The Winter Antique & Picture Sale Thursday 31 January 2013 at 11am Edinburgh The Winter Antique & Picture Sale | 1 Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Charles Lanning, Camilla Lombardi, Fergus Lyons, +44 (0) 20 7393 3900 Paul Maudsley, Gordon McFarlan, Andrew McKenzie, +44 (0) 20 7393 3905 fax Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, David Park, Giles Peppiatt, Peter Rees, Julian Roup,

2 | Bonhams The Winter Antique & Picture Sale Thursday 31 January 2013 at 11am 22 Queen Street, Edinburgh

Bonhams Enquiries Customer Services 22 Queen Street Works of Art, Textiles, Clocks & Furniture Monday to Friday 8.30am to 6pm Edinburgh EH2 1JX Bruce Addison +44 (0) 20 7447 7447 bonhams.com/edinburgh +44 (0) 131 240 0910 [email protected] Please see back of catalogue Viewing for important notice to bidders Sunday 27 January 1pm to 4pm Kenneth Naples Monday 28 January 10am to 4pm +44 (0) 131 240 0912 Illustrations Front cover illustration: lot 59 Tuesday 29 January 10am to 4pm [email protected] Wednesday 30th January 10am to 4pm Back Cover Illustration: Lot 368 Thursday 31st January 10am to 11am Inside front cover: lot 153 Paintings Inside back: Lot 11 Iain Byatt-Smith Bids +44 (0) 131 240 0913 +44 (0) 20 7447 7448 [email protected] +44 (0) 20 7447 7401 fax To bid via the internet please visit www.bonhams.com Sarah Walsh +44 (0) 131 240 2632 Please provide details of the lots on [email protected] which you wish to place bids at least 24 hours prior to the sale. Sale number: 20642 New bidders must also provide proof of identity when submitting bids. Catalogue: £10 (£12 by post) Failure to do this may result in your bids not being processed. Live online bidding is available for this sale Please email [email protected] with “Live bidding” in the subject line 48 hours before the auction to register for this service

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Charles Lanning, Camilla Lombardi, Fergus Lyons, +44 (0) 20 7393 3900 Paul Maudsley, Gordon McFarlan, Andrew McKenzie, +44 (0) 20 7393 3905 fax Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, David Park, Giles Peppiatt, Peter Rees, Julian Roup, Sale Information

Edinburgh Salerooms Managing Director The Scottish Sale Books, Manuscripts 22 Queen Street, EH2 1JX Miranda Grant Miranda Grant & Maps +44 (0) 131 225 2266 Henry Baggott +44 (0) 131 220 2547 fax Chairman Scotland Pictures Frances Campbell Simon Miller Chris Brickley Glasgow Office Colleen Bowen Arms & Armour 176 St. Vincent Street, G2 5SG Valuations, Trusts & Iain Byatt-Smith Andrew Robb +44 (0) 141 223 8866 Estates Sarah Walsh Kenneth Naples +44 (0) 141 223 8868 fax Charles Graham-Campbell Chris Dawson (London) Grant MacDougall James Holloway (consultant) Furniture, Clocks, Oriental London Gordon McFarlan Carpets, Works of Art & 101 New Bond Street, W1S 1SR Andrew Robb Jewellery & Silver Scientific Instruments +44 (0) 20 7447 7447 Belinda Treble Clare Blatherwick Bruce Addison +44 (0) 20 7447 7400 fax Jo Lowther Kenneth Naples Gordon McFarlan David Jones (consultant) Fiona Hamilton Alexis Tortolano Toys and Collectors’ Items Nicholas Oddy (consultant) Asian Art Ian Glennie Whisky Asha Edwards Martin Green Charles MacLean (consultant) European Ceramics & Glass The Sporting Sale Katherine Wright Henry Baggott Frances Campbell Wine Thomas Gilbey

Important notice to Buyers Items will be stored at D.J Manning Carriden Please note that all furniture, large works of arts, clocks Bo’ness & carpets not collected from the saleroom by Friday 8th West Lothian February 2013 will be transferred to the warehouse of EH51 9SF D.J.Manning transfer & storage charges will apply. Prior to Tel 01506 827 693 collection from the warehouse please contact Lewis Fax 01506 826 495 Fullarton in the Edinburgh office. Small items £10 per week plus VAT

Large items £15 per week plus VAT Prior to collection D.J Manning please contact Lewis Fullarton, Head Porter on 0131 225 2266, [email protected]

© Bonhams Scotland All rights reserved. Reproduction of catalogue and photographs, in whole or in part is prohibited without acknowledgement to Bonhams Scotland

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Works of Art

1 4 A late 19th century bronze jardinière, after the Pompeian Antique Franz Xavier Bergman (Austrian, 1861-1936) The pierced gallery incorporating spade shaped finials above a pair of A cold painted bronze figure of an African warrior applied anthemion handles and enclosing a detachable liner, supported Modelled on all fours with knife drawn, stamped to the underside ‘f.b by three faun monopodiae, each with one hand outstretched, on circular patentiert’, 14cm wide, 7cm deep, 6cm high (5.5” wide, 2.5” deep, 2” gilt bronze feet, 49.5cm wide (at widest point to include arm) 88.5cm high) high £100 - 150 £2,000 - 3,000 5 AR 2 James Osborne (British, 1940-1992) After Emil Henri Laporte ‘Burmese’ A 20th century French bronze of a boy and a cockerel A bronze modelled as the Queen’s horse Burmese, dressed for Trooping Depicting an infant carrying a cockerel, raised on a naturalistic moulded the Colour, signed ‘Osborne’ and dated ‘87, raised on green marble base, inscribed to the base, ‘E Laporte’ and ‘’E Cadaix’, 25cm wide, base, 24cm deep, 70cm high (9.5” wide, 9” deep, 27.5” high) 38cm high including base £300 - 500 £500 - 700

3 Burmese was the black mare given to the Queen by the Royal Canadian Franz Xavier Bergman (Austrian, 1861–1936) Mounted Police in 1969 and was her favourite horse for Trooping the A bronze tigress Colour for many years. Moulded on a naturalist base, mounted on a rectangular slate base, bearing foundry mark ‘Geschtzt 8412’ and signed indistinctly, 33cm wide, 12cm deep, 18cm high (12.5” wide, 4.5” deep, 7” high) £150 - 200

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6 An Austrian cold painted bronze pheasant In the style of Franz Bergman On a naturalistic base and plinth, 27cm high, 40cm wide £300 - 500

7 Hans Stoltenberg Lerche (German, 1867-1920) A bronze sculpture of two children Signed and dated 1912, raised on marble plinth 56 wide, 28cm deep, 61.5cm high (22” wide, 11” deep, 24” high) £400 - 600

8 An Italian marble figure group first half 19th century Depicting two partially robed children squabbling over a dead goose, raised on a plinth 54 wide, 29cm deep, 52cm high (21” wide, 11” deep, 20” high) £1,000 - 1,500

9 Benedetto Boschetti, Italian A late 19th century bronze figure of Caesar Augustus Raised on a circular base signed B. BOSCHETTI ROMA, with a small handle to the side, 34cm high £500 - 700

10 A French bronze group, probably late 19th century Three Bacchanalian putti and a goat Unsigned, with green patination, raised on a grey marble plinth 20cm high 9 £200 - 300

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11 14 Walenty Pytel (Polish b.1941) A Victorian rosewood desk set Phoenix in flight The twin-flap lid enclosing a pen recess, ink bottle, lidded compartments A patinated steel group, on a painted iron plinth 63cm high and turned handle, the side fitted with a single drawer, 22cm wide, £200 - 300 15.5cm deep, 14cm high (8.5” wide, 6” deep, 5.5” high) £100 - 200 Walenty Pytel’s commissions include ‘Take Off’ at Birmingham Airport in 1979 and four huge steel eagles for Benfica’s Stadium of Light in 2005. 15 Y An 18th century tortoiseshell sewing box 12 Of domed rectangular form with white metal and ivory lines, the A plaster group depicting a boy riding a donkey fitted interior with some accessories, together with an 18th century Harried by a dog, some restoration, 37cm high tortoiseshell painting box with white metal and ivory lines, the interior £100 - 150 fitted with a removable tray and stone mixing receptacle, lined in yellow silk, 13.5cm wide, 9cm deep, 3cm high, and 25cm wide, 19cm deep, 9.5cm high, (2). 13 £500 - 700 Jimmy Boyle (b. Glasgow 1944) Praying Mantis Carved sandstone, with cardboard label, 18 wide, 27cm deep, 36cm high (7” wide, 10.5” deep, 14” high) £500 - 700

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16 Y 19 Y An Anglo-Indian engraved ivory and horn games box A 19th century ivory box Vizagapatam, Coromandel Coast Of circular form, the sides carved with foliate designs, the lid inset with Of slightly domed rectangular form with strapwork and pierced mounts, a portrait miniature of the Duchesse de Chevreuse Marie de Rohan, 6cm enclosing a pair of lidded boxes engraved with three dials, a hinged diameter, 2.5cm high. board and a collection of engraved rectangular and circular counters, £150 - 200 losses to mounts, lid warped, cracks to horn veneer 26cm wide, 13cm deep, 7cm high (10” wide, 5” deep, 2.5” high) 20 Y £250 - 350 An Anglo-Indian elm antler sewing box mid-19th century 17 The sandalwood carcass with horn veneers and ivory compartments A group of 18th century and later patch boxes engraved with lac decoration, on faceted bun feet, includes three turned The first enamel example of oval form decorated with a depiction of a ivory bobbins etc., 23.5cm wide, 17cm deep, 14.5cm high (9” wide, church, the second enamel example of rectangular form decorated with 6.5” deep, 5.5” high) a textured pattern, birds and foliage, the third enamel example of bow- £600 - 800 fronted form, the lid decorated with a depiction of figures fishing, the fourth enamel example of oval form decorated with flowers and foliage 21 and gilt C-scrolls, the fifth porcelain example of oval form decorated A section of glass, engraved by ‘Andrew Bonar’ dated 1764, with male and female figure in a wooded landscape, the sixth a Contained in a moulded oak frame with card inscribed ‘This pane of porcelain circular dish cushion shaped example decorated with male and glass was taken from a window in our ware house on the occasion of female figure in a wooded landscape, together with two engine turned the alteration of our premises in 1854. The apartment had been the silver enamelled boxes, one circular, the other oval, (8) private office of Mess Ramsay Bonar Company Bankers at the date £400 - 600 inscribed on the glass, John Clappinton’ and on the obverse ‘This ticket was written by Thomas S Smith on 17th Dec 1873’, together with an 18 artist’s box, stamped ‘Sandeman & Son Makers Edinburgh’, and with A Chinese Export gilt and black lacquer games compendium, a George III mahogany tea caddy, of rectangular form with bone key (distressed) guard, the interior fitted with twin compartments and central mixing first half 19th century bowl aperture, 40.5cm wide, 30cm deep, 3cm high, 30cm wide, 15cm Of sarcophagus form, with trays and lidded compartments, on carved deep, 14.5cm, 26cm x 35cm, (3). paw feet, extensive losses, 38.5cm wide, 30.5cm deep, 14cm high (15” £100 - 150 wide, 12” deep, 5.5” high) £80 - 120 Andrew Bonar of Ramsay, Bonar & Co, was one of the banks responsible for the financing of the construction of Edinburgh’s New Town. Easter Warriston House was converted into a crematorium in 1929 by Sir Robert Lorimer’s architectural practice, Lorimer & Matthew.

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22 26 A pair of George III mahogany break-front knife boxes A pair of George III mahogany and inlaid knife boxes Each with sloping lid centred with an urn issuing flowers, enclosing a Of urn shape, each raised on a turned socle and square base, the captive fitted interior, 24cm wide, 30cm deep, 36cm high (9” wide, 11.5” deep, lid enclosing a fitted interior, 14” high), (2). £2,500 - 3,500 £1,200 - 1,800 27 23 An 18th century mahogany box A 19th century parquetry sewing box The cylinder shaped lid enclosing a fabric lined interior, 28cm wide, Of sarcophagus form, the top and sides inlaid with wood specimens, the 20cm deep, 24cm high (11” wide, 7.5” deep, 9” high) . interior fitted with lift-out trays and lidded compartments, 27cm wide, £200 - 300 22cm deep, 12cm high (10.5” wide, 8.5” deep, 4.5” high) £250 - 350 28 A group of eight various snuff and other boxes 24 Y Comprising an elongated ivory example, the lid inset with geometric A 19th century rosewood workbox designs in yellow metal, centred with a blue enamel and glass roundel, Of octagonal form, with inlaid and satinwood strung top, a removable two abalone shell gilt-metal mounted egg shaped boxes, two circular tray and void interior, and a burr walnut box with bone stringing pique decorated boxes, the first and largest example with classical ruins, enclosing ebony counters, 32cm wide, 24cm deep, 14cm high, and and foliate border, the second centred with a urn issuing flowers, a 18cm wide, 13cm deep, 8cm high,(2). rectangular horn snuff mull the tortoiseshell lid inlaid with white metal £200 - 300 designs, a rectangular paper maché example painted with a depiction of a male and female figures in Russian dress in a wooded landscape, and 25 a circular horn box with a yellow metal ball moulded border and central A late Victorian oak and brass bound cool box oval glass section, (8). With recessed brass handles, bearing a label to the lid engraved £400 - 600 ‘Honourable Col Sinclair Morton Cottage Portobello’, the interior lined in zinc, 44cm wide, 19.5cm deep, 25cm high (17” wide, 7.5” deep, 9.5” high). £100 - 200

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29 Y 32 A collection of treen, horn and tortoiseshell boxes and items A late 18th/early 19th century axe Comprising an oval box with pressed image of a gentleman, a circular The blade stamped ‘James Howarth Sheffield’, horn box engraved ‘Long Live The King’, a rectangular horn snuff box the blade 44cm x 21cm, the shaft 90.5cm. with banded decoration, a rectangular horn snuff box, a horn treen and £100 - 200 mahogany goblet, a tortoiseshell card case, a horn snuff mull, three paper mache snuff boxes, a horn and wood navette shaped snuff box, 33 a treen spill vase carved with a rat standing on its hind legs in human A Royal Naval Reserve officer’s sword dress, a large leather powder flask with embossed decoration and a 74cm single fullered etched blade by Morgan & Sons West Cowes, Mauchline ware style box decorated with building and pastoral scene, decorated with crown fouled anchor scrolling foliage, regulation folding (14). brass hilt and fish skin grip, complete with sword knot and contained in £100 - 150 its leather and brass mounted scabbard. £180 - 250 30 An early 20th century oak tea caddy apprentice piece by Alex Mair, 34 foreman of William Wheeler of Arncroach A bronze signal cannon Of rectangular form with ebonised banding, the lid inlaid ‘TEA’ enclosing Modelled in the form of a 12 pound field gun of the Napoleonic period, a void interior, together with a copy of How It Works, WILLIAMS the barrel overall 68cm, the bore 1 inch, (ARCHIBALD), tenth edition, inscribed ‘Arncroach Public School, 1913- £1,000 - 1,500 1914, Perfect Attendance, Alek Mair, Junior I’, various illustrations, pictorial cloth, 8vo, Thomas Nelson [c.1910] 22.5cm wide, 13cm deep, 13cm high (8.5” wide, 5” deep, 5” high) £400 - 600

31 A silver mounted skean dhu The 9.5cm blade with faceted back edge and single fuller engraved ‘stainless steel’, the hilt with basket weave design, the pommel set with a stone and engraved mounts, contained within its leather covered scabbard, the locket cast with a stylised Celtic designs, stamped to the rear of the locket, Edinburgh 1972. £150 - 200

The Winter Antique & Picture Sale | 9 35 41 A group or various weapons A Victorian Scottish pub advertising mirror Comprising a pair of small steel dhals decorated with four bosses and For St Andrew’s Pale Ales and Stouts crescent moons, mounted on the rear with Fakir’s horns, together with Bearing makers label for ‘Forest and Son 355 Argyle Street Glasgow’, the a katar, contained with a leather covered scabbard with geometrically rectangular plate decorated with the brewer’s insignia within spandrels tooled designs, a knobkerrie with wire bindings and a African knife, (5). of hops and barley, enclosed in a moulded wooden frame. 106cm £150 - 200 wide147cm high, (41.5” wide57.5” high) £400 - 600 36 Two Kyber knifes 42 Both contained in wood and leather mounted scabbards, with bone KNIGHTHOOD & CHIVALRY mounted handles, the blades 61cm, 58cm long, (2). Four plates from Encyclopaedia Britannica Specially printed on silk for H.M. King Edward VII, depicting The Order of 37 the Garter; Royal Victorian Order and others, drawn by William Gibb for An early 20th century sporran the Encyclopaedia Britannica, eleventh edition, The silver plated cantle centred with a thistle, the white horse hair 185mm x 245mm and smaller bag with two black silver plated mounted tassels, the brown leather framed and glazed, Edinburgh, McLagan & Cumming (4) bag stamped ‘Mcfarlane Maker Kingussie’, and bearing printed mark £200 - 300 ‘H.V.B.R.S No, 378’, £80 - 120 43 A 19th century painted silk heraldic banner, 38 The golden brown field painted with three popinjays bisected by a dark Two Webley Junior air pistols maroon coloured band, (now faded to brown), with applied banded £100 - 200 fringe, except the hoist edge, together with another of maroon silk, (faded to brown) centred by a gold painted cinquefoil and surrounded by eight gold painted Jerusalem crosses and with applied banded fringe, Y 39 except the hoist edge, another of blue and white banded silk with three A large Scottish cow horn powder flask, probably 19th century embroidered wreaths to one side and with applied fringe, except the Of tapering flattened form engraved on one side with interlacing Celtic hoist side, designs, the observe engraved with banding, two suspension points, 137cm x 137cm. (3) pewter framework nozzle and bone plug, 33cm long, and a Scottish £300 - 500 cow horn powder flask, probably 19th century, with interlacing designs, bone plug and two suspension points, 26cm long, (2). £300 - 500

40 A Victorian walnut table cabinet The rectangular top with moulded edge above a pair of cupboard doors inlaid with ebony and boxwood stringing, enclosing three drawers, raised on a moulded plinth, 30cm wide x 20cm deep x 32cm high, (11.5” wide x 7.5” deep x 12.5” high) £150 - 250

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44 † Dame Elizabeth Blackadder, OBE RA RSA RSW RGI DLitt (British, In 1954 Dovecot Studios was taken over by a new board of directors, born 1931) renamed the Edinburgh Tapestry Company and began working on a ‘ Irises II ‘ greater number of commercial commissions. Later, in large part, due to From The Dovecot Studio, the renewed interest of the Bute family in the 1970s and 80s there was a A hand woven wool tapestry wall hanging, signed lower right, the resurgence in the prosperity of the company until its eventual end upon reverse with the following intails of the weavers: SG FM and SC and a the death of the sixth Marquess. However, the studio was reopened stylised dove again in 2003 by two of the previous company’s artist-weavers and has 179 x 193 cms entered another prosperous phase in its long history. £6,000 - 8,000 Other artists who have worked at the Dovecot Studios include: David The weavers of this tapestry are: Shirley Gatt, Fred Mann and probably Hockney, Paul Gaugin, Peter Blake, Graham Sutherland and Eduardo Sam Clark. Paolozzi. An exhibition to celebrate the studio, curated by Dr. Elizabeth Cumming, ‘Weaving the Century:Tapestry from Dovecot Studios 1912- Dovecot Studios is a one hundred year old, Edinburgh based, tapestry 2012 opens in Edinburgh this summer and runs from 13th July-7th studio. Born out of the British arts and crafts movement, and inspired by October. the William Morris Craft Studio; Dovecot was founded in 1912 by the Marquess of Bute.

The ethos behind the creation of Dovecot was an intention to emulate the London craft workshops as opposed to manufacturing companies and as such be more tied to local culture. Alongside this there was a strong desire to create equality between designers and weavers. This desire is something which all Dovecot tapestries, in part due to the inclusion of the weaver’s signature, continue to demonstrate.

The Winter Antique & Picture Sale | 11 45

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45 46 † Archie Brennan John Houston, OBE RSA RSW RGI SSA (British 1930-2008) A woollen tapestry banner designed and executed in 1971 ‘Sunset over the sea ‘ Incorporating individual geometric panels of varied colour and texture From the Dovecot Studio, 121cm x 179cm A hand woven wool tapestry wall hanging, signed with initials top right, £300 - 400 the reverse edge with wearers’ initials HW, FM, DG and JW and a stylised dove Archie Brennan was resident designer and artistic director at the Dovecot 225 x 160 cms Studios between 1962 and 1978. The present work appears to have £2,500 - 3,500 been a private commission for Dr. Hilda Mary Capes, one of the early pioneers of child psychiatric practice in England. Included in the sale are The weavers of this tapestry are: Harry Wright, Fred Mann, Douglas letters of correspondence from Archie Brennan to Mary Capes. Grierson and Johnny Wright

12 | Bonhams 48 47 53 A Victorian oak and brass tantalus A late 19th century folding enamel table screen circa 1900 The moulded frame with foliate and floral mounts, mirrored top section Comprising three square section decanters with stoppers, within an oak and cushion shaped enamel panels painted with a section of figures in case with brass strapwork, bearing a white metal presentation plaque 18th century dress within a wooded landscape, 33cm wide, 2cm deep, inscribed ‘From George Dalziel to Robert Dickinson in Memory of Sandy 30cm high (12.5” wide, 0.5” deep, 11.5” high) 1900-1901’, together with a late Victorian cut glass lustre, the decanter £400 - 600 with damages, 26cm high, 37cm wide, 27.5cm high (2) £150 - 200 54 Y Two carved mother of pearl shell-shaped dishes 48 Decorated with religious scenes and a similarly carved crucifix, mounted A pair of blue porcelain and gilt-metal mounted vases within an oval plush lined glit frame, 48cm wide, 5cm deep, 38cm high second half 19th century (18.5” wide, 1.5” deep, 14.5” high) (3) Of baluster form, each top issuing flowers, with pierced foliate scroll £100 - 200 handles and trailing floral swags, raised on a socle cast with laurel leaves and an arched plinth base, 83cm high. 55 £1,500 - 2,000 A mahogany torchere The circular dished top above a reeded column, on tripod base and pad 49 feet, the base with oval inlaid panels. 157cm high A set of brass postal scales £100 - 200 Raised on a moulded and pierced rectangular base, 35cm wide, 15cm deep, 18cm high (13.5” wide, 5.5” deep, 7” high) 56 £80 - 120 A pair of 19th century blue glass cornucopia vases Each mounted on rectangular white alabaster base, the blue horn 50 supported by a gloved metal hand, 22cm wide, 8cm deep, 17cm high, A New Map of the South Part of Scotland, (2). Andrew Johnston, 1722 £80 - 120 Engraved and with the county borders highlighted in colours, framed, 45cm wide, 35cm high (17.5” wide, 13.5” high) 57 £80 - 120 Two 19th century leather buckets Each with metal collar and riveted seams, the smaller with an oval 51 Y depiction of a galleon, the first 30cm high, the second 28cm high, (2) A early 20th century mother of pearl nef £150 - 250 Together with a mother of pearl desk thermometer, 31cm, wide, 10cm deep, 30cm and 16cm, 10cm deep, 19cm high, (2).

