Volume LIV, No 1, January-March 2016
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CHRISTOPH PRÉGARDIEN CYPRIEN KATSARIS Auf Flügeln Des Gesanges Romantic Songs and Piano Transcriptions
CHRISTOPH PRÉGARDIEN CYPRIEN KATSARIS Auf Flügeln des Gesanges Romantic songs and piano transcriptions 1 CHRISTOPH PRÉGARDIEN CYPRIEN KATSARIS Auf Flügeln des Gesanges Romantic songs and piano transcriptions FRANZ SCHUBERT (1797-1828) CLARA SCHUMANN [1] Die Forelle, Op. 32, D. 530 2:16 [9] 6 Lieder, Op. 23 3:31 FRANZ LISZT (1810-1886) No. 3: Geheimes Flüstern hier und dort [2] 6 Melodien von Franz Schubert, S. 563 3:02 FRANZ LISZT No. 6: Die Forelle (1st version) [10] Lieder von Robert und Clara Schumann, S. 569 2:26 No. 10: Geheimes Flüstern hier und dort FRANZ SCHUBERT [3] Schwanengesang, D. 957 2:46 FRANZ LISZT No. 1: Liebesbotschaft [11] Im Rhein, im schönen Strome (2nd version), S. 272 2:49 LEOPOLD GODOWSKY (1870-1938) [12] Buch der Lieder I, S. 531 2:17 [4] Transcription of Liebesbotschaft 3:31 No. 2: Im Rhein, im schönen Strome FELIX MENDELSSOHN-BARTHOLDY (1809-1847) RICHARD WAGNER (1813-1883) [5] 6 Gesänge, Op. 34 2:53 [13] 5 Gedichte für eine Frauenstimme (Wesendonck-Lieder), WWV 91 4:28 No. 2: Auf Flügeln des Gesanges No. 5: Träume FRANZ LISZT AUGUST STRADAL (1860-1930) [6] Mendelssohns Lieder, S. 547 3:28 [14] Transcription of Träume 4:30 No. 1: Auf Flügeln des Gesanges HUGO WOLF (1860-1903) ROBERT SCHUMANN (1810-1856) [15] Anakreons Grab 2:52 [7] Liederkreis, Op. 39 1:16 BRUNO HINZE-REINHOLD (1877-1964) No. 12: Frühlingsnacht [16] 10 Piano Pieces after Hugo Wolf Lieder 2:54 CLARA SCHUMANN (1819-1896) No. 6: Idylle after Anakreons Grab [8] 30 Lieder und Gesänge von Robert Schumann 1:18 No. -
Crafted Financial Planning & Wealth Creation Solutions
CRAFTED FINANCIAL PLANNING & WEALTH CREATION SOLUTIONS Saturday 28 July 7.30pm Federation Concert Hall Hobart MASTER 8 MASTER Marko Letonja conductor TCHAIKOVSKY Simon Trpcˇeski piano Symphony No 6, Pathétique Adagio – Allegro non troppo BERLIOZ Allegro con grazia Roméo et Juliette, Love Scene Allegro molto vivace Duration 18 mins Finale (Adagio lamentoso – Andante) LISZT Duration 46 mins Piano Concerto No 2 Adagio sostenuto assai – Allegro agitato This concert will end at approximately assai – Allegro moderato – Allegro 9.30 pm. deciso – Marziale, un poco meno Allegro – Un poco meno mosso – Allegro animato Duration 21 mins INTERVAL Duration 20 mins 03 6294 0000 | UNICAWEALTH.COM.AU Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation in keeping coughing to a minimum. Please ensure that your mobile phone is switched off. 26 27 Hector Berlioz (1803-1869) Roméo et Juliette: symphonie ‘If you ask me which of my works I prefer, dramatique, Op 17 the answer is that of most artists: the love Second Part: Love Scene scene in Roméo et Juliette.’ No wonder Berlioz was proud of this section, where we hear the young Capulet revellers ‘…I settled on the idea of a symphony leave the ball and the orchestra take Marko Letonja is Chief Conductor and Macedonian pianist Simon Trpcˇeski has with chorus, soloists and choral recitative centre stage for one of the composer’s Artistic Director of the Tasmanian Symphony performed with many of the world’s leading on the sublime and perennial theme of finest movements, the Adagio. -
Grand Piano Catalogue
