Petworth Festival 2018

Total Page:16

File Type:pdf, Size:1020Kb

Petworth Festival 2018 PETWORTH FESTIVAL 2018 40TH ANNIVERSARY Tuesday 17 July – Saturday 4 August Box Office 01798 344 576 and at www.petworthfestival.org.uk Box Office open from 10 May The Leconfield Estates www.leconfieldestates.co.uk The Leconfield Estates is very pleased to be the principal sponsor again in 2018 and to have sponsored the Petworth Festival for each of its 40 years. Visit our website for information about activities on the Estates which include let properties and peaceful fly fishing on the River Rother & the lakes at Petworth, and also on the Derwent, an excellent salmon river in Cumbria. PETWORTH FESTIVAL 2018 40TH ANNIVERSARY Welcome to the 2018 Petworth Festival elcome festivals; performances that doff the cap to to the the major anniversary that is the conclusion W2018 of the First World War; and ‘Open Door’ Petworth - a series of events focusing on young Festival – the and emerging performers or which are 40th anniversary specifically aimed at the younger and family Festival, and audience. All four strands reflect the best of one with a the last 40 years, but never have we quite programme pushed the boat out in this way. Please see to match and page 3 of this brochure for the full lists of the salute the major events in the four strands. milestone. There are so many There are events in ten venues and we reasons to hope cover classical and world music, jazz, you will be able comedy, theatre and the visual arts, and to join us this year not least our ‘significant’ with the Bignor Park Alive! event we hope to anniversary, but also because we have put draw in the widest family audience for what together a programme of immense variety should prove to be a real treat with events and extraordinary notoriety. The list of top of many differing colours and flavours taking line performers is unprecedented, but just place wherever you look around the grounds to mention a few, Dame Evelyn Glennie, of the Merseys’ beautiful home. Steven Isserlis, The King’s Singers, Bernard d’Ascoli, Alistair McGowan, Barbara We are hugely proud of what the Petworth Dickson, Elin Manahan Thomas, Darius Festival has achieved in the last 40 years, Brubeck, Gyles Brandreth, Paul Merton …. and we thank those who have so loyally supported us. We hope we can continue to The programme offers four specific strands; rely on that support both this summer and in special events in celebration of our 40 years the longer term and to reward it in the only (including three that feature former Festival way we can… Artistic Directors); concerts by some of the festival’s ‘Best Friends’ - performers who Stewart Collins have particularly made waves at previous Artistic Director Book tickets at www.petworthfestival.org.uk or on 01798 344 576 from 10 May 1 Booking Form Events Name of Event Number of Number of Ticket price Total £ Adult under 18 tickets tickets Souvenir Programme voucher Quantity £5 (Exchange for programme at first event) NB: reserved seating in Leconfield Hall. Please let us know if you have a Grand Total £ preference for raked or floor seating I enclose a cheque made payable to ‘Petworth Festival Ltd’ Please charge my Mastercard/Visa/Switch/Maestro Card (delete as necessary) Card Number Issue Number Name on card (Switch/Maestro only) Start Date Expiry Date Last 3 digits of security no. (back of card) Name Address Post Code Telephone Email address Please return the completed form to Petworth Festival, 151 Whites Green Lodge, Lurgashall, Petworth GU28 9BD Book tickets at www.petworthfestival.org.uk 2 PETWORTH FESTIVAL 2018 40TH ANNIVERSARY Who’s Who SPECIAL THEMES President Lord Egremont Festival 40 Events Festival Board Special events in celebration of our 40 years, including Neil Franks Chairman three featuring former Festival Artistic Directors Alan Bennie Grand Choral Masterpieces p.5 