Liszt and Russia" TABLE of CONTENTS by Dmitry Rachmanov, Host
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dartmouth Symphony Orchestra Student Showcase Filippo Ciabatti, Conductor
presents Dartmouth Symphony Orchestra Student Showcase Filippo Ciabatti, conductor Alyssa Gao, violin Betty Kim, violin Richard Lu, cello Funded in part by the Roesch Family Fund in support of Instrumental Ensembles and gifts from Friends of the Dartmouth Symphony Orchestra. Spaulding Auditorium’s Hamburg Steinway concert grand piano was purchased with generous gifts from Members of the Hopkins Center and Members of the Hood Museum of Art; the class of 1942, in memory of Allan Dingwall ’42; and anonymous donors. Sat, Oct 5, 7:30 pm 2019 • Spaulding Auditorium • Dartmouth College Program Violin Concerto in D Major, Op. 35 Pyotr Ilyich Tchaikovsky (1840–1893) Alyssa Gao, violin I. Allegro moderato II. Canzonetta: Andante III. Finale: Allegro vivacissimo Intermission Tzigane Maurice Ravel (1875–1937) Betty Kim, violin Variations on a Rococo Theme, Op. 33 Pyotr Ilyich Tchaikovsky (1840–1893) Richard Lu, cello I. Moderato assai quasi Andante—Thema: Moderato semplice II. Var. I: Tempo della Thema III. Var. II: Tempo della Thema IV. Var. III: Andante V. Var. IV: Allegro vivo VI. Var. V: Andante grazioso VII. Var. VI: Andante VIII. Var. VII: Andante sostenuto IX. Var. VIII e Coda: Allegro moderato con anima Program Notes Violin Concerto in D Major, Op. 35 months, becoming very depressed. The concerto’s Pyotr Illyich Tchaikovsky future seemed catastrophic. Things began to look up In early 1878, Tchaikovsky’s patron Nadezhda when, on December 4, 1881, Adolf Brodsky, the second von Meck gave the composer money to use for an dedicatee, premiered the work in Vienna and wrote, extended holiday. She felt that his failed marriage in “One can play the concerto again and again and never 1877 and suicide attempt by drowning in the Moscow be bored. -
Myra Hess Had to Wait for Her Ultimate Breakthrough in Her English Homeland; for This Reason, She Initially Had to Earn Her Living by Teaching
Hess, Myra Irene Scharrer. However, Myra Hess had to wait for her ultimate breakthrough in her English homeland; for this reason, she initially had to earn her living by teaching. Her first major success abroad was her debut in Amster- dam, where she performed Schumann's Piano Concerto in A minor, Op. 54 with the Concertgebouw Orchestra un- der Willem Mengelberg in 1912. In 1922 followed her de- but in New York, where she was celebrated with equal en- thusiasm. Her career advanced rapidly from that point onwards, and she rose to the position of one of the most successful pianists in her homeland during the ensuing years. During the 1930s, she undertook extended concert tours throughout all of Europe, including the Scandinavi- an countries, Czechoslovakia, Hungary, Rumania, Tur- key, Yugoslavia, Germany, France and Holland. At the be- ginning of the Second World War, when all of London's concert halls were closed, she founded the legendary "Lunchtime Recitals" at the National Gallery, offering the London public a broad spectrum of high-quality pro- grammes with both young and established musicians. She herself performed at the National Gallery 146 times. The concerts were held without interruption until 10 Ap- Die Pianistin Myra Hess ril 1946. In 1941 Myra Hess was honoured with the title "Dame Commander of the Order of the British Empire" Myra Hess for her special efforts on behalf of musical life in her ho- meland. After the Second World War, the meanwhile fa- * 25 February 1890 in Hampstead (im heutigen mous pianist regularly gave concerts in her native count- Londoner Stadtbezirk Camden), England ry and in the USA, where she enjoyed great popularity. -
À¸£À¸ΜวÀ¸À¸´À¸Šà¸´ À
รีวà¸à ¸´à¸Šà¸´ ซะà¸à ¸°à¹‚มะโตะ à¸‐ ัลบั้ม รายà¸à ¸²à¸£ (รายชื่à¸‐ จานเสียง & ระยะเวลา) Thousand Knives https://th.listvote.com/lists/music/albums/thousand-knives-11405209/songs Neo Geo https://th.listvote.com/lists/music/albums/neo-geo-3338075/songs BTTB https://th.listvote.com/lists/music/albums/bttb-595614/songs Futurista https://th.listvote.com/lists/music/albums/futurista-11519577/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Sweet Revenge https://th.listvote.com/lists/music/albums/sweet-revenge-11311201/songs The Sheltering Sky https://th.listvote.com/lists/music/albums/the-sheltering-sky-7763767/songs Discord https://th.listvote.com/lists/music/albums/discord-3030144/songs CM/TV https://th.listvote.com/lists/music/albums/cm%2Ftv-11193441/songs /05 https://th.listvote.com/lists/music/albums/%2F05-941663/songs Bricolages https://th.listvote.com/lists/music/albums/bricolages-2925132/songs Illustrated Musical Encyclopedia https://th.listvote.com/lists/music/albums/illustrated-musical-encyclopedia-3148759/songs Esperanto https://th.listvote.com/lists/music/albums/esperanto-11290111/songs Media Bahn Live https://th.listvote.com/lists/music/albums/media-bahn-live-11343838/songs /04 https://th.listvote.com/lists/music/albums/%2F04-2806449/songs Left Handed Dream https://th.listvote.com/lists/music/albums/left-handed-dream-11479657/songs US -
