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III. Here Be Dragons: the (Pre)History of the Adventure Game
III. Here Be Dragons: the (pre)history of the adventure game The past is like a broken mirror, as you piece it together you cut yourself. Your image keeps shifting and you change with it. MAX PAYNE 2: THE FALL OF MAX PAYNE At the end of the Middle Ages, Europe’s thousand year sleep – or perhaps thousand year germination – between antiquity and the Renaissance, wondrous things were happening. High culture, long dormant, began to stir again. The spirit of adventure grew once more in the human breast. Great cathedrals rose, the spirit captured in stone, embodiments of the human quest for understanding. But there were other cathedrals, cathedrals of the mind, that also embodied that quest for the unknown. They were maps, like the fantastic, and often fanciful, Mappa Mundi – the map of everything, of the known world, whose edges both beckoned us towards the unknown, and cautioned us with their marginalia – “Here be dragons.” (Bradbury & Seymour, 1997, p. 1357)1 At the start of the twenty-first century, the exploration of our own planet has been more or less completed2. When we want to experience the thrill, enchantment and dangers of past voyages of discovery we now have to rely on books, films and theme parks. Or we play a game on our computer, preferably an adventure game, as the experience these games create is very close to what the original adventurers must have felt. In games of this genre, especially the older type adventure games, the gamer also enters an unknown labyrinthine space which she has to map step by step, unaware of the dragons that might be lurking in its dark recesses. -
Game Developer Index 2012 Swedish Games Industry’S Reports 2013 Table of Contents
GAME DEVELOPER INDEX 2012 SWEDISH GAMES INDUSTRY’S REPORTS 2013 TABLE OF CONTENTS EXECUTIVE SUMMARY 2 WORDLIST 3 PREFACE 4 TURNOVER AND PROFIT 5 NUMBER OF COMPANIES 7 NUMBER OF EMPLOYEES 7 GENDER DISTRIBUTION 7 TURNOVER PER COMPANY 7 EMPLOYEES PER COMPANY 8 BIGGEST PLAYERS 8 DISTRIBUTION PLATFORMS 8 OUTSOURCING/CONSULTING 9 SPECIALISED SUBCONTRACTORS 9 DLC 10 GAME DEVELOPER MAP 11 LOCATION OF COMPANIES 12 YEAR OF REGISTRY 12 GAME SALES 13 AVERAGE REVIEW SCORES 14 REVENUES OF FREE-TO-PLAY 15 EXAMPLE 15 CPM 16 eCPM 16 NEW SERVICES, NEW PIRACY TARGETS 16 VALUE CHAIN 17 DIGITAL MIDDLEMEN 18 OUTLOOK 18 SWEDISH AAA IN TOP SHAPE 19 CONSOLES 20 PUBISHERS 20 GLOBAL 20 CONCLUSION 22 METHODOLOGY 22 Cover: Mad Max (in development), Avalanche Studios 1 | Game Developer Index 2012 EXECUTIVE SUMMARY The Game Developer Index maps, reports and analyzes the Swedish game devel- opers’ annual operations and international trends by consolidating their respective annual company accounts. Swedish game development is an export industry and operates in a highly globalized market. In just a few decades the Swedish gaming industry has grown from a hobby for enthusiasts into a global industry with cultural and economic importance. The Game Developer Index 2012 compiles Swedish company accounts for the most recently reported fiscal year. The report highlights: • Swedish game developers’ turnover grew by 60 percent to 414 million euro in 2012. A 215% increase from 2010 to 2012. • Most game developer companies (~60 percent) are profitable and the industry reported a combined profit for the fourth consecutive year. • Job creation and employment is up by 30 percent. -
EA Supercharges Its Partner Program with New Titles from Independent Mobile and Social Game Developers
EA Supercharges Its Partner Program with New Titles from Independent Mobile and Social Game Developers EA Partners Expands to Chillingo and Playfish to Help Independent Developers Publish on Fast-Growing Digital Platforms REDWOOD SHORES, Calif.