DOCSLIB.ORG

BRUBECK COLLECTION SERIES 5: VIDEO and FILM (Many Recording Have Multiple Shows with Various Dates)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BRUBECK COLLECTION SERIES 5: VIDEO and FILM (Many Recording Have Multiple Shows with Various Dates) HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 5: VIDEO AND FILM (many recording have multiple shows with various dates) SUBSERIES A: Appearances (on VHS or DVD) Box 1: 1937-1961 “Round up at the Grant Ranch [in Ione]” [1937] silent (also available on film in subseries F) “Lake Tahoe 41” 1941 silent “A brief history of Dave Brubeck” 1990 (includes very short clips from circa 1950- 1987) “Stompin’ for Milli” color [1954] “A Visit with Darius Milhaud” 1955 “March of Dimes 1956” Ed Sullivan Show 1955, 1960, 1962 Subject is Jazz 1958, Subject is Jazz 1979, Ellington is Forever 1968, Dave Brubeck c.1980 Jam Session, Stars of Jazz 1958, Dave Brubeck on Ed Sullivan Show 1962, Belgium TV 1965 DBQ in Rome Italy 1959 Darius on “I’ve Got a Secret” Dave, Dari, Chris, and Dan—Tonight Show ’78, October 16, 1960 Ed Sullivan Show with Mort Sahl, Johnny Mathis, Peggy lee, and the Limeliters “Dave Brubeck #19, Sony Music Studios Columbia Jazz” [1961] “Dave Brubeck: Five Rare Ones” Jazz of Brubeck with Walter Cronkite 1961, Playboy After Dark with Hugh Hefner [1961], Jazz Casual with Ralph Gleason 1961, Look Up and Live no date, All-Star Swing Festival 1972 Dave Brubeck Quartet at Playboy Club, Chicago 1961 “Warren Taylor Tape” “All Night Long” 1961, Best of Carson 1983, Kennedy Center Tonight 1981 “Ralph Gleason’s Jazz Casual: Dave Brubeck featuring Paul Desmond” October 17, 1961 “Piano Legends” 1961, “Timex All-Star Swing Festival” 1972 Box 2: 1962-1975 “All Night Long” (movie that includes clips of Brubeck solos) 1962 “The Dave Brubeck Craven Filter Special” with Laurie Loman Australian TV 1962 “Warren Taylor Tape” Snowbird 1980, Newport 1978, Bravo Jazz Festival 1982, Dave Brubeck 1963 BBC-TV Special June 9, 1964 “Dave Brubeck Live in ’64 & ‘66” Live concerts from Belgium 1964 and Germany 1966 “Brubeck Video Scrapbook” BBC 1964, 1966, Jazz of Dave Brubeck no date, Playboy after dark [1961], 1972, Silver Anniversary tour 1976, Tonight Show 1978, Tonight Show 1982, Tonight Show 1983, Today 1990 WENH-TV St. Paul’s School, Concord, NH 1965 “November 11, 1966 DBQ Karlsruhe, Germany” “Dave Brubeck Quartet” with Montreal Symphony Orchestra 1987, Jazz for Fun c.1967, Bishop Holloway Interview 1972 Dave Brubeck Trio with Gerry Mulligan Oslo, Norway TV 1968 “Light in the Wilderness” National Cathedral Washington DC March, 16, 1969 “Duke Ellington White House Tribute” April 29, 1969 “Warren Taylor Tape” Dave Brubeck 1981, Dave Brubeck at Snowbird 1980 “All Star Swing Festival” 1972 Dave Brubeck Quartet Belgium 1972 Box 3: 1976-1979 “Dave Brubeck: A Musical Portrait” BBC 1976 (concert footage from Friar’s Club, New York City, January 21, 1976 and Symphony Hall, Boston, February 27, 1976) “Dave Brubeck: A Musical Portrait” BBC 1976 – with Japanese subtitles (concert footage from Friar’s Club, New York City, January 21, 1976 and Symphony Hall, Boston, February 27, 1976) 25th Anniversary Tour Clips: Concert portion of “Musical Portrait,” short German report, Boston’s Symphony Hall 1976 Boston Symphony Hall 1976 “Dave