Destacados De Programaciónfebrero 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
POWDER-HER-FACE.Pdf
3 La Fenice prima dell’Opera 2012 3 2012 Fondazione Stagione 2012 Teatro La Fenice di Venezia Lirica e Balletto Thomas Adès Powder ace her f ace er InciprialeF h il viso owder owder p dès a homas t FONDAZIONE TEATRO LA FENICE DI VENEZIA TEATRO LA FENICE - pagina ufficiale seguici su facebook e twitter follow us on facebook and twitter FONDAZIONE TEATRO LA FENICE DI VENEZIA Destinare il cinque per mille alla cultura è facile e non costa nulla. Quando compili la tua dichiarazione dei redditi, indica il codice fiscale della Fondazione Teatro La Fenice di Venezia: 00187480272 Aiuti la cultura, aiuti la musica. Incontro con l’opera FONDAZIONE lunedì 16 gennaio 2012 ore 18.00 AMICI DELLA FENICE SANDRO CAPPELLETTO, MARIO MESSINIS, DINO VILLATICO STAGIONE 2012 Lou Salomé sabato 4 febbraio 2012 ore 18.00 MICHELE DALL’ONGARO L’inganno felice mercoledì 8 febbraio 2012 ore 18.00 LUCA MOSCA Così fan tutte martedì 6 marzo 2012 ore 18.00 LUCA DE FUSCO, GIANNI GARRERA L’opera da tre soldi martedì 17 aprile 2012 ore 18.00 LORENZO ARRUGA La sonnambula lunedì 23 aprile 2012 ore 18.00 PIER LUIGI PIZZI, PHILIP WALSH Powder Her Face giovedì 10 maggio 2012 ore 18.00 RICCARDO RISALITI La bohème lunedì 18 giugno 2012 ore 18.00 GUIDO ZACCAGNINI Carmen giovedì 5 luglio 2012 ore 18.00 MICHELE SUOZZO L’elisir d’amore giovedì 13 settembre 2012 ore 18.00 MASSIMO CONTIERO Clavicembalo francese a due manuali copia dello Rigoletto strumento di Goermans-Taskin, costruito attorno sabato 6 ottobre 2012 ore 18.00 alla metà del XVIII secolo (originale presso la Russell PHILIP GOSSETT Collection di Edimburgo). -
22Nd December
22nd December 2016, 7pm Tosti's Celebration In celebration of the 100th anniversary of the death of a man known as the father of modern Italian song, Francesco Paolo Tosti. A selection of some of his most famous songs: - Aprile - Tristezza - La serenata - Lasciami, lascia ch'io respiri - L’ultima canzone - Ideale - Malia - Sogno - 'A vucchella Jenny Stafford, soprano Luca De Lorenzo, basso Elspeth Wilkes, piano Jenny Stafford, soprano Jenny Stafford was born in Huddersfield and studied at the Royal Academy of Music where she won the Isabel Jay Operatic Prize and Dame Eva Turner Operatic Award. Last year Jenny was a semi-finalist in the Kathleen Ferrier Awards, making her debut at the Wigmore Hall. She previously undertook a BMus at King’s College, London, ENO Opera Works and the prestigious Georg Solti Accademia di Bel Canto, participating in masterclasses with Angela Gheorghiu, Richard Bonynge and Dennis O’Neill. She has also taken part in masterclasses with Edward Gardner, Angelika Kirchschlager, Barbara Bonney and Lillian Watson and is now studying under Susan Roberts in London. Jenny has performed the roles of Vitellia (Mozart’s La Clemenza di Tito) and Dido (Purcell’s Dido&Aeneas) in the Cadogan Hall, Fiordiligi (Mozart’s Così fan tutte) for Opera Lyrica, Mimì (Puccini’s La bohème) for The Merry Opera Company, Musetta (Puccini’s La bohème) and 2nd Woman (Dido&Aeneas) for Silent Opera at The Vaults Festival (Old Vic), First Lady (Mozart’s Die Zauberflöte) for Ryedale Festival Opera, Grimeborn Festival and Young Opera Venture, Soprano (Handel’s Messiah - staged) and Jenny/Rachel (John Ramster’s Kiss me, Figaro!) with The Merry Opera Company and Sāvitri (Holst’s Sāvitri) and Alison (Holst’s Wandering Scholar) at Grimeborn Festival. -