MAHANI TEAVE Concert Pianist Educator Environmental Activist
MAHANI TEAVE concert pianist educator environmental activist ABOUT MAHANI Award-winning pianist and humanitarian Mahani Teave is a pioneering artist who bridges the creative world with education and environmental activism. The only professional classical musician on her native Easter Island, she is an important cultural ambassador to this legendary, cloistered area of Chile. Her debut album, Rapa Nui Odyssey, launched as number one on the Classical Billboard charts and received raves from critics, including BBC Music Magazine, which noted her “natural pianism” and “magnificent artistry.” Believing in the profound, healing power of music, she has performed globally, from the stages of the world’s foremost concert halls on six continents, to hospitals, schools, jails, and low-income areas. Twice distinguished as one of the 100 Women Leaders of Chile, she has performed for its five past presidents and in its Embassy, along with those in Germany, Indonesia, Mexico, China, Japan, Ecuador, Korea, Mexico, and symbolic places including Berlin’s Brandenburg Gate, Chile’s Palacio de La Moneda, and Chilean Congress. Her passion for classical music, her local culture, and her Island’s environment, along with an intense commitment to high-quality music education for children, inspired Mahani to set aside her burgeoning career at the age of 30 and return to her Island to found the non-profit organization Toki Rapa Nui with Enrique Icka, creating the first School of Music and the Arts of Easter Island. A self-sustaining ecological wonder, the school offers both classical and traditional Polynesian lessons in various instruments to over 100 children. Toki Rapa Nui offers not only musical, but cultural, social and ecological support for its students and the area. -
Melbourne Symphony Orchestra Sir Andrew Davis
MAHLER 9 16, 17 & 19 MARCH 2018 CONCERT PROGRAM MELBOURNE SYMPHONY ORCHESTRA Aspiring to the sublime: Mahler 9 And in ceasing, we lose it all. But in letting go, we have gained everything.’ ‘Wohin ich geh'? Ich geh', ich wand're in die Berge. Ich suche Ruhe für mein einsam Herz.’ Almost at the end of MSO’s Mahler cycle (Where do I go? I go, I wander in the of Symphonies, the Ninth aspires to the mountains. I seek peace for my lonely heart.) sublime, and to what lies beyond. Mahler’s Ninth Symphony continues where Ronald Vermeulen Der Abschied, the last movement from his Director of Artistic Planning Lied von der Erde, ends. A similar feeling of farewell and resignation permeates most of this Symphony. Is it a coincidence that the first movement opens with a motif that For further listening we recommend: alludes to Beethoven’s Piano Sonata No.26 On 7–8 June, conductor Andrea Molino Les Adieux? Beethoven wrote the word will lead the MSO in a Mahler rarity: the ‘Le-be-wohl’ (Farewell) above the three tone poem Totenfeier. This work became Melbourne Symphony Orchestra descending chords that Mahler quotes the basis for the first movement of in his Symphony. Mahler’s Second Symphony. But even after Sir Andrew Davis conductor The two middle movements are an the Symphony’s premiere, Mahler kept emotional rollercoaster, with an angelic performing Totenfeier as a separate piece. trumpet melody in the Rondo Burlesque In the same concert, Mahler-baritone par pointing at the sublime serenity of the excellence, Thomas Hampson will perform Mahler Symphony No.9 Adagio that concludes the Symphony. -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
24 June 2016 Page 1 of 19 SATURDAY 18 JUNE 2016 4:27 AM Pachelbel, Johann (1653-1706) SAT 01:00 Through the Night (B07gbffm) Canon in D Major Arr
