Elizabeth C. Teviotdale 5101 Old Main St. Apt. 223 Richmond, VA 23231 804-918-3523 [email protected] Education 2019 General Certificate of Proficiency, Rare Book School 1991 Ph.D., Art History, University of North Carolina at Chapel Hill 1985 M.A., Art History, Tulane University 1981 M.A., Music History, University of North Carolina at Chapel Hill 1979 B.A. magna cum laude, Art History, State University of New York at Buffalo B.A. magna cum laude, Music, State University of New York at Buffalo Employment History 2002-2020 Assistant Director The Medieval Institute | Western Michigan University | Kalamazoo, MI 1997-2002 Associate Curator of Manuscripts 1992-1997 Assistant Curator of Manuscripts The J. Paul Getty Museum | Los Angeles, CA 1991-1992 Visiting Assistant Professor Davidson College | Davidson, NC Spring 1991 Visiting Instructor University of Iowa | Iowa City, IA Books 2020 with Kristen Collins, Gerhard Lutz, Christine Sciacca, and Nancy K. Turner, Das Stammheimer Missale (Luzern: Quaternio Verlag). 2011 Das Sakramentar von Beauvais, Codices selecti 117 (Graz: Akademische Druck- und Verlagsanstalt). 2001 The Stammheim Missal, Getty Museum Studies on Art (Los Angeles: The J. Paul Getty Museum). 1 | Teviotdale curriculum vitae Edited Volumes 2020 Reassessing Alabaster Sculpture in Medieval England, edited by Jessica Brantley, Stephen Perkinson, and Elizabeth C. Teviotdale, Studies in Iconography: Themes and Variations (Kalamazoo: Medieval Institute Publications). 2018 Michelle P. Brown, Understanding Illuminated Manuscripts, revised edition by Elizabeth C. Teviotdale and Nancy K. Turner (Los Angeles: Getty Publications). Winner of a Choice outstanding academic title award. Peer-Reviewed Journal Articles 1999 with Adam S. Cohen, “The Getty Anglo-Saxon Leaves and New Testament Illustration around the Year 1000,” Scriptorium 53: 63-81. 1996 “Latin Verse Inscriptions in Anglo-Saxon Art,” Gesta 35: 99-110. 1993 “The Invitation to the Puy d’Évreux,” Current Musicology 52: 7-26. 1992 “Some Classified Catalogues of the Cottonian Library,” The British Library Journal 18: 74-87; reprinted in Sir Robert Cotton as Collector: Essays on an Early Stuart Courtier and His Legacy, edited by C.J. Wright (London: The British Library, 1997), 194-207. 1988 “The Filiation of the Music Illustrations in a Boethius in Milan and in the Piacenza Codice magno,” Imago Musicae 5: 7-22. 1983 “A Speculation on an Affinity between Ruskin’s Seven Lamps of Architecture and Monet’s Cathedrals,” The Rutgers Art Review 4: 68-77. Book Chapters/Contributions to Essay Collections 2010 “Pembroke College 302: Abbreviated Gospel Book or Gospel Lectionary?” in The Study of Medieval Manuscripts of England: Festschrift in Honor of Richard W. Pfaff, edited by George Hardin Brown and Linda Ehrsam Voigts (Tempe: Arizona Center for Medieval and Renaissance Studies), 69-99. 2008 “Afterword: Audiences Near and Far,” in To Inspire and Instruct: A History of Medieval Art in Midwestern Museums, edited by Christina Nielsen (Newcastle: Cambridge Scholars Publishing), 159-65. 2000 “A Pair of Franco-Flemish Cistercian Antiphonals of the Thirteenth Century and Their Programs of Illumination,” in Interpreting and Collecting Fragments of Medieval Books, edited by Linda L. Brownrigg and Margaret M. Smith (Los Altos Hills: Anderson-Lovelace), 230-58. 2 | Teviotdale curriculum vitae 1998 “An Episode in the Medieval Afterlife of the Caligula Troper,” in Anglo-Saxon Manuscripts and Their Heritage, edited by Phillip Pulsiano and Elaine Treharne (Aldershot: Ashgate), 219-26. 1992 “Music and Pictures in the Middle Ages,” in Companion to Medieval and Renaissance Music, edited by Tess Knighton and David Fallows (London: J.M. Dent), 179-88. Published Conference Papers 2001 “The Pictorial Program of the Stammheim Missal” Objects, Images, and the Word, a conference sponsored by the Index of Christian Art March 23-24 (Princeton, NJ) Annual Meeting, Medieval Association of the Pacific February 25-27, 2000 (Victoria, Canada) published in Objects, Images, and the Word: Art in the Service of the Liturgy, edited by Colum Hourihane (Princeton: Index of Christian Art, 2003), 79-93. 1995 “A Fragmentary Cistercian Antiphonal in the Getty Museum and Its Illumination” Seventh Meeting of the Cantus Planus Study Group, International Musicological Society September 4-9 (Sopron, Hungary) Pacific Southwest and Northern California Chapter Meeting, American Musicological Society April 22-23 (Malibu, CA) published in Cantus Planus: Papers Read at the Seventh Meeting, edited by László Dobszay (Budapest: Hungarian Academy of Sciences, 1998), 575-84. 1992 “The Affair of John Marshal” Fifteenth Congress of the International Musicological Society April 3-10 (Madrid, Spain) Southeast Chapter Meeting, American Musicological Society February 29 (Durham, NC) published in Revista de Musicología 16 (1993): 848-55. 