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The Cutting Edge, March/April 2010, Vol. 21 Issue 2
Marshall University Marshall Digital Scholar The Cutting Edge The Society of American Fight Directors 4-2010 The Cutting Edge, March/April 2010, Vol. 21 Issue 2 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/cutting Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation The Society of American Fight Directors, "The Cutting Edge, March/April 2010, Vol. 21 Issue 2" (2010). The Cutting Edge. 89. https://mds.marshall.edu/cutting/89 This Newsletter is brought to you for free and open access by the The Society of American Fight Directors at Marshall Digital Scholar. It has been accepted for inclusion in The Cutting Edge by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. March/April 2010, Volume XXI, Issue 2 Introducing Our New Regional Representatives The staff of The Cutting Edge would like to welcome three new regional HEY, YOU! representatives to the SAFD. Danette GO TO MY WORKSHOP! Baker will be taking over for Mike Speck in the Middle America region, Travis Sims will be taking over for Robert Hamilton in the THEN GO TO THIS OTHER WORK Pacific West region, and Matthew Ellis will SHOP! be taking over for Ann Chandler Harlan in the South West region. A D THE BUY SOME RAFFLE TICKETS! Thanks to Ann, Mike and Robert for their years of service! Your commitment to the betterment of the SAFD and this publication is appreciated and valued beyond words. -
Tai Chi Sword DR
TAI CHI CHUAN / MARTIAL ARTS B2856 BESTSELLING AUTHOR OF BOOKS AND VIDEOS ON TAI CHI, MARTIAL ARTS, AND QIGONG Tai Chi Sword Chi Sword Tai DR. YANG, JWING-MING REACH FOR THE HIGHEST LEVEL OF TAI CHI PRACTICE You can achieve the highest level of tai chi practice by including tai chi sword in your training regimen. Here’s your chance to take the next step in your tai chi journey Once you have attained proficiency in the bare-hand form, and have gained listening and sensing skills from pushing hands, you are ready for tai chi sword. Tai Chi Sword The elegant and effective techniques of traditional tai chi sword CLASSICAL YANG STYLE Tai chi sword will help you control your qi, refine your tai chi skills, and master yourself. You will strengthen and relax your body, calm and focus your mind, THE COMPLETE FORM, QIGONG, AND APPLICATIONS improve your balance, and develop proper tai chi breathing. This book provides a solid and practical approach to learning tai chi sword Style Classical Yang One of the people who have “made the accurately and quickly. Includes over 500 photographs with motion arrows! greatest impact on martial arts in the • Historical overview of tai chi sword past 100 years.” • Fundamentals including hand forms and footwork —Inside Kung Fu • Generating power with the sword 傳 Magazine • 12 tai chi sword breathing exercises • 30 key tai chi sword techniques with applications • 12 fundamental tai chi sword solo drills 統 • Complete 54-movement Yang Tai Chi Sword sequence • 48 martial applications from the tai chi sword sequence DR. -
2013 U.S. International Kuo Shu Championship Official Results
2013 U.S. International Kuo Shu Championship Official Results Wang, CheuhCheuh----JenJen Cup (Grand Champion) Calvin Chin’s Martial Arts Academy, Newton, MA, USA Team Adult Forms and Weapons Team Lei Tai Champion Champion Wah Lum Kung Fu & Tai Chi Academy Glenn Wilson Martial Arts Academy International Malden, MA, USA Orlando, FL, USA 2nd Place 2nd Place Calvin Chin’s Martial Arts Academy Richard Lee's East West Kung Fu, Newton, MA, USA Alamo, CA, USA 3rd Place 3rd Place US Kuoshu Academy Calvin Chin’s Martial Arts Academy Owings Mills, MD, USA Newton, MA, USA Team Youth Forms and Weapons Champion Wah Lum Kung Fu Orlando, Fl, USA 2nd Place Wah Lum Kung Fu & Tai Chi Academy Malden, MA, USA 3rd Place Calvin Chin’s Martial Arts Academy Newton, MA, USA 2013 U.S. International Kuo Shu Championship Official Results 2013 Judge of the Year Amy Buckley, California 2013 Competitor of the Year Youth Male Youth Female Nicholas Teng Yen-Nhi Chit Teen Male Teen Female Eric Tran Rebecca Shaar External Male External Female Collin Lee Andrea So Internal Male Internal Female Kenneth Chrzanowski Peck Mun Lee Lei Tai Male Lei Tai Female Manh-Tu Nguyen Anna Liu 2013 U.S. International Kuo Shu Championship Official Results 2013 Tournament Results Adult Adv - Form - Kung Fu Northern Men Event # 1 1 Alexander Woo 22 Calvin Chin Martial Arts Academy Newton, MA 2 Jian Li 26 Wah Lum Kung Fu and Tai Chi Academy Malden, MA 3 Ricardo Flores 38 Wah Lum Kung Fu Orlando Orlando, FL 4 Kenny Tran 13 Wah Lum Kung Fu and Tai Chi Academy Malden, MA Adult Adv - Form - Kung -
Eu /Scenekn~ - Best of Golmaal Returns HD - All Comedy Scene- Arshad Warsi - Ajay Devgn - Kareena - Tushar