Radio 3 Listings for 18 – 24 June 2016 Page 1 of 19 SATURDAY 18 JUNE 2016 4:27 AM Pachelbel, Johann (1653-1706) SAT 01:00 Through the Night (b07gbffm) Canon in D major arr. for 3 violins Myung-Whun Chung conducts Bruch and Mahler Members of the Polish Radio National Symphony Orchestra in Katowice Jonathan Swain presents a performance of Bruch's 1st Violin Concerto with Gil Shaham and Mahler's 5th Symphony. Myung- 4:33 AM Whun Chung conducts the Radio France Philharmonic. Bizet, Georges [1838-1875] (compiled by Ernest Guiraud) L'Arlesienne - suite no.2 1:01 AM Slovenian Radio and Television Symphony Orchestra, Marko Bruch, Max (1838-1920) Munih (conductor) Violin Concerto No.1 in G minor (Op.26) Gil Shaham (violin), Radio France Philharmonic Orchestra, 4:47 AM Myung-Whun Chung (conductor) Geminiani, Francesco (1687-1762) Concerto Grosso in G minor 1:26 AM Academy of Ancient Music, Andrew Manze (director/violin) Bach, Johann Sebastian (1685-1750) Gavotte en Rondeau from the Partita No.3 in E major (BWV 4:55 AM 1006) Stravinsky, Igor [1882-1971] Gil Shaham (violin) Fireworks (Op.4) BBC Symphony Orchestra, Jiri Belohlavek (conductor) 1:30 AM Mahler, Gustav (1860-1911) 5:01 AM Symphony no. 5 in C sharp minor Handel, Georg Frideric (1685-1759) Radio France Philharmonic Orchestra, Myung-Whun Chung Overture and prelude to act II of Acis and Galatea K.566 (conductor) Norwegian Radio Orchestra, Andrew Manze (Conductor) 2:43 AM 5:11 AM Bizet, Georges (1838-1875) Telemann, Georg Philipp (1681-1767) Overture to Carmen Suite for strings and continuo (TWV.55:g1) in G minor 'La Radio France Philharmonic Orchestra, Myung-Whun Chung Musette' (conductor) B'Rock 2:46 AM 5:25 AM Mendelssohn, Felix (1809-1847) Stenhammar, Wilhelm (1871-1927) Meeresstille und gluckliche Fahrt - overture (Op.27) Ithaka (Op.21) Orchestre National de France, Riccardo Muti (conductor) Peter Mattei (baritone), Swedish Radio Symphony Orchestra, Manfred Honeck (conductor) 3:01 AM Purcell, Henry (1659-1695) 5:35 AM Sonata No.9 for 2 violins and continuo in F major (Z.810) Strauss, Johann, II (1825-1899), arr. -
Benjamin Britten in the Music Culture of the Soviet Union in the 1960S (To the 100Th Anniversary of the Composer's Birth)
International Journal of Humanities and Social Science Vol. 3 No. 14 [Special Issue - July 2013] Benjamin Britten in the Music Culture of the Soviet Union in the 1960s (to the 100th Anniversary of the Composer's Birth) Alexander Rossinsky Department of Art Altai State University Russia Ekaterina Vorontsova Department of History Altai State University Russia Abstract The period of the 1960-s was difficult and controversial. Former allies of the anti-Hitler coalition turned to be on different sides of the acute ideological struggle which nearly led to the world war. Tremendous work was carried by artists, musicians who united disparate peoples into the community calling for the universal values. The central place in such the sphere of music belongs to one of the greatest composers of the 20th century, Benjamin Britten. Together with the Soviet musicians he pushed the world back from the sharp ideological confrontation. Keywords: B.Brittten, P.Pears, USSR, M.Rostropovich, G.Vishnevskaya, D.Shostakovich, symphonic and chamber music. The events unfolding in the world, which had survived the most destructive war in the history of human civilization, were dramatic and characterised by multi-vector directions of their development. The countries that joined the anti-Hitler coalition in the 40s, in the 60s were experiencing the peak of their ideological hostility, teetering on the verge of unleashing the third world war. At the same time, the Soviet Union, headed the unpredictable and highly controversial leader Nikita Khrushchev, pursued a policy of flirtations with liberalism in an attempt to overcome the cult of personality of Joseph Stalin and remove the notorious “Iron Curtain”, which for decades had protected the USSR from Western influence. -
String Concert Academy