Brubeck & Sons & Desmond” “+segments, 25th anniversary tour in 1976 (concert portion of “Musical Portrait”),” Newport Jazz Festival (German produced film “Jazz Am Einem Sommerabend”) “On the Top” 1976 (first performance of reunion Quartet, Rochester, New York), Jazz Casual 1961, “Lively Ones” (c.1962 Quartet on “magic carpet” over city) “4 Appearances TV shows:” Tonight Show 1977, Johnny Carson 1982, Today Show 1983, Today Show 1991, “others not known.” “Soundstage #407 Dave Brubeck and Sons 1977-78” with Murray Louis Dancers October 1977 “Sounds of Jazz” Newport Jazz Festival in Saratoga 1979, “5 O’Clock News” no date, Sunday Morning 1986 “Dave Brubeck: The Genius of Jazz” Newport 1979 “1979 DBQ Newport Jazz Festival” “Over Easy” October 29, 1979 CBS Morning Show with Charles Kuralt, c.1979 Box 4: 1980-1983 “Range of Brubeck” Salt Lake City 1980, Choral Pieces no date, Today Show December 1990 “Over Easy” 1980/81, Sunday Morning 1987/88, ARTS no date, “At the Station” 1982, Dream Jazz Festival 1985 “1980 DBQ Snowbird” Interview with Eric Wallace on KAKM – Alaska September 8, 1980 JVC Jazz Festival 1984, TV special 1981, Playboy After Dark no date “Summer 1981 DBQ Brubeck at the Vineyards” broadcast 1983 “Forth Annual Playboy Jazz Festival Vol. II” June 1982 “To Hope, A Celebration” Cincinnati October 4, 1982 Brubeck in Tokyo 1982, “Jazz Comes Home to Newport” 1984, Great Performances 1983 “Jacob’s Pillow” August 15, 1982 Dave Brubeck in Hungary 1983 Box 5: 1984-May 1987 In concert Edinburgh, Scotland 1984 Jazz Comes Home to Newport 1984 Solo Piano 1984 Montreal Symphony 1984 Evening at the Pops 1990, Moscow Night 1987, Tap dance of Unsquare Dance no date Piano Legends 1986 Rehearsal Tape 1986 Greater Hartford Musicians Association meeting 1987 Nik and Murray (Murray Louis Dancers) 1987 Moscow Night March 1987 Posada in Hawaii May 1987 Honolulu Ecumenical Chorale May 15, 1987 Box 6: June 1987- May 1988 Montreal Symphony July 3, 1987 Mass at Candlestick Park San Francisco with Pope John Paul II September 18, 1987 “Pope John Paul II visits San Francisco” September 18, 1987 “Papal Liturgy” Pope John Paul II September 18, 1987 “Sunday Morning” Charles Kuralt on Brubeck and the Pope September 20, 1987 “Glances” Murray Louis Dance Company November 7, 1987 The Gates of Justice Brubeck/ Lisea, Long Island New York, Weill- Brubeck, January 17, 1988 Dave Brubeck Interview on WOR-TV, New York January 17, 1988 Darius Brubeck with Dave and Chris Greenwich Connecticut January 1988 “The Nature of Greatness” February 24, 1988 “Beloved Son” Appleton, Wisconsin April 3, 1988 “This Morning” WCBS-TV interview with Brubeck in Moscow May 31, 1988 Box 7: June 1988- 1989 “Over the Hill Gang” Interview with Brubeck September 30, 1988 Brubeck Interview with Tim White October 17, 1988 “Beloved Son” October 22, 1988 “This is America, Charlie Brown” music by Dave Brubeck November 11, 1988 Darius on CBS evening news March 4, 1989, Norwalk Symphony Sunday Today Show August 13, 1989, Chris Brubeck Today Show July 4, 1991, Dave Brubeck Interview on Fairfield Exchange c. 1996 “Reflections” Dave Brubeck and Bill Smith April 2, 1989 Hymn and Mass at Rutgers May 6, 1989 “When I get to Heaven” May 1989 Norwalk Symphony Sunday Today Show August 13, 1989 Dave Brubeck Pantheon of Arts University of the