52 Y An 18th century painted fan With bone and white metal mounts and foil backed piercing, the fabric fan with printed oval central depiction of a female figure with lyre painted with foliage and flower and sequin decoration, (damages), together with a mother of pearl example with pierced gilt decorated mounts, the silk fabric painted with floral swags, (damages) a bone mounted example, the fabric fan painted with floral decoration and applied printed oval vignettes depicting agricultural life, and a modern painted paper and wood example, (4). £100 - 200

The Winter Antique & Picture Sale | 13 58 An 18th century painted and mother of pearl mounted fan The fan decorated with a seated female figure possibly Diana surrounded by attendants in a wooded landscape, the mounts engraved and pierced with birds, insects and male and female figures, contained within a gilt moulded and glazed frame with fabric backing, the fan 48cm wide, 27cm high. £300 - 400

59 A large and impressive Victorian carved oak dragon newel post fourth quarter 19th century Observed on it hind legs facing skyward, its talons clasped round a stylised acanthus leaf, the back inset with a section of banister £800 - 1,200

Provenance: Probably removed from old Altyre House, Scottish Highlands and thence by descent. Old Altyre House was a mansion house renovated in the late 19th century by the architect John Kinross under the direction of Sir William Gordon Cumming. This property, the ‘old’ or original Altyre House was demolished in 1962.

It is unusual for a stair terminal to be of free-standing form. The style of the dragon carving demonstrates the influence of the Orient and also informs the dating to the fourth quarter of the 19th century, which coincides with the renovation of Altyre by Kinross. The 1870’s and 1880’s were a period when Europe, and in particular Britain and France, looked to Japan and China for design inspiration.

John Kinross had close links with several Edinburgh cabinet maker’s, namely Whytock & Reid, Scott Morton & Co., Grandison & Sons and Morison & Co. It is tempting to speculate that one of these firms made this newel post. Perhaps out of the four, Whytock and Reid is the most likely, given the firms familiarity and frequent use of Oriental themes in their furniture.

60 Y A Victorian rosewood book trough and two candle boxes With a pierced three-quarter gallery 47cm wide, and two similar Georgian oak and mahogany cross-banded candle boxes, 47cm and 48cm high (3) £200 - 300

61 A small collection of Ancient miniature vessels Including a Hellenistic skyphos, miniature lamps and flasks, mostly 4th Century B.C.-4th Century A.D., with a copy of an old ink inscribed collection label: ‘very ancient pottery supposed to be amongst the earliest extant. Found in a tomb in the Island of Elephantine, opposite Assowan, Upper Egypt’, (qty). £100 - 150

62 Two framed crystoleums 59 The first example with a depiction of ladies in a drawing room signed ‘C. Haichwood 93’, together with another similar example with a depicting of figures in 18th century dress, both contained within a foliate gilt frame, both 38cm by 33cm approx, (2). £100 - 200

14 | Bonhams 63 Y An early 20th century carved ivory figure of a cleric probably Dieppe Carved with hands close together and Bible underarm, raised on a ebonised octagonal column and moulded base, 9cm wide, 10cm deep, 28.5cm high (3.5” wide, 3.5” deep, 11” high) £300 - 400

64 Framed King George III, Golden Jubilee, 1810 medal The bust of George III facing to the sinister, uniformed and with a breast star, the obverse depicting a seated figure of Britannia, with three cherubs displaying a flaming heart, upon a mound marked ‘FROGMORE’, bronze, 48mm, contained within an ebonised square frame. £100 - 150

65 Y A carved ivory figure of a fisherman Carved standing with net hanging over his shoulder and tied fish in his hand, raised on a circular base, 4.5cm wide, 4cm deep, 16cm high (1.5” wide, 1.5” deep, 6” high) £150 - 250 63

66 An Edwardian carved oak panel The central relief carved depiction of a ribbon tied crest with two urns and foliate scrolls, 101cm wide, 143.5cm high. £70 - 100

67 A group a various cased antique photographs Including daguerreotype and ambrotype examples,(8). £80 - 120

68 A Florentine giltwood mirror late 19th/early 20th century, The rectangular plate within a frame composed of flamboyantly carved acanthus fronds, 53cm wide, 72cm high (20.5” wide, 28” high) £100 - 200

69 Two Edwardian oval-shaped mahogany trays Each with central inlaid panels, galleries and brass handles. £100 - 200

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70 74 A Regency ormolu and marble desk ornament A 19th century oval gilt-metal and faded velvet casket Of sarcophagus form Decorated all-over with beaded bands and oval panels painted with Cast with foliate scrolls, palmettes and stylized scallop shells, raised on a views of Paris, enclosing a velvet lined interior, 21cm wide x 14cm deep marble plinth, 19cm wide, 8cm deep, 8.5cm high (7” wide, 3” deep, 3” x 12cm high. high) £300 - 500 £300 - 400 75 71 A wine cradle A 19th century pollard oak-cased cylinder musical box The brass turned frame with winding mechanism and turned, ebonised Bearing brass inscribed, Henry Capt a Genevre no. 13254, the drum handle, raised on a plinth 29cmcm wide, 18cm deep, 24cm high (11” 26cm long, 42cm wide, 15cm deep, 13cm high (16.5” wide, 5.5” deep, wide, 7” deep, 9” high) 5” high) 42cm wide. £150 - 250 £400 - 600 76 72 A pair of George III style mahogany candlesticks An Edwardian mahogany oval tray early 20th century With silver plated handles centred with an inlaid conch shell, and Each with bronze sconce supported by a turned and fluted column, another example with integral handles, a small black lacquered paper above a spirally carved baluster section, raised on a loaded circular mache tray together with a 19th century mahogany tea caddy of moulded base, 12.5cm diameter, 37cm high, (2). sarcophagus form, the interior fitted with twin compartments, 59cm £100 - 200 wide, 38cm deep, 6cm high, 66cm wide, 42cm deep, 9cm high, 15cm diameter and 31cm wide, 17cm deep, 17cm high, (4). 77 £250 - 350 An early 20th century bronzed table lamp The tapering shaft and shaped base with gilt-metal pierot figure mount, 73 and a pair of cloisonne vases, one with dent and losses, (3) A Victorian mahogany Lazy Susan £100 - 150 The circular dished and revolving top on a moulded tripod base, 61.5cm diameter, 23cm high. 78 £400 - 600 An early 20th century bronzed metal lamp Modelled as a female nude, raised on a naturalist base, inscribed ‘H. Fugere’ (adapted), 28cm wide, 18cm deep, 112cm high (11” wide, 7” deep, 44” high) £200 - 300

16 | Bonhams 79 80

79 An Art Deco gilt-metal and onyx figural lamp The semi-nude female figure kneeling with arm held aloft, mounted on a onyx base and raised on squat bun feet, 14cm wide, 17cm deep, 33cm high (5.5” wide, 6.5” deep, 12.5” high) £200 - 300

80 A pair of silvered and gilt candlesticks Modelled as crowned storks holding foliate sconces aloft, 14cm wide, 15cm deep, 39cm high (5.5” wide, 5.5” deep, 15” high) (2) £300 - 500

81 A pair of glass and gilt-brass mounted candelabra 20th century Each with central finial and hob-nail orb on a spreading column and foot, with five detachable branches 53.5cm high £250 - 350

82 A painted opaline glass table lamp Of mallet form, painted with flowers, 13cm diameter, 41cm high. £60 - 80

83 A late 19th century silver plated oil lamp With double burner above a clear cut glass reservoir, raised on a foliate embossed base, 14cm wide, 15cm deep, 51cm high (5.5” wide, 5.5” deep, 20” high) £400 - 600

84 A pair Battersea enamel candlesticks second half 18th century 84 With faceted base, knop stem and detachable flared sconce, all-over painted with floral sprays and pale green reserves highlighted in gilt, 27cm high, 10.5 inches high £400 - 600 The Winter Antique & Picture Sale | 17 85 85

85 89 A pair of early 20th century brass & cut glass electric lanterns An Edwardian brass telescopic standard lamp The square brass mounts with pierced foliate sides and reeded columns In the neo-classical taste with cut glass finials and pendants, the sides and base mounted with The reeded shaft and circular base embellished with harebell swags and cut glass hemispheres supported by a brass coronet with vine leaf finials, acanthus leaves, 146cm high. each 30cm wide, 30cm deep, 41cm high, (2). £200 - 300 £1,500 - 2,000 90 86 A late 19th century brass telescopic standard lamp A gilt-metal and cut glass chandelier, With removable burner reservoir, raised on a telescopic reeded column With ten electrified candle branches issuing from a gilt-metal to spreading circular gadrooned base, raised on three adjustable feet, superstructure, with cut glass garlands and drops, 80cm drop, 50cm inscribed to the base ‘226/64’ ‘300’, 207cm high extended, wide 32cm, diameter. 33cm deep. £400 - 600 91 87 A gilt-metal and cut glass chandelier A pair of late 19th century French cloisonné enamel candlesticks The gilt-metal superstructure issuing six electrified candle branches, Of lobed tapering form with central turned knopp and spreading base, 50cm drop, 52cm diameter. 10cm diameter, 23cm high. (2) £200 - 300 £100 - 150 92 88 A 19th century brass casket A pair of 17th century style giltwood and gesso candlesticks, in the form of a gothic reliquary One example silvered overall with decoration to one side, the other left Lined in purple velvet, the sides cast with scenes from the life of a saint, unfinished, 13cm wide, 13cm deep, 68cm high (5” wide, 5” deep, 26.5” the base marked Adolph Frankau & Co, 121, Queen Victoria Street, high) , (2). London, 23cm wide, 14cm deep, 24cm high (9” wide, 5.5” deep, 9” £150 - 200 high) £500 - 700

By repute this item was exhibited at the Great Exhibition.

18 | Bonhams 95

92

93 97 An American iron eagle printing press counter weight A ram’s horn snuff mull Early 19th century With plain silver collar and thistle hinge, the body applied with a shield- Cast in the round with outstretched wing and knuckled talons holding shaped disc engraved with ‘To DF’, length 11cm long. a branch and cornucopia, all above an integral cylindrical base, losses, £80 - 120 41cm wide, 7cm deep, 52cm high (16” wide, 2.5” deep, 20” high) £500 - 700 98 A group of embroidered First World War postcards 94 Mounted in two frames, A group of five 19th century steel fire tools £80 - 120 Comprising a set of tongs, a poker and a shovel, the shovel with a decorative pierced pan, together with a matching pair of fire tools 99 comprising a shovel and a pair of tongs, (5). A Victorian stitched sampler, £200 - 300 by Margaret Wilson, 1860 Worked in coloured wools on linen and depicting a house, alphabet 95 letters, initials, and inscription, “Margaret Wilson, Bathgate, 1860, aged A pair of Victorian country house cast iron stick stands 10, all within a trailing floral border,framed, 39cm wide, 44cm high (15” Each with foliate clasped and lotus shaped finials, above lobed divisions wide, 17” high) and scroll supports, each drip tray cast, No.9 102cm wide, 39cm deep, £150 - 200 71cm high (40” wide, 15” deep, 27.5” high) , (2). £600 - 800 100 A Scottish linoleum cutter’s tool box 96 circa 1900, Kirkcaldy, Fife A Regency brass and painted steel fender The hinged top and panel covered below enclosing a bank of five Of bowed form, the lattice grilles centred by lead lion masks, on a graduated drawers and a large quantity of steel and wooden handled shaped brass foot, 116cm wide, 30cm deep, 32cm high (45.5” wide, tools,, 58cm wide, 43cm deep, 57cm high (22.5” wide, 16.5” deep, 22” 11.5” deep, 12.5” high) high). £120 - 180 £250 - 350

The Winter Antique & Picture Sale | 19 101 106 A group of treen items A waterline model of the Passenger ferry MV Bute 1954 Including: two wool winders; a snuff box formed as a bearded Built by J Garven Wood in 1994. Composite hull, painted black to the gentleman in a cloak, etc. waterline with white superstructure. Details include scale vehicles, £200 - 300 turntables, passenger benches, ship’s boats on davits and liferafts. Set on a painted, moulded sea in an acrylic case. 26x8x9ins. (66x20x24cm) 102 £500 - 700 A late Victorian Sunday stick Formed as a wooden golf club with brass shoe and bone club face, Built by the Ailsa Shipbuilding Co. Troon, for the Caledonian Steam 89cm long Packet Company. Used on the upper Clyde, she remained in service until £100 - 150 1978 when she was sold to Greece but was never recommissioned and was broken up in 1984. 103 A modern cased ships model 107 Modelled with a three masted sailing ship flanked by two smaller A waterline model of the Passenger ferry SS Saint Columba 1912 two masted boats, the background painted with a coastline, the sea Built by J Garven Wood in 1991. Composite hull, painted black to the naturalistically modelled and painted, contained within a solid case with waterline with a white superstructure. Cream decks with inscribed moulding frame with applied gesso moulded corners, 102cm wide, plank lines. Details include passenger benches and ship’s boats on 25cm deep, 69cm high. davits. Set on a painted, moulded sea in an acrylic case. 36.5x8.5x11ins. (93x22x28cm) 104 £700 - 900 A cased scratch built model of a lighthouse ship The model inscribed ‘Selker’ to the sides contained within a glazed case Built by Denny Brothers, Dunbarton, for Turbine Steamers Ltd. and raised on a moulded plinth, 54cm wide, 32cm deep, 49cm high. originally called Queen Alexandra. During WW1 she rammed and sank £100 - 200 a U boat. She was acquired by MacBraynes in 1935 and was renamed Saint Columba the following year, when she was given a third (dummy) 105 funnel. She remained in service until 1958. A waterline model of the Passenger ferry MV Claymore 1955 Built by J Garven Wood in 1994. Composite hull, painted black to the 108 waterline with white superstructure and cream decks. Details include A waterline model of the Passenger ferry PS Lord of the Isles 1891 passenger benches and ship’s boats on davits. Set on a painted, moulded Built by J Garven Wood in 1993. Composite hull, painted black to the sea in an acrylic case. 28.5x8x10ins. (73x20x25cm) waterline with decorated paddle boxes and open gallery. Cream decks £500 - 700 with inscribed plank lines and white superstructure. Details include open bridge with wheel, binnacle and semaphore, passenger benches and Built by William Denny & Brothers, Dunbarton, for David MacBrayne Ltd. ship’s boats on davits. Set on a painted, moulded sea in an acrylic case. to serve on their Inner Isles service. She was sold to Greece in 1976 and 35x8.5x10ins. (89x22x25cm) renamed City of Andros then latterly City of Hydra for day excursions in £500 - 700 the Greek Islands. Laid up in 1993, she sank at her mooring in 2000 and was subsequently scrapped. Built by D&W Henderson, Partick, for the Glasgow and Inverary Steamboat Co. and when built was the largest Clyde steamer. In 1912 she was bought by Turbine Steamers, her rivals, to remove her from competition on the Clyde routes. She finally ended her service as an excursion steamer for Mac Braynes. She was scrapped in 1928.

20 | Bonhams 105

106

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108

The Winter Antique & Picture Sale | 21 109 112 A waterline model of the Passenger ferry PS Dandie Dinmont 1866 A model of a twin masted sailing ship in a painted glass dome Built by J Garven Wood in 1991. Composite hull, painted black to the 33cm wide, 19cm deep, 34cm high. waterline with white superstructure. Cream decks with inscribed plank £80 - 120 lines. Details include passenger benches, ship’s boats on davits. Set on a moulded painted sea in an acrylic case. 36.5x8.5x11ins. (93x22x28cm) 113 £500 - 700 A waterline model of the Passenger ferry SS Queen Mary 1933 Built by J Garven wood in 1990. Composite hull, painted black to Built by A&J Inglis, Glasgow in 1895 for the North British Steam Packet the waterline with white superstructure. Cream decks with inscribed Co. Dunoon service. She remained on station during WW1 but was laid plank lines. Details include passenger benches and ship’s boats on up during 1926/27 and then was sold to the London & North Eastern davits. Set on a painted, moulded sea in an acrylic case. 37x10x11ins. Railway’s Hull-New Holland service and renamed the PS Frodingham. She (94x25x28cms) was broken up in Ghent in 1936. £600 - 800

110 Built by William Denny of Dunbarton for Williamson-Buchanan, for their A waterline model of the Passenger ferry TS Glen Sannox 1925 service from the Clyde to Rothesay and Arran. Originally named Queen Built by J Garven Wood in 1993. Composite hull, painted black to the Mary she added the ll, at the request of Cunard in 1935, so that the waterline with a white superstructure, green and cream decks. Details name could be used for the Atlantic Liner. Kept in service throughout the include scale vehicles, passenger benches, ship’s boats on davits. Set on war, she finally was retired in 1977 and laid up at Greenock. In 1981 she a painted, moulded sea in an acrylic case. 32.7x9x10ins. (83x23x25cm) was moved to London and stationed on the Victoria Embankment as a £500 - 700 restaurant ship, where she remained until 2009, the intention then being to tow her to La Rochelle to fulfil a similar function. However, by 2011 Built by William Denny & Brothers, Dunbarton, for the London, Midland she had failed to move from Tilbury Docks, was subsequently auctioned & Scottish Railway for the Ardrossan to Arran service. Transferred to and is now awaiting further developments. A preservation group is the Caledonian Steam Packet co. she served as a troop carrier in WW2. trying to get her returned to Scotland. Broken up in 1954. 114 111 A waterline model of the Passenger ferry PS Eagle lll 1910 A waterline model of the Passenger ferry PS Caledonia 1934 Built by J Garven Wood in 1999. Composite hull, painted black to the Built by J Garven Wood in 1988. Composite hull, painted black to the waterline with decorated paddle boxes, white superstructure and cream waterline, with fully enclosed paddle boxes and white superstructure. decks. Details include open bridge with wheel and binnacle, passenger Cream decks with inscribed plank lines. Details include passenger benches and ship’s boats on davits. Set on a painted, moulded sea in an benches, ship’s boats on davits. Set on a moulded, painted sea, in an acrylic case. 34x10x12ins. (87x25x31cm) acrylic case. 28x9.5x10ins. (71x24x25cm) £600 - 800 £500 - 700 Built by Napier & Miller, Kilpatrick, for Buchanan Steamers Ltd. Used Built by Denny Brothers, Dunbarton, for the Caledonian Steam Packet on the Glasgow - Rothesay service, she was requisitioned in WW1 as a Co. and used in their Clyde service. During WW2 she was taken into minesweeper and again in WW2, when she went to Dunkirk. Instead the Navy as a Minesweeper and renamed HMS Goatfell. Returning to of returning to service she was used as an accommodation ship at Holy service after the war, she was used as an excursion steamer until sold for Loch and was scrapped in 1946. scrap in 1969. However, she was saved by a businessman and stationed on the Victoria Embankment, London as a floating pub named Old Caledonia. Severely damaged by fire in 1980, she was finally scrapped at Sittingbourne.

22 | Bonhams 109

110

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The Winter Antique & Picture Sale | 23 125

Clocks & Scientific Instruments

115 119 A mahogany wheel barometer A Victorian oak stick barometer inscribed J Carter, London by Gardiner & Co., Glasgow The moulded pediment with urn shaped brass finial, above a The reservoir carved with a rosette, the column fitted with a thermometer and dry/damp dial, the main silvered dial with adjustable thermometer within a carved frame, the engraved ivory scale with twin knob and spirit level, inscribed with maker’s name, 99cm tall. adjustable pointers and inscribed ‘Gardiner and Co. Opticians to the £200 - 300 Queen, 53 Buchanan Street, Glasgow’, 95cm high. £300 - 400 116 120 A 19th century mahogany wheel barometer A 19th century mahogany wheel barometer engraved Zerboni & Co., Calton Street, Edinburgh engraved N Ortelli & Co The circular dial with thermometer above and spirit level below, The 8 inch silvered dial, with brass bezel and bevelled glass, with alcohol surmounted by a swan neck pediment, losses, 110cm high. thermometer above, mounted on a mahogany case with moulded £200 - 300 pediment centred by a turned finial and inlaid with marquetry flowers and conch motifs, outlined with boxwood stringing, wide 25cm, deep 117 5cm, high 97.5cm. A George III mahogany stick barometer £80 - 120 Molliner, Edinburgh The engraved dial with thermometer and barometer, exposed glass tube 121 and oval cistern cover, 96cm long. A George III stick barometer £400 - 600 inscribed Yeates Penrith The paper dial inscribed ‘The Great Barometer Yeates Penrith’ with 118 adjustable vernier and semi-visible tube, contained within a mahogany A George III mahogany stick barometer case with moulded edge and semi circular cistern cover, 12cm wide, 8cm engraved Peter Cotsal Birmingham deep, 91cm high. The silvered rectangular dial with alcohol thermometer and adjustable £400 - 600 vernier, above a visible tube and circular dished cistern cover with ivory detail, 13cm wide, 4cm deep, 96cm high. 122 £600 - 800 A 10 inch ebony octant Reading from -5 to 100 degrees on the engraved ivory scale, the brass index arm fitted with a vernier to 20 seconds, contained in a mahogany stepped keystone case. £200 - 300

24 | Bonhams 126

123 127 A 19th century brass surveyor’s level in wooden box A French early 20th century gilt-brass repeating carriage clock case bearing trade label for Hy Husbands Optician Corner of Denmark The 2 1/2 inch rectangular dial with white enamel chapter ring, Roman Street Bristol The instrument engraved to the compass ‘Troughton & numerals and gilt face plate, the twin drive train movement striking a Simms, London’, tripod base lacking, together with a second green gong, contained within a gilt-brass case with bevelled glass plates and painted unnamed example, (2). swing handle, raised on bracket feet, 10cm wide, 8.5cm deep, 15cm £250 - 350 high. £300 - 400 124 An early 20th century brass microscope 128 engraved Bryson, Edinburgh contained within a mahogany case with A late Victorian brass carriage clock some accessories. Inscribed Howell James & Co London £100 - 200 The 2 1/2 inch rectangular dial with Roman numerals, the twin drive train movement striking a bell, stamped with the maker’s mark of Robert 125 Henri, Fils, contained within a brass case with bevelled glass plates and A Regency satinwood cased bracket clock swing handle, raised on bracket feet, together with a travelling case in inscribed Brugger & Beck, Blackman St, Southwark distressed condition, 9cm wide, 8cm deep, 14.5cm high. The 3 1/2 inch rectangular white enamelled dial with Roman numerals, £250 - 350 the single wire fusee drive train movement, contained within a rectangular case with bevelled glass plates, on a moulded plinth with 129 bun feet, 15cm wide, 13.5cm deep, 23.5cm. A late Victorian silver plated easel clock £800 - 1,200 The 1 1/4 inch silvered dial with Roman numerals, the single drive train movement engraved to the rear ‘Howell , James & Co, to the Queen 126 London 5913’, mounted on a pierced and foliate engraved plate, A small George III mahogany bracket clock together with a silver plated, garnet and turquoise mounted baroque engraved to the dial John Hill London style timepiece, fitted with a watch movement, 13cm, 7cm deep, 15cm The 5 inch arched silvered dial with Roman and Arabic numerals, the high, and 9.5cm wide, 7cm deep, 14cm high, (2). twin drive train movement with gut fusee, contained with an arched £200 - 300 case with swing handle, raised on a moulded plinth base and shaped bracket feet, 20cm wide, 14cm deep, 28cm high. £800 - 1,200

The Winter Antique & Picture Sale | 25 130 131

130 131 A late 19th century French ormolu and Sèvres pattern porcelain Archibald Knox for Liberty mounted mantel clock An early 20th century Tudric pewter mantel clock The 3 inch white enamel dial with Roman and Arabic numerals, the The 2 1/2 inch brass dial with enamelled dial centre, the single drive twin drive train movement striking a bell, contained within an ormolu train movement stamped ‘Lenzkirch AUG 1 Million, 475280’, contained case surmounted by a urn issuing foliage flanked by two cherubs, above within a pewter case with shallow foliate design and three circular porcelain panel painted with depiction of putto, raised on adjustable bun enamel jewels, stamped to the base ‘Tudric 0369’, wide 11.8, deep feet, 40cm wide, 14cm deep, 32cm deep. 5.5cm, high 19.5cm. £800 - 1,200 £2,000 - 3,000

26 | Bonhams 134 132

132 134 A 19th century gilt-metal and Sèvres style figural mantel clock A French ormolu and Sèvres pattern porcelain mounted square The 3 1/4 inch dial with Roman cartouche numerals and foliate dial section mantel clock centre, the twin drive train movement striking a bell, contained within a The 3 inch rectangular porcelain dial with Roman numerals, the dial gilt-metal figural case in the form of a hunter standing upright with rifle centre painted with putto and foliage, above a female figure in a and game and hunting accoutrement hung over an oak trunk, above a classical landscape, the twin drive train movement striking a bell, moulded base set with floral painted porcelain tiles, raised on lion paw contained within an ormolu case of rectangular form surmounted feet, with gilt plinth contained under and glass dome with ebonised by a ball finial with putto head, the case sides with porcelain panels base, stamped the rear ‘Charles 94’ The clock 42cm wide, 14cm deep, decorated with floral garlands and musical instruments, raised on 44cm high. acanthus clad scroll feet, and giltwood plinth, 14cm wide, 14cm deep, £600 - 800 36cm high. £1,000 - 1,500 133 An Edwardian oak mantel clock Note: Purchased from Bonhams for £1,350 hammer on 10 June 2010. The 6 inch silvered dial with Arabic numerals, the twin drive train stamped’ W & H Sch 3’ striking two gongs, contained within a case of architectural form raised on a plinth with bracket feet, the plinth bearing a applied plaque engraved ‘Presented to Sidney A Bennett as a token of good feeling and regards by The Inspectors Department of the Central Insurance Company Limited Head Office on his leaving the Service July 8th 05’, 30cm wide, 19cm deep, 43cm high. £200 - 300

The Winter Antique & Picture Sale | 27 138 135

135 A late Victorian brass champlevé enamel mantel clock The 4 inch gilt dial with Arabic numerals and enamel dial centre, the twin drive train movement striking a gong, contained within a brass case of architectural form, surmounted by a gadrooned urn, above a blind fretwork moulded pediment and turned and knurled pillars, raised on a moulded stepped base with adjustable squat feet, 20cm wide, 14.5cm deep, 36cm high. £500 - 600

136 An Art Deco mantel timepiece by Garrard Le Coultre, On stepped black glass and chrome pedestal base, the circular glass dial within a frame and with stylized chrome Roman numerals, with original card case, 24cm wide, 12cm deep, 25cm high. £200 - 300

137 A George III mahogany mantel clock Grignon, Covent Garden The circular enamel dial with Roman and Arabic chapter ring and fusee movement, contained in a waisted mahogany case with applied mask sunburst and bracket feet, the key shaped back door enclosing the back plate engraved ‘Grignon, Covent Garden, London, 1789’ 48cm high. £800 - 1,200

138 A French ormolu and Sèvres pattern porcelain mounted clock garniture The 3 1/2 inch circular dial with Roman numerals, the twin drive train movement striking a bell, contained within an arched foliate cast ormolu 137 case above a central panel painted with a lady and gentleman in 18th century dress, raised on a breakfront base set with porcelain panels, the central oval panel painted with a female portrait, on lotus clasped feet, and a giltwood plinth, together with a pair of three branch gilt-metal and porcelain mounted candlesticks with lobed giltwood plinths, the clock 34cm wide, 16cm deep, 39cm high, the candle sticks 18cm wide, 10cm deep, 26cm high, (3). £1,000 - 1,500

Note: Purchased from Bonhams for £1,400 hammer on 10 September 2010.

