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7 Ways to Activate Your Bodies Inherent Healing Ability

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7 Ways to Activate Your Bodies Inherent Healing Ability Reiki Gong Dynamic Health Presents: 7 Ways to Activate Your Bodies Inherent Healing Ability By: Philip Love QMT RMT Qigong Meditation Teacher / Reiki Master Teacher & Healer 1. Mantra & Sound In the Bhaiṣajyaguruvaiḍūryaprabhārāja Sūtra, the Medicine Buddha is described as having entered into a state of samadhi called "Eliminating All the Suffering and Afflictions of Sentient Beings." From this samadhi state he [5] spoke the Medicine Buddha Dharani. namo bhagavate bhaiṣajyaguru vaiḍūryaprabharājāya tathāgatāya arhate samyaksambuddhāya tadyathā: oṃ bhaiṣajye bhaiṣajye mahābhaiṣajya-samudgate svāhā. The last line of the dharani is used as Bhaisajyaguru's short form mantra. There are several other mantras for the Medicine Buddha as well that are used in different schools of Vajrayana Buddhism. There are many ancient Shakti devotional songs and vibrational chants in the Hindu and Sikh traditions (found inSarbloh Granth). The recitation of the Sanskrit bij mantra MA is commonly used to call upon the Divine Mother, the Shakti, as well as the Moon. Kundalini-Shakti-Bhakti Mantra Adi Shakti, Adi Shakti, Adi Shakti, Namo Namo! Sarab Shakti, Sarab Shakti, Sarab Shakti, Namo Namo! Prithum Bhagvati, Prithum Bhagvati, Prithum Bhagvati, Namo Namo! Kundalini Mata Shakti, Mata Shakti, Namo Namo! Translation: Primal Shakti, I bow to Thee! All-Encompassing Shakti, I bow to Thee! That through which Divine Creates, I bow to Thee! [6] Creative Power of the Kundalini, Mother of all Mother Power, To Thee I Bow! "Merge in the Maha Shakti. This is enough to take away your misfortune. This will carve out of you a woman. Woman needs her own Shakti, not anybody else will do it... When a woman chants the Kundalini Bhakti mantra, God clears the way. This is not a religion, it is a reality. Woman is not born to suffer, and woman needs her own power.” “When India and Indian women knew this mantra, it dwelt in the land of milk and honey.” The basis of Wisdom Healing Qigong is summarized by Dr. Ming Pang as follows: "…use of the mind’s intelligence to direct chi to transform, perfect and realize the conscious potential of the holistic body, thereby uplifting the consciousness of the practitioner from automated condition to that of autonomous wisdom. It is a path to equality, freedom and peace of humanity." In general, Wisdom Healing Qigong practitioners equate qi (life energy) with consciousness and believe in the importance of the mind and the heart in healing. Practice[edit] [9] Six "Golden Keys" form the foundation of Wisdom Healing Qigong practice: Haola: a mantra that means "All is well. " Inner Smile: cultivation of a feeling of deep inner happiness. Love and Service: practices believed to accelerate healing Trust and Belief: practices believed to further enhance healing. The Chi Field: visualizing a sea of healing life energy. Diligent Practice: a sustained, committed effort involving movement, meditation, visualization, sound healing, chanting, and spiritual awareness The Shurangama Mantra (found in the 12 page long Shurangama Sutra) is the most commonly practiced source of the Great White Canopy Goddess (White Umbrella Deity form of Shakyamuni) According to Lama ZopaRinpoche, Great White Umbrella is the practice for healing illness, dispelling interferences and spirit harms, quelling disasters, and bringing auspiciousness. To do practice in full requires Kriya tantra empowerment of the White Umbrella Deity. The sadhana cultivation can be performed without such an empowerment with [3] permission from a qualified master, however, one cannot self-generate as the deity. Ushnisha Sitatapatra[edit] The Short Mantra for Ushnisha Sitatapatra (Thousand Armed Goddess of the Great White Umbrella) is as follows: [4] [5] OM SARVA TATHAGATA USHNISHA SHITATA PATRI HUM PHAT [6] "His Sacred White Canopy protects us!" Singing bowl From Wikipedia, the free encyclopedia This article does not cite any references or sources. Please helpimprove this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2013) This article is written like a personal reflection or opinion essayrather than an encyclopedic description of the subject. Please help improve it by rewriting it in an encyclopedic style. (October 2013) Rin gong at Kiyomizu-dera, Kyoto Singing bowls (also known as Tibetan Singing Bowls, rin gongs, Himalayan bowlsor suzu gongs) are a type of bell, specifically classified as a standing bell. Rather than hanging inverted or attached to a handle, singing bowls sit with the bottom surface resting. The sides and rim of singing bowls vibrate to produce sound characterized by a fundamental frequency (first harmonic) and usually two audible harmonic