--(BUSINESS WIRE)-- Electronic Arts Inc. (NASDAQ:ERTS) today announced that Chillingo and Playfish™ will offer publishing services to the fast-growing mobile and social gaming platforms to the independent development community. Following the successful and award-winning EA Partners program, EA will be expanding its partnership programs for Chillingo and Playfish furthering the delivery of fresh content to platforms such as the Apple App StoreSM, Google Android™ and Facebook®. Since its establishment in 2003, EA Partners has built a reputation for working with top-notch independent game developers, promoting both creativity and innovation amongst its global partners. Current partner titles include Epic Games and People Can Fly (Bulletstorm™), Crytek (Crysis®2), Valve (Portal 2), 38 Studios (Kingdoms of Amalur: Reckoning), Spicy Horse (Alice: Madness Returns™), Grasshopper Manufacture (Shadows of the Damned™), Paramount Digital Entertainment (Rango The Video Game), Trap Door (Warp), Funcom (Secret World) and Vanguard Games (Gatling Gears). EA partner studios also include Insomniac Games, Starbreeze Studios and Respawn Entertainment with forthcoming titles. "The EA Partners program has proven to be a phenomenally successful model. It is an all around win-win situation. The program allows EA to partner with some of the world's best console, PC and digital developers while providing those independent developers with a global distribution/publishing partner," said Bryan Neider, EA Games Label COO and General Manager of EA Partners. -
Monitoring Trends in Global Combat: a New Dataset of Battle Deathsz
European Journal of Population (2005) 21: 145–166 Ó Springer 2005 DOI 10.1007/s10680-005-6851-6 Monitoring Trends in Global Combat: A New Dataset of Battle Deathsz BETHANY LACINA1,2,* and NILS PETTER GLEDITSCH2,3 1Stanford University, Palo Alto, CA, U.S.A.; 2Centre for the Study of Civil War (CSCW), International Peace Research Institute Oslo (PRIO), Hausmanns gate 7, NO-0186 Oslo, Norway; 3Norwegian University of Science and Technology, Trondheim, Norway (*Author for correspondence, e-mail: [email protected]) Received 26 February 2004; accepted in final form 22 June 2004 Lacina, B. and N. P. Gleditsch, 2005, Monitoring Trends in Global Combat: A New Dataset of Battle Deaths, European Journal of Population, 21: 145–166. Abstract. Both academic publications and public media often make inappropriate use of incommensurate conflict statistics, creating misleading impressions about patterns in global warfare. This article clarifies the distinction between combatant deaths, battle deaths, and war deaths. A new dataset of battle deaths in armed conflict is presented for the period 1946–2002. Global battle deaths have been decreasing over most of this period, mainly due to a decline in interstate and internationalised civil armed conflict. It is far more difficult to accurately assess the number of war deaths in conflicts both past and present. But there are compelling reasons to believe that there is a need for increased attention to non-battle causes of mortality, especially displacement and disease in conflict studies. Therefore, it is demographers, public health specialists, and epidemiologists who can best describe the true human cost of many recent armed conflicts and assess the actions necessary to reduce that toll. -
2016-11-25 Starbreeze Indielabs Signs Keokens Deliver Us the Moon
Starbreeze IndieLabs signs its second title with KeokeN Interactive’s “Deliver Us The Moon” STOCKHOLM, SWEDEN (November 25, 2016) Starbreeze AB, an independent creator, publisher and distributor of high quality entertainment products, today announced its second Starbreeze IndieLabs project, where the company have entered into an agreement with Dutch studio KeokeN Interactive to publish the title “Deliver Us The Moon”. Starbreeze will invest 500 000 USD to bring the game to PC and other platforms. Starbreeze will be able to recoup 120% its investment, where after Starbreeze will retain 50% of the revenues after distribution fees. KeokeN will retain 100% of the Intellectual Property (IP). Deliver Us The Moon is set in the near future where the earth's resources are nearly depleted. The nations of the world have come together to create the Worldwide Space Agency (WSA). Under the banner of the WSA, astronauts were sent to the moon to conduct research aimed at securing the future of mankind. Sadly, due to bickering between countries, no solution has been agreed upon. Now, with man's absolute last resources, you, a brave astronaut gone rogue, take the great step to the moon in a do-or-die secret mission to save humanity. During your adventure your only companion will be a small robot named ASE, the all seeing eye. Together, you will traverse the moon, explore abandoned facilities and perhaps even uncover some secrets and hidden agendas with the information you gather. Only by working together will you be able to stand a chance in succeeding on delivering the moon! "We met Koen and Jordy from KeokeN Interactive at E3 in Los Angeles earlier this year. -