Pacific September 13, 1989 slide show Dave Brubeck Pantheon of Arts University of the Pacific September 13, 1989 presentation “To Hope” at Rutgers rehearsal December 20 1989 “To Hope” at Rutgers performance December 21 1989 “State of the Arts” “Dave Brubeck” December 21 1989 producer Anisa Mehdi Box 8: 1990-1991 Narrated slide show in Concord, California 1990 “Real to Reel” Buffalo, New York 1990 Murray Louis Dance Company Indianapolis, Indiana April 9, 1990 “Brubeck/Ntoni Afro Cool Concept” Old Greenwich, Connecticut May 12, 1990 Evening at the Pops Boston June 19, 1990 Today Show December 6, 1990 “A Fiesta de la Posada” San Diego, California December 19, 1990 MS-DOS promotional video 1991 “Paul Desmond Film” Dave Brubeck Interview Montreal June 1991 Brubeck interviewed by Russell Gloyd Spring 1991 “Late October, 1991 Leverkusen, Germany” Dan Brubeck and the Dolphins, Dave Brubeck Quartet, Brubeck Family Leverkusen, Germany October 21, 1991 Kalamazoo Honorary Degree November 22, 1991 Box 9: 1992-1994 University of Northern Colorado Gala, Denver, Colorado, February 21, 1992 WCNC Jazz Charlotte, North Carolina September 12, 1992 “Bach, Brubeck… And All That Jazz” Washington Cathedral Washington DC March 7, 1993 Interview July 20, 1993 Showbiz Today and CNN Nationwide News September 1993 “Sur Invitation” Montreal Today Show December 1993 “Dave Brubeck” Duisburg, Germany Honorary Degree May 1, 1994 Dave Brubeck Interview WUOT Radio, Knoxville, Tennessee June 8, 1994 Dave Brubeck Quartet Bijou Theatre [Knoxville, Tennessee] June 9, 1994 “NEA 1994 Medal of Arts Awards” Event Washington DC October 13, 1994 NEA Medal of Arts ceremonial induction at White House October 14, 1994 Mulligan/Brubeck Interview 1994 Mulligan/Brubeck Interview and Performance 1994 Box 10: 1995-1997 Eminent Scholar class University of North Florida February 8, 1995 Fox News Washington DC Brubeck at National Cathedral June 11, 1995 Dave Brubeck at the Bardavon Poughkeepsie, New York July 30, 1995 “Jazz Central” Black Entertainment Television October 3, 1995 Bijou Theatre Knoxville, Tennessee January 28, 1996 Grammy Hall of Fame Induction dinner February 23, 1996 Sunday Morning August 25, 1996 “The Christophers” To Hope – A Celebration November 19, 1996 “Today Show” Christmas Special December 1996 “Brubeck Returns to Moscow 1997: DBQ with the Russian National Orchestra, Mass To Hope! A Celebration with Orlov Choir and soloists” “Concord Historical Society Presents and Evening with Dave Brubeck” April 9, 1997 “TeleJazz Podium” Budapest, Hungary June 26, 1997 “Brubeck Returns to Moscow” includes interview 2005 (recorded 1997) “News Odyssey” December 11, 1997 Box 11: 1998-1999 “Celebration of America’s Music” Dave Brubeck and Al Jarreau January 3, 1998 KVOR-TV Brubeck at Preston Castle in Ione, California, January 28, 1998 Jazz Baltica, Salzau, Germany 1998 Dixieland Festival, Europa-Park, Rust, Germany 1998 “Monterey Jazz Festival: 40 Legendary Years” 1998 “Dave Brubeck: A Castle’s Song” documentary about Preston Castle in Ione, California, 1998 German TV show December 2000, “Full House” TV concert in Germany c. 1998 “Swing and Talk” German TV c.1998 Leverkusen, Germany c.1998 KCRA-TV Sacramento.
Load more

Recommended publications
  • Cinema Recognizing Making Intimacy Vincent Tajiri Even Hotter!
