Elizabeth C. Teviotdale 5101 Old Main St. Apt. 223 Richmond, VA 23231 804-918-3523 [email protected]
Education
2019 General Certificate of Proficiency, Rare Book School
1991 Ph.D., Art History, University of North Carolina at Chapel Hill
1985 M.A., Art History, Tulane University
1981 M.A., Music History, University of North Carolina at Chapel Hill
1979 B.A. magna cum laude, Art History, State University of New York at Buffalo B.A. magna cum laude, Music, State University of New York at Buffalo
Employment History
2002-2020 Assistant Director The Medieval Institute | Western Michigan University | Kalamazoo, MI
1997-2002 Associate Curator of Manuscripts 1992-1997 Assistant Curator of Manuscripts The J. Paul Getty Museum | Los Angeles, CA
1991-1992 Visiting Assistant Professor Davidson College | Davidson, NC
Spring 1991 Visiting Instructor University of Iowa | Iowa City, IA
Books
2020 with Kristen Collins, Gerhard Lutz, Christine Sciacca, and Nancy K. Turner, Das Stammheimer Missale (Luzern: Quaternio Verlag).
2011 Das Sakramentar von Beauvais, Codices selecti 117 (Graz: Akademische Druck- und Verlagsanstalt).
2001 The Stammheim Missal, Getty Museum Studies on Art (Los Angeles: The J. Paul Getty Museum).
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Edited Volumes
2020 Reassessing Alabaster Sculpture in Medieval England, edited by Jessica Brantley, Stephen Perkinson, and Elizabeth C. Teviotdale, Studies in Iconography: Themes and Variations (Kalamazoo: Medieval Institute Publications).
2018 Michelle P. Brown, Understanding Illuminated Manuscripts, revised edition by Elizabeth C. Teviotdale and Nancy K. Turner (Los Angeles: Getty Publications). Winner of a Choice outstanding academic title award.
Peer-Reviewed Journal Articles
1999 with Adam S. Cohen, “The Getty Anglo-Saxon Leaves and New Testament Illustration around the Year 1000,” Scriptorium 53: 63-81.
1996 “Latin Verse Inscriptions in Anglo-Saxon Art,” Gesta 35: 99-110.
1993 “The Invitation to the Puy d’Évreux,” Current Musicology 52: 7-26.
1992 “Some Classified Catalogues of the Cottonian Library,” The British Library Journal 18: 74-87; reprinted in Sir Robert Cotton as Collector: Essays on an Early Stuart Courtier and His Legacy, edited by C.J. Wright (London: The British Library, 1997), 194-207.
1988 “The Filiation of the Music Illustrations in a Boethius in Milan and in the Piacenza Codice magno,” Imago Musicae 5: 7-22.
1983 “A Speculation on an Affinity between Ruskin’s Seven Lamps of Architecture and Monet’s Cathedrals,” The Rutgers Art Review 4: 68-77.
Book Chapters/Contributions to Essay Collections
2010 “Pembroke College 302: Abbreviated Gospel Book or Gospel Lectionary?” in The Study of Medieval Manuscripts of England: Festschrift in Honor of Richard W. Pfaff, edited by George Hardin Brown and Linda Ehrsam Voigts (Tempe: Arizona Center for Medieval and Renaissance Studies), 69-99.
2008 “Afterword: Audiences Near and Far,” in To Inspire and Instruct: A History of Medieval Art in Midwestern Museums, edited by Christina Nielsen (Newcastle: Cambridge Scholars Publishing), 159-65.
2000 “A Pair of Franco-Flemish Cistercian Antiphonals of the Thirteenth Century and Their Programs of Illumination,” in Interpreting and Collecting Fragments of Medieval Books, edited by Linda L. Brownrigg and Margaret M. Smith (Los Altos Hills: Anderson-Lovelace), 230-58.
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1998 “An Episode in the Medieval Afterlife of the Caligula Troper,” in Anglo-Saxon Manuscripts and Their Heritage, edited by Phillip Pulsiano and Elaine Treharne (Aldershot: Ashgate), 219-26.