WIC Manual FE.Indd
Table of Contents Getting Started . 2 Installation . 2 Enter CD Key . 2 System Requirements . 2 Recommended System Requirements . 2 Updates and Patches . 3 Troubleshooting . 3 Introduction . 3 The Cold War . 3 The Soviet Attack . 3 The Factions . 4 USA . 4 USSR . 4 NATO . 4 Playing the Game . 5 The Roles . 9 Armor . 9 Air . 9 Infantry . 9 Support . 9 The Interface . 10 The Head-Up Display . 10 The Requests Menu . 13 The Mega Map. 14 Massgate . 16 The Menus . 16 The Units . 18 Armor . 18 Air . 20 Infantry . 22 Troop Transport . 24 Support . 25 Tactical Aids . 28 Non-destructive . 28 Selective Strikes . 28 Indiscriminate Strikes. 29 Credits . 31 Massive Entertainment . 31 Sierra Entertainment . 33 Limited Warranty . 37 Technical Support . 38 Hotkeys . Back Cover 1 WWICIC mmanualanual FFE.inddE.indd 1 66/08/07/08/07 112:56:032:56:03 GETTING STARTED Installation Before you install the game, make sure that your computer has the latest hardware drivers installed. Old drivers can stop the game from working properly. Insert the World in Confl ict™ DVD into your DVD-ROM drive. The autorun screen will appear automatically. Click the INSTALL button, and follow the on-screen instructions. At the beginning of the installation process, you are prompted to install DirectX® 9.0c (if you do not already have DirectX® 9.0c or higher). DirectX® 9.0c is required in order to run the game. If the installation program doesn’t appear automatically, double-click the My Computer icon on the Desktop, then double-click on the DVD-ROM drive that contains the game DVD. -
The Limits and Strengths of Using Digital Games As "Empathy
United Nations Mahatma Gandhi Institute Educational, Scientific and of Education for Peace Cultural Organization and Sustainable Development WORKING PAPER 2017 - 05 | DECEMBER 2017 THE LIMITS AND STRENGTHS OF USING DIGITAL GAMES AS “EMPATHY MACHINES” Matthew Farber, Ed.D., University of Northern Colorado Karen Schrier, Ed.D., Marist College Mahatma Gandhi Institute of Education for Peace and Sustainable Development / UNESCO Working Paper: The Limits and Strengths of Using Digital Games as “Empathy Machines” THE LIMITS AND STRENGTHS OF USING DIGITAL GAMES AS “EMPATHY MACHINES” United Nations Mahatma Gandhi Institute Educational, Scientific and of Education for Peace Cultural Organization and Sustainable Development UNESCO MGIEP United Nations Educational, Scientific and Cultural Organization | Mahatma Gandhi Institute of Education for Peace and Sustainable Development 35 Ferozshah Road, ICSSR Building,1st Floor, New Delhi- 110001, INDIA. December, 2017 © UNESCO MGIEP Author: Matthew Farber, Ed.D., Assistant Professor, University of Northern Colorado Karen Schrier, Ed.D., Associate Professor, Director of Games & Emerging Media, Marist College The opinions expressed in this publication are those of the authors and are not necessarily endorsed by UNESCO MGIEP. UNESCO MGIEP is not responsible for discrepancies, if any, in data and content. Any communication concerning this publication may be addressed to: UNESCO MGIEP [email protected] Printed in India THE LIMITS AND STRENGTHS OF USING DIGITAL GAMES AS “EMPATHY MACHINES” Matthew Farber, Ed.D., University of Northern Colorado Karen Schrier, Ed.D., Marist College Mahatma Gandhi Institute of Education for Peace and Sustainable Development / UNESCO Working Paper: The Limits and Strengths of Using Digital Games as “Empathy Machines” Mahatma Gandhi Institute of Education for Peace and Sustainable Development / UNESCO Abstract This working paper grapples with questions related to the intersection of digital games and empathy. -
Special Issue Nation(Alism), ,Dentity and Video Gaming Edited by Lisa Kienzl and Kathrin Trattner