28 | Bonhams 141 142

139 141 An early 20th century mahogany office clock An Edwardian mahogany and satinwood-banded longcase clock The 11 inch circular white dial with Roman numerals, the single chain The 12 1/2 inch arched brass dial with pierced mask spandrels enclosing drive movement contained in a mahogany case, 35cm wide, 16cm deep, a silvered Roman and Arabic chapter ring and a subsidiary seconds dial, 34cm high. with chime/silent dial to the arch enclosed by pierced dolphin spandrels, £150 - 200 the triple train movement striking five graduated cylindrical gongs, enclosed by a swan neck hood inlaid with centurion trophies, above a 140 bevelled glass trunk door on a box base inlaid with a charioteers, 243cm An early 20th century mixed wood wall clock high. inscribed R.F. Bear, Cheltenham. £1,500 - 2,000 The 12 inch circular dial with Roman numerals, the single drive train movement contained within a mixed wood brown varnished case, 27cm 142 Diameter, 12cm deep. A George III oak longcase clock £150 - 200 Adam Gordon, Dunkeld The 12 inch silvered dial engraved with Roman numerals enclosing subsidiary seconds and date dials, the twin train movement striking a bell, within a blind fretwork hood above a shaped trunk door, on box base and bracket feet, case with minor alterations, 210cm high. £500 - 700

The Winter Antique & Picture Sale | 29 143 A George III and later loncase clock inscribed B. Dammant Colchester The 12 inch arch dial with Roman and Arabic chapter ring, subsidiary seconds dial and date aperture, within pierced mask spandrels and engraved eagle roundel, flanked by pierced dolphin mounts, the twin drive train movement striking a bell, enclosed by a swan neck hood above a later inlaid trunk door and box base, 231cm high. £600 - 800

144 A Regency mahogany longcase clock The 14 inch arched dial painted to the spandrels and arch with scenes emblematic of the British Empire, enclosing a white dial with Roman numerals, subsidiary seconds and date dials, the twin train movement striking a bell, enclosed by a swan-neck hood above a cross-banded trunk door, on box base and bracket feet, 237cm high. £400 - 600

145 A George III and later mahogany, amboyna and inlaid longcase clock Matthew Lyon The 13 inch brass dial with moonphase to the arch inscribed Matthew Lyon, above a silvered chapter ring enclosing a date aperture and seconds dial, the twin train movement striking a bell, enclosed by an arched hood above an inlaid trunk door within turned columns and raised on a plinth base, 218cm tall. £600 - 900

146 A late Regency mahogany drum head longcase clock, inscribed C.Merrilies Edinburgh The circular 13 inch white enamel dial with Roman numerals and subsidiary seconds and date dials, the twin train movement striking a bell, within an arched hood and corresponding trunk door within quarter fluted pilasters, on bracket feet. £300 - 500

147 An oak and mahogany banded longcase clock The 14 inch brass dial with Roman and Arabic chapter ring enclosing subsidiary seconds and date dials within pierced spandrels, the twin train movement striking a bell, within a swan neck hood with inlaid cluster pilasters, above a corresponding trunk with cross-banded door, on a panel box base and later feet, case late George III probably from the North West of England, dial and chapter ring with late 19th century elements, 232.5cm high. £500 - 700

Provenance: The author C.S.Lewis, thence by descent through the family to the current owner.

149

30 | Bonhams 148 A mid-19th century mahogany longcase clock inscribed Young Dundee The 13 inch painted arched dial with portrait of Victoria and The British fleet to the arch and figures emblematic of the Union to each corner, enclosing a white dial with Roman numerals and subsidiary date and month dials, the twin drive train movement striking a bell, within a swan neck hood with rosewood inlay, above a panel trunk door and box base, lacking bracket feet, 204cm high. £500 - 800

149 A William and Mary walnut and marquetry longcase clock inscribed John Billic (recorded London 1687-1699) The engraved square brass dial with pierced gilt spandrels enclosing a silvered Roman and Arabic chapter ring with subsidiary seconds dial and date aperture, the twin train movement striking a bell within a pagoda shaped hood surmounted by three giltwood urns, above a marquetry inlaid trunk door with a crown glass viewing aperture, on box base and later moulded plinth, alterations to the hood, 242cm high. £3,000 - 5,000

150 A George II jappaned longcase clock by James Tregent, Leicester Square London The 12 inch arched brass dial with Roman and Arabic chapter ring enclosing a subsidiary seconds dial and date aperture, within a matted centre, the arch with strike/silent dial, all within pierced foliate scroll spandrels, the twin train movement striking a bell, (the strike/silent dial not currently engaged), within a pagoda shaped hood applied with gilt finials above an arched trunk door, decorated with chinoiserie scenes, on a box base, base reduced in height, 219cm high. £600 - 800

151 A mid-18th century and later longcase clock inscribed AD, MCOSTEN, Kirkham The 12 inch square brass dial with engraved chapter ring and date aperture, the twin train movement with alterations, within a rectangular hood incorporating an inscribed tablet dated 1764, above a moulded trunk door on box base and later plinth, 204cm high. £800 - 900

152 No lot

150

The Winter Antique & Picture Sale | 31 153

Pictures

153 157 John Henry Mole (British, 1814-1886) Frank Holl (British, 1845-1888) Waiting for the ferry, West Loch Tarbert, Argyllshire Portrait of Robert R. Symon, three-quarter length, seated signed and dated ‘J H Mole/1884’ (lower left) signed ‘Frank Holl 1888’ (lower right) watercolour oil on canvas 65 x 98.5cm (25 9/16 x 38 3/4in). 100.4 x 100.4cm (39 1/2 x 39 1/2in). £4,000 - 6,000 £600 - 800

PROVENANCE: PROVENANCE: Bears Royal Institute of Painters in Watercolour label to backboard By descent through the Gully Family

154 158 Circle of Sir George Harvey, (19th century) Scottish School (probably 18th century) The Convenanters’ Christening The Battle of Borthwick Bray oil on canvas watercolour 81 x 110cm (31 7/8 x 43 5/16in). 40.5 x 64cm £1,200 - 1,800 £500 - 700

155 159 Joseph Milne (British, 1857-1911) After William Dobson (19th century) Evening loch Portrait of a man in armour with white collar signed ‘Joe Milne’ (lower left) oil on canvas, oil on canvas 74 x 60.5cm (29 1/8 x 23 13/16in). 57 x 74cm (22 7/16 x 29 1/8in). £500 - 700 £700 - 1,000 160 156 Alexander Fraser Jnr RSA RSW (British, circa 1828-1899) Follower of Nicolaes Berchem (19th century) Cadzow Forest Ruins in a landscape signed with initials ‘A.F’ (lower left) oil on panel oil on board 35.6 x 27.9cm (14 x 11in). 43 x 45cm (16 15/16 x 17 11/16in). £1,000 - 1,500 £500 - 700

PROVENANCE: Heslington Hall, Yorkshire

32 | Bonhams 161

161 165 Fritz Carl Werner Ebel (German, 1835-1895) Nathaniel Everett Green (British, 1823-1899) Cattle in a parkland Falls of Lake Tummel, Perthshire signed and dated ‘F Ebel/1890’ (lower right) signed ‘N.E Green’ (lower left) oil on canvas watercolour 105 x 160cm (41 5/16 x 63in). 50 x 75cm (19 11/16 x 29 1/2in). £1,500 - 2,500 £500 - 700

162 AR 166 George Fiddes Watt (British, 1873-1960) George Moore Henton (British, 1861-1924) Sheep in winter The Wheelwright’s Cottage, Leicester signed and dated ‘FIDDES WATT/1912’ (lower right) signed, dated and inscribed ‘G W Henton/August 1901’ (verso) oil on canvas oil on canvas 51 x 61cm (20 1/16 x 24in). 58.5 x 89cm (23 1/16 x 35 1/16in). £500 - 700 £500 - 700

163 167 Charles Frederick Buckley (British, 1812-1869) Italian School, (19th century) Loch Katrine, Evening An Italian landscape signed ‘C F Buckley’ (lower left) Initialled and dated ‘W.M/1863’ (lower right) watercolour oil on canvas 37 x 50.5cm (14 9/16 x 19 7/8in). 52.5 x 79.5cm (20 11/16 x 31 5/16in). together with another similar (2) £500 - 800 £500 - 700 168 164 Pollok Sinclair Nisbet, ARSA RSW (British, 1848-1922) Circle of Abraham Begeyn, (19th century) Loch Shiel: Glenfinnan (clearing after the rain) Cattle and Sheep resting in a lowland landscape signed and dated ‘Pollok S Nisbet/1904’ (lower right) watercolour oil on panel 58.5 x 90cm (23 1/16 x 35 7/16in). 41 x 34cm (16 1/8 x 13 3/8in). £400 - 600 £600 - 800

The Winter Antique & Picture Sale | 33 169 170

171 172

169 171 Joseph Thors (British, circa 1843-1898) Alexander Richardson (British 19th century) Sluice Gate St Bernard’s Well, Edinburgh signed ‘J Thors’ (lower right) signed and dated ‘Alex Richardson/1843’ (lower left) oil on canvas oil on panel 59.5 x 90cm (23 7/16 x 35 7/16in). 52 x 42 cm. (20 1/2 x 16 9/16 in.) £800 - 1,200 £1,000 - 1,500

170 172 Joseph Thors (British, circa 1843-1898) Circle of Abraham Jansz. Storck (Dutch, 1635-circa 1710), (18th River with ducks and figure century) signed ‘J Thors’ (lower left) Harbour Scene oil on canvas oil on canvas 40 x 59.5cm (15 3/4 x 23 7/16in). 25 x 32cm (9 13/16 x 12 5/8in). £700 - 1,000 £1,500 - 2,000

34 | Bonhams 173 174

175 176

173 AR 175 Robert Macaulay Stevenson, RSW (British, 1854-1952) Georg Hesse (German, 1845-1920) Trees by a loch Boats in a port signed ‘R Macaulay Stevenson’ (lower left) signed ‘Geo Hesse’ (lower right) oil on canvas oil on canvas 60 x 35cm (23 5/8 x 13 3/4in). 68.5 x 83cm (26 15/16 x 32 11/16in). £700 - 900 £1,500 - 2,000

174 AR 176 Robert Macaulay Stevenson, RSW (British, 1854-1952) Charles Martin Hardie (British, 1858-1916) Quiet water Gathering wild flowers signed ‘R Macaulay Stevenson’ signed and dated ‘C M Hardie/1884’ (lower left) oil on canvas oil on canvas 79 x 51cm (31 1/8 x 20 1/16in). 60 x 91cm (23 5/8 x 35 13/16in). £700 - 900 £1,000 - 1,500

The Winter Antique & Picture Sale | 35 177 178

177 180 John Adam Plimmer Houston, RSA RI (British, 1812-1884) J.F. Williams, (19th century) Scene from the ballad of the Eve of St John. ‘Now get thee gone, Dunollie Castle, Oban fainthearted knight, etc.’ signed and dated ‘J F Williams/1855’ (lower left) signed and dated ‘J.A. Houston pinxt./1843’ (lower left) oil on canvas oil on canvas, lunette 45.7 x 66.1cm (18 x 26in). 91 x 71 cm. (35 13/16 x 27 15/16 in.) £300 - 500 £1,500 - 2,000 PROVENANCE: EXHIBITED: Swinburne family, Marcus London, The Royal Academy, 1843, cat. no. 555 181* 178 Frederick T. Sibley (British, 19th century) Harrington Mann (British, 1864-1937) A Mountain Torrent Self Portrait signed and dated ‘F T Sibley/1876’ (lower left) signed ‘Harrington Mann’ (lower right) oil on canvas, oil on panel 49 x 94cm (19 5/16 x 37in). 24 x 17cm (9 7/16 x 6 11/16in). £300 - 500 £600 - 800 182 PROVENANCE: Robert Alexander RSA RSW (British, 1840-1923) With The Fine Art Society A terrier signed with incised initials and dated ‘RA/94’ (lower right) 179 oil on canvas laid on board Follower of Michael Dahl, (19th century) 28.5 x 33cm (11 1/4 x 13in). Portrait of a woman £400 - 600 bust-length in a green satin dress and bronze cloak oil on canvas 75 x 62cm (29 1/2 x 24 7/16in). £300 - 500

36 | Bonhams 186 185

183 187 Italian School, (early 19th century) Robert Hope, RSA (British, 1869-1936) A view of Tivoli Returning home with a mounted drover and cattle crossing a bridge signed ‘R Hope’ (lower right) oil on canvas oil on panel 47 x 30cm (18 1/2 x 11 13/16in). 30 x 22cm (11 13/16 x 8 11/16in). £300 - 500 £700 - 1,000

184 188 Manner of James Stark, (19th century) Joseph Thors (British, circa 1843-1898) Country lane Woodland Path signed ‘J Stark’ (lower right) signed ‘J.Thors’ (lower right) oil on panel oil on canvas 29 x 38cm (11 7/16 x 14 15/16in). 49.5 x 59.5cm (19 1/2 x 23 7/16in). £300 - 500 £700 - 1,000

185 189 William Wells (1842-1880) Scottish School, (19th century) Young girl with a calf Portrait of Johnny Lockhart signed ‘William Wells’ (lower right) oil on panel watercolour 38.5 x 29.5cm (15 3/16 x 11 5/8in). 34 x 24.5cm (13 3/8 x 9 5/8in). £400 - 600 £400 - 600 190 AR 186 William Arthur Laurie Carrick (British, 1879-1964) Continental School, circa 1900 June Afternoon, Plockton An allegory of Spring and Summer signed ‘W Arthur-Carrick’ (lower right) pastel, oval oil on canvasboard both 68cm high, 57 x 89cm (22 7/16 x 35 1/16in). a pair (2) £700 - 1,000 £1,000 - 1,500

The Winter Antique & Picture Sale | 37 193 194

191 AR 196 Ernest Archibald Taylor (British, 1874-1951) Spanish School, 18th Century View of Arran Christ Pantocrator oil on canvasboard oil on panel 46 x 64cm (18 1/8 x 25 3/16in). 29 x 30.5cm (11 7/16 x 12in). £500 - 700 £150 - 200

192 AR 197 AR Wenzel Hermann Wendlberger (German, 1882-1945) William Robson (British, 1868-1952) Summer flowers in a vase Capri signed ‘W H Wendlberger’ (lower right) signed and inscribed ‘William Robson/Capri’ (lower right) oil on canvas oil on canvas laid on board 65 x 56cm (25 9/16 x 22 1/16in). 31 x 39cm (12 3/16 x 15 3/8in). £400 - 800 £300 - 500

193 AR 198 AR Adrienne Lester (British, 20th Century) William Stewart Orr, RSW (British, 1872-1944) Expectant litter Coastal landscape, signed ‘Adrienne Lester’ (lower right) signed ‘Stewart Orr’ (lower left) oil on canvas watercolour 49.5 x 74.5cm (19 1/2 x 29 5/16in). 28.5 x 35cm (11 1/4 x 13 3/4in).28.5 x 35cm, £500 - 800 together with another similar (2) £600 - 800 194 Robert Weir Allan, RSA RWS RSW (British, 1852-1942) 199* Market Scene British School (17th Century) signed ‘Robert W Allan’ (lower right) Portrait of Lady, watercolour oil on panel, 35.5 x 50.5cm (14 x 19 7/8in). 27 x 21cm (10 5/8 x 8 1/4in). £700 - 900 £200 - 300

195 200 Joseph Milne (British, 1857-1911) John Pettie, RA HRSA (British, 1839-1893) Cattle grazing, Near Cambuskenneth Portrait of a man signed ‘Joe Milne’ (lower right) oil on board, oval oil on canvas signed and dated ‘J Pettie/60’ (lower right) 29 x 44cm (11 7/16 x 17 5/16in). 18.5 x 15cm (7 5/16 x 5 7/8in). £400 - 600 £300 - 400

38 | Bonhams 201 202

201 205 Waller Hugh Paton, RSA RSW (British, 1828-1895) Arthur Perigal, RSA RSW (British, 1816-1884) St Andrews A collection of twelve watercolours, mostly landscapes, some unframed signed ‘Waller H. Paton’ (lower right) and inscribed ‘St Andrews 16th (12) Augt 1887’ (lower left) £300 - 500 watercolour 24 x 35cm (9 7/16 x 13 3/4in). 206 £500 - 600 Arthur Perigal, RSA RSW (British, 1816-1884) An album of watercolours, drawings and scraps 202 £100 - 150 James Douglas, RSW (British, 1858-1911) Noonday, Longforgan 207 AR signed, dated and inscribed ‘Noonday, Longforgan/J Douglas/97’ (lower Adam Bruce Thomson, OBE RSA PRSW HRSW (British, 1885-1976) right) East Lothian landscape with Tantallon Castle beyond watercolour signed and dated ‘A B Thomson/1908’ (lower right) 33 x 48.5cm (13 x 19 1/8in). oil on canvasboard £500 - 700 30.5 x 41cm (12 x 16 1/8in). £400 - 600 203 John Rennie Mackenzie Houston (British, 1856-1932) 208 Spinning wheel British School, (19th century) signed ‘John R Houston’ (lower left) Portrait miniature of a young woman in a black dress with ringlets oil on canvas watercolour, oval 44 x 34cm (17 5/16 x 13 3/8in). 15 x 10.5cm (5 7/8 x 4 1/8in). £300 - 500 together with two other portraits and a caricature (4) £150 - 250 204 Augustus Osborne Lamplough, A.R.A., R.W.S (British, 1877-1930) 208A Santa Maria della Salute and mist effect on the Lagoon, William Stewart (British, 1823-1906) signed ‘Aug Lamplough’ (lower left) Day dreams watercolour signed with initials ‘W.S’ (lower right) 9.5 x 16.5cm (3 3/4 x 6 1/2in) oil on canvas (2) 57 x 44cm (22 7/16 x 17 5/16in). £300 - 400 £600 - 800

The Winter Antique & Picture Sale | 39 209 210

209 AR 213 AR Ian Fleming, RSA RSW RWA RGI LLD HonDart (British, 1906-1994) Norman Wilkinson (British, 1878-1971) Cottage HMS Colossus signed and dated ‘Ian Fleming/53’ signed and dated ‘N Wilkinson/96’ (lower right) gouache watercolour en grisaille 35 x 54.5cm (13 3/4 x 21 7/16in). 12 x 17cm (4 3/4 x 6 11/16in). £700 - 900 £600 - 800

210 AR 214 AR Stanley Cursiter, CBE RSA RSW (British, 1887-1976) Elizabeth Mary Watt (British, 1886-1954) Atlantic Gale Still life with tulips signed ‘Stanley Cursiter’ (lower left) signed ‘Elizabeth Mary Watt’ (lower left) oil on board oil on canvas 29 x 39cm (11 7/16 x 15 3/8in). 60 x 50cm (23 5/8 x 19 11/16in). £700 - 1,000 £500 - 700

211 AR 215 AR Winifred McKenzie (British, born 1905) Lionel S. Reiss (American, 1894-1988) On Pantokrator Summer Flowers signed ‘Winifred McKenzie’ (lower right) oil on canvas oil on board each 40 x 34cm (15 3/4 x 13 3/8in). 39 x 49cm (15 3/8 x 19 5/16in). a pair (2) together with another entitled ‘Sheep in Corfu’ (2) £600 - 800 £500 - 700 216 212 AR Attributed to Alexander Ignatius Roche, RSA (British, 1861-1921) Norman Wilkinson (British, 1878-1971) Self-Portrait British battleship oil on canvas signed ‘Norman Wilkinson’ (lower right) 59.5 x 45cm (23 7/16 x 17 11/16in). watercolour £700 - 900 31 x 49cm (12 3/16 x 19 5/16in). £400 - 600

40 | Bonhams 217 219

217 221 William Mouncey (British, 1852-1901) Clarence Henry Roe (British, 1850-1909) Figures by a burn, Galloway Stag in a Highland landscape signed ‘W. Mouncey./96’ (lower right) signed ‘Clarence Roe’ (lower right) oil on board oil on canvas 30 x 40cm (11 13/16 x 15 3/4in). 49.5 x 75cm (19 1/2 x 29 1/2in). £600 - 800 £300 - 500

218 222 William Mouncey (British, 1852-1901) J* H* Coster, (19th century) Figures in a landscape, Galloway Still life with brass vase signed and dated ‘W. Mouncey/96’ (lower left) signed ‘J H Coster’ (lower right) oil on board oil on panel 30 x 40cm (11 13/16 x 15 3/4in). 39 x 29.5cm (15 3/8 x 11 5/8in). £600 - 800 £300 - 400