    FEBRUARY 2020 SOUTH AFRICA THROW SEX & BACK CINEMA RECOGNIZING MAKING INTIMACY VINCENT TAJIRI EVEN HOTTER! WITHOUT Flaunt THE MASK CANDID WITH YOUR ORVILLE PECK SWAG STERLING K. BROWN SHOWS US THE HOW SCOOP ON SEX! OUR SEXPERT SHARES INTIMATE DETAILS Dee Cobb WWW.PLAYBOY.CO.ZA R45.00 20019 9 772517 959409 EVERY. ISSUE. EVER. The complete Playboy archive Instant access to every issue, article, story, and pictorial Playboy has ever published – only on iPlayboy.com. VISIT PLAYBOY.COM/ARCHIVE SOUTH AFRICA Editor-in-Chief Dirk Steenekamp Associate Editor Jason Fleetwood Graphic Designer Koketso Moganetsi Fashion Editor Lexie Robb Grooming Editor Greg Forbes Gaming Editor Andre Coetzer Tech Editor Peter Wolff Illustrations Toon53 Productions Motoring Editor John Page Senior Photo Editor Luba V Nel ADVERTISING SALES [email protected] for more information PHONE: +27 10 006 0051 MAIL: PO Box 71450, Bryanston, Johannesburg, South Africa, 2021 Ƶč%./0(++.ǫ(+'ć+1.35/""%!.'Čƫ*.++/0.!!0Ē+1.35/ǫ+1(!2. ČĂāĊā EMAIL: [email protected] WEB: www.playboy.co.za FACEBOOK: facebook.com/playboysouthafrica TWITTER: @PlayboyMagSA INSTAGRAM: playboymagsa PLAYBOY ENTERPRISES, INTERNATIONAL Hugh M. Hefner, FOUNDER U.S. PLAYBOY ǫ!* +$*Čƫ$%!"4!10%2!þ!. ƫ++,!.!"*!.Čƫ$%!"ƫ.!0%2!þ!. Michael Phillips, SVP, Digital Products James Rickman, Executive Editor PLAYBOY INTERNATIONAL PUBLISHING !!*0!(Čƫ$%!"ƫ+))!.%(þ!.Ē! +",!.0%+*/ Hazel Thomson, Senior Director, International Licensing PLAYBOY South Africa is published by DHS Media House in South Africa for South Africa. Material in this publication, including text and images, is protected by copyright. It may not be copied, reproduced, republished, posted, broadcast, or transmitted in any way without written consent of DHS Media House.
    [Show full text]
  • Jim Hall's Comping On
    Jim Hall’s Comping on “The Days of Wine and Roses” By Tim Fischer Many guitarists find themselves at a loss when first asked to take on the role of the sole harmonic instrument in a small jazz combo. Often times, jazz guitarists develop their comping as members of a big band rhythm section, where three-note chord voicings with the root in the bass and four quarter notes to the bar are stock- in-trade. This traditional style of rhythm guitar does not always transition well into the small jazz combo, and many guitarists without small group combo experience are left with questions about voicings, rhythms, and bal- ancing silence with interaction. Mastering accompaniment, like improvisation, is a life-long process and is best developed by studying the recordings and transcriptions of the master musicians. In this article, we will study guitar comping in the rhythm section by looking at Jim Hall’s accompaniment behind Art Farmer’s solo on the standard “The Days of Wine and Roses,” from Farmer’s 1963 album Interaction. Jim Hall helped popularize the use of the guitar as a valid replacement for the piano in the rhythm section through his sideman work with such high-profile artists as Sonny Rollins,Art Farmer, Paul Desmond, Chico Hamilton, and Jimmy Guiffre during the 50’s and 60’s. Often cited as the father of modern jazz guitar, Hall’s accompaniment style in each one of the aforementioned artists’ recordings details how Hall adapted to the musi- cal demands of each situation. As the album title states, the Art Farmer quartet of 1963 and 1964 was based on active interaction between its members, which also included Steve Swallow on upright bass and Walter Perkins on drums.
