Music Industry Strategy
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The Future of Live Music in South Australia
The Future of Live Music in South Australia Live Music Thinker: Martin Elbourne THE DON DUNSTAN FOUNDATION ProjEcT partners The Don Dunstan Foundation Level 3, 230 North Terrace THE UNIVERSITY OF ADELAIDE SA 5005 www.reverb.net.au © The Don Dunstan Foundation, 2013 www.dunstan.org.au Recommendation 13: Continue the 49 Contents 4 implementation of The National Indigenous Contemporary Music Action Plan within SA and about the residency 7 appraisal of its progress and outcomes. Recommendation 14: Invest in creative hubs that 50 about martin elbourne 9 provide artistic stimulation and rehearsal spaces for musicians, and support ‘cross fertilisation’ of the arts. overview 11 Recommendation 15: Develop a Government 51 Policy to reduce barriers to creative hubs. Context 15 Recommendation 16: Form a new creative hub 53 from an existing cluster of creative organisations. governance and leadership 29 Recommendation 1: Create the South Australian 30 development of industry Professions 55 Contemporary Music Advisory Council (SACMAC) to develop strategies for the economic development of Recommendation 17: Ensure a high quality 58 the local music industry and to champion it. website exists to profile contemporary musicians, and include quality film clips, statistics on their performance history, and other information that acts education and Creative development for artists 33 as criteria to indicate the current status of the artists. Recommendation 2: Implement the proposed 33 new national curriculum for the Arts to its fullest Recommendation 18: Establish a network of 58 in South Australia and maximise opportunities for accomplished professionals – Friends of SA. creative musical expression in children. Recommendation 19: Develop music industry 59 Recommendation 3: Better equip generalist 34 specific traineeships or internships. -
South Australian Music Industry Strategy
South Australian Music Industry Strategy Music Development Office, February 2018 A collaborative plan to accelerate growth of the music sector in South Australia www.mdo.sa.gov.au/strategy Stakeholder consultation More than 2100 people, including businesses, musicians The South Australian Music Industry Strategy responds to and consumers, had input into the process of developing the five major themes that arose during the consultation this collaborative strategy for the South Australian music period, together with extensive research and analysis of industry. Consultation included: local, national and international trends. It also builds on previous work, such as the 2013 Martin Elbourne Live • an online survey, which received 1369 unique responses Music Thinker in Residency. and had a total sample size of 174 music businesses The Music Development Office would like to acknowledge and thank everyone who provided • one on one interviews with more than 30 key industry stakeholders from a range of disciplines, including invaluable advice and generously shared their media, education, studios, labels and management knowledge and experience during the process of developing this strategy. • discussions with members from 12 industry bodies. The stakeholders who took part in the process included local, state and national government and industry associations, training organisations, venue owners, event organisers, regulators, and musicians. Image front cover: WOMADelaide, image courtesy of Arts Project Australia Image this page: St. Jerome’s Laneway -
The Queensland Music Awards Launch New Emerging Artist of the Year Award for 2020 Plus $24,000 Songwriting Prize
FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 Amy Shark, 2019 Queensland Music Awards Performing Artist. Image by Bianca Holderness. The Queensland Music Awards launch new Emerging Artist Of The Year Award for 2020 plus $24,000 Songwriting Prize The 2020 Queensland Music Awards (QMAs), produced by QMusic and taking place on Tuesday 3 March 2020 at The Fortitude Music Hall, has unveiled an exciting new Major Award category with the Emerging Artist Of The Year Award. Open to all early-career Queensland musicians, entries are open now and close midnight, Thursday 24 October 2019. The Emerging Artist Of The Year Award will recognise the valuable contributions made by Queensland’s newest musicians. Artists with up to five years professional songwriting experience and with a modest body of artistic work will be automatically eligible for the Major Award on submission to a self-nominating category. The winner of the Emerging Artist of the Year will receive a Noisegate Producer Package valued at $2905. FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 They will also receive a one-on-one session with a leading booking agent, manager and publicist as well as a QMusic one-on-one session and an invitation to attend the 2020 Amplify Songwriting Retreat. (Ts&Cs) “QMusic has introduced the Emerging Artist of the Year Award to showcase our commitment to supporting and developing emerging artists in our local music industry,” said QMusic CEO and QMAs Executive Producer Angela Samut. “We support the careers of artists at every stage in their careers and with this new Emerging Award, we endeavour to identity new and exciting talent in Queensland and to be able to work with them in putting in place career pathways to help them achieve success. -