219 AR 223 Lena Alexander (British, 1899-1983) Charles James Lauder, RSW (British, 1840-1920) Still life of flowers Street scene, Cambridge signed and dated ‘Lena Alexander/1948’ (centre right), further signed signed ‘C J Lauder’ (lower right) ‘Lena Alexander’ (lower right) watercolour pastel 36 x 26cm (14 3/16 x 10 1/4in). 49 x 54.5cm (19 5/16 x 21 7/16in). £300 - 400 £1,000 - 1,500 224 220 AR W Hume Chidson, (19th century) Lena Alexander (British, 1899-1983) A Race Not For Wealth The boathouse, Venice signed and dated ‘W Hume Chidson/1880’ (lower left) signed ‘Lena Alexander’ (lower left) oil on canvasboard pastel 23.5 x 33.5cm (9 1/4 x 13 3/16in). 47 x 55.5cm (18 1/2 x 21 7/8in). £200 - 300 £500 - 700

The Winter Antique & Picture Sale | 41 225 226

225 AR 228 AR Anne Redpath, OBE RSA ARA LLD ARWS ROI RBA (British, 1895- Sir William George Gillies CBE LLD RSA PPRSW RA (British, 1898- 1965) 1973) Flowers in a White Vase Farm buildings pencil and watercolour signed ‘W Gillies’ (lower left) 47 x 36.2 cm. (18 1/2 x 14 1/4 in.) ink £3,000 - 5,000 27.3 x 37.8 cm. (10 3/4 x 14 7/8 in.) £300 - 500 PROVENANCE: With Aitken Dott & Son, Edinburgh 229 AR 226* AR William Johnstone, OBE (British, 1897-1981) Alberto Morrocco, OBE RSA RSW RP RGI LLD D Univ (British, 1917- Abstract Nude - Mary 1998) oil on canvas Interior at Holland Place 64 x 76.8 cm. (25 1/4 x 30 1/4 in.) signed and dated ‘Morrocco 93’ (upper right), further signed and £3,000 - 5,000 inscribed with title on artist’s label on backboard oil on canvasboard PROVENANCE: 55.5 x 37 cm. (21 7/8 x 14 9/16 in.) With Gimpel Fils, London, 1949 £5,000 - 7,000 Sale; Christie’s, Glasgow, Paintings, Drawings and Sculpture by William Johnstone, 18 June, 1996, lot 9 PROVENANCE: With Thackeray Gallery, London 230 AR 227 † AR Jock McFadyen (British, born 1950) Dame Elizabeth Blackadder, OBE RA RSA RSW RGI DLitt (British, Boxer born 1931) oil on canvas Still Life with Fans 101.6 x 101.6 cm. (40 x 40 in.) signed and dated ‘Elizabeth Blackadder 1980’ (lower left), further signed £700 - 1,000 and inscribed ‘Still life with Fans’ on backboard watercolour 78 x 136 cm. (30 11/16 x 53 9/16 in.) £2,000 - 3,000

PROVENANCE: With Mercury Gallery, London

42 | Bonhams 233 234

231 AR 236 AR Perpetua Pope (British, born 1916) Gordon K Mitchell , ARSA RSW RGI (British, born 1952) Cornfield Umbrellas and columns signed ‘Perpetua Pope’ (lower left) signed and dated ‘G K Mitchell/81’ (lower right) oil on canvas gouache 76.5 x 101.5cm (30 1/8 x 39 15/16in). 53.5 x 65.5cm (21 1/16 x 25 13/16in). £1,200 - 1,800 £300 - 500

232 AR 237 AR Craigie Aitchison CBE RA (British, 1926-2009) Jonathan Sainsbury, (20th century) Candy Dead Peregrine falcon and goldfinches signed, numbered and dated ‘Craigie Aitchison/ 23/75 /2002’ (verso) signed and dated ‘Jonathan Sainsbury/77’ (lower right) screen print gouache 30 x 25cm (11 13/16 x 9 13/16in). 76 x 49.5cm (29 15/16 x 19 1/2in). £500 - 700 £500 - 600

233 AR 238 AR Robert Henderson Blyth, RSA RSW (British, 1919-1970) Mardi Barrie (British, 1931-2004) Yellow landscape Storm Firth signed ‘Henderson Blyth’ (lower right) signed ‘Mardie’ (lower right) watercolour gouache on board 63.5 x 77.5cm (25 x 30 1/2 ins) 64 x 84cm (25 3/16 x 33 1/16in). £600 - 800 £400 - 600

234 AR 239 AR Vera Spencer (Czech, born 1926) Charles McCall (British, 1907-1989) Abstract The Narrow Street signed ‘Vera Spencer’ (lower left) signed and dated ‘McCall/1970’ (lower right) oil on canvas oil on board 60 x 77cm (23 5/8 x 30 5/16in). 26 x 31cm (10 1/4 x 12 3/16in). £1,000 - 1,500 £500 - 550

235 AR 240 AR Gordon K Mitchell , ARSA RSW RGI (British, born 1952) John McNairn (British, 1910-2009) Violin in Venetian canal Quiet village signed and dated ‘Gordon K Mitchell/81’ (lower left) signed ‘John McNairn’ (lower right) oil on canvas oil on board 60.5 x 50cm (23 13/16 x 19 11/16in). 41 x 126cm (16 1/8 x 49 5/8in). £700 - 1,000 £400 - 500

The Winter Antique & Picture Sale | 43 241 242

241 AR 244 David McClure RSA RSW RGI (British, 1926-1998) Karl Boehme (German, 1866-1939) Mandolin and Vase Stormy sea signed ‘McClure’ (lower right) signed ‘Karl Boehme’ (lower right) oil on canvas oil on canvasboard 63.5 x 76 cm. (25 x 30 in.) 39 x 53cm (15 3/8 x 20 7/8in). £1,000 - 1,500 £300 - 400

EXHIBITED: 245 AR Edinburgh, Aitken Dott & Son, Festival Exhibiton, 1969, cat. no. 28 Cornelius A. Bartels (German, born 1900) Reaping corn 242 AR signed ‘C A Bartels’ (lower right) Sir Robin Philipson, RA PRSA FRSA RSW RGI DLitt LLD (British, oil on canvas 1916-1992) 85 x 112cm (33 7/16 x 44 1/8in). Figure Dreaming £300 - 400 signed ‘R. Philipson/’70’ (lower right) watercolour 246 52.1 x 52.1 cm. (20 1/2 x 20 1/2 in.) James Christie Bruce, (20th century) £1,000 - 1,500 The lake side signed ‘Jas Christie Bruce’ (lower left) EXHIBITED: oil on board Edinburgh, Aitken Dott & Son, Festival Exhibition, 1970, cat. no. 30 34.5 x 43.5cm (13 9/16 x 17 1/8in). Edinburgh, Edinburgh College of Art, Robin Philipson Retrospective, £400 - 600 1989, cat. no. 124 247 AR 243 AR Alan Ian Ronald, RSW (British, 1899-1967) Perpetua Pope (British, born 1916) Rolling mist at Lochbuie Mull Mycenae signed and dated ‘Alan Ronald/1921’ (lower left) signed ‘Perpetua Pope’ (lower left) oil on paper oil on canvas 25.5 x 35cm (10 1/16 x 13 3/4in). 29 x 39cm (11 7/16 x 15 3/8in). £150 - 200 £300 - 400 248 AR Brigitte Brondum-Nielsen, (20th century) On the foothills signed ‘Brigitte B-N’ (lower right) oil on canvas 50 x 70cm (19 11/16 x 27 9/16in). £300 - 500

44 | Bonhams 249 250

249 AR 253 AR Robert Kelsey (British, 1949) Hamish Lawrie (British, 1919-1987) Farm Buildings Arran Croft signed ‘Kelsey’ (lower left) signed ‘Lawrie’ (lower right) oil on canvas oil on board 40.5 x 40.5cm (15 15/16 x 15 15/16in). 29 x 37cm (11 7/16 x 14 9/16in). £500 - 700 £200 - 300

PROVENANCE: 254 With John Martin of London * Cook (20th century) Venice 250 AR signed and dated ‘Cook/1907’ (lower left) and inscribed ‘Venice’ (centre) John Lowrie Morrison (British, born 1948) watercolour Haystacks 17 x 24.5cm (6 11/16 x 9 5/8in). signed and dated ‘Jolomo/00’ (lower right) £200 - 300 oil on canvas 59 x 59cm (23 1/4 x 23 1/4in). 255 AR £1,500 - 2,000 Frank McKelvey R.H.A., R.U.A. (Irish, 1895-1974) Portrait of Jessie Hunter 251 signed ‘Frank McKelvey’ (lower right) D* D* Tindal (20th century) watercolour and pencil The return home 24 x 19.5cm (9 7/16 x 7 11/16in). signed ‘D. D Tindal’ (lower right) unframed oil on canvas £300 - 500 29 x 34cm (11 7/16 x 13 3/8in). £200 - 300 256 J* Warmenhoven, (20th century) 252 AR Tending the crops Sheila Mcnab MacMillan (British, born 1928) signed ‘J Warmenhoven’ (lower left) Easdale, Quarry and Houses oil on canvas signed and dated ‘MacMillan/86’ (lower left) 23.5 x 34.5cm (9 1/4 x 13 9/16in). oil on canvas £200 - 300 50 x 60cm (19 11/16 x 23 5/8in). £200 - 300

The Winter Antique & Picture Sale | 45 257

257 AR 261 AR Perpetua Pope (British, born 1916) Earl George Alexander Eugene Douglas Haig, OBE ARSA FRSA Poppy field (British, 1918-2009) signed ‘Perpetua Pope’ (lower right) Cattle at Bemersyde oil on canvas oil on panel 91 x 100cm (35 13/16 x 39 3/8in). 23 x 18cm (9 1/16 x 7 1/16in). £1,200 - 1,800 inscribed ‘Painted by Douglas Haig, A birthday gift to M.I.L.M on his 60th birthday 12.8.78’ to label verso 258 £250 - 350 John Hamilton Glass (British, active 1890-1925) In a Rosshire Glen 262 AR signed ‘J Hamilton Glass’ (lower right) and inscribed ‘In a Rosshire Glen, J Martin Hardie CBE RE RSW Hon RWS (British, 1875-1952) Hamilton Glass’ (verso) Flutter of Sails, Blakeney oil on board signed ‘Martin Hardie’ (lower right) 34 x 44.5cm (13 3/8 x 17 1/2in). watercolour £300 - 500 24.5 x 35.5cm (9 5/8 x 14in). £200 - 300 259 AR Mardi Barrie, RSW (British, 1931-2004) 263 AR Sea shelf John Forgan (British, 20th century) oil on canvas Stromness, Orkney 60 x 73cm (23 5/8 x 28 3/4in). signed and dated ‘J Forgan/1990’ (lower right) £300 - 500 watercolour 27.5 x 38cm (10 13/16 x 14 15/16in). 260 AR £200 - 300 John Byrne (British, born 1940) Roadside Landscape, Perugia 264 AR pastel Alastair Michie (British, 1921-2008) 20.5 x 20.5cm (8 1/16 x 8 1/16in). Opva 116 £200 - 300 bears artists label (verso) oil on board 61 x 122cm (24 x 48 1/16in). £400 - 500

46 | Bonhams 265

265 AR 267 AR Ian Fleming, RSA RSW RWA RGI LLD HonDart (British, 1906-1994) Anne Redpath, OBE RSA ARA LLD ARWS ROI RBA (British, 1895- Glasgow Triptych 1965) signed, numbered and inscribed in pencil to margins ‘Glasgow Triptych/ Still life with jug 18/20 / Ian Fleming’ signed in pencil to the margins ‘Anne Redpath’ (lower right) and etching numbered ‘15/75’ (lower left) Three vignettes, overall 39.5cm x 85cm lithograph £600 - 800 30 x 47cm (11 13/16 x 18 1/2in). £300 - 500 266 British School, (20th century) 268 Abstracted figure After Francis Campbell Boileau Cadell indistinctly signed and dated ‘77’ (lower right) Complete run of prints from the ‘Jack and Tommy’ Series gouache lithograph 75 x 55cm (29 1/2 x 21 5/8in). (4) £200 - 300 £150 - 250

269 No lot

The Winter Antique & Picture Sale | 47 275

270 A modern hand-knotted Persian carpet The red field with central ivory and blue medallion, and flowers and foliage within multiple guard bands 384cm x 281cm £400 - 600

271 A Caucasian runner The indigo field with six conjoined medallions within bright red, ivory and pale blue guard stripes, 396cm x 112cm £300 - 400

272 A modern Kazak style rug, a Caucasian style rug (170cm x 125cm); a Shirvan style rug (166cm x 94cm); a modern Tekke rug (184cm x 120cm), and two small rugs (150cm x 94cm) (6) £150 - 200

271

48 | Bonhams 276 (part lot)

273 276 A Kashan rug A modern silk Qum carpet The central ivory medallion on a madder ground, decorated with stylised Depicting hunting scenes within borders of foliage, on a dark blue flowers and within multiple guard stripes, ground with salmon pink border between guard stripes, 303cm x 300cm 200cm x 126cm. (9’11” x 9’10”); together with two similar small rugs. (3) £200 - 300 £1,000 - 1,500

274 277 An Ushak carpet An Ushak style hand-knotted carpet The tomato-red field with central pistachio coloured medallion within a The muted pastel field all-over decorated with serated and hooked border of hooked and serated motifs, (significantly reduced in size, holes mofifs within multiple guard bands, and areas of concentrated wear) 357cm x 303cm 436cm x 397cm £200 - 400 £300 - 500

275 A Heriz carpet The madder ground all-over decorated with stylised foliage and hooked ivory motifs within indigo guard stripes, 304cm x 233cm. £600 - 800

The Winter Antique & Picture Sale | 49 278 281

278 281 A Tabriz carpet A Meshed carpet The central blue medallion on an ivory guard within multiple guard The red ground woven with a central blue cusped medallion enclosed stripes, by blue spandrels and a blue border between guard stripes (areas of 382cm x 281cm. extensive wear), £1,500 - 2,000 525cm x 365cm (17’3” x 12’). £1,000 - 1,500 279 A North West Persian rug 282 The central dark blue ground woven with an all-over pattern of lozenge A Kashan part-silk prayer rug shaped medallions; together with a prayer mat and a Kashan style rug. The indigo field with a central burgundy medallion, woven in silk with a (3) vase issuing flowers, within scrolling foliage and multiple burgundy and £200 - 300 pistachio guard stripes, (areas of concentrated wear) 211cm x 134cm, and two modern rugs. 280 (3) A Shirvan runner £200 - 300 south Caucasus The brown field with seven variously coloured medallions, stylized animals and plants within muliple ivory guard stripes (367cm x 107cm), (faded, with losses to both ends), and a west Persian runner, the pink field with rows of blue botehs within blue guard stripes (405cm x 114cm) £250 - 350

50 | Bonhams 282 (part lot)

283 286 A large Turkey carpet A modern hand-knotted Persian carpet The red field with central star shaped medallion in green and blue, The madder field with a petal-shaped medallion within a border of enclosed by similar shaped motifs and multiple green and blue guard scrolling flowers and foliage and light blue and indigo guard bands stripes, (areas of concentrated wear), 430cm x 306cm 590cm x 414cm £400 - 600

284 287 A West Persian rug A Tabriz carpet The abrashed madder field with four octagonal ivory framed medallions The madder field all-over decorated with stylized flowers in blues and within multiple guard stripes, ivory within multiple guard stripes, (some areas of re-weaving and 282cm x 149cm. concentrated wear), £300 - 400 256cm x 248cm. £200 - 400 285 A Turkish runner The madder field with patterns in sea-green and ivory within multiple guard bands, with woven kelim ends, 342cm x 99cm £200 - 300

The Winter Antique & Picture Sale | 51 288 289

Furniture

288 291 A George III mahogany open armchair A George III mahogany Chinese Chippendale style armchair possibly Scottish The foliate carved top rail above a trellis frame, (section of the back The slightly arched back and serpentine seat with floral fabric cover missing) above a drop-in seat with a later embroidered cover depicting of within out swept arms having scroll terminals and raised on channel Walter Raleigh, Elizabeth I and a Royal attendant, within a stylised floral moulded front legs with carved fan capitals and pointed feet, 63cm landscape incorporating a castle, on moulded square section legs with wide, 63cm deep, 87cm high (24.5” wide, 24.5” deep, 34” high). pierced spandrel brackets, 55.5cm wide, 46cm deep, 93cm high (21.5” £600 - 800 wide, 18” deep, 36.5” high). £100 - 150 289 A George III mahogany open armchair Provenance: The Countess of Northbrook, thence by descent. The possibly Scottish embroidered seat with initials N.N and a crown and date 1908, probably The upholstered undulating back and complimentary seat within slightly Nina Northbrook, Countess of Northbrook. out-swept arms having carved scroll terminals on channel moulded cabriole legs with carved fan capitals and pointed feet, 64cm wide, 292 62cm deep, 89.5cm high (25” wide, 24” deep, 35” high). A Victorian walnut framed easy chair £700 - 1,000 With floral upholstery and turned tapering legs, £100 - 200 290 A George II style mahogany D-shaped dining table 293 The top enclosing two leaves above a plain freize and moulded edge, A George III mahogany and boxwood inlaid bowfront sideboard on lapetted club legs and pad feet, one table bearing ivorine label for With central frieze drawer flanked on either side by a deep drawer on Muirheand and Moffat 142 Douglas Street Glasgow, (alterations), 103cm channelled square tapering legs headed by later carved oval paterae, wide, 66.5cm deep, 72cm high (40.5” wide, 26” deep, 28” high). ending in spade feet, 135.5 wide x 65.5 deep x 92cm high. £200 - 300 £400 - 600

Provenance: Heslington Hall, Yorkshire

52 | Bonhams 294

295

294 An early 18th century Dutch floral marquetry side table The rectangular top with serpentine front inlaid with an urn issuing flowers above five drawers and a shaped apron, on cabriole legs with anthemion carved knees and hoof feet, 76cm wide x 52cm deep x 73cm high. £1,000 - 1,500

295 A George IV and later gilded specimen table The later Italian marble top inlaid with a central depiction of a horse beneath a palm tree, the radiating veneers incorporating panels depicting flowers and butterflies, within a giltwood frame, the projecting edge with repeating scrolling cartouches, on an acanthus clasped baluster shaped stem and three C scroll supports, re-gilded, 100cm in diameter, 82cm high (39” in diameter, 32” high). £2,500 - 4,000

296 A set of six George III mahogany dining chairs Each with yolk shaped cresting rail above a pierced splat and drop in seat, on square section legs united by H shaped stretchers, and a pair of twentieth century armchairs made in a similar style, (8). 295 (other view) £600 - 800

297 An unusual late Victorian carved walnut chair The hinged back enclosing an oval mirror plate, above an upholstered seat and turned tapering legs, £300 - 500

The Winter Antique & Picture Sale | 53 305

302 305 (with mattress)

298 302 An Edwardian carved giltwood stool A Victorian painted satinwood display cabinet The upholstered seat of serpentine outline, above a carved seat rail on In the manner of Wright and Mansfield cabriole legs carved with flowers and acanthus leaves and scroll feet, The arched top with ribbon tied crest above a painted frieze depicting a later gilded, 60.5cm wide, 46cm deep, 42cm high (23.5” wide, 18” mother and child within a border of roses and laurel leaves, the central deep, 16.5” high). astragal door painted with tied ribbon swags flanked by concave glass £300 - 500 panels and enclosing two glass shelves, above a chequer lined border and further floral painted swags on lapetted tapering legs with painted 299 palmette capitals united by a concave undertier, the back with the A large 19th century mahogany wardrobe following impressed stamp 8254 DESIGN 5777 3, 124cm wide, 40.5cm Of architectural form, the pointed pediment above two pairs of fielded deep, 207cm high (48.5” wide, 15.5” deep, 81” high). panel doors, raised on a plinth base, 254cm wide £4,000 - 6,000 £800 - 1,200 303 300 A George IV carved giltwood and gesso overmantel mirror An 18th century style mahogany side table The ball encrusted top above a central urn and pair of scallop shells The rectangular top with moulded edge above two short and one long within laurel wreaths, with three later bevelled plates below, 110cm graduated drawer, on moulded square section legs, 74cm wide x 47cm wide, 71cm high. deep x 69cm high, (29” wide x 18.5” deep x 27” high) £250 - 350 £200 - 300 304 301 A set of 19th century Chinese Chippendale style mahogany An early Victorian mahogany adjustable circular stool hanging shelves The circular upholstered seat raised on reeded tapering legs, 35cm in Of three graduated tiers with pierced fretwork sides , 70cm wide, 19cm diameter, (13.5” in diameter, deep, 87cm high (27.5” wide, 7” deep, 34” high). £250 - 350 £500 - 700

54 | Bonhams 311

305 A Victorian mahogany folding campaign day bed Bearing label for Robinson & Sons manufacturers, steam cabinet works Ikkley, Yorkshire The folding frame made in three sections, ratcheted on each side and with cane filled centres, raised on bulbous turned detachable legs and white pottery castors, includes a horse hair mattress, lacking head, feet and armrests, 192cm wide, 56cm deep, 34.5cm high (75.5” wide, 22” deep, 13.5” high). £600 - 800

A similar daybed by Robinson & Sons is illustrated in ‘British Campaign Furniture: Elegance under Canvas 1790-1914’ by Nicholas A. Brawer, published 2001 by Harry W. Abrams, New York.

306 A side table and pair of pedestals The table with two frieze drawers on later square tapering legs and associated gallery, the pair of pedestals each with two short drawers and two cupboard doors, one side enclosing adjustable shelves, the other a drawer and a deep cellaret drawer, on square tapering legs, formally a pedestal sideboard, alterations, The table, 122cm wide, 56cm deep, 92.5cm high, each cabinet 41cm wide, 46cm deep, 107cm high, (3). £700 - 900

307 308 A kidney-shaped pedestal desk First half twentieth century The top with inset writing surface above three frieze drawers with three 310 drawers to each pedestal raised on a plinth, 134cm wide, 59cm deep, An Edwardian mahogany display cabinet 76cm in diameter, (52.5” wide, 23” deep, (29.5” in diameter, The projecting cornice above four glazed astragal doors enclosing £500 - 700 adjustable shelves raised on a plinth, 206cm high, 50.5cm deep, 243cm wide. 308 £400 - 600 A Scottish George III mahogany table late 18th century 311 The rectangular top on ring turned legs united by stretchers, A George III mahogany settee, circa 1760 £150 - 200 In the manner of George Hepplewhite With a rounded stuff-over back and seat, the top rail and seat frame 309 finely moulded with beading and carved paterae, set on six tapered A Victorian figured walnut three tier what-not square section legs, 210cm wide, 78cm deep, 97cm high (82.5” wide, With pierced three quarter gallery and barley twist supports, the base 30.5” deep, 38” high). with a frieze drawer, on turned fluted feet with brass caps and castors, £1,200 - 1,800 68.5cm wide, 39cm deep, 103.5cm high (26.5” wide, 15” deep, 40.5” high).