    [Show full text]
  • BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940S-1950S
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES D: BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940s-1950s 1D.1.1: Biography, 1942: “Iola Whitlock marries Dave Brubeck,” Pacific Weekly, 9-25-42 1.D.1.2: Biography, 1948: Ralph J. Gleason. “Long awaited Garner in San Francisco…Local boys draw comment” [Octet at Paradise in Oakland], Down Beat (12-1-48), pg. 6 1.D.1.3: Biography, 1949 a- “NBC Conservatory of Jazz,” San Francisco, Apr 5, 1949 [radio program script for appearance by the Octet; portion of this may be heard on Fantasy recording “The Dave Brubeck Octet”; incl. short biographies of all personnel] b- Lifelong Learning, Vol. 19:6 (Aug 8, 1949) c- [Bulletin of University of California Extension for 1949-50, the year DB taught “Survey of Jazz”] d- “Jazz Concert Set” 11-4-49 e- Ralph J. Gleason. “Finds little of interest in lst Annual Jazz Festival [San Francisco],” Down Beat (12-16-49) [mention of DB Trio at Burma Lounge, Oakland; plans to play Ciro’s, SF at beginning of 1950], pg. 5 f- “…Brubeck given musical honors” Oakland Tribune, December 16, 1949 g- DB “Biographical Sketch,” ca Dec 1949 h- “Pine Tree Club Party at Home of Mrs. A. Ellis,” <n.s.> n.d. [1940s] i- “Two Matrons are Hostesses to Pine Tree Club,” <n.s.> n.d. [1940s] (on same page as above) 1.D.1.4: Biography, 1950: “Dave Brubeck,” Down Beat, 1-27-50 a- Ralph J. Gleason. “Swingin the Golden Gate: Bay Area Fog,” Down Beat 2- 10-50 [DB doing radio show on ABC] 1.D.1.5: BIOGRAPHY, 1951: “Small band of the year,” Jazz 1951---Metronome Yearbook, n.d.
    [Show full text]
  • Steve Harley Lee Nelson
    SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary.
    [Show full text]
  • Stephen Hawking,These Are the Women in Scien
    The Queen’s commonwealth Day Message 2021 The Queen’s commonwealth Day Message 2021: Over the coming week, as we celebrate the friendship, spirit of unity and achievements of the Commonwealth, we have an opportunity to reflect on a time like no other. Whilst experiences of the last year have been different across the Commonwealth, stirring examples of courage, commitment and selfless dedication to duty have been demonstrated in every Commonwealth nation and territory, notably by those working on the front line who have been delivering health care and other public services in their communities. We have also taken encouragement from remarkable advances in developing new vaccines and treatments. The testing times experienced by so many have led to a deeper appreciation of the mutual support and spiritual sustenance we enjoy by being connected to others. The need to maintain greater physical distance, or to live and work largely in isolation, has, for many people across the Commonwealth, been an unusual experience. In our everyday lives, we have had to become more accustomed to connecting and communicating via innovative technology – which has been new to some of us – with conversations and communal gatherings, including Commonwealth meetings, conducted online, enabling people to stay in touch with friends, family, colleagues, and counterparts who they have not been able to meet in person. Increasingly, we have found ourselves able to enjoy such communication, as it offers an immediacy that transcends boundaries or division, helping any sense of distance to disappear. We have all continued to appreciate the support, breadth of experiences and knowledge that working together brings, and I hope we shall maintain this renewed sense of closeness and community.
