City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2000 Ethnic Identity, National Identity, and Music in Indo-Trinidadian Culture Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/92 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact:
[email protected] I � -� �----� �.c:.J �.�'' ETHNIC IDENTITY, NAT IONAL IDENTITY, AND INDO-TRINIDADIAN MU SIC 319 Q_� r� � .f �'\or'-'\'\ fested in the series of ongoing and spirited socio-musical polemics, ' in private and, more overtly, in public forums like newspapers, ament sessions, and calypsos. These controversies, aside from their inherent intere�t, often serve as· remarkabfy concrete articulations of broader, more abstract socio-cultural processes. 9 Aside from studies of calypso,such socio-musical issues have received passing reference in the otherwise considerable body of scholarly . Ethnic Identity, National Identity, and hterature devoted to race relations in Trinidad, which, indeed, has been ibed as a "social science laboratory" for the academic :lttention it has Music in Indo-Trinidadian Culture received (Yelvington 199 3: 15). Despite the value of this literature, dra developments within recent years have substantially altered the PETER MANUEL tural and political situation in Trinidad, calling for an updating and · · g of prior paradigms. This article explores aspects of the most music-related ethnic controversiesin Trinidad, with passing to Guyana. In particular, it aims to illustrate how these issues e in the · • be seen as key texts in the complex negotiations involved in the le uch of the literature regarding race and ci.lltu� West Indies, has .