The Winter Antique & Picture Sale | 55 312 313

312 315 A pair of late Victorian large painted satinwood and caned A William and Mary side chair bergère armchairs Probably Scottish, late 17th century Each back with painted tablet crest above a caned back, arms and seat The cane filled back within turned bobbin stiles and enclosing repeating within tapering square section arms and painted anthemion tablet scroll motifs, above a cane seat with later board below, on horse-bone capitals on tapering front legs painted with trailing harebells, includes legs united by stretchers, (restorations), 48cm wide, 38cm deep, 116cm two drop-in cushions, 58cm wide, 72cm deep, 100cm high (22.5” wide, high (18.5” wide, 14.5” deep, 45.5” high). 28” deep, 39” high). £80 - 120 £1,500 - 2,000 316 313 A George III style mahogany bureau bookcase A French Louis XVI style kingwood and gilt-brass bound side table The associated top with projecting dentil cornice above a pair of oval 19th century and arched astragal glazed doors enclosing three adjustable shelves, Of slightly serpentine form, the marquetry inlaid top above three inlaid the base with fall front enclosing pigeon holes and serpentine fronted panels to the frieze and a drawer to one side, on slender cabriole legs drawers arranged around a central cupboard, above four long serpentine with cast scroll and foliate sabot, 42cm (16.5 inches) deep 73cm (28.5 fronted drawers, on bracket feet, 88.5cm wide, 53.5cm deep, 203cm inches) high high (34.5” wide, 21” deep, 79.5” high). £600 - 800 £1,200 - 1,800

314 317 A late George III mahogany and inlaid break-front sideboard A George III style mahogany triple pillar dining table Fitted with three short cross-banded frieze drawers and two cupboards The rectangular top with rounded corners and reeded edge on three below, flanked by a pair of deep drawers raised on square tapering legs turned pillars and downswept legs terminating in brass paw feet and and spade feet, 192.5cm wide, 70cm deep, 97cm high (75.5” wide, castors, 270cm wide, 114cm deep, 71cm high (106” wide, 44.5” deep, 27.5” deep, 38” high). 27.5” high). £800 - 1,200 £500 - 800

56 | Bonhams 320 (part lot)

318 322 A Scottish George IV and later mahogany side cabinet Two similar Victorian and later painted pier mirrors The moulded rectangular top above a partially fitted frieze drawer and Each with pierced rocaille-work crest and scroll frame embellished with a pair of fielded panel doors with bead and reel moulding, on later bun foliage and enclosing later rectangular plates, 96cm wide, 178cm high, feet with counter-sunk castors, top reduced in height, formally with back the other 87.5cm wide, 103cm high, (2). and super structure, 96.5cm wide, 43cm deep, 95cm high (37.5” wide, £400 - 600 16.5” deep, 37” high). £200 - 300 323 A Regency mahogany work table 319 The octagonal cross-banded top enclosing a lemon fabric work bag A George II and later mahogany kneehole desk on square tapering legs united by later concave stretchers, 50cm wide, The rectangular top with re-entrant front corners, above eight drawers 37cm deep, 80.5cm high (19.5” wide, 14.5” deep, 31.5” high). arranged around a central kneehole cupboard, 76.5cm wide, 48cm £300 - 500 deep, 75.5cm high (30” wide, 18.5” deep, 29.5” high). £150 - 200 324 An Edwardian mahogany and satinwood cross-banded circular 320 occasional table A set of eight George III style mahogany dining chairs On square tapering legs united by an undertier, 52.5cm in diameter, Late 19th century 70cm high (20.5” in diameter, 27.5” high). Including a pair of armchairs, each with yolk shaped top rail and pierced £150 - 200 baluster shaped splat carved with foliate scrolls, above a stuff-over seat upholstered in yellow fabric, on cabriole front legs with carved scallop 325 shell capitals and claw and ball feet, (8). An early Victorian and later mahogany extending dining table £2,000 - 3,000 The rectangular top with rounded angles incorporating two additional leaves, the underside of the table with a pair of later hinged legs to each 321 end, raised on a squat baluster shaped pedestal with gadrooned border A Scandinvanian birch and karelian birch chest and rope moulded collar, on concave base and turned feet and counter The rectangular top above a frieze fitted with three variously sized sunk castors, (alterations), 213cm wide, 130cm deep, 74cm high (83.5” drawers flanked by gilt metal-mounted demi-columns, on block feet, wide, 51” deep, 29” high). 106cm wide x 59cm deep x 81.5cm high, (41.5” wide x 23” deep x 32” £600 - 800 high) £200 - 300

The Winter Antique & Picture Sale | 57 330 A Victorian rosewood five-tier serpentine front what-not The fret carved back above five graduated tiers, each with spiral turned supports and urn finial, on turned legs and brass caps and castors, 111cm wide, 41.5cm deep, 142cm high (43.5” wide, 16” deep, 55.5” high). £400 - 600

331 A set of five Scottish solid rosewood dining chairs second quarter 19th century Including an armchair, each slightly curved top-rail with roller scroll crest and foliate carving above a pierced corresponding mid-rail, stuff-over seat and turned tapering legs with stylised lotus carving, £600 - 900

332 A set of six late George III mahogany dining chairs Each rectangular back with three pierced splats above a drop-in seat, on square tapering legs united by H-shaped stretchers, includes an armchair, £250 - 350

333 A George IV mahogany library bergere The curved back rail and lotus carved terminals enclosing a caned back and arms above a drop in seat, on hexagonal tapering front legs with cabochon collars terminating in brass caps and spoked castors, 63cm wide x 76cm deep x 92cm high, (24.5” wide x 29.5” deep x 36” high) £1,000 - 1,500

334 A 19th century and later display cabinet The dentil cornice above a pair of geometrically glazed doors enclosing associated adjustable shelving, on a later stand fitted with an undertier, 122cm wide x 43.5cm deep x 180cm high, (48” wide x 17” deep x 70.5” high) £100 - 150

335 A George II style walnut wash stand 326 The moulded circular top above two drawers and a dished undertier, raised on cabriole legs and pad feet, 27cm in diameter, 82cm high (10.5” 326 in diameter, 32” high). 82cm high. A Louis XV Breton chestnut armoire £250 - 350 The moulded projecting cornice above a fielded frieze and pair of arched cupboard doors enclosing iron hooks and a later brass hanging rail, 336 above a pair of drawers on moulded feet, 158cm wide x 63cm deep x A William IV rosewood Davenport 238cm high, (62” wide x 24.5” deep x 93.5” high) The later shallow gallery and hinged leather writing surface, enclosing £600 - 800 a fitted interior, above a hinged inkwell compartment to one side and a bank of four drawers, raised on bun feet, 51.5cm wide x 58.5cm deep x 327 78cm high, (20” wide x 23” deep x 30.5” high) A late 19th century Victorian mahogany breakfront wardrobe £200 - 300 Enclosed by two doors and a mirrored door, 208cm high, 213cm wide. £400 - 600 337 A George III mahogany and later commode 328 The gallery top incorporating a pair of carrying handles, above a hinged A George II chest of drawers compartment and drawer below, alterations, 52cm wide x 47cm deep x Of two short and two long graduated drawers on bracket feet, altered 73.5cm high, (20” wide x 18.5” deep x 28.5” high) and now in two sections, 93.5cm wide x 43.5cm deep x 94.5cm high, £200 - 300 (36.5” wide x 17” deep x 37” high) £250 - 350 338 Three William and Mary side chairs 329 Late 19th century A George II mahogany chest To include a walnut, a walnut and elm, and an oak example, each with Of two short and three long drawers on bracket feet, 96cm wide x 51cm carved frame and cane filled back and seat, (with restorations and some deep x 91cm high, (37.5” wide x 20” deep x 35.5” high) later elements) £250 - 350 £300 - 400

58 | Bonhams 333

339 A George III style mahogany breakfront bookcase The moulded projecting cornice above four astragal glazed doors and four cupboards below, raised on a plinth, (alterations), 228cm wide, 41cm deep, 234cm high (89.5” wide, 16” deep, 92” high). £1,000 - 1,500

340 A George III mahogany window seat The slightly bowed and upholstered seat, with rounded ends and reeded rails, on fluted tapering legs, worm damage, 87cm wide x 36cm deep x 40.5cm high, (34” wide x 14” deep x 15.5” high) £150 - 200

341 A rare early 19th century Dutch marquetry theestoof, (tea stove) converted to a letter box Of cylindrical form, the moulded top with later acorn finial above a cupboard and a drawer, with gilt-metal carrying handles to each side, raised on cabriole legs, alterations24.5cm diameter (9.5 inches), 60cm high (23.5 inches). £600 - 800

The teestoof was invented in the late 18th century and was a prestigious piece of furniture at the time. The stove originally had a zinc liner and the drawer was used for warm coals.

342 An Irish late Regency mahogany and cross-banded reverse breakfront sideboard The three-quarter gallery back above a shaped top with rope-twist moulded edge above a central frieze drawer, two short side drawers over two cupboards, on similar rope-twist legs ending in carved paw feet, 170cm wide x 62.5cm deep x 110cm high, (66.5” wide x 24.5” deep x 341 43” high) £400 - 600

The Winter Antique & Picture Sale | 59 343 343 A French late 19th century gilt-metal mounted kingwood display cabinet The shaped marble top above cross-banded frieze with pierced central mounts flanked by cast goats heads, above a central glazed cupboard door enclosing a pale green fabric interior, enclosing a pair of glass shelves, flanked by concave glass sides, on tapering legs with cast gilt- metal feet, 110cm wide, 44cm deep, 123cm high (43” wide, 17” deep, 48” high). £2,000 - 3,000

344 An early 20th century mahogany vitrine table Of serpentine outline, the hinged glazed top enclosing a velvet lined interior, on slender cabriole legs and pad feet, 61cm wide, 42cm deep, 72cm high (24” wide, 16.5” deep, 28” high). 64.5cm wide. £200 - 300

345 A George III mahogany serpentine chest of drawers The cross-banded top above four long graduated drawers on bracket feet, 107cm wide, 54.5cm deep, 95cm in diameter, (42” wide, 21” deep, (37” in diameter, £400 - 600

346 A contemporary mahogany wake table Fourth quarter twentieth century The elongated oval top with twin drop leaves, on eight cabriole legs with pad feet, 243.5cm wide x 144cm deep x 76.5cm high, (95.5” wide x 56.5” deep x 30” high) 347 £400 - 600

347 A Queen Anne and later walnut lowboy The rectangular cross-banded top above an arrangement of five drawers and a shaped apron, raised on cabriole legs and pad feet, top re- veneered and with restorations, 76cm wide, 45cm deep, 71.5cm high (29.5” wide, 17.5” deep, 28” high). £700 - 900

60 | Bonhams 350

348 A Regency overmantel mirror The ball encrusted top probably depicting Boudicca, her chariot drawn by six mained lions, within reeded pilasters with Corinthian capitals and enclosing three later bevelled plates, regilded, 140cm wide, 89cm high. £300 - 500

349 A late Victorian oak revolving book stand With slatted sides on a painted iron base and black ceramic castors, 68.5cm wide, 56cm deep, 88.5cm high (26.5” wide, 22” deep, 34.5” high). £250 - 350

350 An Italian 17th century and later inlaid walnut cassone The hinged and fielded panel top with raised central section and later inlaid with female figures, above a triple panel front with similar inlay and a gadrooned frieze, raised on squat scroll legs carved with masks, later front feet, 175cm wide x 59cm deep x 65cm high, (68.5” wide x 23” deep x 25.5” high) £800 - 1,200

351 A pair of Regency carved giltwood and gesso pier mirrors Each elongated rectangular frame with reeded pilasters and palmette capitals enclosing a pale yellow painted panel with a lion mask to each corner above a later bevelled plate, (areas of re-painting), 61.5cm wide, 133cm high, (2). 351 £1,500 - 2,000

352 An early Victorian rosewood stool The upholstered seat on X frame supports united by a pole stretcher, 80.5cm wide, 40.5cm deep, 41.5cm high (31.5” wide, 15.5” deep, 16” high). £200 - 300

The Winter Antique & Picture Sale | 61 355

353 356 A George III mahogany chest on chest A North European walnut serpentine fronted chest The blind fretwork frieze above two short and three long drawers, the The moulded top above a frieze fitted with four long graduated drawers, base with three long drawers, 110cm wide x 53cm deep x 181cm high, on arched bracket feet, 99.5cm wide x 51cm deep x 87cm high, (39” (43” wide x 20.5” deep x 71” high) wide x 20” deep x 34” high) £600 - 800 £250 - 350

354 357 A George III and later games table A Victorian mahogany three-tier what-not The hinged top incorporating a recessed chequer board and enclosing With turned supports, base drawer and later castors 50cm wide x 36cm a back gammon board above a candle slide to one side and a drawer deep x 85cm high, (19.5” wide x 14” deep x 33” high) to the other, on square tapering legs lined with boxwood stringing, this £200 - 300 Edinburgh card table has been adapted circa 1900 to incorporate the games boards, 63cm wide, 72.5cm deep, 46cm high (24.5” wide, 28.5” 358 deep, 18” high). A set of six Scottish Regency mahogany dining chairs £600 - 900 Each with moulded rope top rail and pierced mid rail centred by a cross- banded tablet, above a drop in seat on square tapering legs united by H Included in the sale is an article featured in the evening times Friday April shaped stretchers, includes one armchair, (6). 16th 1971, discussing this specific piece of furniture. £700 - 1,000

355 359 A William and Mary walnut and floral marquetry centre table An early 18th carved oak coffer The top with oval reserve inlaid with an urn issuing flowers, within floral The hinged lid above a carved frieze and corresponding triple panel spandrels and a foliate cross-banded border, with an ebonised and bone front, on stile legs, top reduced, 120cm wide, 54cm deep, 61cm high chequered edge, above a frieze inlaid on all side with flowers and fitted (47” wide, 21” deep, 24” high). with a drawer, on spiral turned legs united by a H shaped stretcher on £200 - 300 bun feet, 105cm wide, 73.5cm deep, 72cm high (41” wide, 28.5” deep, 28” high). £800 - 1,200

62 | Bonhams 367

360 364 A late 17th/early 18th century elm or pine and dark varnished A pair of early 19th century hall chairs armchair The backs with oval reeded panels centred by the coat of arms of an c.1700 Probably Scottish Highlands eagle with ‘X’ on its chest, supported by ‘C’ scrolls above a shaped solid The arched cresting rail incorporating a central crown within a pair of seat, on turned tapering legs. scrolls, the splat with conforming scrolls and remnants of a red velvet £300 - 500 panel, above a slightly recessed panel seat within open arms, on turned legs with a similar front stretcher and four square section side stretchers 365 raised on bun shaped feet, (surface varnish and possibly the incised A mid-20th century painted camphor chest carving on the arms are later Victorian embellishments) 59.5cm wide x Of swollen rectangular form, the hinged top carved with stylised carp 46cm deep x 107cm high, (23” wide x 18” deep x 42” high) within a formal border, above engraved lock plate and front panel carved £300 - 400 with a chinoiserie landscape, bearing label for Wha On Hung Kee Co. Manufacture and Exporter of Artist Carved Chests and Furniture Hong This splat-back chair is part of a defined group of chairs made in Kong, 106cm wide, 55.5cm deep, 54.5cm high (41.5” wide, 21.5” deep, Scotland in the late 17th and early 18th century. In comparison to many 21” high). English models of a similar type and date the present example and £100 - 200 others documented are quite low at under 110cm. Painted or varnished frames in conjunction with scroll-carved cresting rails, and double side rails are recurring structural elements. See: Dr Bernard D. Cotton Scottish 366 Vernacular Furniture, published 2008 by Thames and Hudson, p 154- A George III mahogany bureau 156, figs 258-262. The fall-front above four long graduated drawers, on ogee bracket feet, 98cm wide, 50cm deep, 105cm high (38.5” wide, 19.5” deep, 41” high). 361 £300 - 400 A Scottish George III mahogany and brass-bound cellaret Of octagonal form with hinged lid and brass carrying handles, raised on 367 a conforming base and later square tapering legs, 44.5cm wide, 45cm A pair of George II style mahogany open armchairs deep, 61cm high (17.5” wide, 17.5” deep, 24” high). probably second quarter 20th century £800 - 1,200 Each back, arms and seat with upholstery depicting sweethearts in a floral landscape, within acanthus carved arms on shell and foliate carved 362 cabriole front legs terminating in claw and ball feet, 74cm wide, 68cm A pair of George III mahogany open armchairs deep, 108cm high (29” wide, 26.5” deep, 42.5” high). Each with vertical back spars, leather covered seats and square tapered £1,500 - 2,000 legs. (2) £150 - 200 Provenance: Purchased from the Bonhams sale of the contents of Balmanno Castle, near Bridge of Earn, Perthshire in 1976 for £600. 363 A Louis XVI style giltwood four-fold firescreen late 19th/early 20th century Each panel with a guilloche frame and two glass panels, each panel 44.5cm wide x 128cm high. £300 - 500

Provenance: Allerton Park, Yorkshire

The Winter Antique & Picture Sale | 63 368

368 A large six fold painted leather screen Probably mid-19th century Painted to depict an Ottoman interior within a red and gold border, the edges of each screen with close nail details,each panel 59cm wide, 224cm high. £3,000 - 5,000

64 | Bonhams 369 A George II mahogany drop-leaf dining table The oval top on lapetted club legs and pad feet, 140.5cm wide, 139.5cm deep, 69.5cm high (55” wide, 54.5” deep, 27” high). £600 - 900

The Winter Antique & Picture Sale | 65 370 A walnut chest on chest by Whytock and Reid Second quarter 20th century The moulded caddy top above two short and three long drawers, some drawers with moveable ash divisions, the base with two long drawers, raised on ogee bracket feet, all drawers stamped Whytock and Reid Edinburgh, 102cm wide, 51cm deep, 137cm in diameter, (40” wide, 20” deep, (53.5” in diameter, £800 - 1,200

371 A Regency mahogany and ebony lined secretaire bookcase, The associated top with a pair of arched astragal glazed doors, the base with cross-banded border above a fitted secretaire drawer and pair of panel cupboards below, on tapering legs, lacking original castors, 93cm wide, 57cm deep, 221cm high (36.5” wide, 22” deep, 87” high). £300 - 500

372 A Charles II and later oak coffer The hinged top above a triple panelled front and back on cut away bracket feet, losses to the top and engraved Indian lock plate later, 123cm wide, 38.5cm deep, 55cm high (48” wide, 15” deep, 21.5” high). £200 - 300

373 A 19th century mahogany centre table The rectangular top with moulded edge and rounded ends above turned fluted supports united by a corresponding pole stretcher, on scroll feet 370 and castors, 108cm wide, 56cm deep, 77cm high (42.5” wide, 22” deep, 30” high). £300 - 400

374 A 19th century quartetto set of mahogany and satinwood-banded tables Of graduated form, each top with cross-banded edge on ring turned legs and trestle supports,The largest 58cm wide 38cm deep, 70cm high, (4). £500 - 800

375 An oak gate-leg table, 17th century and later, The oval top with drop flaps, on turned legs united by stretchers, 136cm wide69cm high, (53.5” wide27” high) £100 - 150

376 A late George III mahogany serpentine chest The moulded rectangular top above four long drawers on bracket feet, 115cm wide, 58.5cm deep, 100.5cm high (45” wide, 23” deep, 39.5” high). £800 - 1,200

377 A mid-19th century mahogany work table 374 Possibly Scandinavian The rectangular top above a shaped frieze incorporating a drawer, on an octagonal baluster column with foliate carved knop and downswept scrolling legs, 56cm wide, 42cm deep, 75cm high (22” wide, 16.5” deep, 29.5” high). £200 - 300

66 | Bonhams 380

378 A late George III mahogany bow-front pot cupboard The gallery top incorporating a pair of pierced handles above a boxwood lined door, on square tapering legs and spade feet, 36cm wide, 35cm deep, 81cm high (14” wide, 13.5” deep, 31.5” high). £100 - 200

379 Two similar 19th century mahogany and ebony lined bedside cabinets Each with tray top above a cupboard door, on square tapering supports, (incomplete), the first 39.5cm wide, 34cm deep and 79.5cm high, the second 38.5cm wide 38cm deep and 76cm high, (2). £200 - 300

380 A Regency rosewood and gilt-metal mounted library table In the manner of Gillows The circular top with later gilt tooled leather surface above four mahogany lined frieze drawers, supported on four square section downswept legs ending in leaf cast brass caps and castors, the locks stamped Bramah, 71cm high, (27.5” high), 121cm diameter (47.5” diameter) £3,000 - 5,000

For a closely related example see Christie’s, King Street, Furniture and Carpets including Two Private Collections, 24th January 2008, lot 245.

381 Two similar 18th century and later japanned corner cabinets Each probably reduced in height with bow-fronted cupboard doors decorated with a chinoiserie scene and enclosing three shelves, variations in finish and alterations, 58cm wide, 38cm deep, 92cm high (22.5” 382 wide, 14.5” deep, 36” high). £250 - 400

382 A Dutch 18th century walnut and marquetry inlaid chest of drawers All-over decorated with boxwood lozenge inlay, the top with oval inlaid reserve depicting a vase of flowers, with similar inlaid panels to the front and sides, raised on tapering feet, 79cm wide x 49cm deep x 85.5cm high, (31” wide x 19” deep x 33.5” high) 79cm wide. £1,200 - 1,800

The Winter Antique & Picture Sale | 67 385 (part lot) 384

383 386 A 19th century mahogany drop-flap corner table A Georgian style gilt and painted pier mirror On turned club legs and ball feet, repairs and restorations,, 97.5cm The arched frame with floral border enclosing a central mirror plate and wide, 45cm deep, 71cm high (38” wide, 17.5” deep, 27.5” high). six subsidiary plates, 75cm wide, 106cm high (29.5” wide, 41.5” high). £200 - 300 £200 - 300

384 387 A pair of 19th century solid rosewood library armchairs A large Scottish Regency mahogany dining table probably Anglo-Indian, second quarter 19th century The circular top with rosewood cross-banding and moulded edge, Each slightly curved top rail with carved sash ends, above a buttoned on a turned baluster shaped shaft and four hipped, downswept legs back and upholstered seat covered in cut-velvet fabric, enclosed by terminating in brass caps and later castors, 159.5cm in diameter, 74cm downswept, chanel moulded arms and slightly tapering reeded front high (62.5” in diameter, 29” high). legs terminating in engine turned brass castors £600 - 800 £1,200 - 1,800 388 At first glance this pair of chairs, along with the contemporary set of A 19th century mahogany compactum wardrobe dining chairs that follow, share much in common with documented second quarter 19th century chairs by William Trotter of Edinburgh. However, the use of solid The moulded dentil cornice above panel cupboard doors and graduated rosewood, some of the incised carving on the top-rail, and the engine drawers raised on a plinth base, turned castors suggest that these chairs may be Colonial. £500 - 700

385 389 A set of 19th century solid rosewood dining chairs A pair of Edwardian painted satinwood bedroom chairs probably Anglo-Indian, second quarter 19th century Each back incorporating an oval vignette of a continental landscape, The slightly curved top-rail with carved sash ends above a mid-rail carved above a caned seat and painted floral seat rail on ring turned front legs, with a central patera with lobed supports, above a velvet upholstered 46cm wide, 48cm deep, 87cm in diameter, (18” wide, 18.5” deep, (34” seat and chanel moulded seat rail, on reeded tapering legs in diameter, £800 - 1,200 £150 - 200

68 | Bonhams 385 (part lot)