GRAND PIANO CATALOGUE GRAND PIANO CATALOGUE 2014 1 GRAND PIANO CATALOGUE GRAND PIANO The 2014 Grand Piano Catalogue marks the second year of this exciting label’s mission to source and record keyboard music that has previously remained generally undetected and undervalued, either through the promotion of works by unknown composers or little- known works by familiar ones. The last 12 months have seen a doubling in size of the label’s discography and a strengthening of its growing international reputation. The 48 discs to date have proved to be an authoritative foundation for Grand Piano’s future development and elicited an impressive cache of critical acclaim. “Anyone who is seriously interested in piano music should check out Grand Piano.” (The Listener) Collectors will appreciate the compendiums of keyboard works by individual composers: among those already available are the complete piano works of Mieczysław Weinberg, the complete piano sonatas of Christian Gottlob Neefe and Beethoven’s complete piano duets. Included in the ongoing series are the complete piano works of Camille Saint-Saëns and Alexander Tcherepnin, plus the complete piano sonatas of Nicolas Medtner. A number of composers are new to the catalogue this year, representing countries from the full breadth of Europe, and beyond. These include Arno Harutyuni Babadjanian (Armenia), Edwin York Bowen (England), Ferrucio Busoni (Italy), Dimitar Nenov (Bulgaria), Manuel María Ponce (Mexico) and Teresa Carreño (Venezuela). “The Grand Piano label continues to uncover gems of the piano repertoire.” (Fanfare) Exploring the Grand Piano label constantly throws up intriguing musical surprises, plus the visual delight of the discs’ attractive cover images, which feature either figurines by the award-winning Norwegian artist Gro Thorsen or one of Tony Price’s attractive studies in the play of light on water. -
SPRING 2013 Allan Park – Northwest Chopin Council VOLUME XXIII/NUMBER 1 Scholarship Committee TABLE of CONTENTS Dr
The Semi-Annual Magazine of the Chopin Foundation of the USA CHOPIN FOUNDATION OF THE UNITED STATES, INC. Officers & Directors Krzysztof Penderecki Honorary Chairman Blanka A. Rosenstiel - Founder & President Olga Melin - Vice President Dr. William J. Hipp - Treasurer Rebecca Baez - Secretary Dr. Adam Aleksander - Artistic Advisor Jadwiga Viga Gewert - Executive Director Directors Agustin Anievas, , Roberta O. Chaplin, Douglas C. Evans, Rosa-Rita Gonzalez, Renate Ryan, Lorraine Sonnabend Regional Councils Mack McCray – San Francisco Chopin Council SPRING 2013 Allan Park – Northwest Chopin Council VOLUME XXIII/NUMBER 1 Scholarship Committee TABLE OF CONTENTS Dr. Adam Aleksander, Agustin Anievas, Dr. Hanna Cyba Message from the Founder and President ................................................................................... 2 Advisory Board Bonnie Barrett – Yamaha Artist Services Chopin Foundation Donors and Contributors ............................................................................... 3 Dr. Shelton Berg – University of Miami Frost School of Music Ron Losby – Steinway & Sons Message from the Executive Director .......................................................................................... 4 International Artistic Advisory Council Agustin Anievas, Martha Argerich, Emanuel Ax, Jeffrey N. Babcock, Highlights from our Recent Concerts ........................................................................................... 5 John Bayless, Luiz Fernando Benedini, John Corigliano, Ivan Davis, Christopher T. Dunworth, -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Liszt and Russia" TABLE of CONTENTS by Dmitry Rachmanov, Host
Founded in 1964 Volume 31, Number 2 An officiAl publicAtion of the AmericAn liszt society, inc. 2016 Festival: "Liszt and Russia" TABLE OF CONTENTS by Dmitry Rachmanov, host The theme of the American Liszt Society’s 2016 festival and conference is “Liszt and Russia.” The festival is being presented by the Department of Music at California State 1 "Liszt and Russia" University, Northridge, June 2 - 5. 