Annual Report 2020
2020 ANNUAL REPORT WAAX at Valley Fiesta. Photo by Dave Kan. OUR VISION To support and promote a thriving contemporary live and recorded music industry that transforms lives and delivers artistic, cultural, social and economic value to Queensland. QMUSIC 3/374 Brunswick Street PO Box 878 Fortitude Valley Qld 4006 Australia T (07) 3257 0013 E [email protected] W www.qmusic.com.au Queensland Music Network Incorporated ABN 14 083 014 720 CONTENTS PRESIDENT’S REPORT ...............................................................................................................................4 CEO’S REPORT ....................................................................................................................................................6 FIRST NATIONS PROGRAMMER AND PRODUCER REPORT .......8 PROGRAMMING .......................................................................................................................................10 PROGRAM OF ACTIVITIES ..........................................................................................................11 INDUSTRY ADVOCACY ....................................................................................................................27 PARTNERSHIPS ...............................................................................................................................................29 QMUSIC FEATURES ...............................................................................................................................30 QMUSIC’S REACH ....................................................................................................................................36 -
Aria Awards: by the Numbers and the Aria Goes To
DECEMBER 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT ARIA AWARDS: BY THE NUMBERS AND THE ARIA GOES TO... Sony Music Australia had plenty to cheer about at the 2017 ARIA Awards. Denis Handlin spoke to TMN about the label’s stellar year, and its immediate plans to take Aussie acts Gang of Youths and Amy Shark, to global heights. By Christie Eliezer ony Music Entertainment One artist that the label is Australia’s sweep of last seriously banking on, Amy Sweek’s ARIA’s was one of Shark, was voted Breakthrough the major’s biggest tally yet. Artist and her Night Thinker EP got Best Pop Release. Six of the 20 major awards were claimed by Sony artists, and this Peking Duk’s ‘Stranger’ (ft. year marked the first time in 22 Elliphant) was voted Song of years it took Album of the Year. The Year by the public, Harry Styles took Best International This was won by Gang of Artist and Daryl Braithwaite’s Youths’ Go Farther In Lightness, induction into the ARIA Hall which also went home with of Fame was met with an trophies for Best Group, Best outpouring of affection by Rock Album and Producer of colleagues. the Year. Handlin explains the factors Understandably, the chairman behind Sony’s success: “This and CEO of Sony Music business, like music itself, is Entertainment Australia and always changing, which makes New Zealand, and President of it both an exciting and a highly Sony Music Entertainment Asia challenging industry. was pretty chuffed with the result. “There is constant refining of how we work, and through this “It was a brilliant night for our the A&R and marketing teams artists,” Denis Handlin AO told are more closely integrated than TMN. -
Triple J Hottest 100 of the Decade Voting List: AZ Artists
triple j Hottest 100 of the Decade voting list: A-Z artists ARTIST SONG 360 Just Got Started {Ft. Pez} 360 Boys Like You {Ft. Gossling} 360 Killer 360 Throw It Away {Ft. Josh Pyke} 360 Child 360 Run Alone 360 Live It Up {Ft. Pez} 360 Price Of Fame {Ft. Gossling} #1 Dads So Soldier {Ft. Ainslie Wills} #1 Dads Two Weeks {triple j Like A Version 2015} 6LACK That Far A Day To Remember Right Back At It Again A Day To Remember Paranoia A Day To Remember Degenerates A$AP Ferg Shabba {Ft. A$AP Rocky} (2013) A$AP Rocky F**kin' Problems {Ft. Drake, 2 Chainz & Kendrick Lamar} A$AP Rocky L$D A$AP Rocky Everyday {Ft. Rod Stewart, Miguel & Mark Ronson} A$AP Rocky A$AP Forever {Ft. Moby/T.I./Kid Cudi} A$AP Rocky Babushka Boi A.B. Original January 