8QWLWOHG3HWH/LQIRUWK3L[DED\ 6SHFLDO,VVXH 1DWLRQ DOLVP ,GHQWLW\DQG9LGHR*DPLQJ HGLWHGE\ /LVD.LHQ]ODQG.DWKULQ7UDWWQHU ,VVXH ,QWURGXFWLRQ7KRXJKWVRQWKH(QWDQJOHPHQWRIWKH&RQFHSWVDQG1RWLRQVRID 1DWLRQ1DWLRQDOLVPDQG,GHQWLW\LQ5HODWLRQWR9LGHR*DPHVDQG*DPLQJ&XOWXUH E\/LVD.LHQ]ODQG.DWKULQ7UDWWQHU DUWLFOH *ORU\WR7UXPSODQG&ULWLFDOO\3OD\LQJ%RUGHU*DPHV E\0HOLVVD.DJHQ UHSRUWV 5RXQG7DEOH'LVFXVVLRQRQNation(alism), Identity and Video GamingZLWK0HJDQ &RQGLV0DULMDP'LGæJDOY\WŐ*HRUJ+REPHLHUDQG6RXYLN0XNKHUMHH E\.DWKULQ7UDWWQHUDQG/LVD.LHQ]O 3OD\LQJ$PHULFD$Q,QWURGXFWLRQWR$PHULFDQ&XOWXUHWKURXJK9LGHR*DPHV E\0LFKDHO)XFKVDQG6WHIDQ5DELWVFK 5HVHDUFK5HSRUWRQ&XUVHWKH)LHQGV7KHLU&KLOGUHQ7RR&XOWXUDO+HULWDJHDQG 6XEYHUVLRQRI)LFWLRQDO7URSHVLQBloodborne E\6DUDK=DLGDQ5LFKDUG3LOEHDPDQG(OLQ&DUVWHQVGRWWLU LQWHUYLHZV ,QWHUYLHZZLWK0LUD:DUGKDQLQJVLKIURP6WRU\7DOH6WXGLRVRQWKH,QGRQHVLDQ+RUURU *DPHPamali E\.DWKULQ7UDWWQHU ,QWHUYLHZZLWK'p\IRXODK6DQL%DK7UDRUHRQWKH7RJROHVH*DPHOrigin – the Rise of Dzitri E\/LVD.LHQ]O UHYLHZV We. The Revolution, a Review. 9LYHOD5pYROXWLRQRU'HDWKDQG$OO+LV)ULHQGV E\.HYLQ5HFKHU Kingdom Come: Deliverance.$%RKHPLDQ)RUHVW6LPXODWRU E\(XJHQ3ILVWHU Playing America. An Introduction to American Culture through Video Games Michael Fuchs and Stefan Rabitsch Abstract This research report sketches one of our current projects – a textbook which approaches America (an imaginative construct more so than a geographic location) through video games. Thus, the intended outcome of this project is a ready-to-use primer to the -
The Last of Us Honored with 10 Awards Including Game of the Year at 17Th Annual D.I.C.E
THE LAST OF US HONORED WITH 10 AWARDS INCLUDING GAME OF THE YEAR AT 17TH ANNUAL D.I.C.E. AWARDS Top Honors Celebrating the Creative Accomplishments in Interactive Entertainment Also Went to Bioshock Infinite, Grand Theft Auto V, Plants vs. Zombies 2, and More LAS VEGAS – Feb. 6, 2014 – Suspense, horror, and surreal worlds dominated the 17th Annual D.I.C.E. Awards, the video game industry’s most prestigious honors. Naughty Dog’s dystopian, post-apocalyptic reimagining of the zombie thriller, The Last Of Us, stole the show with 10 awards, including Outstanding Achievement in Story, Outstanding Innovation in Gaming, Adventure Game of the Year, Outstanding Achievement in Game Direction and the industry’s top honor, Game of the Year. The evening’s other big winners included Irrational Games’ provocative alternate-historical FPS, Bioshock Infinite, which took home Action Game of the Year and Outstanding Achievement in Original Music Composition. PopCap’s runaway mobile hit Plants vs. Zombies 2 won both Casual Game of the Year and Mobile Game of the Year, while EA Canada’s FIFA 14 continued the FIFA franchise’s run of five consecutive wins with Sports Game of the Year. Brothers – A Tale of Two Sons, Starbreeze Studios’ touching, story-driven adventure, took home the hardware for Downloadable Game of the Year. Wargaming’s multiplayer online game World of Tanks took home the honor for the D.I.C.E. Awards’ newest category, Online Game of the Year. “Tonight’s big winner, The Last of Us, is a prime example of how today’s modern video game studios expertly blend art, game play, and storytelling to transcend the traditional notion of video games,” said Martin Rae, president, Academy of Interactive Arts & Sciences. -
Sierra-95-96Catalog
TRBL E Dear Customer, OF CONTENTS ~ p3 ADVENTUAE Welcome to the '95-'96 Sierra games cataloguel p 10 ADVENTUAE/ACTION The products in this catalogue are the result p 11 SIMULATION of thousands of hours of design and programming by a dedicated and p 15 STAATEGY passionate team of professionals. You will find all the latest p19 SPOATS multimedia games Including new releases expected for 1996. p20 AACADE Each game is presented under its own category (adventure, simulation, strategy etc.) with a detailed description in order p22 CUSTOMEA SUPPOAT to let you discover your favourite games in the p23 INDEX BY PLATFOAM simplest way possible. p23 INDEX BY GENAE A E rfASMABD The terrifying story of a woman fighting for her life against the forces of «A sinister game in the style of Edgar evll comes to life In the most Allen Poe, Alfred Hitchcock, and advanced multimedia suspense • Stephen King» ·., PC GAMER thrlller ever: Phantasmagoria. Unfolding In novel-like .. chapters, this game estab production, digital •~ ~ · · · " lishes on unprecedented .. .. ·' ..• effects, computer .