392

390 394 A late George III mahogany secretaire bookcase A William IV and later mahogany occasional table The projecting dentil cornice above a pair of astragal glazed doors The rectangular top with canted angles on an associated reeded shaft enclosing three adjustable shelves, the base with secretaire drawer, and concave base, 50.5cm wide, 42cm deep, 67cm in diameter, (19.5” above three further drawers, on slender bracket feet, 113cm wide, 55cm wide, 16.5” deep, (26” in diameter, deep, 210cm high (44” wide, 21.5” deep, 82.5” high). £200 - 300 £800 - 1,200 395 391 A Scottish mid-19th century mahogany dressing table A small early 18th century oak coffer The large rectangular mirror plate within a moulded frame and flanked Of panelled construction, the hinged lid enclosing a candle box, on by a pair of panel cupboard doors each enclosing a bank of drawers, stile feet, reduced in height and with alterations including swaping the raised on a plinth base, 160cm wide, 60cm deep, 193cm high (62.5” hinges and locks, 84cm wide, 39.5cm deep, 47.5cm high (33” wide, wide, 23.5” deep, 75.5” high). 15.5” deep, 18.5” high). £200 - 400 £150 - 200 This dressing table was bought from the sale of the contents of 392 Roseneath, Dumbartonshire by the vendor’s grandmother. The four day A Scottish 19th century giltwood wall mirror, in the Florentine sale was held on the premises by Dowells of Edinburgh between 7-11 th style October 1939. Bearing label for Ciceri and Co, carver and gilders Frederick Street Edinburgh See Ian Gow, ‘The Lost Houses of Scotland’, published by Aurum Press The bevelled cartouche shaped plate within a carved rocaille frame Ltd., 2008. incorporating foliate scrolls and flower heads, 92cm wide, 127.5cm high (36” wide, 50” high) 396 £2,000 - 3,000 A neo-classical style giltwood wall mirror The rectangular plate enclosed by subsidiary plates highlighted and 393 embellished with patarae, 83cm wide, 56cm high (32.5” wide, 22” An 18th century style mahogany campaign secretaire chest high). Of small proportions £100 - 200 The secretaire drawer with three drawers below, fitted with recessed handles, brass bindings and carrying handles to the sides, 66cm wide x 397 42cm deep x 93cm high, (25.5” wide x 16.5” deep x 36.5” high) A Scottish William IV mahogany writing cabinet £100 - 200 The fall-front top enclosing two pairs of short drawers and three velvet lined recesses, with leather hinged writing surface formally incorporating ratchet rests, within fielded panels above a pair corresponding cupboard doors enclosing three long drawers, raised on reeded tapering feet,, 99cm wide, 47cm deep, 124cm in diameter, (38.5” wide, 18.5” deep, (48.5” in diameter, £300 - 500

The Winter Antique & Picture Sale | 69 398

399 An unusual Victorian carved oak settle The back incorporating two pairs of panelled cupboard doors above a pair of open arms and a hinged seat, the box base with further panels carved with stylised foliage and guilloche bands, on bracket feet, 129.5cm wide, 72cm deep, 216cm high (50.5” wide, 28” deep, 85” high). £600 - 800

400 A George II mahogany triple fold-over tea/card table The hinged rectangular top with lobed front corners enclosing a tea table, the card table below with dished corners and inset counter recesses above a shaped frieze on cabriole legs, the front legs carved with scrolls and stylised acanthus leaves on pad feet, 82cm wide, 39cm deep, 72.5cm in diameter, (32” wide, 15” deep, (28.5” in diameter, £1,200 - 1,800

401 A 19th century mahogany pedestal With fish scale carving, raised on a plinth base, 400 £300 - 400

402 A pair of 19th century silk and ormolu mounted foot stools Each with egg-shell blue upholstery raised on cast ormolu feet with anthemion capitals, 32cm wide, 33cm deep, 16cm high (12.5” wide, 12.5” deep, 6” high). 398 £200 - 300 A George III mahogany secretaire chest The moulded rectangular top above a fall-front secretaire drawer enclosing drawers and pigeon holes arranged around a central 403 cupboard, with four long drawers below, on ogee bracket feet, 115.5cm An Edwardian mahogany piano stool wide x 60.5cm deep x 104cm high, (45” wide x 23.5” deep x 40.5” high) The hinged gros point tapestry seat raised on shell carved cabriole legs, 111cm wide. 54cm wide, 39cm deep, 53.5cm high (21” wide, 15” deep, 21” high). £800 - 1,200 £250 - 350

70 | Bonhams 406

404 407 A late George III mahogany hall chair The moulded oval back with central fielded panel painted in gilt with a crowned eagle crest on a red ground, above a solid, dished seat and square tapering legs 96cm (37.5 inches) high £100 - 150

405 A set of eight modern neo-classical style chairs Comprising seven armchairs and one hand chair, each with moulded oval back above a blue leather upholstered seat, on square tapering legs, £200 - 300

406 Robert ‘Mouseman’ Thompson An oak blanket box, 1960’s Of rectangular form with hinged lid, hammered iron hinges and adzed finish, on carved and faceted legs with signature mouse, 136cm wide, 39cm deep, 45.5cm high (53.5” wide, 15” deep, 17.5” high). £800 - 1,200

407 A late 19th century walnut and ebonised cheval mirror bearing label for Maple and Co., The rectangular bevelled plate with incised architectural pediment and reeded ball finials within complimentary uprights fitted with brass candle branches, on a moulded trestle base terminating in black ceramic castors, 89cm wide, 43cm deep, 184cm high (35” wide, 16.5” deep, 72” high). £800 - 1,200

408 408 A Scottish George IV burr-oak games/work table The hinged and swivel top enclosing a chequerboard above one false and one frieze drawer and a pull-out wool bag below, on a faceted column with hoop stretcher and concave base with inward scrolling feet and brass castors, 51cm wide, 38cm deep, 77cm high (20” wide, 14.5” deep, 30” high). £500 - 700

The Winter Antique & Picture Sale | 71 411 414

409 413 A George III and later mahogany two-tier dumb waiter An mid-18th century oak snap top supper table Each circular tier with dished top above a carved baluster column The circular top on a ring turned shaft and tripod base, 80cm in supported on a later carved tripod base, alterations, 53cm diameter diameter, 71.5cm high (31” in diameter, 28” high). (20.5” diameter), 90cm high (35” high) £100 - 150 £500 - 700 414 410 An Edwardian inlaid satinwood card table A Regency and later mahogany chest The semi-elliptical hinged top with radiating veneers and harebell inlay, Of two short and two long ebony lined drawers, above a later shaped enclosing a baize playing surface, above an undulating apron on reeded apron and bracket feet, alterations, 156cm wide x 62cm deep x 84cm tapering legs united by a cross-banded undertier terminating in brass high, (61” wide x 24” deep x 33” high) castors, the underside with serial number ‘136984’, 77cm wide, 38cm £300 - 500 deep, 76cm high (30” wide, 14.5” deep, 29.5” high). £700 - 1,000 411 A walnut and rosewood-banded centre table 415 Fourth quarter 20th century A mid-17th century and later elm coffer The octagonal top above opposing pairs of frieze and false drawers, on The hinged rectangular top above an arcaded frieze and panel front, on an octagonal shaft and four downswept legs with brass paw castors, stile supports, back panel replaced extensive worm holes to the front, 90cm wide, 90cm deep, 73cm high (35” wide, 35” deep, 28.5” high). 109cm wide, 38cm deep, 65.5cm high (42.5” wide, 14.5” deep, 25.5” £200 - 300 high). £300 - 500 412 A mid-Victorian walnut firescreen 416 The spiral turned frame with pierced and carved foliate crest An oak Arts and Crafts armchair in the manner of George Walton incorporating fruit and flowers and enclosing an oval banner with The carved top rail with incised roundel above a quarter woven seat on needlework depiction of a parrot, on carved cabriole legs united by a square, slightly tapering legs pole stretcher, 73cm wide, 45cm deep, 132cm high (28.5” wide, 17.5” £100 - 150 deep, 51.5” high). £300 - 500

72 | Bonhams 421

417 A pair of modern karelian birch bookcases Each with projecting cornice and pair of glazed cupboard doors, the base fitted with a pair of pull-out reading slides, above a pair of panel doors rasied on a plinth base, 159cm wide, 49cm deep, 240cm high (62.5” wide, 19” deep, 94” high). £1,000 - 1,500

418 A late George III mahogany oval centre table The hinged top with moulded edge on a baluster stem and four moulded downswept legs, on brass caps and castors, 152cm wide x 118cm deep x 72cm high. £1,000 - 1,500

419 A early Victorian rosewood fold-over card table The rectangular hinged top above a shell and foliate carved frieze on a faceted baluster shaft, a concave base and lion paw feet, 91.5cm wide, 45cm deep, 74.5cm high (36” wide, 17.5” deep, 29” high). £200 - 300

420 A Scottish 19th century hanging corner cabinet The oak framed door bearing a label with the following inscription ‘The door made of one of the original windows from Queen Mary’s house, Jedburgh’, 87cm wide, 49cm deep, 97.5cm high (34” wide, 19” deep, 38” high). £100 - 150

421 A Regency mahogany and inlaid serving table The rectangular bow-fronted top with line inlaid border and edge, above a three frieze drawers inlaid with flowers and trailing harebells, on four reeded tapering legs headed by inlaid paterae and turned pointed feet, 214cm wide, 68cm deep, 90cm high (84” wide, 26.5” deep, 35” high). 418 £3,000 - 5,000

The Winter Antique & Picture Sale | 73 428 426

422 426 A Continental style oak side table A pair of Regency red lacquered and chinoiserie decorated tripod The rectangular top raised on fret carved legs united by an arched tables stretcher, 160cm wide, 62.5cm deep, 76.5cm high (62.5” wide, 24.5” Each octagonal tip-up top decorated with a chinoiserie landscape, on deep, 30” high). a spiral fluted shaft with ring turned collars and three downswept legs £100 - 200 highlighted in gilt, on corresponding ball feet, colour faded 30cm wide x 30cm deep x 76cm high, (11.5” wide x 11.5” deep x 29.5” high) 423 £1,800 - 2,200 A George III mahogany architect’s table The ratcheted rectangular top with reading rest and flanked by two 427 candle slides, the pull out front section incorporating a drawer with A burr walnut cabinet on stand sliding baize lined cover, raised on re-entrant moulded legs enclosing second quarter 20th century internal turned supports and brass castors, 91cm wide, 61cm deep, The blind fretwork Vitruvian scroll frieze above a pair of cross banded 81cm high (35.5” wide, 24” deep, 31.5” high). cupboard doors enclosing shelves, the base fitted with an undulating £1,000 - 1,500 frieze drawer, on turned cup and cover legs united by a waved X-shaped stretcher, 100cm wide, 55.5cm deep, 161cm high (39” wide, 21.5” 424 deep, 63” high). A pair of 19th century footstools £100 - 150 Each upholstered in a velvet floral fabric on gilt-metal cloven feet with anthemion capitals, 38cm wide, 38cm deep, 16cm high (14.5” wide, 428 14.5” deep, 6” high). An Edwardian painted satinwood trio set of graduated tables £200 - 300 Each top painted with neo-classical motifs and floral swags centred by an oval landscape scene, on ring turned supports and bracket feet, the 425 largest 50.5cm wide, 36cm deep. 65cm high. A late 19th century mahogany break-front bookcase £800 - 1,200 Of George III design The projecting cornice incorporating a pierced swan neck pediment with carved floral terminals, above four astragal glazed doors, the base with blind fretwork frieze and four panelled cupboard doors, raised on a plinth with bracket feet moulded in relief, 306cm wide, 56cm deep, 313cm high (120” wide, 22” deep, 123” high). £3,000 - 5,000

74 | Bonhams 431 432

429 432 A George III mahogany chest A George II mahogany estate cabinet Of four long graduated drawers and bracket feet, 101.5cm wide, mid-18th century 54.5cm deep, 93.5cm high (39.5” wide, 21” deep, 36.5” high). The projecting cornice above a pair of fielded panel doors enclosing £200 - 300 fifteen variously sized drawers, a central cupboard, a pair of pull-out deed boxes, secret compartments and pigeon holes, the base with two 430 short and two long drawers, on bracket feet, 105.5cm wide, 58.5cm A Scottish late Regency chest deep, 183cm high (41.5” wide, 23” deep, 72” high). Of three short and three long drawers raised on bracket feet, 115.5cm £2,000 - 3,000 wide x 54cm deep x 97cm high, (45” wide x 21” deep x 38” high) £250 - 300 433 A Yorkshire 19th century mahogany Pembroke table 431 Bearing paper label for R. Snowdon, Cabinet Maker and Appraiser North An Irish mid-18th century mahogany tea table Allerton The hinged rectangular top above an undulating frieze carved with a The rectangular top with twin drop flaps above opposing frieze and central scallop shell, on carved cabriole legs and paw feet, 89.5cm wide false drawers, on ring turned tapering legs with brass caps and castors, x 43.5cm deep x 72.5cm high, (35” wide x 17” deep x 28.5” high) 105cm wide, 91cm deep, 72.5cm high (41” wide, 35.5” deep, 28.5” £2,500 - 4,000 high). £250 - 300

The Winter Antique & Picture Sale | 75 436

434

434 437 A large carved oak chimneypiece A pair of Victorian button back armchairs Third quarter 19th century Each with raspberry coloured tweed fabric, on cabochon moulded front The gadrooned top above a fielded central panel carved with a green legs with pottery castors, (2). man mask and trailing garlands of flowers and fruits, within pierced £200 - 400 scrolling trusses and egg and dart moulded aperture, on carved plinth bases, includes a pair of additional columns and raised top with may 438 have been the frame for a over mantel plate, 181cm wide, 167.5cm high A Scottish Regency mahogany bow-front chest (71” wide, 65.5” high). The appature 122cm wide, 101.5cm high . The rectangular cross-banded top above one shallow and two false frieze £500 - 700 drawers, with three short and three long drawers below, on bracket feet, feet slightly reduced in height, 121cm wide x 56.5cm deep x 105.5cm 435 high, (47.5” wide x 22” deep x 41.5” high) A Scottish Lowland mid-19th century pine dresser £300 - 500 The raised back incorporating a plate rack and a shelf above down swept sides, the base with three frieze drawers and panel cupboard doors on 439 stile feet, 161cm wide, 67cm deep, 170cm high (63” wide, 26” deep, A George III mahogany hunt table 66.5” high). The slightly curved top above a boxwood lined frieze, on square tapering £100 - 150 legs, 246cm wide, 45cm deep, 70.5cm in diameter, (96.5” wide, 17.5” deep, (27.5” in diameter, 436 £1,500 - 2,000 A late Victorian satinwood painted chair back settee In the manner Wright and Mansfield The shield shaped back incorporating an urn issuing fleur de lys, above a drop in seat on square tapering legs and spade feet, 105cm wide, 66cm deep, 100cm high (41” wide, 25.5” deep, 39” high). £300 - 500

76 | Bonhams 446 440

440 444 A Louis Philippe marble topped centre table A 19th century French fruitwood and marquetry cabinet Second quarter 19th century The cupboard door inlaid to simulate three drawers, on tapering feet, The grey variegated marble top with slightly raised edge above a plain 59cm wide, 39.5cm deep, 76.5cm in diameter, (23” wide, 15.5” deep, frieze and three turned tapering legs with engine turned ormolu capitals (30” in diameter, and collars, on waved stretchers with a circular plinth undertier,85.5cm £100 - 200 in diameter, 71cm high (33.5” in diameter, 27.5” high). £1,200 - 1,800 445 A George II mahogany snap-top wine table 441 The circular top on ring turned baluster shaft and tripod base, 68cm A 19th century mahogany waterfall bookcase diameter, 72cm high. With moulded cornice above five graduated shelves, on bracket feet, £300 - 400 127cm wide x 33cm deep x 134cm high, (50” wide x 12.5” deep x 52.5” high) 446 £300 - 400 A 19th century Biedermeir style secrataire abattant The raised superstructure incorporating a central mirror door and pair 442 of shelves, above a fall-front enclosing a architecturally inspired and A Victorian walnut centre table satinwood veneered interior with central cupboard door and two banks The quarter veneered quarterfoil top with moulded edge, on a of drawers, above three long drawers on square tapering feet, 96cm squat baluster shaped shaft embellished with scrolls and four carved wide, 46cm deep, 182cm high (37.5” wide, 18” deep, 71.5” high). downswept legs terminating in counter sunk castors, 143cm wide x £700 - 1,000 100cm deep x 74.5cm high, (56” wide x 39” deep x 29” high) £450 - 650

443 An oak 17th century style centre table 19th century The rectangular top with egg and dart moulded edge and carved frieze depicting birds and foliage, on cup-and-cover legs united by geometric stretchers carved with guilloche, and bun feet, 119cm wide, 78cm deep, 76.5cm high (46.5” wide, 30.5” deep, 30” high). £300 - 500

The Winter Antique & Picture Sale | 77 450

447 An Edwardian painted satinwood serpentine cabinet The cross-banded top with a depiction of two cherubs, the frieze painted with floral swags above a pair of cupboard doors enclosing four shelves painted with oval vignettes of sweethearts in a landscape, the shaped sides with similar oval panels depicting a vase of flowers, on slightly outswept legs, 115.5cm wide, 43cm deep, 102.5cm high (45” wide, 16.5” deep, 40” high). £1,200 - 1,800

448 An early 18th century oak chest of drawers The projecting frieze above three long graduated long drawers with moulded horizontal dividers, on bracket feet, losses and repairs, 89cm wide, 51cm deep, 82.5cm high (35” wide, 20” deep, 32” high). £150 - 200

447

78 | Bonhams 451

449 451 A set of eight late George III mahogany dining chairs A set of twelve modern 18th century style dining chairs Each with narrow line inlaid tablet toprail above X-shaped mid-rails Each back and seat with floral upholstery on channel moulded front legs centred by a carved patera, above drop-in seats and turned tapering united by a H shaped stretcher, 52cm wide, 57cm deep, 100cm high legs. (8) (20” wide, 22” deep, 39” high). £300 - 500 £600 - 800

450 Provenance: Property of Viscount Strathallan and formerly in the dining A set of twenty modern 18th century style chairs room at Stobhall. Each back and seat upholstered in ribbed velvet fabric, on channel moulded front legs united by an H stretcher, 44cm wide, 49cm deep, 80cm high (17” wide, 19” deep, 31” high). £600 - 800

Provenance: Property of Viscount Strathallan and formerly in the Chapel at Stobhall.

450A A Victorian mahogany telescopic dining table The rectangular top with rounded ends and moulded edge enclosing four additional leaves of various sizes, on fluted tapering legs with reeded collars, ending in pottery castors, 299.5cm wide, 135cm deep, 75cm high (117.5” wide, 53” deep, 29.5” high). £2,000 - 3,000

The Winter Antique & Picture Sale | 79 452

452 An impressive pair of walnut, bronze and bevelled glass showcases by F. Sage & Company Ltd., first quarter 20th century, Each with domed top and blind fretwork frieze above a pair of patinated bronze doors with re-entrant corners, within bow-front sides and enclosing adjustable shelves, with a pair of quarter-veneered cupboards and conforming bowed and fielded panels below, on cabriole legs with shell carved apron and claw and ball feet, 188cm wide x 58cm deep x 240cm high, (74” wide x 22.5” deep x 94” high) £15,000 - 20,000

Provenance: Supplied to Hamilton & Inches of Edinburgh.

80 | Bonhams 452

The firm of Sage and Company was founded by Frederick Sage (1830-1898). In 1876 it won a prize for its ‘airtight showcases’ at the Centennial Exhibition in Philadelphia.

Other notable commissions included the re-fitting of Harrods in 1905, similar work for Selfridges and interiors for Cunard and P & O shipping lines. In 1921 the firm won the prestigious instruction to re-fit the Galleries Lafayette in London’s Regent Street.

Following the end of the second world war the company undertook extensive restoration work to the Palace of Westminster.

The Winter Antique & Picture Sale | 81 454

455 A Regency style mahogany secretaire bookcase The cross-banded top incorporating a pair of astragal glazed doors above a fitted secretaire drawer with three long drawers below, on bracket feet, 104cm wide x 46cm deep x 221cm high, (40.5” wide x 18” deep x 87” high) £500 - 700

456 Two 17th century oak chairs Each with later fabric covered upholstery; one with original studded leather back, each on turned and block supports, 97cm high and 90cm high. (2) £200 - 300

457 457 A small Dutch bombé walnut chest of drawers Probably second quarter 18th century 453 The rectangular top within a moulded and cross-banded edge, above A Scottish George III mahogany cellaret three drawers and bracket feet with a shaped apron, 66cm wide, 41cm Of octagonal form with brass bindings, the hinged lid enclosing a deep, 79cm in diameter, (25.5” wide, 16” deep, (31” in diameter, divisional zinc lined interior, with side carrying handles, on a detachable £1,000 - 1,500 base with chamfered square section legs and later ceramic castors, 46.5cm wide x 46.5cm deep x 65.5cm high, (18” wide x 18” deep x 25.5” high) 458 £600 - 800 A George II walnut bureau The feather-banded fall-front enclosing drawers and pigeon holes 454 arranged around a central cupboard, above two short and three long An Edwardian satinwood and inlaid display cabinet graduated drawers, on bracket feet, 92cm wide, 51cm deep, 100.5cm The raised centre with projecting cornice, reeded columns and palmete high (36” wide, 20” deep, 39.5” high). capitals fitted with a glazed serpentine shaped cupboard door, flanked £600 - 900 by a pair of astragal glazed doors, on palmette carved and turned tapering legs, 176cm wide, 48cm deep, 186cm high (69” wide, 18.5” deep, 73” high). £2,000 - 3,000

82 | Bonhams Scottish Art Wednesday 17 April 2013 Edinburgh Entries now invited

Closing date for entries Sir William George Gillies Friday 22 February 2013 (British, 1898-1973) Still Life, lamplight +44 (0) 131 240 2297 (detail) [email protected] £10,000-15,000

International Auctioneers and Valuers - bonhams.com/scottishart The Winter Antique & Picture Sale | 83 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. 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We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. 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The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/11.12 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price) your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS § Buyers from outside the EU: VAT is payable at the is your number which is identified as the Buyer’s. You should prevailing rate on both Hammer Price and Buyer’s not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for Premium. If a Buyer, having registered under a non-EU to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and address, decides that the item is not to be exported from Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in the EU, then he should advise Bonhams immediately. is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the bidding. Please contact us for further details. terms of payment at any time. Under the Buyer’s Agreement, a premium (the Buyer’s Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bidding Form carefully before returning it to us, fully completed 25% up to £25,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with 20% from £25,001 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which 12% from £500,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £5,000, or the and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £5,000. We will need to see your using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; the date of the Sale). details of how to bid via the internet. Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% Address: PO Box 4RY the agent’s authority to bid. Nevertheless, as the Bidding 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT London W1A 4RY of another (whether or not he has disclosed that fact or the Account Name: Bonhams 1793 Limited Trust Account identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, Account Number: 25563009 the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. IBAN Number: GB 33 NWBK 560027 25563009 please let us know if you are acting on behalf of another person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on If paying by bank transfer, the amount received after the the Hammer Price and Buyer’s Premium: deduction of any bank fees and/or conversion of the currency Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s of payment to pounds sterling must not be less than the person to bid on your behalf at the Sale unless this is to be Premium sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Form that you have completed. If we do not approve the Price and Buyer’s Premium Debit cards: there is no additional charge for purchases made agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium issued by an overseas bank, deferred and company debit cards own behalf. Accordingly, the person bidding at the Sale will and all credit cards will be subject to a 3% surcharge; be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

NTB/MAIN/11.12 Union Pay cards: these are now accepted at our Knightsbridge indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. and New Bond Street offices, when presented in person by the otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there card holder. These cards are subject to a 3% surcharge. we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should Credit cards: Visa and Mastercard only. Please note there is a of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should 3% surcharge on the total invoice value when payments are nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The made using credit cards. It may be advisable to notify your card suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. provider of your intended purchase in advance to reduce delays the liability arises from any negligence, other tort, breach All measurements are approximate. caused by us having to seek authority when you come to pay. If of contract (if any) or statutory duty or otherwise. Nothing you have any questions with regard to payment, please contact set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers our Customer Services Department. (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers 10. COLLECTION AND STORAGE or (ii) death or personal injury caused by our negligence (or by who hold their original records. the negligence of any person under our control or for whom The Buyer of a Lot will not be allowed to collect it until we are legally responsible), or (iii) acts or omissions for which Licensing Requirements payment in full and in cleared funds has been made (unless we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended we have made a special arrangement with the Buyer). For any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would collection and removal of purchased Lots, please refer to Sale or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to Information at the front of the Catalogue. Our offices are paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is open 9.00am – 5pm Monday to Friday. Details relating to and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms the collection of a Lot, the storage of a Lot and our Storage of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / Contractor after the Sale are set out in the Catalogue. substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for 11. SHIPPING 15. BOOKS instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown Please refer all enquiries to our shipping department on: As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of Tel: +44 (0)20 7468 8353/8302 Fax: +44 (0)20 7629 9673 to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially Email: [email protected] set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 10 of the Buyers 5% payable on presentation of your valid certificate or licence 12. EXPORT/TRADE RESTRICTIONS Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. unframed maps and bound manuscripts are not liable to VAT It is your sole responsibility to comply with all export and on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to import regulations relating to your purchases and also to obtain produce the correct paperwork, the Lot(s) will be reoffered by any relevant export and/or import licence(s). Export licences are 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for issued by Arts Council England and application forms can be Sellers, and you will be responsible for any loss incurred by obtained from its Export Licensing Unit. The detailed provisions All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. of the export licencing arrangements can be found on the ACE to the condition of a clock or watch does not imply that website http://www.artscouncil.org.uk/about-us/museums- the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we and-libraries/cultural-property/export-controls/export-licensing/ restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with or by phoning ACE on +44 (0)20 7973 5228. The need for the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an import licences varies from country to country and you should parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed acquaint yourself with all relevant local requirements and no representation or warranty that any clock or watch is in or changed. provisions. The refusal of any import or export licence(s) or any working order. As clocks and watches often contain fine and delay in obtaining such licence(s) shall not permit the rescission complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms of any Sale nor allow any delay in making full payment for service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or the Lot. Generally, please contact our shipping department Buyer is solely responsible, may be necessary. Bidders should import licence. before the Sale if you require assistance in relation to export be aware that the importation of watches such as Rolex, Frank regulations. Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or 13. CITES REGULATIONS imported personally. import licence.