2016 ALS Festival/Conference, The genesis of the festival theme goes back to Liszt’s tours of Russia in the 1840s by Dmitry Rachmanov and his contacts with Russian musicians. Liszt’s influence and support of music and musicians in Russia lasted throughout his mature life. This opens a fertile ground of 2 President's Message exploration of Franz Liszt’s legacy and lasting mark on Russian musical culture and musicians. Liszt’s impact on Russian music history and its development is hard to overestimate; during his heyday as the world's preeminent piano virtuoso, he made 3 Letter from the Editor three tours of Russia (1842 - 1847), leaving an indelible and powerful impression in all circles of Russian society. Subsequently, many Russian musicians made their pilgrimage to visit Liszt in Weimar and other places where he resided. On his part, 4 2016 ALS Festival Schedule Liszt encouraged and supported many Russian composers by performing their music, making piano transcriptions of their works, and popularizing them in other ways. The festival will feature eclectic and stimulating programming. Special events 5 A Conversation with include solo recitals by the most recent Van Cliburn Gold Medalist, Vadym Dmitry Rachmanov Kholodenko, with works by Liszt and Scriabin; the Italian pianist Antonio Pompa- Baldi, one of ALS's regular featured artists, performing works by Liszt and Anton Rubinstein; and a senior professor of the Moscow Conservatory, Mikhail Voskresensky, 8 In Memoriam: Maurice Hinson, presenting music by Liszt, Borodin, Glinka-Balakirev, Tchaikovsky, Medtner, and by Wesley Roberts Prokofiev. -
Curriculum Vitae
CURRICULUM VITAE Name: Notis Georgiou Date of Birth: February 6, 1976 Nationalities: Cypriot, Greek, Hungarian-honorary citizenship for reasons of national interest Languages: English, Italian, French, Hungarian, German (basic), Spanish, Ancient and Modern Greek E mail: [email protected] Website: www.notisgeorgiou.com www.european-academy.at Academic Qualifications: M.M. in Conducting Franz Liszt Academy of Music (5-year course, completed in 3 years due to exceptional talent with permission from Ministry of Education. First and only exception) Maestro Ervin Lukács Budapest Hungary (2002) Post-graduate study in conducting Florence Symfonietta (1-year course) (Corso di Perfezionamento) Maestro Piero Bellugi Florence Italy (1999) Diploma in Conducting Conservatorio di Musica Luigi Cherubini (3-year course) Florence Italy (1999) M.M. in Guitar Performance Franz Liszt Academy of Music (5-year course) Budapest Hungary (1998) M.M. in Music Education Franz Liszt Academy of Music (5-year course) Budapest Hungary (1998) M.M in Chamber music Franz Liszt Academy of Music (5-year course) Budapest Hungary (1998) Conducting Masterclasses held by 1999 Carlo Maria Giulini Orchestra Giovanile Italiana Tchaikovsky, Beethoven Fiesole 2001 Rudolf Barshai Franz Liszt Académie de Shostakovich :Symphonie no.5, Budapest Musique Mozart : Jupiter Symphonie 2001, 2002 Yuri Simonov Franz Liszt Académie de Gluck :Alceste, Budapest Musique Beethoven symphonie no.2, Wagner : Ring R.Strauss : Tod, Till, 4 letzte Lieder 1999 Piero Bellugi Florence Symfonietta Stravinsky -
PDF of 2015 Student Successes
2015 Current Student Accomplishments (Composition): NOTE: Items in Red are of particular national/international significance Positions Acquired Tatev Amiryan (DMA candidate) • Adjunct lecturer of Music Theory - Ex'pression College for Digital Arts, San Jose, CA • Adjunct lecturer of World Music HUM122 - Cogswell Polytechnical College, San Jose, CA • Adjunct instructor of Musicianship/Composition - Crowden Music School, Berkeley, CA Stacy Busch (MM candidate) • Owen-Cox Dance Company • Classical contributor for the KC Metropolis Tyler Capp (DMA candidate) • Full-time Lecturer in Music Composition and Theory, College of Music, Mahidol University, Thailand AJ Harbison (MM candidate) • Worship Leader (music preparation, performance, audio), Grace