eu /scenekn~ - Best Of Golmaal Returns HD - All Comedy Scene- Arshad Warsi - Ajay Devgn - Kareena - Tushar Asheville entertainment, culinary and culture guide Scene Member Benefits. Scene members get the best value on Friday night tickets to performances as well as unique opportunities to support the Alley! SCENE - The movie reward program from Scotiabank and ... Scene on 7. 14,399 likes 125 talking about this. Scene were all about the people, places, and things that define our Southern Lifestyle! Scenebot FORMER porn star and controversial online figure Mia Khalifa has recalled the shocking threats she received after filming a scene where she had sex wearing a hijab. SceneDoc | Home | 'Mobile-First' Platform for Public Safety As the box says, Scene It? Is all about movie magic. It's a very simple trivia game. You move about the board and answer questions about movies, such as what was Alien III's tag line, or what composer was nominated for an Oscar 18 times but never won. Chicago Destination Management Company - On The Scene Synonyms for scene at T with free online thesaurus, antonyms, and definitions. Dictionary and Word of the Day. Scene Complete Family Pack - F Scene. 584,738 likes 1,749 talking about this. Get a SCENE card for FREE today and earn points for FREE movies, meals, and more. #AreYouIn? Follow us... Scene: Dhoom:2 The Perfect Thief Hrithik Roshan Abhishek Bachchan Uday Chopra Subscribe Now: Stay updated! Love brings along a lot of challenges with itself. For Suri, it came in form of Gol Gappa & Biryani. Watch this fun scene from 'Rab.. -
Martial Arts in Psycho-Physical Culture
© Idōkan Poland Association “IDO MOVEMENT FOR CULTURE. Journal of Martial Arts Anthropology”, Vol. 15, no. 4 (2015), pp. 33–38 DOI: 10.14589/ido.15.4.5 SOCIOLOGY AND ANTHROPOLOGY Wojciech J. Cynarski1(ADG), Jong-Hoon Yu2(BE), Krzysztof Warchol1(BF), Pavol Bartik3(DF) 1 University of Rzeszów, Rzeszów (Poland) 2 Glenville State College, Glenville, WV (USA) 3 Matej Bel University, Banska Bystrica (Slovakia) Contact e-mail: [email protected] Martial arts in psycho-physical culture Submission: 12.04.2015; acceptance: 24.05.2015 Key words: martial arts, culture, physicality, spirituality, asceticism Abstract Background and Aim. The authors will discuss the nature of the relationship between the various martial arts and the “psycho-phys- ical culture”. We will approach this topic from the perspectives of the Humanistic Theory of Martial Arts, martial arts systemic anthropology, and the sociology of psycho-physical systems. Methods. The main method of research has been a qualitative content analysis of the literature (scientific and popular) acquired through a query library. We studied material gathered under the theme “Martial Arts” in the Library of the University of Rzeszow, as well as a list of recommended literature suggested by the International Martial Arts and Combat Sports Scientific Society (IMACSSS) Results. Four dimensions have been traditionally investigated to justify the assignment of martial arts to the area of psycho-physical culture. These are: (1) The presence in most martial arts of an original philosophy, especially one demanding a code of ethics: (2) A close, almost “genetic” relationships between martial arts and various applicable religious systems and traditions of applied social ethics; (3) The continuing emphasis on the area of physical culture as it relates to personality development and human spirituality; and (4) the presence in schools of martial arts of ceremonial events attached to “passages” in personal growth. -
Taikiken Advanced Cz
Summer Martial Art workshop in the Czech republic Martial Art with Feeling - Taikiken advanced. This internal martial art workshop offers you inspiring physical and mental journeys into your original Self. Discover your inherited natural talents, release, and strengthen them. We will work at locations are in atmosphere and natural beauty so similar to the Taoist holy mountains in China. The MartriX concept offers: •Intensive Taikiken training in free nature •Complementary Taijiquan and Baduanjin exercises •Strengthening, hiking and relaxing boat trips Workshop Taikiken - advanced: 13 - 19 August 2006 This workshop starts from the foundation of the internal martial art, Naikaken (neijiaquan.) You learn how to control your subtle body movements by using an image (inen or yi nian.) This is even for the most experienced ‘modern’ martial artist often the missing link with the more traditional Wushu and Budo forms. The workshop concentrates on Taikiken (yiquan), as Master Kenichi Sawai’s Meiji Jingu group trained it back in the early nineteen- seventies. Taikiken training as it is meant to be, optimizing your natural skills to apply them intuitively in real combat. In the MartriX concept is Taikiken the axis, and is of value for everyone who is really interested in the practicability of internal martial art. The concept is not only effective a real physical fighting, but can be used in everything you undertake in your daily life. This workshop introduces you in the dynamic way of moving and the passion of Kenichi Sawai’s Taikiken. Instructors:Ron Nansink andNadja Kotrchova The program offers a broad set of Taikiken exercises: •Ritsu zen, Han zen, Iron shirt, (zhan zhuang) standing meditation postures • Hai (mo ca bu), walking in friction step •Yuri (shi li), testing the strength developed through ritsu zen •Neri (zou bu shi li) kneading, hai footwork with yuri movements • Mukaete, meeting hand • Shashite, defense and attack simultaneously • Harai-te, parry by twisting • Hakkei ( fa li) exercises to use force in an ‘explosive’ way. -