Please be aware that all Lots marked with the symbol Y are 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are subject to CITES regulations when exporting these items CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 outside the EU. These regulations may be found at Authority or import licence. http://animalhealth.defra.gov.uk/cites/ or may be requested Proof of Firearms from: The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition DEFRA, Wildlife Licensing and Registration Service (a) it was deemed of interest and not intended for use, or (b) is held. Floor 1, Zone 17, Temple Quay House ammunition was not available. In either case, the firearm must 2 The Square, Temple Quay be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. BRISTOL BS1 6EB Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or modern firearms specialist. All prospective Bidders are advised any Description or Estimate made of any Lot, or the conduct to consult the ˚ of bore and wall-thickness measurements of any Sale in relation to any Lot, whether in damages, for an

NTB/MAIN/11.12 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in thisCatalogue , it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/11.12 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a, § see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/11.12 8 FAILURE TO PAY FOR THE LOT all sums due to the Seller and to Bonhams, within waiver given to you in writing. Any such waiver will 28 days of receipt of such monies by him or on his not affect the Seller’s ability subsequently to enforce 8.1 If the Purchase Price for a Lot is not paid to Bonhams behalf. any right arising under the Contract for Sale. in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented agreement of Bonhams but without further notice to from performing that party’s respective obligations you, to exercise one or more of the following rights 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond (whether through Bonhams or otherwise): damage caused by the Lot after the fall of the its reasonable control or if performance of its Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances 8.1.1 to terminate immediately the Contract for Sale of the give rise to a significantly increased financial Lot for your breach of contract; 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such of the express undertaking provided in paragraph circumstances prevail, be required to perform such 8.1.2 to resell the Lot by auction, private treaty or any 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the other means on giving seven days’ written notice to of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. you of the intention to resell; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.3 to retain possession of the Lot; otherwise. under the Contract for Sale must be in writing and may be delivered by hand or sent by first class 8.1.4 to remove and store the Lot at your expense; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.5 to take legal proceedings against you for any sum in the Catalogue (marked for the attention of the due under the Contract for Sale and/or damages for 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or breach of contract; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.6 to be paid interest on any monies due (after as well or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the as before judgement or order) at the annual rate or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received of 5% per annum above the base rate of National any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. Westminster Bank Plc from time to time to be in relation to the Lot made by or on behalf of calculated on a daily basis from the date upon which the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract such monies become payable until the date of actual the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such payment; conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or 8.1.7 to repossess the Lot (or any part thereof) which has the remainder of the relevant term. not become your property, and for this purpose 9.3.2 the Seller will not be liable for any loss of Business, (unless the Buyer buys the Lot as a Consumer from Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, the Seller selling in the course of a Business) you reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ hereby grant an irrevocable licence to the Seller by time on the part of the Buyer or of the Buyer’s officers, employees and agents. himself and to his servants or agents to enter upon management or staff or, for any indirect losses or all or any of your premises (with or without vehicles) consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale during normal Business hours to take possession of any case of the nature, volume or source of the loss are for convenience only and will not affect its the Lot or part thereof; or damage alleged to be suffered, and irrespective interpretation. of whether the said loss or damage is caused by 8.1.8 to retain possession of any other property sold to you or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means by the Seller at the Sale or any other auction or by breach of contract, statutory duty, restitutionary “including, without limitation”. private treaty until all sums due under the Contract claim or otherwise; for Sale shall have been paid in full in cleared funds; 10.9 References to the singular will include reference to 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one 8.1.9 to retain possession of, and on three months’ written in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. notice to sell, Without Reserve, any of your other or representation in respect of it, or this agreement property in the possession of the Seller and/or of or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a Bonhams (as bailee for the Seller) for any purpose an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. (including, without limitation, other goods sold to remedy or in any way whatsoever, the Seller’s liability you) and to apply any monies due to you as a result will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 of such Sale in satisfaction or part satisfaction of any exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports amounts owed to the Seller or to Bonhams; and Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the 8.1.10 so long as such goods remain in the possession of alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. the Seller or Bonhams as its bailee, to rescind the irrespective of whether the liability arises from any contract for the Sale of any other goods sold to negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity you by the Seller at the Sale or at any other auction duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the or by private treaty and apply any monies received responsibility and/or liability of the Seller, it will also from you in respect of such goods in part or full 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, satisfaction of any amounts owed to the Seller or to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries Bonhams by you. directly or indirectly) any person’s liability or excluding of such holding company and the successors and or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of 8.2 You agree to indemnify the Seller against all legal respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and and other costs of enforcement, all losses and other caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Expenses and costs (including any monies payable under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or to Bonhams in order to obtain the release of the legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts Lot) incurred by the Seller (whether or not court the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the proceedings will have been issued) as a result of 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Bonhams taking steps under this paragraph 8 on a may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. full indemnity basis together with interest thereon (after as well as before judgement or order) at the 10 MISCELLANEOUS rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until 10.1 You may not assign either the benefit or burden of payment by you. the Contract for Sale.

8.3 On any resale of the Lot under paragraph 8.1.2, the 10.2 The Seller’s failure or delay in enforcing or exercising Seller will account to you in respect of any balance any power or right under the Contract for Sale will remaining from any monies received by him or on not operate or be deemed to operate as a waiver of his behalf in respect of the Lot, after the payment of his rights under it except to the extent of any express

NTB/MAIN/11.12 11 GOVERNING LAW writing, including in the Catalogue or on Bonhams’ 4.2 You must collect and remove the Lot at your own Website, or by conduct, or otherwise), and whether expense by the date and time specified in the Notice All transactions to which the Contract for Sale applies made before or after this agreement or prior to or to Bidders, or if no date is specified, by 4.30pm on and all connected matters will be governed by and during the Sale. No such Description or Estimate is the seventh day after the Sale. construed in accordance with the laws of that part incorporated into this agreement between you and of the United Kingdom where the Sale takes place us. Any such Description or Estimate, if made by us 4.3 For the period referred to in paragraph 4.2, the Lot and the Seller and you each submit to the exclusive or on our behalf, was (unless Bonhams itself sells can be collected from the address referred to in the jurisdiction of the courts of that part of the United the Lot as principal) made as agent on behalf of the Notice to Bidders for collection on the days and times Kingdom, save that the Seller may bring proceedings Seller. specified in the Notice to Bidders. Thereafter, the against you in any other court of competent Lot may be removed elsewhere for storage and you jurisdiction to the extent permitted by the laws of 2 PERFORMANCE OF THE CONTRACT FOR SALE must enquire from us as to when and where you can the relevant jurisdiction. Bonhams has a complaints collect it, although this information will usually be set procedure in place. You undertake to us personally that you will out in the Notice to Bidders. observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale 4.4 If you have not collected the Lot by the date specified APPENDIX 2 in respect of the Lot. in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a BUYER’S AGREEMENT 3 PAYMENT contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then IMPORTANT: These terms may be changed in advance of the 3.1 Unless agreed in writing between you and us or as current standard terms and conditions agreed Sale of the Lot to you, by the setting out of different terms in otherwise set out in the Notice to Bidders, you must between Bonhams and the Storage Contractor the Catalogue for the Sale and/or by placing an insert in the pay to us by not later than 4.30pm on the second (copies of which are available on request). If the Lot Catalogue and/or by notices at the Sale venue and/or by oral working day following the Sale: is stored at our premises storage fees at our current announcements before and during the Sale at the Sale venue. daily rates (currently a minimum of £3 plus VAT per You should be alert to this possibility of changes and ask in 3.1.1 the Purchase Price for the Lot; Lot per day) will be payable from the expiry of the advance of bidding if there have been any. period referred to in paragraph 4.2. These storage 3.1.2 a Buyer’s Premium in accordance with the rates set fees form part of our Expenses. 1 THE CONTRACT out in the Notice to Bidders, and 4.5 Until you have paid the Purchase Price and any 1.1 These terms govern the contract between Bonhams 3.1.3 if the Lot is marked [AR], an Additional Premium Expenses in full the Lot will either be held by us as personally and the Buyer, being the person to whom which is calculated and payable in accordance with agent on behalf of the Seller or held by the Storage a Lot has been knocked down by the Auctioneer. the Notice to Bidders together with VAT on that sum Contractor as agent on behalf of the Seller and if applicable so that all sums due to us are cleared ourselves on the terms contained in the Storage 1.2 The Definitions and Glossary contained in Appendix funds by the seventh working day after the Sale. Contract. 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also 3.2 You must also pay us on demand any Expenses 4.6 You undertake to comply with the terms of any be provided by us on request. Where words and payable pursuant to this agreement. Storage Contract and in particular to pay the charges phrases which are defined in the List of Definitions (and all costs of moving the Lot into storage) due are used in this agreement, they are printed in italics. 3.3 All payments to us must be made in the currency under any Storage Contract. You acknowledge and Reference is made in this agreement to information in which the Sale was conducted, using, unless agree that you will not be able to collect the Lot from printed in the Notice to Bidders, printed in the otherwise agreed by us in writing, one of the the Storage Contractor’s premises until you have paid Catalogue for the Sale, and where such information methods of payment set out in the Notice to the Purchase Price, any Expenses and all charges due is referred to it is incorporated into this agreement. Bidders. Our invoices will only be addressed to the under the Storage Contract. registered Bidder unless the Bidder is acting as an 1.3 Except as specified in paragraph 4 of the Notice to agent for a named principal and we have approved 4.7 You will be wholly responsible for packing, handling Bidders the Contract for Sale of the Lot between you that arrangement, in which case we will address the and transport of the Lot on collection and for and the Seller is made on the fall of the Auctioneer’s invoice to the principal. complying with all import or export regulations in hammer in respect of the Lot, when it is knocked connection with the Lot. down to you. At that moment a separate contract is 3.4 Unless otherwise stated in this agreement all also made between you and Bonhams on the terms sums payable to us will be subject to VAT at the 4.8 You will be wholly responsible for any removal, in this Buyer’s Agreement. appropriate rate and VAT will be payable by you on storage, or other charges for any Lot not removed all such sums. in accordance with paragraph 4.2, payable at our 1.4 We act as agents for the Seller and are not current rates, and any Expenses we incur (including answerable or personally responsible to you for any 3.5 We may deduct and retain for our own benefit from any charges due under the Storage Contract), all of breach of contract or other default by the Seller, the monies paid by you to us the Buyer’s Premium, which must be paid by you on demand and in any unless Bonhams sells the Lot as principal. the Commission payable by the Seller in respect event before any collection of the Lot by you or on of the Lot, any Expenses and VAT and any interest your behalf. 1.5 Our personal obligations to you are governed by this earned and/or incurred until payment to the Seller. agreement and we agree, subject to the terms below, 5 STORING THE LOT to the following obligations: 3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the We agree to store the Lot until the earlier of your 1.5.1 we will, until the date and time specified in the Purchase Price, or any other sum due to us in removal of the Lot or until the time and date set out Notice to Bidders or otherwise notified to you, store accordance with this paragraph 3, we will have the in the Notice to Bidders, on the Sale Information the Lot in accordance with paragraph 5; rights set out in paragraph 7 below. Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the 1.5.2 subject to any power of the Seller or us to refuse to 3.7 Where a number of Lots have been knocked down to Sale) and, subject to paragraphs 6 and 10, to be release the Lot to you, we will release the Lot to you you, any monies we receive from you will be applied responsible as bailee to you for damage to or the loss in accordance with paragraph 4 once you have paid firstly pro-rata to pay the Purchase Price of each Lot or destruction of the Lot (notwithstanding that it is to us, in cleared funds, everything due to us and the and secondly pro-rata to pay all amounts due to not your property before payment of the Purchase Seller; Bonhams. Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no 1.5.3 we will provide guarantees in the terms set out in 4 COLLECTION OF THE LOT date is specified, by 4.30pm on the seventh day paragraphs 9 and 10. after the Sale) we may remove the Lot to another 4.1 Subject to any power of the Seller or us to refuse location, the details of which will usually be set out 1.6 We do not make or give and do not agree to make to release the Lot to you, once you have paid to us, in the relevant section of the Catalogue. If you have or give any contractual promise, undertaking, in cleared funds, everything due to the Seller and not paid for the Lot in accordance with paragraph 3, obligation, Guarantee, warranty, representation of to us, we will release the Lot to you or as you may and the Lot is moved to any third party’s premises, fact in relation to any Description of the Lot or any direct us in writing. The Lot will only be released on the Lot will be held by such third party strictly to Estimate in relation to it, nor of the accuracy or production of a buyer collection document, obtained Bonhams’ order and we will retain our lien over the completeness of any Description or Estimate which from our cashier’s office. Lot until we have been paid in full in accordance with may have been made by us or on our behalf or by paragraph 3. or on behalf of the Seller (whether made orally or in

NTB/MAIN/11.12 6 RESPONSIBILITY FOR THE LOT 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably costs, all losses and all other Expenses (whether or practicable after you have become aware that the Lot 6.1 Only on the payment of the Purchase Price to us not court proceedings will have been issued) incurred is or may be a Forgery, and in any event within one will title in the Lot pass to you. However under the by us as a result of our taking steps under this year after the Sale, that the Lot is a Forgery; and Contract for Sale, the risk in the Lot passed to you paragraph 7 on a full indemnity basis together with when it was knocked down to you. interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition 6.2 You are advised to obtain insurance in respect of the the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by Lot as soon as possible after the Sale. same until payment by you. written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such Lot. AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3 Paragraph 9 will not apply in respect of a Forgery if: 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where 9.3.1 the Entry in relation to the Lot contained in the accordance with this agreement, we will without you have purchased more than one Lot pro-rata to Catalogue reflected the then accepted general further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any opinion of scholars and experts or fairly indicated more of the following rights (without prejudice to other sums due to us. that there was a conflict of such opinion or reflected any rights we may exercise on behalf of the Seller): the then current opinion of an expert acknowledged 7.4 We will account to you in respect of any balance we to be a leading expert in the relevant field; or 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in breach of contract; respect of any Sale of the Lot under our rights under 9.3.2 it can be established that the Lot is a Forgery only this paragraph 7 after the payment of all sums due to by means of a process not generally accepted for 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of use until after the date on which the Catalogue was all such sums paid to us. published or by means of a process which it was 7.1.3 to remove, and/or store the Lot at your expense; unreasonable in all the circumstances for us to have 8 CLAIMS BY OTHER PERSONS IN RESPECT OF employed. 7.1.4 to take legal proceedings against you for payment THE LOT of any sums payable to us by you (including the 9.4 You authorise us to carry out such processes and Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot tests on the Lot as we in our absolute discretion contract; is the subject of a claim by someone other than consider necessary to satisfy ourselves that the Lot is you and other than the Seller (or that such a claim or is not a Forgery. 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in 9.5 If we are satisfied that a Lot is a Forgery we will (as rate of 5% per annum above the base lending rate any manner which appears to us to recognise the principal) purchase the Lot from you and you will of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties transfer the title to the Lot in question to us, with to be calculated on a daily basis from the date upon involved and lawfully to protect our position and full title guarantee, free from any liens, charges, which such monies become payable until the date of our legitimate interests. Without prejudice to the encumbrances and adverse claims, in accordance actual payment; generality of the discretion and by way of example, with the provisions of Sections 12(1) and 12(2) of we may: the Sale of Goods Act 1979 and we will pay to you 7.1.6 to repossess the Lot (or any part thereof) which has an amount equal to the sum of the Purchase Price, not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or Buyer’s Premium, VAT and Expenses paid by you in (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to respect of the Lot. grant an irrevocable licence to us, by ourselves, our the Lot; and/or servants or agents, to enter upon all or any of your 9.6 The benefit of paragraph 9 is personal to, and premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or incapable of assignment by, you. business hours to take possession of any Lot or part thereof; 8.1.3 commence interpleader proceedings or seek any 9.7 If you sell or otherwise dispose of your interest in the other order of any court, mediator, arbitrator or Lot, all rights and benefits under this paragraph will 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or cease. treaty or any other means on giving you three months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in 9.8 Paragraph 9 does not apply to a Lot made up of or return for pursuing a course of action agreed to by including a Chinese painting or Chinese paintings, a 7.1.8 to retain possession of any of your other property in you. motor vehicle or motor vehicles, a Stamp or Stamps our possession for any purpose (including, without or a Book or Books. limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10 OUR LIABILITY 8.2.1 may be exercised at any time during which we have 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at 10.1 We will not be liable whether in negligence, other purpose whether at the time of your default or at any time after such possession, where the cessation tort, breach of contract or statutory duty or in any time thereafter in payment or part payment of of such possession has occurred by reason of any restitution or under the Misrepresentation Act 1967 any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, or in any other way for lack of conformity with or arbitrator or government body; and any inaccuracy, error, misdescription or omission in 7.1.10 on three months’ written notice to sell, Without any Description of the Lot or any Entry or Estimate Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there in respect of it, made by us or on our behalf or by or under our control for any purpose (including other exists a serious prospect of a good arguable case in or on behalf of the Seller (whether made in writing, goods sold to you or with us for Sale) and to apply favour of the claim. including in the Catalogue, or on the Bonhams’ any monies due to you as a result of such Sale in Website, or orally, or by conduct or otherwise) and payment or part payment of any amounts owed to 9 FORGERIES whether made before or after this agreement or prior us; to or during the Sale. 9.1 We undertake a personal responsibility for any 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this 10.2 Our duty to you while the Lot is at your risk and/or reject a bid from you at any future Sale or to require paragraph 9. your property and in our custody and/or control is to you to pay a deposit before any bid is accepted by us exercise reasonable care in relation to it, but we will at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: not be responsible for damage to the Lot or to other to apply such deposit in payment or part payment, as persons or things caused by: the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom which you are the Buyer. the original invoice was made out by us in respect of 10.2.1 handling the Lot if it was affected at the time of Sale the Lot and that invoice has been paid; and to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

NTB/MAIN/11.12 10.2.2 changes in atmospheric pressure; nor will we be 11.4 Any notice or other communication to be given APPENDIX 3 liable for: under this agreement must be in writing and may be delivered by hand or sent by first class post or DEFINITIONS AND GLOSSARY 10.2.3 damage to tension stringed musical instruments; or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the Where these Definitions and Glossary are incorporated, the 10.2.4 damage to gilded picture frames, plaster picture address or fax number of the relevant party given following words and phrases used have (unless the context frames or picture frame glass; and if the Lot is or in the Contract Form (unless notice of any change otherwise requires) the meanings given to them below. The becomes dangerous, we may dispose of it without of address is given in writing). It is the responsibility Glossary is to assist you to understand words and phrases notice to you in advance in any manner we think fit of the sender of the notice or communication to which have a specific legal meaning with which you may not and we will be under no liability to you for doing so. ensure that it is received in a legible form within any be familiar. applicable time period. 10.3.1 We will not be liable to you for any loss of Business, LIST OF DEFINITIONS Business profits, revenue or income or for loss of 11.5 If any term or any part of any term of this agreement Business reputation or for disruption to Business or is held to be unenforceable or invalid, such “Additional Premium” a premium, calculated in accordance wasted time on the part of the Buyer’s management unenforceability or invalidity will not affect the with the Notice to Bidders, to cover Bonhams’ Expenses or staff or, if you are buying the Lot in the course of enforceability and validity of the remaining terms or relating to the payment of royalties under the Artists Resale a Business, for any indirect losses or consequential the remainder of the relevant term. Right Regulations 2006 which is payable by the Buyer to damages of any kind, irrespective in any case of Bonhams on any Lot marked [AR] which sells for a Hammer the nature, volume or source of the loss or damage 11.6 References in this agreement to Bonhams will, where Price which together with the Buyer’s Premium (but excluding alleged to be suffered, and irrespective of whether appropriate, include reference to Bonhams’ officers, any VAT) equals or exceeds 1000 euros (converted into the said loss or damage is caused by or claimed employees and agents. the currency of the Sale using the European Central Bank in respect of any negligence, other tort, breach of Reference rate prevailing on the date of the Sale). contract, statutory duty, bailee’s duty, a restitutionary 11.7 The headings used in this agreement are “Auctioneer” the representative of Bonhams conducting the claim or otherwise. for convenience only and will not affect its Sale. interpretation. “Bidder” a person who has completed a Bidding Form. 10.3.2 Unless you buy the Lot as a Consumer, in any “Bidding Form” our Bidding Registration Form, our Absentee circumstances where we are liable to you in 11.8 In this agreement “including” means “including, Bidding Form or our Telephone Bidding Form. respect of a Lot, or any act, omission, statement, without limitation”. “Bonhams” Bonhams 1793 Limited or its successors or representation in respect of it, or this agreement assigns. Bonhams is also referred to in the Buyer’s Agreement, or its performance, and whether in damages, for 11.9 References to the singular will include reference to the Conditions of Business and the Notice to Bidders by the an indemnity or contribution or for a restitutionary the plural (and vice versa) and reference to any one words “we”, “us” and “our”. remedy or in any way whatsoever, our liability will be gender will include reference to the other genders. “Book” a printed Book offered for Sale at a specialist Book limited to payment of a sum which will not exceed Sale. by way of maximum the amount of the Purchase 11.10 Reference to a numbered paragraph is to a “Business” includes any trade, Business and profession. Price of the Lot plus Buyer’s Premium (less any sum paragraph of this agreement. “Buyer” the person to whom a Lot is knocked down by the you may be entitled to recover from the Seller) Auctioneer. The Buyer is also referred to in the Contract for irrespective in any case of the nature, volume or 11.11 Save as expressly provided in paragraph 11.12 Sale and the Buyer’s Agreement by the words “you” and source of any loss or damage alleged to be suffered nothing in this agreement confers (or purports to “your”. or sum claimed as due, and irrespective of whether confer) on any person who is not a party to this “Buyer’s Agreement” the contract entered into by Bonhams the liability arises from negligence, other tort, agreement any benefit conferred by, or the right to with the Buyer (see Appendix 2 in the Catalogue). breach of contract, statutory duty, bailee’s duty, a enforce any term of, this agreement. “Buyer’s Premium” the sum calculated on the Hammer Price restitutionary claim or otherwise. at the rates stated in the Notice to Bidders. 11.12 Where this agreement confers an immunity from, “Catalogue” the Catalogue relating to the relevant Sale, You may wish to protect yourself against loss by and/or an exclusion or restriction of, the responsibility including any representation of the Catalogue published on obtaining insurance. and/or liability of Bonhams, it will also operate in our Website. favour and for the benefit of Bonhams’ holding “Commission” the Commission payable by the Seller to 10.4 Nothing set out above will be construed as excluding company and the subsidiaries of such holding Bonhams calculated at the rates stated in the Contract Form. or restricting (whether directly or indirectly) any company and the successors and assigns of Bonhams “Condition Report” a report on the physical condition of a Lot person’s liability or excluding or restricting any and of such companies and of any officer, employee provided to a Bidder or potential Bidder by Bonhams on behalf person’s rights or remedies in respect of (i) fraud, or and agent of Bonhams and such companies, each of the Seller. (ii) death or personal injury caused by our negligence of whom will be entitled to rely on the relevant “Conditions of Sale” the Notice to Bidders, Contract for Sale, (or any person under our control or for whom we are immunity and/or exclusion and/or restriction within Buyer’s Agreement and Definitions and Glossary. legally responsible), or (iii) acts or omissions for which and for the purposes of Contracts (Rights of Third “Consignment Fee” a fee payable to Bonhams by the Seller we are liable under the Occupiers Liability Act 1957, Parties) Act 1999, which enables the benefit of a calculated at rates set out in the Conditions of Business. or (iv) any other liability to the extent the same may contract to be extended to a person who is not a “Consumer” a natural person who is acting for the relevant not be excluded or restricted as a matter of law, or party to the contract, and generally at law. purpose outside his trade, Business or profession. (v) under our undertaking in paragraph 9 of these “Contract Form” the Contract Form, or vehicle Entry form, as conditions. 12 GOVERNING LAW applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. 11 MISCELLANEOUS All transactions to which this agreement applies “Contract for Sale” the Sale contract entered into by the and all connected matters will be governed by and Seller with the Buyer (see Appendix 1 in the Catalogue). 11.1 You may not assign either the benefit or burden of construed in accordance with the laws of that part “Contractual Description” the only Description of the Lot this agreement. of the United Kingdom where the Sale takes (or (being that part of the Entry about the Lot in the Catalogue is to take) place and we and you each submit to which is in bold letters, any photograph (except for the colour) 11.2 Our failure or delay in enforcing or exercising any the exclusive jurisdiction of the courts of that part and the contents of any Condition Report) to which the Seller power or right under this agreement will not operate of the United Kingdom, save that we may bring undertakes in the Contract of Sale the Lot corresponds. or be deemed to operate as a waiver of our rights proceedings against you in any other court of “Description” any statement or representation in any under it except to the extent of any express waiver competent jurisdiction to the extent permitted by way descriptive of the Lot, including any statement or given to you in writing. Any such waiver will not the laws of the relevant jurisdiction. Bonhams has a representation relating to its authorship, attribution, condition, affect our ability subsequently to enforce any right complaints procedure in place. provenance, authenticity, style, period, age, suitability, quality, arising under this agreement. origin, value, estimated selling price (including the Hammer DATA PROTECTION – USE OF YOUR INFORMATION Price). 11.3 If either party to this agreement is prevented from “Entry” a written statement in the Catalogue identifying the performing that party’s respective obligations Where we obtain any personal information about you, we shall Lot and its Lot number which may contain a Description and under this agreement by circumstances beyond only use it in accordance with the terms of our Privacy Policy illustration(s) relating to the Lot. its reasonable control or if performance of its (subject to any additional specific consent(s) you may have “Estimate” a statement of our opinion of the range within obligations would by reason of such circumstances given at the time your information was disclosed). A copy of which the hammer is likely to fall. give rise to a significantly increased financial our Privacy Policy can be found on our Website www.bonhams. cost to it, that party will not, for so long as such com or requested by post from Customer Services Department, circumstances prevail, be required to perform such 101 New Bond Street, London W1S 1SR, United Kingdom or obligations. This paragraph does not apply to the by email from [email protected]. obligations imposed on you by paragraph 3.