Lord Egremont Alistair McGowan p.9 Claudia Golden Bignor Park Alive! p.15 Sir Geoffrey Pattie Piano Extravaganza p.16 Kate Wardle The Elgar Connection 1 p.17 Georgina Willis The Songs of Arthur Sullivan p.22 Evelyn Glennie and the HLK Trio p.26 Artistic Director The Elgar Connection 2 p.28 Stewart Collins The King’s Singers p.30 Festival Manager Barbara Dickson p.33 Kate Wardle The Benny Goodman Carnegie Hall Concert p.35 Artist Liaison and Publications Editor Kate Lavender Best Friends Assistant to the Festival Manager Concerts by performers who have particularly made Hettie McNeil waves at previous festivals Venues & Volunteers Manager Ji Liu p.7 Liz Harris Steven Isserlis p.12 Come and Sing… ABBA with Ben Parry p.13 Secretary to the Board Sarah Matthews Min Kym p.14 Gyles Brandreth p.19 Box Office Paul Merton p.23 Pam Hampel, Carole Goldthorp, Judy Howard, Bernard d’Ascoli p.27 Imke Sanderson, Deborah Taylor and Kate Wardle Darius Brubeck p.31 La Serenissima p.32 2018 Literary Festival: Monday 29 October - Sunday 4 November 1918/2018 Anniversary Ruth Dent – War Requiem Print Exhibition p.4 Bloomsbury Quartet p.11 2019 Summer Festival: Between the Crosses p.11 Wednesday 17 July - Saturday 3 August Florian Mitrea p.13 For further information and to get involved see Duncan Rock & Joseph Middleton p.18 our website at www.petworthfestival.org.uk Small Forgotten Voices p.34 www.facebook.com/petworthfestival Open Door A series of events focusing on young and emerging @PetworthFest performers or specifically aimed at the younger and family audience petworthfestival The Arts Society ‘Art PopUp’ p.6 Palisander p.6 Festival Service p.8 Petworth Festival is a company limited by guarantee. RAM Lunchtime Concerts pp.11, 19, 23, 29 Registration number 5710001 and Registered charity Bignor Park Alive! p.15 number 1113784. Mr Danger’s Really Safe Show p.25 The Golden Walk p.25 Cover image: Dame Evelyn Glennie Photo credit: Jim Callaghan or on 01798 344 576 from 10 May 3 Ruth Dent, Dies Irae II (detail) Tuesday 17 July - Saturday 4 August 1918-2018 Tuesdays – Saturdays 10.00am – 4.30pm Anniversary Kevis House Gallery Ruth Dent ‘War Requiem’ Print Exhibition In association with the Petworth Festival and as part of the festival’s 1918/2018 anniversary strand, Kevis House Gallery presents an exhibition by artist Ruth Dent who uses ‘colour and gesture to express her emotional response to music, literature and nature’. Inspired by Benjamin Britten’s War Requiem, itself a biting response to the horrors of the First World War, Dent “endeavours to capture the spirit of the music and words, as this monumental piece moves along its journey, always bearing in mind the cost to humanity”. The eight prints measure 33cm x 50cm, and are printed in an edition of 10 on handmade paper from Moulin de Larroque, Couzes, France. Each is individual due to the nature of the paper and the printing process. This element is important to Dent as “the handmade paper represents human skill and individuality – just as every soldier was an individual, loved by their friends and family for being themselves”. The exhibition will run throughout the festival from Tuesday to Saturday 10am until 4.30pm, and the artist, will talk about her work at brief informal presentations at 11am and 2.30pm on Saturday 21 July and Saturday 4 August. Full details can be found at www.kevishouse.com. Book tickets at www.petworthfestival.org.uk 4 Festival 40 Event Tuesday 17 July Petworth House Stable Yard 8.00pm (Ends approx 9.50pm) Grand Choral Masterpieces An absolute one-off and hugely atmospheric opener to the 40th festival – the combined professional choirs of the Armonico Consort (who so memorably performed Rachmaninov’s Vespers by candlelight at the 2015 Festival) and Gonville & Caius College Cambridge, together with 20 members of the Bournemouth Symphony Chorus combine to perform two of the most remarkable