Presbyterian Church (Lenexa, KS) • Free-Lance Audio Engineer, Brookside Bluegrass Festival (Kansas City, MO) and music theater productions • Recording Engineer, UMKC Conservatory (Kansas City, MO) Derek Jenkins (DMA candidate) • Preparing Future Faculty Fellow, UMKC Ted King-Smith (DMA candidate) • Co-founder: FuseBox New Music Brian Lynn (DMA candidate) • Attained my Missouri Teaching License - certified K - 12 Instrumental and Vocal Music • Instructor, Christ Lutheran School, Overland Park, KS • Private music studio instructor, KC Music in Kansas City, MO • Substitute teaching in the North Kansas City, Kansas City, Center and Hickman Mills school districts Michael Miller (DMA candidate) • Mentor, Words + Music Program • Instructor (composition), UMKC Conservatory Academy of Music and Dance Scott -
'Rise Again, Yes, Rise Again'
20 AUG – 10 SEP 2021 ‘RISE AGAIN, YES, RISE AGAIN‘ 20 AUG – 10 SEP 2021 ’RISE AGAIN, YES, RISE AGAIN’ www.beethovenfest.de Tickets +49 (0)228 – 50 20 13 13 Informations +49 (0)228 – 20 10 30 ‘Rise again, yes, rise again … … wilt thou, my dust, after a brief rest!’ Thus the opening lines of Friedrich Gottlob Klopstock’s ‘The Resurrection’, the poem that Gustav Mahler set to music in his Second Symphony. It was the first time that he had woven the human voice into a sym- phony tapestry, just as Beethoven had done in his Ninth. We have chosen these hope- filled lines as the motto of our 2021 Beet- hovenfest. Beethoven’s Ninth will resound at the beginning, Mahler’s ‘Resurrec- tion’ Symphony at the close. Beethoven’s final pronouncement at one end, Mahler’s continuation and glorification at the other. In its genesis, the Ninth is closely connected with the ‘Missa solemnis’. For this reason the ‘Missa’ will already be presented in Cologne Ca thedral in May – not without a surprising interlude. Cologne will also host an international youth orchestra venturing to play ‘Gruppen’, a monu- mental, spatially conceived work by Karlheinz Stockhausen. The orchestral works to be heard at the 2021 Beethovenfest are marked by a penchant for the universal and the spiritual. Among them will be Schubert and Bruckner ‘favourites’ played by the Vienna Philharmonic, and Gabriel Fauré’s Requiem and Stravinsky’s ‘Sym- phony of Psalms’, performed by the Orchestre des Champs-Elysées. Major birthdays can also be celebrated ex post facto. -
Download Biography In
ARTISTIC BIO / PABLO GALDO “Pablo Galdo is an exceptional pianist of great technique, with the musicality of a real artist, that additionaly has the capacity to communicate to the audience with great facility, which makes him a complete pianist” (Tamás vásáry, 2018) He was born in Ferrol (La Coruña). He studied at the “Vigo Superior Conservatoire”, where he graduated with special distinction and extraordinary prize, at the “University de Alcalá de Henares”, at the “Zoltán Kodály Institute”, at the “Franz Liszt Academy of Budapest”, at the “Mozarteum University in Salzburg”, where he obtained his Postgraduate Diplom, and at the “Tchaikovsky Conservatory, Moscow” (Russia) . His professor included Nicasio Gradaille, Ferenc Rados, Rita Wagner, András kemenes, Imre Rohmann and Elisso Wirssaladze. Besides he has received classes and advices from many renowned and prestigious international masters, including Alicia de Larrocha, Zoltán Kocsis, Tamás Vasáry, Dimitri Bashkirov, Várjon Dénes, Heinz Kämmerling,, Marta Gulyás, Haewon Song, and Almudena Cano, among others. He has performed in more than 40 countries: France, Greece, Portugal, Costa Rica, Australia, Spain, United Kingdom, Iceland, China, South Korea, Russia, Slovenia, Australia, Ukraine, Croatia, Finland, Latvia, Estonia, Austria, Germany, Switzerland, Hungary, Poland, Oman, Kuwait, Italy, Kazakhstan, Azerbaiyan, Palestine, Israel, Jordan, Cyprus, Lebanon, Republic of Iran, Lithuania, Turkey, Argentina, Chile, Uruguay and the United States. He has performed with different orchestras -