Images of the Religious in Horror Films
Journal of Religion & Film Volume 5 Issue 2 October 2001 Article 7 October 2001 The Sanctification of ear:F Images of the Religious in Horror Films Bryan Stone Boston University School of Theology, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stone, Bryan (2001) "The Sanctification of ear:F Images of the Religious in Horror Films," Journal of Religion & Film: Vol. 5 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol5/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Sanctification of ear:F Images of the Religious in Horror Films Abstract Horror film functions both as a threat and a catharsis by confronting us with our fear of death, the supernatural, the unknown and irrational, ''the other" in general, a loss of identity, and forces beyond our control. Over the last century, religious symbols and themes have played a prominent and persistent role in the on-screen construction of this confrontation. That role is, at the same time, ambiguous insofar as religious iconography has become unhinged from a compelling moral vision and reduced to mere conventions that produce a quasi-religious quality to horror that lacks the symbolic power required to engage us at the deepest level of our being. Although religious symbols in horror films are conventional in their frequent use, they may have lost all connection to deeper human questions. -
World Combat Games Brochure
Table of Contents 4 5 6 What is GAISF? What are the World Roles and Combat Games? responsibilities 7 8 10 Attribution Culture, ceremonies Media promotion process and festival events, and production and legacy 12 13 14 List of sports Venue Aikido at the World setup Armwrestling Combat Games Boxing 15 16 17 Judo Kendo Muaythai Ju-jitsu Kickboxing Sambo Karate Savate 18 19 Sumo Wrestling Taekwondo Wushu 4 WORLD COMBAT GAMES WORLD COMBAT GAMES 5 What is GAISF? What are the World Combat Games? The united voice of sports - protecting the interests of International A breathtaking event, showcasing Federations the world’s best martial arts and GAISF is the Global Association of International Founded in 1967, GAISF is a key pillar of the combat sports Sports Federations, an umbrella body composed wider sports movement and acts as the voice of autonomous and independent International for its 125 Members, Associate Members and Sports Federations, and other international sport observers, which include both Olympic and non- and event related organisations. Olympic sports organisations. THE BENEFITS OF THE NUMBERS OF HOSTING THE WORLD THE GAMES GAISF MULTISPORT GAMES COMBAT GAMES Up to Since 2010, GAISF has successfully delivered GAISF serves as the conduit between ■ Bring sport to life in your city multisport games for combat sports and martial International Sports Federations and host cities, ■ Provide worldwide multi-channel media exposure 35 disciplines arts, mind games and urban orientated sports. bringing benefits to both with a series of right- ■ Feature the world’s best athletes sized events that best consider the needs and ■ Establish a perfect bridge between elite sport and Approximately resources of all involved. -
Introduction
INTRODUCTION The wuxia film is the oldest genre in the Chinese cinema that has remained popular to the present day. Yet despite its longevity, its history has barely been told until fairly recently, as if there was some force denying that it ever existed. Indeed, the genre was as good as non-existent in China, its country of birth, for some fifty years, being proscribed over that time, while in Hong Kong, where it flowered, it was gen- erally derided by critics and largely neglected by film historians. In recent years, it has garnered a following not only among fans but serious scholars. David Bordwell, Zhang Zhen, David Desser and Leon Hunt have treated the wuxia film with the crit- ical respect that it deserves, addressing it in the contexts of larger studies of Hong Kong cinema (Bordwell), the Chinese cinema (Zhang), or the generic martial arts action film and the genre known as kung fu (Desser and Hunt).1 In China, Chen Mo and Jia Leilei have published specific histories, their books sharing the same title, ‘A History of the Chinese Wuxia Film’ , both issued in 2005.2 This book also offers a specific history of the wuxia film, the first in the English language to do so. It covers the evolution and expansion of the genre from its beginnings in the early Chinese cinema based in Shanghai to its transposition to the film industries in Hong Kong and Taiwan and its eventual shift back to the Mainland in its present phase of development. Subject and Terminology Before beginning this history, it is necessary first to settle the question ofterminology , in the process of which, the characteristics of the genre will also be outlined. -