of all choral works, Thomas Tallis’s 40-part motet Spem in Alium and the work that inspired it, Alessandro Striggio’s 60-part Mass. With additional items by Tallis and Hildegard of Bingen the performance will take place as dusk falls in the Stable Yard of Petworth House – configured specially for the occasion. Please note that the auditorium is outside so please dress appropriately for the weather. Fixed, unreserved seats are provided. There will be a bar selling wine and soft drinks. By kind permission of Lord and Lady Egremont and the National Trust Generously sponsored by the Mersey Charitable Trust, Lady Penelope Gardens, Veronica Henty and Ronagh & Nicholas Wheeler Tickets: £26 (18 and under £5) 1918-2018 Anniversary Armonico Consort (photo: Simon Jay Price) or on 01798 344 576 from 10 May 5 Open Door Wednesday 18 – Saturday 21 July United Reformed Church 2.00pm – 6.00pm on 18 July, 12 noon – 5.30pm on 19, 20, 21 July The Arts Society Art PopUp Following the enormous success of their PopUp Exhibitions in 2015 & 2017 the Young Arts team from The Arts Society West Sussex (formerly NADFAS) are holding the event again this year. Twenty schools will exhibit a variety of artwork in diverse media, celebrating the wonderful work produced by their pupils during the year. Previously the work was vibrant and exciting, we expect no less in this special 40th Anniversary year. We are honoured to have the internationally renowned sculptor Philip Jackson to open the Exhibition at 4.30pm on Wednesday 18 July at the United Reformed Church, Petworth. We hope you will join us for the opening of this celebratory event which seeks to encourage young artists of the future. Philip Jackson Wednesday 18 July United Reformed Church Open Door 12.00 noon (Ends approx 1.00pm) Palisander with Louise Anna Duggan (percussion) Journey to the New World Following a morning workshop session for local schools at Petworth Primary School, recorder quartet Palisander’s performance of Journey to the New World is inspired by the travels of Christopher Columbus, Sir Francis Drake and Sir Walter Raleigh, focusing on themes of exploration and discovery and their respective journeys to the New World.
Recommended publications
  • Mozart Requiem Realisations
    The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 MOZART REQUIEM REALISATIONS STEPHEN CLEOBURY CONDUCTOR ELIN MANAHAN THOMAS CHRISTINE RICE JAMES GILCHRIST CHRISTOPHER PURVES ACADEMY OF ANCIENT MUSIC T MOZART rac REQUIEM REALISATIONS Disc One Requiem – Realisations 16 Amen (Fugue) – C. Richard F. Maunder 01:41 Requiem – Wolfgang Amadeus mozart (ed. süssmayr) k L 17 Sanctus – Robert D. Levin / Franz Beyer 01:34 introitus 18 Benedictus – Duncan Druce 07:10 1 Requiem aeternam 04:07 19 Cum sanctis tuis – Robert D. Levin 02:53 Kyrie 20 Lacrimosa – Michael Finnissy 03:08 2 Kyrie eleison 02:39 ist Total Time 62:17 sequentia 3 i. Dies irae 01:55 4 ii. Tuba mirum 02:59 5 iii. Rex tremendae 01:51 Disc Two 6 iv. Recordare 04:59 7 v. Confutatis 02:37 Mozart’s Requiem: An Audio Documentary 8 vi. Lacrimosa 02:50 Written by Cliff Eisen. Offertorium Read by Elin Manahan Thomas, with additional dialogue from Andy Doe (Track 1), Kate Caro 9 i. Domine Jesu 03:24 (Track 3), Simon Kiln (Track 3), Duncan Druce (Track 3) and Michael Finnissy (Track 3). 10 ii. Hostias 04:00 sanctus 1 Chapter 1: Mozart in 1791 and the commissioning of the Requiem 13:45 11 Sanctus 01:26 2 Chapter 2: The Composition of the Requiem 18:21 Benedictus 3 Chapter 3: Reception 34:25 12 Benedictus 04:50 Total Time 66:31 Agnus Dei 13 Agnus Dei 02:54 communio 14 i. Lux aeterna 02:31 15 ii. Cum sanctis tuis 02:49 Disc One French Translation Aurélie Petiot (PhD student at King’s) Recorded in the Chapel of King’s College, Cambridge, by kind permission of the Provost and Fellows German Translation Dr Godela Weiss-Sussex (Fellow of King’s) 26 & 27 June and 27 September 2011.