overtones (second [citation needed] and third harmonic). Singing bowls are used worldwide for meditation, music, relaxation, and personal well-being. Singing bowls were historically made throughout Asia, especially Nepal, China and Japan. They are closely related to decorative bells made along the silk road from the Near East to Western Asia. Today they are made in Nepal, India, Japan, China and Korea. Contents [hide] 1 Origins, history and usage 2 Antique singing bowls 3 Modern development 4 See also 5 References 6 Further reading 7 External links Origins, history and usage[edit] In Tibetan Buddhist practice, singing bowls are used as a signal to begin and end periods of silent meditation. Some practitioners, for example, Chinese Buddhists use the singing bowl to accompany the wooden fish during chanting, striking it when a particular phrase is chanted. In Japan and Vietnam, singing bowls are similarly used during chanting and may also mark the passage of time or signal a change in activity, for example changing from sitting to walking meditation. In Japan, singing bowls are used in traditional funeral rites and ancestor worship. Every Japanese temple holds a singing bowl. Singing bowls are found on altars and in meditation rooms worldwide. The oral and written traditions from the Himalayan region are vast and largely unknown in the West. It is unknown whether there are any traditional texts about singing bowls. All known references to them are strictly modern. However, a few pieces of art dating from several centuries ago depict singing bowls in detail, including Tibetan paintings and statues. Some Tibetan rinpoches and monks use singing bowls in monasteries and meditation centers today. Singing bowls from at least the 15th century are found in private collections. The tradition may date significantly earlier since bronze has been used to make musical instruments for thousands of years. Bronze bells from Asia have been discovered as early as the 8th–10th century BC and [citation needed] singing bowls are thought to go back in the Himalayas to the 10th-12th century AD. Singing bowls are played by striking the rim of the bowl with a padded mallet. They can also be played by thefriction of rubbing a wood, plastic, or leather wrapped mallet around the rim of the bowl to emphasize the harmonic overtones and a continuous 'singing' sound. Both antique and new bowls are widely used as an aid to meditation. They are also used in yoga, music therapy, sound healing, religious services, performance and for personal enjoyment. Antique singing bowls[edit] Antique Singing Bowls Antique singing bowls produce harmonic overtonescreating an effect that is unique to the instrument. The subtle yet complex multiple harmonic frequencies are a special quality caused by variations in the shape of the hand made singing bowls. They may display abstract decorations like lines, rings and circles engraved into the surface. Decoration may appear outside the rim, inside the bottom, around the top of the rim and sometimes on the outside bottom. Modern development[edit] Small singing bowl Singing bowls are still manufactured today in the traditional way as well as with modern manufacturing techniques. New bowls may be plain or decorated. They sometimes feature religious iconography and spiritual motifs and symbols, such as the Tibetan mantra Om mani padme hum, images of Buddhas, and Ashtamangala (the eight auspicious Buddhist symbols). New singing bowls are made in two processes. The best sounding new singing bowls are made by hand hammering, which is the traditional method. The modern method is by sand casting and then machine lathing. Machine lathing can only be done with brass, so machine lathed singing bowls are made with modern techniques and modern brass alloy. 2. Breathwork Therapy Breathwork From Wikipedia, the free encyclopedia (Redirected from Breath therapy) Breathwork refers to many forms of conscious alteration of breathing, such as connecting the inhale and exhale, or energetically charging and discharging, when used within psychotherapy or meditation. Proponents believe breathwork technique may be used to attain alternate states of consciousness, and that sustained practice of techniques may result in spiritual or psychological benefits. Breathwork may also relate to optimal healthy breathing in a healing context. Contents [hide] 1 Origins of breathwork 2 Types of breathwork 3 Criticism 4 Responses to Criticism 5 See also 6 Notes 7 References 8 External links Origins of breathwork[edit] Breathwork has been used as a label for yogic Pranayama and Tibetan Tantric Tummo, traditional spiritual practices from which the modern Western therapies most probably derive. Occasional use of the term Breathwork to describe Buddhist Anapanasati, “mindfulness of breathing” or "conscious
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