PT, Freud, and Psychological Horror
Press Start Silent Halls Silent Halls: P.T., Freud, and Psychological Horror Anna Maria Kalinowski York University, Toronto Abstract “What is a ghost?” “An emotion, a terrible moment condemned to repeat itself over and over…” —The Devil’s Backbone (Del Toro, 2001) This paper analyses P.T. (Kojima Productions, 2014), a playable teaser made to demo a planned instalment within the Silent Hill franchise. While the game is now indefinitely cancelled, P.T. has cemented itself not only as a full gaming experience, but also as a juggernaut in the genre of psychological horror. Drawing from Sigmund Freud’s concept of the uncanny, the aim of the paper is to address how these psychological concepts surface within the now infamous never-ending hallway of P.T. and create a deeply psychologically horrifying experience. Keywords psychological horror; the uncanny; Freud; game design; Press Start 2019 | Volume 5 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Kalinowski Silent Halls Introduction The genre of psychological horror is a complex one to navigate through with ease, especially for those that are faint of heart. Despite its contemporary popularity, when the sub-genre first began to emerge within horror films, it was considered to be a detriment to the horror genre (Jancovich, 2010, p. 47). The term ‘psychological’ was often used to disguise the taming of horror elements instead of pushing the genre into more terrifying territories. -
9. List of Film Genres and Sub-Genres PDF HANDOUT
9. List of film genres and sub-genres PDF HANDOUT The following list of film genres and sub-genres has been adapted from “Film Sub-Genres Types (and Hybrids)” written by Tim Dirks29. Genre Film sub-genres types and hybrids Action or adventure • Action or Adventure Comedy • Literature/Folklore Adventure • Action/Adventure Drama Heroes • Alien Invasion • Martial Arts Action (Kung-Fu) • Animal • Man- or Woman-In-Peril • Biker • Man vs. Nature • Blaxploitation • Mountain • Blockbusters • Period Action Films • Buddy • Political Conspiracies, Thrillers • Buddy Cops (or Odd Couple) • Poliziotteschi (Italian) • Caper • Prison • Chase Films or Thrillers • Psychological Thriller • Comic-Book Action • Quest • Confined Space Action • Rape and Revenge Films • Conspiracy Thriller (Paranoid • Road Thriller) • Romantic Adventures • Cop Action • Sci-Fi Action/Adventure • Costume Adventures • Samurai • Crime Films • Sea Adventures • Desert Epics • Searches/Expeditions for Lost • Disaster or Doomsday Continents • Epic Adventure Films • Serialized films • Erotic Thrillers • Space Adventures • Escape • Sports—Action • Espionage • Spy • Exploitation (ie Nunsploitation, • Straight Action/Conflict Naziploitation • Super-Heroes • Family-oriented Adventure • Surfing or Surf Films • Fantasy Adventure • Survival • Futuristic • Swashbuckler • Girls With Guns • Sword and Sorcery (or “Sword and • Guy Films Sandal”) • Heist—Caper Films • (Action) Suspense Thrillers • Heroic Bloodshed Films • Techno-Thrillers • Historical Spectacles • Treasure Hunts • Hong Kong • Undercover -
Grimdark Magazine Issue 27 PDF
1 Contents From the Editor Beth Tabler Outliers A.M. Shine Crossing the Monster Kaaron Warren Island of Sin Jack Murphy An Interview with Chuck Wendig Beth Tabler The Tesseract Evan Marcroft An Interview with Paul Tremblay Beth Tabler The Jewels of the Mermaids Marisca Pichette The Case for Conflict Sadie Hartmann Tubes Jeremy C. Shipp An Interview with Graham Masterton 2 Beth Tabler Gingerbread Lindsay King-Miller 3 From the Editor BETH TABLER Hey, there. My name is Beth Tabler, and I am guest editing the horror crossover issue of Grimdark Magazine. As a young connoisseur of all horror and science fiction movies inappropriate for my age, I remember seeing Poltergeist for the first time when I was seven years old. I had snuck down to the television while my folks were sleeping. I never quite got over demonic trees, clowns, and an old woman screaming, "Carol Anne." I remember reading my first Stephen King book, Salem's Lot, at 12. I knew at that moment that my reading life would never be the same. I remember the first grimdark book I read at 25; it was Mark Lawrence’s Prince of Thorns, by the way. I realized sometimes heroes aren't heroic, bad guys can be protagonists, and life is full of a lot more gray than I had thought. Horror and grimdark are a part of who I am and how I see the world. They are my jam. The themes of horror and grimdark have always gone hand in hand. But often, a thin gray line separates the two, a place where the story does not fall one way or another but sits on that terrifying spot between the two, where you can't quite tell what is what.