    [Show full text]
  • Steve Harley Lee Nelson
    SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary.
    [Show full text]
  • Dave Brubeck's Definitive “Jazzanians”
    Journal of Jazz Studies vol. 9, no. 1, pp. 53-93 (Summer 2013) Dave Brubeck’s Definitive “Jazzanians” Vasil Cvetkov On December 5, 2012, American contemporary music lost one of its most important personalities—pianist and composer Dave Brubeck, who died one day before his 92nd birthday. His death marks the passing of one of the most creative and versatile musicians in American history. Widely known as an innovative jazz musician, Brubeck’s skills in writing and arranging music for classical ensembles went far beyond jazz traditions, making him a subject of interest and investigation for contemporary music researchers. He became an emblematic figure for those, who, like me, received a classical music upbringing and became fascinated by his ability to fuse jazz and classical sources into the specific style that eventually became his trademark. Despite having received a classical education, I have always been attracted by the jazz sound, so that discovering and demonstrating the plenitude of Brubeck's legacy became a natural research goal in my graduate studies. In planning this personal tribute to the late Dave Brubeck, I came to the conclusion that, perhaps, the most eloquent examples of his unique compositional style could be demonstrated around the story of a little tetrachord. Throughout a period of 17 years (1987-2003), it inspired Brubeck to create five important compositions and came to be known, by those who love Brubeck's music, as the “Jazzanians tetrachord.” The compositions varied in form, covering the full spectrum of jazz, classical, and fusion styles. I call these compositions “realizations.” Trying to trace Brubeck’s realizations chronologically through that 17- year period, I first examined published scores but discovered that there were mysterious gaps.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • October 2013 List Blu-Ray New Releases
    tel 0115 982 7500 fax 0115 982 7020 OCTOBER 2013 LIST See inside for valid dates Dear Customer Boxsets feature heavily in our list this month, primarily due to a big promotion that we now have running until Christmas (pp.12-19), but we would also like to point out couple of exciting new boxes that might be of interest. The Decca Sound is a brilliant 50 album overview of analogue recordings that Decca produced in the pre-digital era. The beginnings of high fidelity, their ‘Full Frequency Stereophonic Sound’ became a worldwide hallmark of sonic excellence, bringing in a golden age of classical recorded music. Included in the box are celebrated recordings from the likes of Solti, Haitink, Kertesz and Dorati - recordings and performances that certainly still stand the test of time today. See p.2 for details. The Bach Cantata Pilgrimage is a series that has been closely followed by many collectors over the past few years, especially since the Monteverdi Choir’s move from DG to the wonderful presentation of the SDG label. For those who have eagerly picked up every volume, the complete collection in a single box may be superfluous, but for anyone who has simply dabbled, or maybe not even tried, it is a real treat. Coming in at £149.95, it is also a great saving on the c.£500 value of the individual items (especially bearing in mind that several volumes have now been deleted). See p.3 for details. As we are rapidly running out of space, we will just mention a few other items quickly.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • BRUBECK COLLECTION SERIES 5: VIDEO and FILM (Many Recording Have Multiple Shows with Various Dates)