NTB/MAIN/11.12 “Expenses” charges and Expenses paid or payable by “Standard Examination” a visual examination of a Lot by a (3) This subsection applies to a contract of sale in the case Bonhams in respect of the Lot including legal Expenses, non-specialist member of Bonhams’ staff. of which there appears from the contract or is to be banking charges and Expenses incurred as a result of an “Storage Contract” means the contract described in inferred from its circumstances an intention that the electronic transfer of money, charges and Expenses for loss and paragraph 8.3.3 of the Conditions of Business or paragraph seller should transfer only such title as he or a third damage cover, insurance, Catalogue and other reproductions 4.4 of the Buyer’s Agreement (as appropriate). person may have. and illustrations, any customs duties, advertising, packing or “Storage Contractor” means the company identified as such shipping costs, reproductions rights’ fees, taxes, levies, costs of in the Catalogue. (4) In a contract to which subsection (3) above applies there testing, searches or enquiries, preparation of the Lot for Sale, “Terrorism” means any act or threatened act of terrorism, is an implied term that all charges or encumbrances storage charges, removal charges, removal charges or costs whether any person is acting alone or on behalf of or in known to the seller and not known to the buyer have of collection from the Seller as the Seller’s agents or from a connection with any organisation(s) and/or government(s), been disclosed to the buyer before the contract is made. defaulting Buyer, plus VAT if applicable. committed for political, religious or ideological or similar “Forgery” an imitation intended by the maker or any other purposes including, but not limited to, the intention to (5) In a contract to which subsection (3) above applies person to deceive as to authorship, attribution, origin, influence any government and/or put the public or any section there is also an implied term that none of the following authenticity, style, date, age, period, provenance, culture, of the public into fear. will disturb the buyer’s quiet possession of the goods, source or composition, which at the date of the Sale had a “Trust Account” the bank account of Bonhams into which all namely: value materially less than it would have had if the Lot had not sums received in respect of the Purchase Price of any been such an imitation, and which is not stated to be such Lot will be paid, such account to be a distinct and separate (a) the seller; an imitation in any description of the Lot. A Lot will not be a account to Bonhams’ normal business bank account. Forgery by reason of any damage to, and/or restoration and/ “VAT” value added tax at the prevailing rate at the date of the (b) in a case where the parties to the contract intend or modification work (including repainting or over painting) Sale in the United Kingdom. that the seller should transfer only such title as a having been carried out on the Lot, where that damage, “Website” Bonhams Website at www.bonhams.com third person may have, that person; restoration or modification work (as the case may be) does not “Withdrawal Notice” the Seller’s written notice to Bonhams substantially affect the identity of the Lot as one conforming to revoking Bonhams’ instructions to sell a Lot. (c) anyone claiming through or under the seller or the Description of the Lot. “Without Reserve” where there is no minimum price at that third person otherwise than under a charge “Guarantee” the obligation undertaken personally by which a Lot may be sold (whether at auction or by private or encumbrance disclosed or known to the buyer Bonhams to the Buyer in respect of any Forgery and, in the treaty). before the contract is made. case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out GLOSSARY (5A) As regards England and Wales and Northern Ireland, the in the Buyer’s Agreement. term implied by subsection (1) above is a condition and “Hammer Price” the price in the currency in which the Sale is The following expressions have specific legal meanings with the terms implied by subsections (2), (4) and (5) above conducted at which a Lot is knocked down by the Auctioneer. which you may not be familiar. The following glossary is are warranties.” “Loss and Damage Warranty” means the warranty described intended to give you an understanding of those expressions in paragraph 8.2 of the Conditions of Business. but is not intended to limit their legal meanings: “Loss and Damage Warranty Fee” means the fee described “artist’s resale right”: the right of the creator of a work of art in paragraph 8.2.3 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the “Lot” any item consigned to Bonhams with a view to its Sale original Sale of that work by the creator of it as set out in the at auction or by private treaty (and reference to any Lot will Artists Resale Right Regulations 2006. include, unless the context otherwise requires, reference to “bailee”: a person to whom goods are entrusted. individual items comprised in a group of two or more items “indemnity”: an obligation to put the person who has offered for Sale as one Lot). the benefit of the indemnity in the same position in which “Motoring Catalogue Fee” a fee payable by the Seller to he would have been, had the circumstances giving rise to Bonhams in consideration of the additional work undertaken the indemnity not arisen and the expression “indemnify” is by Bonhams in respect of the cataloguing of motor vehicles construed accordingly. and in respect of the promotion of Sales of motor vehicles. “interpleader proceedings”: proceedings in the Courts to “New Bond Street” means Bonhams’ saleroom at 101 New determine ownership or rights over a Lot. Bond Street, London W1S 1SR. “knocked down”: when a Lot is sold to a Bidder, indicated by “Notional Charges” the amount of Commission and VAT the fall of the hammer at the Sale. which would have been payable if the Lot had been sold at the “lien”: a right for the person who has possession of the Lot to Notional Price. retain possession of it. “Notional Fee” the sum on which the Consignment Fee “risk”: the possibility that a Lot may be lost, damaged, payable to Bonhams by the Seller is based and which is destroyed, stolen, or deteriorate in condition or value. calculated according to the formula set out in the Conditions “title”: the legal and equitable right to the ownership of a Lot. of Business. “tort”: a legal wrong done to someone to whom the wrong “Notional Price” the latest in time of the average of the doer has a duty of care. high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, SALE OF GOODS ACT 1979 the Reserve applicable to the Lot. “Notice to Bidders” the notice printed at the back or front of The following is an extract from the Sale of Goods Act 1979: our Catalogues. “Purchase Price” the aggregate of the Hammer Price and VAT “Section 12 Implied terms about title, etc on the Hammer Price. “Reserve” the minimum price at which a Lot may be sold (1) In a contract of sale, other than one to which subsection (whether at auction or by private treaty). (3) below applies, there is an implied term on the part of “Sale” the auction Sale at which a Lot is to be offered for Sale the seller that in the case of a sale he has a right to sell by Bonhams. the goods, and in the case of an agreement to sell he “Sale Proceeds” the net amount due to the Seller from the will have such a right at the time when the property is to Sale of a Lot, being the Hammer Price less the Commission, any pass. VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising. (2) In a contract of sale, other than one to which subsection “Seller” the person who offers the Lot for Sale named on (3) below applies, there is also an implied term that- the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the (a) the goods are free, and will remain free until person named on the Contract Form acts as an agent for a the time when the property is to pass, from any principal (whether such agency is disclosed to Bonhams or not), charge or encumbrance not disclosed or known “Seller” includes both the agent and the principal who shall be to the buyer before the contract is made, and jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”. (b) the buyer will enjoy quiet possession of the goods “Specialist Examination” a visual examination of a Lot by a except in so far as it may be disturbed by the specialist on the Lot. owner or other person entitled to the benefit “Stamp” means a postage Stamp offered for Sale at a of any charge or encumbrance so disclosed or Specialist Stamp Sale. known.

NTB/MAIN/11.12 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments UK Porcelain & Pottery Memorabilia UK Jon Baddeley Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 USA Jonathan Snellenburg Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley Matthew Bradbury Contemporary Art U.S.A +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 U.S.A Jeffrey Smith AUSTRALIA Jeremy Goldsmith +1 415 503 3413 Damien Duigan Silver & Gold Boxes Aboriginal Art +1 212 644 9656 +61 2 8412 2232 UK Greer Adams Greek Art Automobilia Michael Moorcroft +61 2 8412 2222 California & Olympia Pappa UK +44 20 7468 8241 American Paintings +44 20 7468 8314 Toby Wilson U.S.A African and Oceanic Art Scot Levitt +44 8700 273 619 Aileen Ward UK +1 323 436 5425 Golf Sporting USA +1 800 223 5463 Philip Keith Memorabilia Kurt Forry +44 2920 727 980 Carpets Kevin Mcgimpsey +1 415 391 4000 South African Art U.S.A UK +44 1244 353123 Giles Peppiatt Fred Baklar Mark Dance Motorcycles +44 20 7468 8355 +1 323 436 5416 +44 8700 27361 Irish Art Ben Walker U.S.A. Penny Day +44 8700 273616 Sporting Guns American Paintings Hadji Rahimipour +44 20 7468 8366 Automobilia Patrick Hawes Alan Fausel +1 415 503 3392 Adrian Pipiros +44 20 7393 3815 +1 212 644 9039 Impressionist & +44 8700 273621 Chinese & Asian Art Modern Art Toys, Dolls & Chess Antiquities UK Deborah Allan Musical Instruments Leigh Gotch Madeleine Perridge Asaph Hyman +44 20 7468 8276 Philip Scott +44 20 8963 2839 +44 20 7468 8226 +44 20 7468 5888 +44 20 7393 3855 U.S.A Islamic & Indian Art Travel Pictures Antique Arms & Armour Dessa Goddard Alice Bailey Natural History Veroniqe Scorer UK +1 415 503 3333 +44 20 7468 8268 U.S.A +44 20 7393 3960 David Williams HONG KONG Claudia Florian +44 20 7393 3807 Julian King Japanese Art +1 323 436 5437 Urban Art U.S.A +852 2918 4321 UK Gareth Williams Paul Carella Suzannah Yip Old Master Pictures +44 20 7468 5879 +1 415 503 3360 Clocks +44 20 7468 8368 UK UK U.S.A Andrew Mckenzie Watches & Art Collections, James Stratton Jeff Olson +44 20 7468 8261 Wristwatches Estates & Valuations +44 20 7468 8364 +1 212 461 6516 U.S.A UK Harvey Cammell U.S.A Mark Fisher Paul Maudsley +44 (0) 207 468 8340 Jonathan Snellenburg Jewellery +1 323 436 5488 +44 20 7447 7412 +1 212 461 6530 UK U.S.A. Art Nouveau & Decorative Jean Ghika Orientalist Art Jonathan Snellenburg Art & Design Coins & Medals +44 20 7468 8282 Charles O’Brien +1 212 461 6530 UK UK U.S.A +44 20 7468 8360 HONG KONG Mark Oliver John Millensted Susan Abeles Carson Chan +44 20 7393 3856 +44 20 7393 3914 +1 212 461 6525 Photography +852 2918 4321 U.S.A U.S.A AUSTRALIA U.S.A Frank Maraschiello Paul Song Patti Sedgwick Judith Eurich Whisky +1 212 644 9059 +1 323 436 5455 +61 2 8412 2222 +1 415 503 3259 UK Martin Green Australian Art Contemporary Art Marine Art Portrait Miniatures +44 1292 520000 Litsa Veldekis & Modern Design UK Camilla Lombardi U.S.A +61 2 8412 2222 UK Alistair Laird +44 20 7393 3985 Joseph Hyman Gareth Williams +44 20 7468 8211 +1 917 206 1661 Australian Colonial +44 20 7468 5834 U.S.A Prints HONG KONG Furniture and Australiana U.S.A Gregg Dietrich UK Daniel Lam James Hendy Sharon Goodman Squires +1 917 206 1697 Robert Kennan +852 3607 0004 +61 2 8412 2222 +1 212 644 9128 +44 20 7468 8212 Mechanical Music U.S.A Wine Books, Maps & Costume & Textiles Laurence Fisher Judith Eurich UK Manuscripts Claire Browne +44 20 7393 3984 +1 415 503 3259 Richard Harvey UK +44 1564 732969 +44 (0) 8700 273622 David Park Modern, Contemporary Russian Art U.S.A +44 20 7393 3817 Entertainment & Latin American Art UK Doug Davidson U.S.A Memorabilia U.S.A Sophie Hamilton +1 415 503 3363 Christina Geiger UK Sharon Goodman Squires +44 20 7468 8334 HONG KONG +1 212 644 9094 Stephanie Connell +1 212 644 9128 U.S.A Daniel Lam +44 20 7393 3844 Yelena Harbick +852 3607 0004 British & European Glass U.S.A +1 212 644 9136 UK Catherine Williamson Simon Cottle +1 323 436 5442 +44 20 7468 8383 U.S.A. Ethnographic Art Suzy Pai Jim Haas +1 415 503 3343 +1 415 503 3294

SD05/2012-09 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom)

UNITED KINGDOM Representatives: Representative: Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Isle of Man Via Boccaccio 22 London Bill Allan Felicity Loughran 20123 Milano USA Argentina 101 New Bond Street • +44 1935 815 271 +44 1624 822 875 +39 (0)2 4953 9020 Daniel Claramunt London W1S 1SR +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 +44 20 7447 7447 East Anglia Channel Islands [email protected] 220 San Bruno Avenue +44 20 7447 7400 fax San Francisco Brazil Bury St. Edmunds Jersey Italy - rome CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street 39 Don Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 London SW7 1HH Bury St Edmunds St.Helier 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG JE2 4TR +39 (0)6 48 5900 +44 20 7393 3905 fax +44 1284 716 190 +44 1534 722 441 +39 (0)6 482 0479 fax Los Angeles • +44 1284 755 844 fax +44 1534 759 354 fax [email protected] 7601 W. Sunset Boulevard ASIA South East Los Angeles England Norfolk Representative: Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Guernsey de Lairessestraat 123 +1 (323) 850 7500 Carson Chan Brighton & Hove Reepham +44 1481 722 448 1075 HH Amsterdam +1 (323) 850 6090 fax Suite 1122 19 Palmeira Square Norfolk NR10 4JJ +31 20 67 09 701 Two Pacific Place Hove, East Sussex +44 1603 871 443 Scotland +31 20 67 09 702 fax New York • 88 Queensway BN3 2JN +44 1603 872 973 fax [email protected] 580 Madison Avenue Admiralty +44 1273 220 000 Edinburgh • New York, NY Hong Kong +44 1273 220 335 fax Midlands 22 Queen Street Spain - Madrid 10022 +852 2918 4321 Edinburgh Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax Guildford Knowle EH2 1JX Madrid +1 (212) 644 9007 fax Millmead, The Old House +44 131 225 2266 28001 Beijing Guildford, Station Road +44 131 220 2547 fax +34 91 578 17 27 Representatives: Xibo Wang Surrey GU2 4BE Knowle, Solihull [email protected] Arizona Room A515 +44 1483 504 030 West Midlands Glasgow Terri Adrian-Hardy F/5 CBD International Mansion +44 1483 450 205 fax B93 0HT 176 St. Vincent Street, Switzerland - Geneva +1 (480) 994 5362 No. 16 Yongan Dongli +44 1564 776 151 Glasgow Rue Etienne-Dumont 10 Chaoyang District Tunbridge Wells +44 1564 778 069 fax G2 5SG 1204 Geneva California Beijing 100022 Ground Floor +44 141 223 8866 Switzerland Central Valley +852 3607 0023 Royal Victoria House Oxford • +44 141 223 8868 fax +41 76 379 9230 David Daniel +852 2918 4320 fax 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 Tunbridge Wells, Kent Shipton on Cherwell Representatives: Japan TN2 5TE Kidlington OX5 1JH Wine & Spirits Representatives: District of Columbia/ Hiromi Ono +44 1892 546 818 +44 1865 853 640 Tom Gilbey Greece Mid-Atlantic Level 14 Hibiya Central Building +44 1892 518 077 fax +44 1865 372 722 fax +44 1382 330 256 Art Expertise Martin Gammon 1-2-9 Nishi-Shimbashi +30 210 3636 404 +1 (202) 333 1696 Minato-ku Isle of Wight Henley Wales Tokyo 105-0003 +44 1983 282 228 The Coach House Marbella Southern California +81 (0) 3 5532 8636 66 Northfield End Cardiff James Roberts Christine Eisenberg +81 (0) 3 5532 8637 fax Representative: Henley on Thames 7-8 Park Place, +34 952 90 62 50 +1 (949) 646 6560 [email protected] West Sussex Oxon RG9 2JN Cardiff CF10 3DP [email protected] Jeff Burfield +44 1491 413 636 +44 2920 727 980 Florida Taiwan +44 1243 787 548 +44 1491 413 637 fax +44 2920 727 989 fax Portugal +1 (305) 228 6600 +886 2 8758 2898 Filipa Rebelo de Andrade South West Yorkshire & North East +351 91 921 4778 Georgia England England EUrOPE [email protected] Mary Moore Bethea AUSTrALIA +1 (404) 842 1500 Bath Leeds Austria - Vienna russia Sydney Queen Square House 30 Park Square West Garnisongasse 4 Marina Jacobson Illinois 76 Paddington Street Charlotte Street Leeds LS1 2PF 1090 Vienna +7 921 555 2302 Ricki Blumberg Harris Paddington NSW 2021 Bath BA1 2LL +44 113 234 5755 +43 (0)1 403 00 01 [email protected] +1 (312) 475 3922 Australia +44 1225 788 988 +44 113 244 3910 fax [email protected] +1 (773) 267 3300 +61 (0) 2 8412 2222 +44 1225 446 675 fax +61 (0) 2 9475 4110 fax North West England Belgium - Brussels Massachusetts [email protected] Cornwall – Par Boulevard Boston/New England Cornubia Hall Chester • Saint-Michel 101 Amy Corcoran Melbourne Eastcliffe Road New House 1040 Brussels +1 (617) 742 0909 Ormond Hall Par, Cornwall 150 Christleton Road +32 (0)2 736 5076 557 St Kilda Rd PL24 2AQ Chester, Cheshire +32 (0)2 732 5501 fax Nevada Melbourne VIC 3004 +44 1726 814 047 CH3 5TD [email protected] David Daniel +61 (0) 3 8640 4088 +44 1726 817 979 fax +44 1244 313 936 +1 (775) 831 0330 +44 1244 340 028 fax France - Paris Representatives: Exeter 4 rue de la Paix New Mexico Perth The Lodge Carlisle 75002 Paris Leslie Trilling Norah Ohrt Southernhay West Exeter, 48 Cecil Street +33 (0)1 42 61 1010 +1 (505) 820 0701 +61 (0) 8 9433 4414 Devon Carlisle, Cumbria +33 (0)1 42 61 1015 fax EX1 1JG CA1 1NT [email protected] Oregon Adelaide +44 1392 425 264 +44 1228 542 422 Sheryl Acheson James Bruce +44 1392 494 561 fax +44 1228 590 106 fax Germany - Cologne +1(503) 312 6023 +61 (0) 8 8232 2860 Albertusstrasse 26 Winchester Manchester 50667 Cologne Texas The Red House The Stables +49 (0)221 2779 9650 Amy Lawch AFrICA Hyde Street 213 Ashley Road +49 (0)221 2779 9652 fax +1 (713) 621 5988 Winchester Hale WA15 9TB [email protected] South Africa - Johannesburg Hants SO23 7DX +44 161 927 3822 Washington Penny Culverwell +44 1962 862 515 +44 161 927 3824 fax Germany - Munich Heather O’Mahony +27 (0)71 342 2670 +44 1962 865 166 fax Maximilianstrasse 52 +1 (206) 218 5011 [email protected] Southport 80538 Munich Tetbury 33 Botanic Road +49 (0) 89 2420 5812 CANADA 22a Long Street Churchtown +49 (0) 89 2420 7523 fax Tetbury Southport [email protected] Toronto, Ontario • Gloucestershire Merseyside PR9 7NE Jack Kerr-Wilson GL8 8AQ +44 1704 507 875 Ireland - Dublin 20 Hazelton Avenue +44 1666 502 200 +44 1704 507 877 fax 31 Molesworth Street Toronto, ONT +44 1666 505 107 fax Dublin 2 M5R 2E2 +353 (0)1 602 0990 +1 (416) 462 9004 +353 (0)1 4004 140 fax [email protected] [email protected] Montreal, Quebec David Kelsey +1 (514) 341 9238 [email protected]

G-NET/12/12 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: The Winter Antique & Picture Sale Sale date: Thursday 31 January 2013

Sale no. 20642 Sale venue: Edinburgh Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 3% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/08/12 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Thursday 31 January 2013

Edinburgh Bonhams 22 Queen Street Edinburgh EH2 1JX +44 (0)131 225 2266 +44 (0)131 220 2547 fax

98 | Bonhams