Scottish International Piano Competition 1 – 10 September 2017
sipc2017.org Scottish International Piano Competition 1 – 10 September 2017 sipc2017.org 1 Contents Welcome 4 UNESCO City of Music 5 Why Glasgow? 5 Scottish International Piano Competition 6 A Festival of Piano Music 7 Sponsors and Donors 8 Patrons and Friends 9 Competition Calendar 11 The Jury 13 The Competitors 21 Frederic Lamond 38 Competition Repertoire 39 Gordon McPherson and the Test Piece 40 The Orchestra 42 Thomas Søndergård, Conductor 44 Scottish International Piano Competition sipc2017.org Welcome Why Glasgow? It is my pleasure to welcome the Scottish Welcome to the Scottish International Piano Glasgow was named UNESCO City of Music in Glasgow’s legendary music scene stretches International Piano Competition to the city. Competition 2017. August 2008. It is the second Scottish city to join across the whole spectrum from contemporary This triennial event is an established and highly the Creative Cities Network beside Edinburgh City of and classical to Celtic and Country. Its venues are regarded musical fixture that attracts gifted As ever we look forward to a veritable feast of piano Literature. equally varied and include King Tut’s Wah Wah Hut competitors from across the globe to Glasgow. music from our hugely talented competitors from (consistently voted the top live music venue in the Glasgow is a city with a reputation for musical across the world. It is a huge honour for Glasgow, What is UNESCO? Founded in 1945, currently 193 UK), the Barrowlands, 02 Academy, the Hydro, the excellence. As a UNESCO City of Music we pride UNESCO City of Music, to serve once more as the member states – cultural arm of the United Nations. -
Beethoven, Chopin, Liszt & Tchaikovsky
SSIANPIANOTR THE ITIONTHERUSS IGUMNOV SCHOOL USIANPIANOTR ADITIONTHERU SSIANPIANOTRLev ADITIONTHERUOborin ERUSSIANPIANBEETHOVEN OTRADITIONTHEcossaises ERUSSIANPIANSonata in A, Op 2 No 2 CHOPIN IANPIANOTRADÉtudes, Op 25 Nos 2, 3 & 5 ITIONTHERUSSMazurka, Op 50 No 1 IANPIANOTRADSonata No 3, Op 58 LISZT OTRADITIONTHHungarian Rhapsody No 2 ERUSSIANPIANTCHAIKOVSKY RADITIONTHEU 3 pieces from ‘The Months’, Op 37b SSIANPIANOTR ADITIONTHERU SSIANPIANOTR Lev Nikolayevich Oborin (11 November 190 7– 5 January 1974) EV OBORIN was born in Moscow and Polish contestants. Overnight, Oborin became entered that city’s Gnesin Music School in the foremost Soviet pianist of his generation. L1914 where he studied composition with On his triumphant return to Moscow he became Alexander Gretchaninov and piano with Yelena Igumnov’s assistant at the Conservatoire, Gnesina. A pupil of Ferruccio Busoni, Gnesina simul taneously teaching chamber music, a was known for her ‘progressive’ methods, in genre to which he was much drawn – as would particular her emphasis upon musicianship become abundantly evident in his future part - as opposed to repetitive exercises, which she ner ships with the violinists Dmitri Tziganov pursued by insisting pupils should frequently and, from 1935, David Oistrakh. (In 1941 perform concerts and recitals from memory. In Oistrakh and Oborin formed an internationally 1921, the fourteen-year-old Oborin moved on to respected trio with the cellist Sviatoslav the Moscow Conservatoire, joining the piano Knushevitsky which ceased only with the death class of the celebrated pedagogue Konstantin of the latter in 1963.) When Igumnov died in Igumnov and furthering his compositional 1948, Oborin was his natural successor having studies with Georgi Catoire, Georgi Conus by then acquired a reputation as a sympathetic and Nikolai Myaskovsky.