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 5: VIDEO AND FILM (many recording have multiple shows with various dates) SUBSERIES A: Appearances (on VHS or DVD) Box 1: 1937-1961 “Round up at the Grant Ranch [in Ione]” [1937] silent (also available on film in subseries F) “Lake Tahoe 41” 1941 silent “A brief history of Dave Brubeck” 1990 (includes very short clips from circa 1950- 1987) “Stompin’ for Milli” color [1954] “A Visit with Darius Milhaud” 1955 “March of Dimes 1956” Ed Sullivan Show 1955, 1960, 1962 Subject is Jazz 1958, Subject is Jazz 1979, Ellington is Forever 1968, Dave Brubeck c.1980 Jam Session, Stars of Jazz 1958, Dave Brubeck on Ed Sullivan Show 1962, Belgium TV 1965 DBQ in Rome Italy 1959 Darius on “I’ve Got a Secret” Dave, Dari, Chris, and Dan—Tonight Show ’78, October 16, 1960 Ed Sullivan Show with Mort Sahl, Johnny Mathis, Peggy lee, and the Limeliters “Dave Brubeck #19, Sony Music Studios Columbia Jazz” [1961] “Dave Brubeck: Five Rare Ones” Jazz of Brubeck with Walter Cronkite 1961, Playboy After Dark with Hugh Hefner [1961], Jazz Casual with Ralph Gleason 1961, Look Up and Live no date, All-Star Swing Festival 1972 Dave Brubeck Quartet at Playboy Club, Chicago 1961 “Warren Taylor Tape” “All Night Long” 1961, Best of Carson 1983, Kennedy Center Tonight 1981 “Ralph Gleason’s Jazz Casual: Dave Brubeck featuring Paul Desmond” October 17, 1961 “Piano Legends” 1961, “Timex All-Star Swing Festival” 1972 Box 2: 1962-1975 “All Night Long” (movie that includes clips of Brubeck solos) 1962 “The Dave Brubeck Craven Filter Special” with Laurie Loman Australian TV 1962 “Warren Taylor Tape” Snowbird 1980, Newport 1978, Bravo Jazz Festival 1982, Dave Brubeck 1963 BBC-TV Special June 9, 1964 “Dave Brubeck Live in ’64 & ‘66” Live concerts from Belgium 1964 and Germany 1966 “Brubeck Video Scrapbook” BBC 1964, 1966, Jazz of Dave Brubeck no date, Playboy after dark [1961], 1972, Silver Anniversary tour 1976, Tonight Show 1978, Tonight Show 1982, Tonight Show 1983, Today 1990 WENH-TV St.
    [Show full text]
  • Downbeat.Com November 2015 U.K. £4.00
    NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;
    [Show full text]
  • Brubeck Brochure.La.Indd
    BRUBECK2016 FESTIVAL MEMPHIS TENNESSEE APRIL 8-10 WELCOME to the 2016 Brubeck Festival, in Memphis Tennessee! ave Brubeck was a leading figure in jazz music, as an innovative, This festival is made possible by many contributors and participants: Rhodes phenomenal jazz pianist. What is sometimes forgotten is that he was also College and its nationally accredited Department of Music (NASM), the Mike Dprolific in “classical” composition, wrote a jazz musical, orchestral works, Curb Institute for Music at Rhodes, The Brubeck Institute at The University of and was a respected leader in the struggle for civil rights. The 2016 Brubeck the Pacific, the National Civil Rights Museum, Shelby County Schools, Opera Festival highlights all of these aspects of his life and work. Memphis, Playhouse on the Square, and the Memphis Symphony Orchestra. It is a privilege to be able to host the 2016 Brubeck Festival and I am grateful for all of the participant’s contributions. Special thanks must go to Darius Brubeck, Tommie Pardue and to Simon Rowe, Executive Director of the “Every individual should be expressing themselves, Brubeck Institute, without whose inspiration and support this festival would whether a politician or a minister or a policeman. not be possible. There’s a way of playing safe, and there’s a way I like to play which is where you’re going to William Skoog, Chair Department of Music take a chance on making mistakes in order to create Rhodes College something you haven’t created before.” –Dave Brubeck Please dive deeply into the During his lifetime Dave received a number of prestigious awards and honorary life, times, and diverse music doctorate degrees, he was a 2009 Kennedy Center Honoree, and was declared a of Dave Brubeck during this “Living Legend” by the U.