1992 “Music and Pictures in the Middle Ages,” in Companion to Medieval and Renaissance Music, edited by Tess Knighton and David Fallows (London: J.M. Dent), 179-88.
Published Conference Papers
2001 “The Pictorial Program of the Stammheim Missal” Objects, Images, and the Word, a conference sponsored by the Index of Christian Art March 23-24 (Princeton, NJ) Annual Meeting, Medieval Association of the Pacific February 25-27, 2000 (Victoria, Canada) published in Objects, Images, and the Word: Art in the Service of the Liturgy, edited by Colum Hourihane (Princeton: Index of Christian Art, 2003), 79-93.
1995 “A Fragmentary Cistercian Antiphonal in the Getty Museum and Its Illumination” Seventh Meeting of the Cantus Planus Study Group, International Musicological Society September 4-9 (Sopron, Hungary) Pacific Southwest and Northern California Chapter Meeting, American Musicological Society April 22-23 (Malibu, CA) published in Cantus Planus: Papers Read at the Seventh Meeting, edited by László Dobszay (Budapest: Hungarian Academy of Sciences, 1998), 575-84.
1992 “The Affair of John Marshal” Fifteenth Congress of the International Musicological Society April 3-10 (Madrid, Spain) Southeast Chapter Meeting, American Musicological Society February 29 (Durham, NC) published in Revista de Musicología 16 (1993): 848-55.
1990 “Some Thoughts on the Place of Origin of the Cotton Troper” Fourth Meeting of the Cantus Planus Study Group, International Musicological Society September 3-8 (Pécs, Hungary) published in Cantus Planus: Papers Read at the Fourth Meeting, edited by László Dobszay (Budapest: Hungarian Academy of Sciences, 1992), 407-12.
1990 “The Making of the Cotton Troper” Seventh Harlaxton Symposium on England in the Eleventh Century July 9-12 (Harlaxton Manor, England) published in England in the Eleventh Century, edited by Carola Hicks (Stamford: Paul Watkins Publishing, 1992), 301-16.
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1990 “The ‘Hereford Troper’ and Hereford” British Archaeological Association Conference June 30 - July 30 (Hereford, England) published in Medieval Art, Architecture and Archaeology at Hereford, edited by David Whitehead (Leeds: W.S. Maney and Son, 1995), 75-81.
Encyclopedia Entries
2012 entry in The Grove Encyclopedia of Medieval Art and Architecture, edited by Colum Hourihane (Oxford: Oxford University Press).
2010 entries in The Oxford Dictionary of the Middle Ages, edited by Robert E. Bjork, 4 vols. (Oxford: Oxford University Press).
1999-2007 entry in Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik, 2nd ed., Personenteil, edited by Ludwig Finscher, 17 vols. (Kassel: Bärenreiter).
2001 entries in The New Grove Dictionary of Music and Musicians, 2nd ed., edited by Stanley Sadie, 29 vols. (London: Macmillan).
1998 entries in Medieval England: An Encyclopedia, edited by Paul E. Szarmach, Joel Rosenthal, and M. Teresa Tavormina (New York: Garland).
1996 entries in An Encyclopedia of the History of Classical Archaeology, edited by Nancy Thomson de Grummond, 2 vols. (Westport: Greenwood Press).
1990 entries in The International Dictionary of Art and Artists, edited by James Vinson (Chicago: St. James Press).
Other Publications
2012 report in the Newsletter of the International Center of Medieval Art (August).
2001 with Melanie Holcomb, review of the exhibition 799: Kunst und Kultur der Karolingerzeit, Gesta 40: 95-100.
1999 “Who was Gevehard?” in Buch und Bild im Mittelalter (Hildesheim: Dom-Museum), 79-90.
1997 entries in Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts (London: Thames and Hudson).
1996 entries in Programme Notes, edited by Linda L. Brownrigg and Elizabeth C. Teviotdale (a booklet distributed to participants in the conference of the Seminar in the History of the Book to 1500 on Manuscripts with Music, Oxford, July 12-14).
