazz Casual: Dave Brubeck featuring Paul Desmond” October 17, 1961 “Piano Legends” 1961, “Timex All-Star Swing Festival” 1972 Box 2: 1962-1975 “All Night Long” (movie that includes clips of Brubeck solos) 1962 “The Dave Brubeck Craven Filter Special” with Laurie Loman Australian TV 1962 “Warren Taylor Tape” Snowbird 1980, Newport 1978, Bravo Jazz Festival 1982, Dave Brubeck 1963 BBC-TV Special June 9, 1964 “Dave Brubeck Live in ’64 & ‘66” Live concerts from Belgium 1964 and Germany 1966 “Brubeck Video Scrapbook” BBC 1964, 1966, Jazz of Dave Brubeck no date, Playboy after dark [1961], 1972, Silver Anniversary tour 1976, Tonight Show 1978, Tonight Show 1982, Tonight Show 1983, Today 1990 WENH-TV St. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; -
Brubeck Brochure.La.Indd
BRUBECK2016 FESTIVAL MEMPHIS TENNESSEE APRIL 8-10 WELCOME to the 2016 Brubeck Festival, in Memphis Tennessee! ave Brubeck was a leading figure in jazz music, as an innovative, This festival is made possible by many contributors and participants: Rhodes phenomenal jazz pianist. What is sometimes forgotten is that he was also College and its nationally accredited Department of Music (NASM), the Mike Dprolific in “classical” composition, wrote a jazz musical, orchestral works, Curb Institute for Music at Rhodes, The Brubeck Institute at The University of and was a respected leader in the struggle for civil rights. The 2016 Brubeck the Pacific, the National Civil Rights Museum, Shelby County Schools, Opera Festival highlights all of these aspects of his life and work. Memphis, Playhouse on the Square, and the Memphis Symphony Orchestra. It is a privilege to be able to host the 2016 Brubeck Festival and I am grateful for all of the participant’s contributions. Special thanks must go to Darius Brubeck, Tommie Pardue and to Simon Rowe, Executive Director of the “Every individual should be expressing themselves, Brubeck Institute, without whose inspiration and support this festival would whether a politician or a minister or a policeman. not be possible. There’s a way of playing safe, and there’s a way I like to play which is where you’re going to William Skoog, Chair Department of Music take a chance on making mistakes in order to create Rhodes College something you haven’t created before.” –Dave Brubeck Please dive deeply into the During his lifetime Dave received a number of prestigious awards and honorary life, times, and diverse music doctorate degrees, he was a 2009 Kennedy Center Honoree, and was declared a of Dave Brubeck during this “Living Legend” by the U. -
Elin Manahan Thomas
Elin Manahan thomas Elin Manahan Thomas is one of the most exceptional sopranos of her generation. Since releasing her début album ‘Eternal Light’ in 2007, with the Orchestra of the Age of Enlightenment, she has performed at many of the world’s most prestigious venues and festi- vals, and with leading orchestras and conductors. Perhaps most famously known for her performances of baroque masterpieces - such as Handel's Eternal Source of Light Divine at the London 2012 Paralympics Opening Ceremony - Elin is equally at home per- forming classical and contemporary works. Elin has performed across Europe at major venues and festivals, including: the Edinburgh, Canterbury, Three Choirs, Llangollen, Mostly Mozart and Lufthansa festivals, St John's Smith Square, Wigmore Hall, Royal Albert Hall, Birmingham Town Hall, Bridgewater Hall, Casa de Musica in Porto, Zurich Tonhalle, and the Concertgebouw Amsterdam. In 2008 Elin gave the World Première of Sir John Tavener’s Requiem in Liverpool Cathedral (also recorded for EMI), and later premiered his Love Duet at the Manchester In- ternational Festival in 2013. Orchestras she has worked with include the Halle, Britten Sinfonia, Royal Philharmonic, Academy of Ancient Music, BBC NOW, Royal Liverpool Philharmonic, Bournemouth Symphony, City of London Sinfonia, the Malaysian Philharmonic, and Copenhagen Phil- harmonic Orchestra. She has performed for many of the world's leading conductors, among them Sir John Eliot Gardiner, Sir An- drew Davis, Harry Christophers, Paul McCreesh, Stephen Layton, Sir Roger Norrington, Vasily Petrenko, Thierry Fischer and the late Richard Hickox. Equally comfortable performing contemporary music, Elin has been fortunate to work with Sir John Tavener, John Rutter, Sir Karl Jenkins, James Macmillan, Judith Weir and Eric Whitacre, among others. -
Bellagio Center Voices and Visions
The Rockefeller Foundation invited former Bellagio conference participants and residents—from scientists, economists, and leaders of non-governmental organiza- tions to composers, painters, and authors—to share their memories of and perspectives on their time at the Center, including its impact on their work. Each of these essays begins with biographical details about the contributor, the year(s) of his or her Bellagio visit(s), and the project(s) the contributor was working on there. Some are illustrated Voices and with artwork created at Bellagio. Visions 56 57 Pilar Palaciá Introduction Managing Director, the Rockefeller Foundation Bellagio Center I have often wondered how I could explain what makes Bellagio Or perhaps I should focus on the historical treasures of the such a special place. I could say it is the visiting residents and confer- property: the main Villa, built in 1540, providing a dignified scenario ence participants themselves, the people I have met during my time for special dinners; the Sfondrata, constructed at the end of the 16th here, and their remarkable, diverse projects. The Center hosts people century, offering a place for quiet contemplation by the lake and, from all over the world who are seriously trying to make a differ- with its tranquil beauty, motivating guests to move beyond their own ence, who fight for equity and justice, who are passionate about their expectations and limitations in their work; the Frati, originally built creativity, whose actions are examples to others. Dedicated artists, as a Capuchin monastery in 1610, its austere and intimate nature policymakers, scholars, practitioners, and scientists all come together conveying an unmatched sense of connectedness and shared respon- at Bellagio, creating an exhilarating atmosphere. -
The Guardian, November 14, 1974
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 11-14-1974 The Guardian, November 14, 1974 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1974). The Guardian, November 14, 1974. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. November 14, 1974 Vol 11. Issue 20 Wright State University GUARDIAN Washington Week enthralls audience by Samuel Latham Washington Week in Review, the top rated show on PBS, visited Wright State Sunday- night. It was the first time for thr show, part of the Artist and Lecture Series, to visit a college campus. Four of the nation's leading jjournalists. Paul Duke of SBC news. Peter Lisa go r of the Chicago Daily Sews Times. Neil Macneii and Charles. Cordray of the Baltimore Sun comprise a panel that discusses the latest news items and happenings in Washington and around the world every week. For approximately 30 minutes the journalists discussed their Final exam schedule p 8 views on a number of topics of national concern, and the first I to r Charles Cordray, Neil Macneii, Peter Lisagor, Paul Duke, from Washington Week in Review topic was the results of ihe recent election. Mscneil said that the Congress which was "slightly conservative, WSU traffic violators may end up in court has now become sliyhtly liberal," but that it is only by Nathan Schwartz advanced courses in the i Ken Davenport, Associate a SiO fine which Holloway can "philosophically liberal.