    [Show full text]
  • Elin Manahan Thomas
    Elin Manahan thomas Elin Manahan Thomas is one of the most exceptional sopranos of her generation. Since releasing her début album ‘Eternal Light’ in 2007, with the Orchestra of the Age of Enlightenment, she has performed at many of the world’s most prestigious venues and festi- vals, and with leading orchestras and conductors. Perhaps most famously known for her performances of baroque masterpieces - such as Handel's Eternal Source of Light Divine at the London 2012 Paralympics Opening Ceremony - Elin is equally at home per- forming classical and contemporary works. Elin has performed across Europe at major venues and festivals, including: the Edinburgh, Canterbury, Three Choirs, Llangollen, Mostly Mozart and Lufthansa festivals, St John's Smith Square, Wigmore Hall, Royal Albert Hall, Birmingham Town Hall, Bridgewater Hall, Casa de Musica in Porto, Zurich Tonhalle, and the Concertgebouw Amsterdam. In 2008 Elin gave the World Première of Sir John Tavener’s Requiem in Liverpool Cathedral (also recorded for EMI), and later premiered his Love Duet at the Manchester In- ternational Festival in 2013. Orchestras she has worked with include the Halle, Britten Sinfonia, Royal Philharmonic, Academy of Ancient Music, BBC NOW, Royal Liverpool Philharmonic, Bournemouth Symphony, City of London Sinfonia, the Malaysian Philharmonic, and Copenhagen Phil- harmonic Orchestra. She has performed for many of the world's leading conductors, among them Sir John Eliot Gardiner, Sir An- drew Davis, Harry Christophers, Paul McCreesh, Stephen Layton, Sir Roger Norrington, Vasily Petrenko, Thierry Fischer and the late Richard Hickox. Equally comfortable performing contemporary music, Elin has been fortunate to work with Sir John Tavener, John Rutter, Sir Karl Jenkins, James Macmillan, Judith Weir and Eric Whitacre, among others.
    [Show full text]
  • Bellagio Center Voices and Visions
    The Rockefeller Foundation invited former Bellagio conference participants and residents—from scientists, economists, and leaders of non-governmental organiza- tions to composers, painters, and authors—to share their memories of and perspectives on their time at the Center, including its impact on their work. Each of these essays begins with biographical details about the contributor, the year(s) of his or her Bellagio visit(s), and the project(s) the contributor was working on there. Some are illustrated Voices and with artwork created at Bellagio. Visions 56 57 Pilar Palaciá Introduction Managing Director, the Rockefeller Foundation Bellagio Center I have often wondered how I could explain what makes Bellagio Or perhaps I should focus on the historical treasures of the such a special place. I could say it is the visiting residents and confer- property: the main Villa, built in 1540, providing a dignified scenario ence participants themselves, the people I have met during my time for special dinners; the Sfondrata, constructed at the end of the 16th here, and their remarkable, diverse projects. The Center hosts people century, offering a place for quiet contemplation by the lake and, from all over the world who are seriously trying to make a differ- with its tranquil beauty, motivating guests to move beyond their own ence, who fight for equity and justice, who are passionate about their expectations and limitations in their work; the Frati, originally built creativity, whose actions are examples to others. Dedicated artists, as a Capuchin monastery in 1610, its austere and intimate nature policymakers, scholars, practitioners, and scientists all come together conveying an unmatched sense of connectedness and shared respon- at Bellagio, creating an exhilarating atmosphere.
    [Show full text]
  • The Guardian, November 14, 1974
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 11-14-1974 The Guardian, November 14, 1974 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1974). The Guardian, November 14, 1974. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. November 14, 1974 Vol 11. Issue 20 Wright State University GUARDIAN Washington Week enthralls audience by Samuel Latham Washington Week in Review, the top rated show on PBS, visited Wright State Sunday- night. It was the first time for thr show, part of the Artist and Lecture Series, to visit a college campus. Four of the nation's leading jjournalists. Paul Duke of SBC news. Peter Lisa go r of the Chicago Daily Sews Times. Neil Macneii and Charles. Cordray of the Baltimore Sun comprise a panel that discusses the latest news items and happenings in Washington and around the world every week. For approximately 30 minutes the journalists discussed their Final exam schedule p 8 views on a number of topics of national concern, and the first I to r Charles Cordray, Neil Macneii, Peter Lisagor, Paul Duke, from Washington Week in Review topic was the results of ihe recent election. Mscneil said that the Congress which was "slightly conservative, WSU traffic violators may end up in court has now become sliyhtly liberal," but that it is only by Nathan Schwartz advanced courses in the i Ken Davenport, Associate a SiO fine which Holloway can "philosophically liberal.
    [Show full text]