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1996 “750 Years in the Life of a Pair of Cistercian Antiphonals,” Pastoral Music 20, no. 2 (December/January): 38-40.
1995 entry in The Liturgical Books of Anglo-Saxon England, edited by Richard W. Pfaff, Old English Newsletter Subsidia 23 (Kalamazoo: Medieval Institute Publications).
1994 report in the Newsletter of the International Center of Medieval Art (Spring).
1987 report in Current Musicology 43.
1984 report in Current Musicology 37/38.
Unpublished Conference Papers
2021 “The Stammheim Missal: A New Facsimile” Cantus Planus Study Group Forum, International Musicological Society July 28 (online)
2021 “New Prayers in the Stammheim Missal” Sewanee Medieval Colloquium April 9-10 (online)
2020 “Time in the Stammheim Missal” Illinois Medieval Association February 21-22 (South Bend, IN)
2013 “Changing the Canon of the Mass in the Beauvais Sacramentary” Saint Louis Conference on Manuscript Studies October 11-12 (St. Louis, MO)
2010 “The Beauvais Sacramentary in the Getty Museum as a ‘Coronation Sacramentary’” Saint Louis Conference on Manuscript Studies October 15-16 (St. Louis, MO)
2005 “The Scribes of Bamberg Lit. 5” Saint Louis Conference on Manuscript Studies October 14-15 (St. Louis, MO)
2003 “Illustrating the Music of the Mass: A Case Study” Southeastern College Art Conference, October 30 - November 1 (Raleigh, NC) Midwest Chapter Meeting, American Musicological Society September 20-21 (Chicago, IL)
2001 “The Stammheim Missal as Tribute to Saint Bernward’s Interest in Art” Seventy-Sixth Annual Meeting, Medieval Academy of America March 15-17 (Tempe, AZ)
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1999 “The Stammheim Missal: A ‘New’ Source of North German Chant” Pacific Southwest Chapter Meeting, American Musicological Society November 20 (Fullerton, CA)
1999 “The Frontispiece Miniatures of the Stammheim Missal” Annual Meeting, Art Historians of Southern California November 13 (Los Angeles, CA)
1998 “The Gospels of Saint-Gatien, Its Cousins, and the Late Anglo-Saxon Liturgy” The Bible and the Liturgy, Fourth Annual Symposium on the Transmission of the Bible April 24 (New York, NY)
1997 “The Text of Getty Museum MS 9” Thirty-Second International Congress on Medieval Studies May 8-11 (Kalamazoo, MI)
1996 “From Choir Book to Scrap Book: The Initials in HMML Bean MS 3” Servi Textus: The Servants of the Text July 10-14 (Collegeville, MN)
1993 “Latin Verse Inscriptions in Late Anglo-Saxon Art” Third Congress of the International Association for Word and Image Studies August 15-21 (Ottawa, Canada)
1992 “The Picture Inscriptions in the Cotton Troper” Twenty-Seventh International Congress on Medieval Studies May 7-10 (Kalamazoo, MI)
1986 “Orlando di Lasso’s Prize-Winning Motet of 1583” South-Central Chapter Meeting, American Musicological Society April 14-16 (Knoxville, TN)
1987 with Christine de Catanzaro, “Orlando di Lasso’s Prize-Winning Motet of 1575” Conference on Medieval and Renaissance Music July 24-27 (Southampton, England) Capital and Southeast Chapter Meeting, American Musicological Society September 11-12 (Charlottesville, VA)
1985 “The Drawings and Paintings in an Ottonian Epistle-Lectionary” Saint Louis Conference on Manuscript Studies October 11-12 (St. Louis, MO)
1983 “The Filiation of the Musical Illustrations in Milano, Biblioteca Ambrosiana, ms. C 128 inf. and Piacenza, Biblioteca Capitolare, ms. 65” South-Central Chapter Meeting, American Musicological Society April 15-16 (Clarksville, TN)
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Invited Lectures and Seminars