    [Show full text]
  • Dave Brubeck's Definitive “Jazzanians”
    Journal of Jazz Studies vol. 9, no. 1, pp. 53-93 (Summer 2013) Dave Brubeck’s Definitive “Jazzanians” Vasil Cvetkov On December 5, 2012, American contemporary music lost one of its most important personalities—pianist and composer Dave Brubeck, who died one day before his 92nd birthday. His death marks the passing of one of the most creative and versatile musicians in American history. Widely known as an innovative jazz musician, Brubeck’s skills in writing and arranging music for classical ensembles went far beyond jazz traditions, making him a subject of interest and investigation for contemporary music researchers. He became an emblematic figure for those, who, like me, received a classical music upbringing and became fascinated by his ability to fuse jazz and classical sources into the specific style that eventually became his trademark. Despite having received a classical education, I have always been attracted by the jazz sound, so that discovering and demonstrating the plenitude of Brubeck's legacy became a natural research goal in my graduate studies. In planning this personal tribute to the late Dave Brubeck, I came to the conclusion that, perhaps, the most eloquent examples of his unique compositional style could be demonstrated around the story of a little tetrachord. Throughout a period of 17 years (1987-2003), it inspired Brubeck to create five important compositions and came to be known, by those who love Brubeck's music, as the “Jazzanians tetrachord.” The compositions varied in form, covering the full spectrum of jazz, classical, and fusion styles. I call these compositions “realizations.” Trying to trace Brubeck’s realizations chronologically through that 17- year period, I first examined published scores but discovered that there were mysterious gaps.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide
    Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide Eli Yamin Celebrates the Dave Brubeck Quartet Overview These six videos are presented and performed by jazz and blues pianist, composer, singer, producer and educator Eli Yamin. The videos vary in length from 3 to 12 minutes. The title of the series aptly denotes the content because Eli Yamin and his group of master musicians truly do “celebrate” 5 songs of Dave Brubeck. Each video examines and performs a specific song and its unique qualities. Although the focus is always the music, the lessons easily apply to literacy and language arts standards, grades 6-12. The amount of time spent on the lessons can be decided by the teachers, depending on students’ interest, needs, and planning. Below is a brief summary of the content of each video to help teachers decide which best suits their curriculum. It is recommended that all the videos be studied in order to provide a full scope of Brubeck’s music, but the lessons and videos can each stand alone. Dave Brubeck Brief Background Dave Brubeck was a famous jazz pianist, composer, and bandleader who lived from 1920 to 2012. He founded the Dave Brubeck Quartet in 1951 after playing for several years in his group called the Dave Brubeck Octet. His group became very popular in the 1950s, most notably for his combination of great melodies, strong sense of swing, and unusual meters and rhythms from around the globe. Some of his more popular songs are "Blue Rondo a la Turk," "In Your Own Sweet Way" and "The Duke." He collaborated with quartet member Paul Desmond on numerous compositions; Desmond’s “Take Five” became the first jazz instrumental to sell more than one million copies.
    [Show full text]
  • Syllabus En 399.31 Blue Notes: the Literatures of Jazz
    SYLLABUS EN 399.31 BLUE NOTES: THE LITERATURES OF JAZZ Dr. Mark Osteen Office: HU 226. Phone: x 2363 Hrs: Tu-Tr 11-1 or by appointment. E-mail: [email protected] REQUIRED TEXTS: 1. Ted Gioia, The History of Jazz. New York: Oxford UP, 1997. 2. Feinstein and Kumunyakaa, eds., The Jazz Poetry Anthology. Indiana UP, 1991. 3. James Weldon Johnson, The Autobiography of an Ex-Colored Man. 1912. New York: Dover. 4. Langston Hughes, Collected Poems (includes The Weary Blues, Montage of a Dream Deferred, and Ask Your Mama). New York: Vintage, 1994. 5. August Wilson, Ma Rainey’s Black Bottom. New York: Plume, 1984. 6. Toni Morrison, Jazz. New York: Vintage, 1992. 7. Billie Holiday, w/ William Dufty, Lady Sings the Blues. 1956. Penguin. 8. John Clellon Holmes, The Horn. 1958. Thunder’s Mouth Press, 2000. 9. Geoff Dyer, But Beautiful: A Book about Jazz. New York: North Point Press, 1996. 10. Warren Leight, Side Man. 1999. Dramatists’ Play Service, 2000. 11. Jack Fuller, The Best of Jackson Payne. 2001. Chicago: U of Chicago Press, 2003. 12. Selected short stories: Handouts. 13. Excerpts from the autobiographies of Louis Armstrong, Duke Ellington, Charles Mingus, Miles Davis, Art Pepper, others (handouts). 14. Selected essays (handouts). AUDIO VISUAL MATERIAL The music for each week will be broadcast on Sundays from noon to 3 pm on WLOY AM 1620 or http://www.wloy.org. I will provide details and changes each week. ON RESERVE AT L/ND LIBRARY: Greatest Ragtime of the Century. Various Artists. Biograph Records. Ma Rainey, Heroes of the Blues: Very Best of Ma Rainey (Shout Factory) Ma Rainey’s Black Bottom: Original Broadway Cast Recording Louis Armstrong, Complete Hot Five and Hot Seven Recordings.