1990 “Some Thoughts on the Place of Origin of the Cotton Troper” Fourth Meeting of the Cantus Planus Study Group, International Musicological Society September 3-8 (Pécs, Hungary) published in Cantus Planus: Papers Read at the Fourth Meeting, edited by László Dobszay (Budapest: Hungarian Academy of Sciences, 1992), 407-12. 1990 “The Making of the Cotton Troper” Seventh Harlaxton Symposium on England in the Eleventh Century July 9-12 (Harlaxton Manor, England) published in England in the Eleventh Century, edited by Carola Hicks (Stamford: Paul Watkins Publishing, 1992), 301-16. 3 | Teviotdale curriculum vitae 1990 “The ‘Hereford Troper’ and Hereford” British Archaeological Association Conference June 30 - July 30 (Hereford, England) published in Medieval Art, Architecture and Archaeology at Hereford, edited by David Whitehead (Leeds: W.S. Maney and Son, 1995), 75-81. Encyclopedia Entries 2012 entry in The Grove Encyclopedia of Medieval Art and Architecture, edited by Colum Hourihane (Oxford: Oxford University Press). 2010 entries in The Oxford Dictionary of the Middle Ages, edited by Robert E. Bjork, 4 vols. (Oxford: Oxford University Press). 1999-2007 entry in Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik, 2nd ed., Personenteil, edited by Ludwig Finscher, 17 vols. (Kassel: Bärenreiter). 2001 entries in The New Grove Dictionary of Music and Musicians, 2nd ed., edited by Stanley Sadie, 29 vols. (London: Macmillan). 1998 entries in Medieval England: An Encyclopedia, edited by Paul E. Szarmach, Joel Rosenthal, and M. Teresa Tavormina (New York: Garland). 1996 entries in An Encyclopedia of the History of Classical Archaeology, edited by Nancy Thomson de Grummond, 2 vols. (Westport: Greenwood Press). 1990 entries in The International Dictionary of Art and Artists, edited by James Vinson (Chicago: St. James Press). Other Publications 2012 report in the Newsletter of the International Center of Medieval Art (August). 2001 with Melanie Holcomb, review of the exhibition 799: Kunst und Kultur der Karolingerzeit, Gesta 40: 95-100. 1999 “Who was Gevehard?” in Buch und Bild im Mittelalter (Hildesheim: Dom-Museum), 79-90. 1997 entries in Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts (London: Thames and Hudson). 1996 entries in Programme Notes, edited by Linda L. Brownrigg and Elizabeth C. Teviotdale (a booklet distributed to participants in the conference of the Seminar in the History of the Book to 1500 on Manuscripts with Music, Oxford, July 12-14). 4 | Teviotdale curriculum vitae 1996 “750 Years in the Life of a Pair of Cistercian Antiphonals,” Pastoral Music 20, no. 2 (December/January): 38-40. 1995 entry in The Liturgical Books of Anglo-Saxon England, edited by Richard W. Pfaff, Old English Newsletter Subsidia 23 (Kalamazoo: Medieval Institute Publications). 1994 report in the Newsletter of the International Center of Medieval Art (Spring). 1987 report in Current Musicology 43. 1984 report in Current Musicology 37/38. Unpublished Conference Papers 2021 “The Stammheim Missal: A New Facsimile” Cantus Planus Study Group Forum, International Musicological Society July 28 (online) 2021 “New Prayers in the Stammheim Missal” Sewanee Medieval Colloquium April 9-10 (online) 2020 “Time in the Stammheim Missal” Illinois Medieval Association February 21-22 (South Bend, IN) 2013 “Changing the Canon of the Mass in the Beauvais Sacramentary” Saint Louis Conference on Manuscript Studies October 11-12 (St. Louis, MO) 2010 “The Beauvais Sacramentary in the Getty Museum as a ‘Coronation Sacramentary’” Saint Louis Conference on Manuscript Studies October 15-16 (St. Louis, MO) 2005 “The Scribes of Bamberg Lit. 5” Saint Louis Conference on Manuscript Studies October 14-15 (St. Louis, MO) 2003 “Illustrating the Music of the Mass: A Case Study” Southeastern College Art Conference, October 30 - November 1 (Raleigh, NC) Midwest Chapter Meeting, American Musicological Society September 20-21 (Chicago, IL) 2001 “The Stammheim Missal as Tribute to Saint Bernward’s Interest in Art” Seventy-Sixth Annual Meeting, Medieval Academy of America March 15-17 (Tempe, AZ) 5 | Teviotdale curriculum vitae 1999 “The Stammheim Missal: A ‘New’ Source of North German Chant” Pacific Southwest Chapter Meeting, American Musicological Society November 20 (Fullerton, CA) 1999 “The Frontispiece Miniatures of the Stammheim Missal” Annual Meeting, Art Historians of Southern California November 13 (Los Angeles, CA) 1998 “The Gospels of Saint-Gatien, Its Cousins, and the Late Anglo-Saxon Liturgy” The Bible and the Liturgy, Fourth Annual Symposium on the Transmission of the Bible April 24 (New York, NY) 1997 “The Text of Getty