2021 Medieval Institute, Western Michigan University 2019 Kalamazoo Institute of Arts (also 2012) 2018 University of Michigan–Ann Arbor (also 2017, 2015, 2012, 2006) 2018 Conference of Roman Catholic Cathedral Musicians 2008 English Graduate Students Association, Loyola University Chicago 2008 Medieval Studies Center, Loyola University Chicago 2005 Claremont Graduate University 2003 Cleveland Museum of Art 2001 Hill Monastic Manuscript Library 2001 Claremont School of Theology (also 2000, 1997, 1996, 1994, 1993) 2000 University of Illinois, Urbana-Champaign 1994 University of Arkansas at Little Rock 1993 School of Music, University of Southern California 1989 Wolfson College, University of Cambridge 1989 Courtauld Institute of Art, University of London 1986 Fayetteville Museum of Art
Home Institution Lectures and Seminars
2019 Department of History, Western Michigan University (also 2012) 2000 The J. Paul Getty Museum (also 1998, 1995) 1999 Institut für Musikwissenschaft, Universität Erlangen-Nürnberg 1991 Book Arts Club, University of Iowa 1989 Institutionen för Konstvetenskap, Stockholms Universitet 1989 The Warburg Institute, University of London (also 1988)
Academic Awards and Honors
1996-present Associate Center for Medieval and Renaissance Studies, University of California, Los Angeles
Winter 1999 Deutscher Akademischer Austauschdienst Study Visit Research Grant Institut für Musikwissenshaft, Friedrich-Alexander-Universität Erlangen-Nürnberg
1988-1990 Samuel H. Kress Foundation Predoctoral Fellowship The Warburg Institute, University of London
Summer 1989 Swedish Institute Guest Scholarship Corpus Troporum, Stockholms Universitet
1983-1984 Fulbright Travel Grant Freie Universität Berlin
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1983-1984 Foreign Exchange Fellowship Freie Universität Berlin
Other Award
2003-2004 Outstanding New Professional Administrative Professional Association, Western Michigan University
Service on Ph.D. Dissertation Committees
2015 Megan McNamee, History of Art, University of Michigan–Ann Arbor 2014 Stacee Bucciarelli, English Literature, Loyola University Chicago 2013 Lisa M. Horton, English Literature, Western Michigan University 2004 Lisa Bessette, History of Art, University of Michigan–Ann Arbor
Teaching
2002-2020 Western Michigan University Codicology and Latin Paleography The Medieval Book (intensive 2-week course) Genesis in the Middle Ages The Psalms and Their Illustration Illustrating the Apocalypse Reading Medieval Images Art and Devotion in Medieval England Christ Church, Canterbury
2011 National University of Ireland, Galway Codicology and Latin Paleography (intensive 2-week course)
2008 Newberry Library (Center for Renaissance Studies Consortium Seminar) Codicology and Latin Paleography
1991-1992 Davidson College Survey of Western Art Early Medieval and Byzantine Art Italian Renaissance Art Baroque Art Books of Hours
1991 University of Iowa Survey of Western Art Modern European Painting
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1986-1987 University of North Carolina Survey of Modern Art Survey of Western Art
1987 Durham Technical Community College Survey of Western Art
1982-1983 Tulane University Survey of Nineteenth-Century Art
Service to the Profession
Digital Scriptorium 2016-2019 Chair, Advisory Council 2004-2019 Advisory Council
International Center of Medieval Art 2021- Membership Committee 2011-2014 Board of Directors 2011-2014 Publications Committee 2005-2008 Chair, Membership and Promotion Committee 2004-2007 Board of Directors 2001 Chair, Nominating Committee 1998-2001 Advisor 1995, 1994 Nominating Committee
Sources of Anglo-Saxon Literary Culture 2002 Project Committee
Medieval Academy of America 1998 Program Committee, annual meeting
Peer-Reviewer
The Art Bulletin Gesta Viator Penn State University Press
Other Service
Kalamazoo Book Arts Center 2015-2021 Board Secretary 2012-2021 Board of Directors
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Current Academic Affiliations
American Musicological Society Henry Bradshaw Society International Association of Word and Image Studies International Center of Medieval Art Italian Art Society Medieval Academy of America
Revised: September 2021
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