26 {Ft. Dan Sultan} Dumb Things {Ft. Paul Kelly & Dan Sultan} {triple j Like A Version A.B. Original 2016} A.B. Original 2 Black 2 Strong Abbe May Karmageddon Abbe May Pony {triple j Like A Version 2013} Action Bronson Baby Blue {Ft. Chance The Rapper} Action Bronson, Mark Ronson & Dan Auerbach Standing In The Rain Active Child Hanging On Adele Rolling In The Deep (2010) Adrian Eagle A.O.K. Adrian Lux Teenage Crime Afrojack & Steve Aoki No Beef {Ft. Miss Palmer} Airling Wasted Pilots Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes Don't Wanna Fight Alex Lahey You Don't Think You Like People Like Me Alex Lahey I Haven't Been Taking Care Of Myself Alex Lahey Every Day's The Weekend Alex Lahey Welcome To The Black Parade {triple j Like A Version 2019} Alex Lahey Don't Be So Hard On Yourself Alex The Astronaut Not Worth Hiding Alex The Astronaut Rockstar City triple j Hottest 100 of the Decade voting list: A-Z artists Alex the Astronaut Waste Of Time Alex the Astronaut Happy Song (Shed Mix) Alex Turner Feels Like We Only Go Backwards {triple j Like A Version 2014} Alexander Ebert Truth Ali Barter Girlie Bits Ali Barter Cigarette Alice Ivy Chasing Stars {Ft. -
Environment and Communications References Committee Inquiry Into
Environment and Communications References Committee Inquiry into Australian content on broadcast, radio and streaming services Submission from the South Australian Government January 2018 Government of South Australia The South Australian Government welcomes the opportunity to provide a written submission to the Inquiry into Australian content on broadcast, radio and streaming services. Developing live music in South Australia continues to be a priority for the State Government as it drives economic activity, vibrancy and tourism and it is for this reason that South Australia has worked hard to simplify regulation that affects the live music industry, and established the country's first Music Development Office within State Government. South Australia has led the nation in declaring low impact live entertainment to be classified exempt development under planning regulations, making it easier for live music to take place in a wider range of venues, including small bars and unconventional spaces. Locally, we have seen a 34% increase in the number of venues hosting live music, and a 15% increase in the number of gigs being held over the past two years in the greater Adelaide reg ion. Audiences are key to driving the growth of live music and broadcast of local content on radio, television and streaming services is paramount to audience development. In 2015, Adelaide was awarded the designation as a UNESCO City of Music and became one of only three Australian cities to hold this prestigious international designation within the UNESCO Creative Cities Network. Sydney holds the UNESCO designation as a City of Film, and Melbourne as a City of Literature. -
BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov. -
BTS' 'Butter' on a Roll, Spends Second Week at No. 1 on Billboard Hot
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 7, 2021 Page 1 of 41 INSIDE BTS’ ‘Butter’ on a Roll, • Taylor Swift’s Spends Second Week at No. 1 ‘Evermore’ Returns to No. 1 on Billboard 200 Chart on Billboard Hot 100 • Revealed: BY GARY TRUST Billboard’s 2021 Indie Power Players TS’ “Butter” adds a second week at No. 1 on Sales chart, drops 4-10 on Streaming Songs and rises • Bill Ackman’s UMG the Billboard Hot 100 songs chart, a week 39-32 on Radio Songs. Play: A Bad Deal or after it soared in at the summit, becoming First two weeks at No. 1: “Butter” is the 23rd title Just Too Confusing the South Korean superstar group’s fourth to debut at No. 1 on the Hot 100 and post a second for Investors? Bleader on the list. consecutive week on top, among 54 total No. 1 ar- • Apple Music The song again fends off Olivia Rodrigo’s “Good 4 rivals, making for a 43% second-week success rate. Releases Spatial U,” which holds at No. 2 on the Hot 100, two weeks It’s the third among seven such songs this year, after Audio and Lossless after it launched at No. 1. Olivia Rodrigo’s “Drivers License” spent its first eight Streaming The Hot 100 blends all-genre U.S. streaming (of- weeks at No. 1 (encompassing its entire reign) and • How Premier’s ficial audio and official video), radio airplay and sales Polo G’s “Rapstar” ruled in its first two frames (also Josh Deutsch Is data. -
How Are Music Festivals Affecting the Local Concert Industry? Jeffrey Apruzzese1