    [Show full text]
  • 2020Virtualfestivalpartnershipd
    THREE DAYS IN SUPPORT OF THREE NONPROFITS • The NAACP Legal Defense Fund (LDF) is America’s premier legal organization fighting for racial justice. Through litigation, advocacy, and public education, LDF seeks structural changes to expand democracy, eliminate disparities, and achieve racial justice in a society that fulfills the promise of equality for all Americans. LDF is a 501(c)(3) nonprofit organization • The Thurgood Marshall College Fund (TMCF) is the nation’s largest nonprofit organization exclusively representing the Black College Community. TMCF member-schools include the publicly-supported Historically Black Colleges and Universities (HBCUs) and Predominantly Black Institutions (PBIs). • The Monterey Jazz Festival is the oldest continuously-running jazz festival in the world established as a nonprofit organization in 1958. MJF will support participating jazz artists who are disproportionately impacted and losing their livelihoods due to COVID-19. The Monterey Jazz Festival’s mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. Even though we are not able to host an in-person festival in 2020, our work is anchored by an annual communion around jazz, a music rooted in black culture. A Virtual Festival in 2020 allows us to: • support our community of jazz musicians who have been disproportionately impacted by COVID-19; • celebrate student musicians who have lost so many celebratory moments in 2020, such as proms and graduations; • take action to support trusted nonprofit organizations doing important work to promote social justice, end racism, provide equal opportunity and celebrate black culture. Black Lives Matter! Title Partnership Opportunity MJF Partnership $100,000 level includes 2 Years of benefits! • Designation as the Presenting Sponsor of the 2020 Virtual Monterey Jazz Festival benefiting THREE trusted nonprofit organizations playing critical roles in solving racial injustice and inequality.
    [Show full text]
  • Burkas and Bikinis: Playboy in Indonesia1
    DE1- 173-I BURKAS AND BIKINIS: PLAYBOY IN INDONESIA1 Original written by professor David Bach at IE Business School. Original version, 3 June 2011. Published by IE Business Publishing, María de Molina 13, 28006 – Madrid, Spain. ©2011 IE. Total or partial publication of this document without the express, written consent of IE is prohibited. Christie Hefner was no stranger to controversy. She had the physical appearance of the All- American professional: perfectly coiffeured shiny blond hair, tasteful yet elegant outfits, and understated jewelry that nevertheless communicated both style and confidence. Anybody meeting her for the first time could have been forgiven for mistaking her for a lawyer, consultant, or the general manager of an upscale country club. Hefner was nothing of the sort for she was both a self-proclaimed feminist and the CEO of the company with the most recognizable name in men's entertainment: Playboy Enterprises. Since taking over the company from her father Hugh Hefner, the quintessential playboy, she had had to work her way out of many difficult situations, both in Playboy’s U.S. home market and overseas. But for two months, after receiving an unnerving phone call in December 2006 that Erwin Arnada, the editor-in-chief of Playboy Indonesia, had been charged and indicted for promoting obscenity, Hefner had been agonizing over possible courses of action. Her most immediate concern was for Arnada’s safety. But she also knew that the incident raised important questions beyond Arnada. In managing the situation, Hefner had to make decisions that would inevitably affect the future global strategy of Playboy Enterprises.
    [Show full text]
  • Guide to the Jack Siefert Woody Herman Collection
    Guide to the Jack Siefert Woody Herman Collection NMAH.AC.0659 Wendy Shay 2003 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Correspondence........................................................................................ 4 Series 2: Photographs.............................................................................................. 6 Series 3: Business Records..................................................................................
    [Show full text]