• . blend of Hollywood film • ... rendered worlds, .: ·•. and Interactivity. • In Phantasmagoria, master designer Roberto Wlllloms creates a frighteningly believable nightmare from which you may never awoken. Vl UJ a: • Developed using sophisticated Hollywood film techniques and digital effects .....:::> a: • Features and ultra-realistic 3-D rendered world in which characters have free movement UJ ... • Unfolds in novel-like chapters UJ :::> 0 • Ava ilable on 7 CD 's z • Written by master game designer Roberta Williams :::> e A E GABRIEL KNIGHT II THE BE AST WITHIN Sierra once again brings its Inimitable touch of quality to adventure games! Ludwig of Bavaria, Wagner's This new Gabriel Knight last opera, and the mysterious mysterv plunges "Slack Wolf". -
Keep Us Safe a Project to Introduce the UN Convention on the Rights of the Child to 8-13 Year-Olds P R /9
Keep Us Safe A project to introduce the UN Convention on The Rights of the Child to 8-13 year-olds p R /9 The UNICEF-UK Protection HRE/CHILD/ Save the Children Y Articles This book is one of three designed to introduce the United Nations Convention on the Rights of the Child to 8 -13 year olds, and deals with those Articles which cover PROTECTION of the child from abuse and exploitation. “No child will realize its maximum potential and contribution to a better tomorrow if it is forced to be a grown-up for sheer animal survival. A child should crawl because it is the normal préludé to walking, not an escape from conflict or apartheid, not because its legs are too maimed to walk, not because it is too hungry to walk, not because it is paralysed with fear of brutality! A child should play and grow in the perpétuai spring of childhood that recognizes no winter, storm or status of parentage. This is the fundamental and universal right of ail children! The child’s mind is innocent, fresh, clean and free to take in the world in ail its aspects, to challenge it and make it a better place.” Ms. Sally Mugabe, First Lady of Zimbabwe in an address to the National Conférence on the Future United Nations Convention on the Rights of the Child, Alexandria, Egypt, November 1988 The sériés has been produced, in collaboration, by: UNICEF-UK Save the Children and Oxford Development Education Unit ISBN 1 871440 05 X (UNICEF-UK) ISBN1 87032219 3 (SCF) Copyright: SCF/UNICEF-UK1990 This material may be photocopied for use in schools. -
Starbreeze Annual Report 2019 Contents 3 About Starbreeze 22 YEARS of GAMES DEVELOPEMENT
Anual Report 2019 Contents Page Introduction About Starbreeze & The Year in Brief 4 CEO message 6 Significant events during the year 2019 7 Market 8 Operations The PAYDAY IP 14 Game developement process 18 Employees and organization 20 The share and shareholders 24 Corporate Governance & Board of Directors Report Corporate governance statement 28 Board of Directors and auditors 36 Senior management 38 Financial review 40 Financial report Contents 42 Board of Directors report cont. 43 Consolidated financial statement 46 Parent company financial statement 50 Auditor’s report 87 Starbreeze Annual Report 2019 Contents 3 About Starbreeze 22 YEARS OF GAMES DEVELOPEMENT Vision: To create, develop and publish excit- ing, gameplay focused and community centric games. ● One of the first independent game developers in northeren Europe, founded in 1988. ● Independent games developer and publisher of computer games. ● Listed on Nasdaq Stockholm. employees127 in five countries PAYDAY - Starbreeze own IP Net sales 2019 Per business area Per platform 2 % 1% 4% 21% 45%52% 79% 96% Publishing Starbreeze Games Console PC Digital Retail VR Tech & Operations Other 4 About Starbreeze Starbreeze Annual Report 2019 Starbreeze Annual Report 2019 About Starbreeze 5 CEO message FULL FOCUS ON PAYDAY On December 6, 2019, we had a successful conclusion to the through cost savings and efficiency improvements among company reconstruction and arrangements with all creditors staff, purchasing and local use. had been reached. We are now devoting our full focus to the core business – creating games based on PAYDAY first. After the end of the financial year, a directed share issue of In October, we released new content for PAYDAY 2, which SEK 51.3 million was carried out as part of the company’s ful- was well received by our community and has resulted in the filment of the Reconstruction Plan to finance the operations.