STRING CONCERT ACADEMY Leonid Gorokhov Cello The Russian cellist Leonid Gorokhov studied at the St. Petersburg Conservatoire with Anatoli Nikitin and took part in masterclasses with Daniil Shafran. Winner of Concertino Praga (First Prize) and Paris Chamber Music Competition (Premier Grand Prix), Leonid Gorokhov is the only Russian cellist to be awarded the Grand Prix and the First Prize of the Geneva Concours (1986). In 1995 the European Association for Encouragement of the Arts awarded the Cultural Achievement Prize to Leonid Gorokhov for exceptional talent and outstanding artistic accomplishment. In 1991, Leonid Gorokhov appeared as soloist with the St. Petersburg Philharmonic conducted by Lord Menuhin; their strong musical rapport led to further concerto engagements with the Bergen, Berlin & Royal Philharmonic Orchestra, English Symphony Orchestra, Sinfonia Varsovia and the Zurich Tonhalle. In 1995, he made a triumphant return to Russia in performances of the Elgar Cello Concerto with the Philharmonia Hungarica, again conducted by Lord Menuhin. Apart from his work as a soloist, he is a founder member of the Hermitage String Trio (playing with Boris Garlitsky, violin, and Alexander Zemstov, viola) and plays regularly as a duo with the pianists Nikolai Demidenko, Niklas Sivelov and Kathryn Stott. Duo recitals have included the Båstad, Belfast, Eilat Winter, Oslo Chamber Music and Petworth Festivals, Munich and Wigmore Hall. Recent engagements have included the Elgar concerto with the Enescu Philharmonic in Bucharest and the Walton Concerto with the Philharmonia Orchestrain the UK. In Australia, his residence at the Townsville Festival found him playing a wide variety of chamber music; in Russia he has performed the rarely played Davidoff Concerto No 2 with the St. -
Cpo 555 234–2 Booklet.Indd 1 22.11.2019 09:46:40 Łukasz Borowicz (© Photo: Katarzyna Zalewska)
Mieczysław Weinberg Cello Concerto op. 43 · Fantasy op. 52 Concertino op. 43bis Raphael Wallfisch Kristiansand Symphony Orchestra Łukasz Borowicz cpo 555 234–2 Booklet.indd 1 22.11.2019 09:46:40 Łukasz Borowicz (© Photo: Katarzyna Zalewska) cpo 555 234–2 Booklet.indd 2 22.11.2019 09:46:40 VOICES IN THE WILDERNESS CELLO CONCERTOS BY EXILED JEWISH COMPOSERS Mieczysław Weinberg (1919–1996) Cello Concerto 33'19 op. 43 1 Adagio 7'53 2 Moderato 5'47 3 Allegro 9'47 4 Allegro 9'52 5 Fantasy op. 52 (1954) 17'08 16'30 Concertino op. 43bis 6 Adagio 4'35 7 Moderato espressivo 3'23 8 Allegro vivace 8'32 T.T.: 67'02 Raphael Wallfisch, Violoncello Kristiansand Symphony Orchestra Łukasz Borowicz, Conductor cpo 555 234–2 Booklet.indd 3 22.11.2019 09:46:40 Anmerkungen des Cellisten Mieczysław Weinberg kam am 8. Dezember 1918 auf die Welt, keinen ganzen Monat, nachdem Polen Dem reichhaltigen und vielgestaltigen Repertoire un- seine Unabhängigkeit wiedergewonnen hatte. Er wuchs serer neuen Serie »Cellokonzerte jüdischer Komponisten in Warschau auf, einer Stadt, die zu 2/3 von Polen be- im Exil« fühle ich mich emotional sehr eng verbunden. wohnt war und zu 1/3 von Juden, die sich immer stärker Ich halte es als Cellist für eine Lebensaufgabe, mich als Polen fühlten, ähnlich wie er. Niemals leugnete er für die Musik jüdischer Komponisten zu engagieren, die seine jüdischen Wurzeln, aber bis ans Ende seines Le- das infame Dritte Reich zum Schweigen verurteilte und bens drängte er darauf, dass man ihn als Mieczysław die aus ihrer Heimat fliehen mussten, um zu überleben. -
Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Volume LIV, No 1, January-March 2016
CyprusTODAY Volume LIV, No 1, January-March 2016 Contents Editorial .................................................................................2 Towards Digital Cultural Heritage in Cyprus .......................4 Excellence in Letters, Arts and Sciences ............................12 World Heritage of Cyprus: history, myth and religion .......19 16th Cyprus Contemporary Dance Platform ........................30 Vestiges 1991-2016 .............................................................36 The Conservation of the Creative Process ..........................39 Niki Marangou, 1948-2013: In Memoriam ........................40 Elena Zymara at Contemporary Space Athens ...................42 The Cyprus Symphony Orchestra .......................................44 The Cyprus Theatre Organisation .......................................46 The Pharos Arts Foundation ................................................49 International Short Film Festival Oberhausen ....................58 O!PLA ACROSS THE BORDERS ....................................60 2nd Ayia Napa Street Art Festival .........................................62 Creative Plates .....................................................................64 Volume LIV, No 1, January - March 2016 A quarterly cultural review of the Ministry of Education and Editorial Assistance: Culture published and distributed by the Press and Information Renos Christoforou Office (PIO), Ministry of Interior, Nicosia, Cyprus. [email protected] Press and Information Office Address: Ministry of