Navigating troubled waters 13 Navigating troubled waters; how are music festivals affecting the local concert industry? Jeffrey Apruzzese1 Abstract As more music festivals begin to develop every year, promoters look to protect their lineups by instituting radius clauses. These radius clauses prohibit artists from per- forming within a certain timeframe outside of the geographic location of the festi- val. As many of these festivals take place in major cities, what is the effect they are having on the local market? In my research, I use the Boston Calling Music festival to argue that radius clauses do not pose a threat to established concert promoters who are able to adapt amongst the competition, but rather smaller level artists are the ones who potentially could be negatively affected. As many of the agents and promoters are aware of the radius clause, they know that it is just one more thing for them to work around, and something that usually only places a temporary hold on booking a band. I support my argument with four semi structured interviews with a booking agent from Paradigm, a talent buyer from Boston Calling, and con- cert promoters from Live Nation and AEG. Additionally, I use data from Pollstar to examine the change in ticket sales for two Boston Venues after the Boston Calling music festival was established in their terri- tory. Keywords: Music festivals, local concert industry, live music business, music pro- moters 1 Introduction Ever since Woodstock, festivals have changed the way in which music is experienced. As Laing (2004) suggests Woodstock was the template for the commodification of the music festival. -
QMUSIC 2019 Qmusic Acknowledges the Many Traditional Custodian Groups All Across What Is Now Referred to As Queensland
QMUSIC 2019 QMusic acknowledges the many Traditional Custodian groups all across what is now referred to as Queensland. We pay our respect to all elders: past, present and emerging. We also acknowledge the important role that music has played and continues to play on these lands since the very first sunrise. - IMAGE TENGAZI. PHOTO CREDIT: AIMEE CATT. QMUSIC 3/374 Brunswick Street PO Box 878 Fortitude Valley QLD 4006 Australia T (07) 3257 0013 E [email protected] wwww.qmusic.com.au Queensland Music Network Incorporated 1 ABN 14 083 014 720 OUR VISION To support and promote a thriving contemporary live and recorded music industry that transforms lives and delivers artistic, cultural, social and economic value to Queensland. CONTENTS PRESIDENT’S REPORT..............................................2 TREASURER’S REPORT..............................................5 CEO’S REPORT....................................................6 INDUSTRY CONNECT REPORT.........................................9 AMPLIFY REPORT.................................................11 GRANT ADMINISTRATION...........................................13 SXSW BRUNCH....................................................14 LEVI’S® MUSIC PRIZE............................................15 BIGSOUND OVERVIEW...........................................17-32 QUEENSLAND MUSIC AWARDS........................................33 QMUSIC REACH...................................................34 WOMEN IN BUSINESS..............................................36 QMUSIC MANAGEMENT COMMITTEE.................................37-42 -
Women in Music Mentor Program 2020 Advisory Committee
Women In Music Mentor Program 2020 Advisory Committee Ali Tomoana A proud Māori/Samoan woman and Mother, Ali is the Co-Founder/Director of Brisbane-based Indie Record Label and Artist Management agency, Soul Has No Tempo. With a joint passion for cultivating and supporting local music, Ali & her husband Gavin created SHNT as a one-stop-shop for emerging artists to perform, create and release music. Managing breakthrough Australian artist Jordan Rakei through his early development and reloca- tion to London, Ali now proudly represents Ladi6, Tiana Khasi and Ella Haber, along with Melbourne-based singer-songwriter, Laneous, and is inspired daily by the qualities that make each artist unique. As a label, SHNT dive deep into music that pushes the boundaries of Soul, while exploring new methods in which their artists can control their freedom of expression as creators. Anne Wiberg Anne established her own business as a freelance promoter, music programmer and event and project producer in late 2017. Recent clients have included AIR Awards (Australian Independent Records), State Government for the annual Ruby Awards, South Australia’s premier arts awards, Darwin Festival as Music Programmer, Adelaide Festival as Producer of “Picaresque” with Robyn Archer for the 2019 season, Insite Arts, Mercury Cinema, and Adelaide Fringe Festival as content producer in 2018 and Gala Director for the 2020 event. For the past twelve months, she has worked as a consultant for the Adelaide Botanic Gardens and State Herbarium to assist the organisation with developing a public arts program for winter months. As well as starting to promote her own live music events, she also produces programs and talent for private and corporate events.