Palau 100 2016 — 2017 Requiem De Verdi London Symphony Orchestra & Gianandrea Noseda
Palau 100 2016 — 2017 Requiem de Verdi London Symphony Orchestra & Gianandrea Noseda CONCERT INAUGURAL DILLUNS, 12 DE SETEMBRE DE 2016 – 20.30 h Sala de Concerts Erika Grimaldi, soprano Violeta Urmana, mezzosoprano Saimir Pirgu, tenor Michele Pertusi, baix Cor Jove de l’Orfeó Català (Esteve Nabona, director) Orfeó Català (Pablo Larraz, sotsdirector) (Simon Halsey, director dels cors de l'Orfeó Català) London Symphony Orchestra Gianandrea Noseda, director Giuseppe Verdi (1813-1901) Messa da Requiem 90' I Requiem (quartet i cor) II Dies irae Dies irae (cor) Tuba mirum (baix i cor) Liber scriptus (mezzosoprano i cor) Quid sum miser (soprano, mezzosoprano i tenor) Rex tremendae (quartet i cor) Recordare (soprano i mezzosoprano) Ingemisco (tenor) Confutatis (baix i cor) Lacrimosa (quartet i cor) III Domine Jesu (Offertorium) (quartet) IV Sanctus (doble cor) V Agnus Dei (soprano, mezzosoprano i cor) VI Lux aeterna (mezzosoprano, tenor i baix) VII Libera me (soprano i cor) Aquest concert forma part de: Tots sou part del Palau Gràcies! Mecenes Protectors Mecenes d’Honor Media Partners Col·laboradors Aena — Aenor — Armand Basi — Autoritat Portuària de Barcelona — Bagués-Masriera Joiers — Coca-Cola — Col·legi d’Enginyers de Camins, Canals i Ports — Col·legi de Farmacèutics de Barcelona — Deloitte — Esteve — Fundació Castell de Peralada — Fundació Metalquimia — Hoteles Catalonia — IATI Seguros — La Fageda — Loteria de Catalunya — Plusfresc — Quadis — Roca Junyent, S.L.P. — Saba Infraestructures, S.A. — Serunion Amics Benefactors Ascensores Jordà, S.A. — Clos Interiors, S.L. — Eurofirms ETT S.L.U. — Fundació Antoni Serra Santamans — Horaci Miras Giner — Teatre Romea — Veolia Serveis Catalunya S.A.U. Biografies Erika Grimaldi Soprano Violeta Urmana Mezzosoprano Nascuda a Asti (Itàlia), es graduà amb honors És una de les veus dramàtiques més importants del al Conservatori Giuseppe Verdi de Torí. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Un Tour Du Monde Pour Fêter 2000 Tème
LeMonde Job: WMQ0201--0001-0 WAS LMQ0201-1 Op.: XX Rev.: 01-01-00 T.: 11:09 S.: 111,06-Cmp.:01,11, Base : LMQPAG 15Fap: 100 No: 0277 Lcp: 700 CMYK LE MONDE TÉLÉVISION SEMAINE DU 3 AU 9 JANVIER 2000 MADELEINE MAKUMABANO PETITE CONVERSATION LA DOLCE VITA LE DAKAR Cette FAMILIALE Un film de Fellini, La 22e édition du rallye journaliste Hélène avec Marcello traversera l’Afrique d’ouest à la forte Lapiower Mastroianni en est. A partir du 6 janvier personnalité a filmé et Anita Ekberg. sur France 2 et France 3. a Le grand retour anime sur RFI sa famille, Palme d’or à Page 38 « Le Débat africain », une émission d’origine juive polonaise. Cannes en 1960. politique très populaire Un « judéo-home-movie » Sur France 2. de l’investigation sur le continent. Page 6 irrésistible. Sur Arte. Page 7 Page 13 a Portrait : la dame de RFI La caméra enquête Plusieurs émissions renouent avec l’investigation journalistique à la télévision. Dernière en date : « 90 minutes » sur Canal+. Pages 4-5 www.lemonde.fr 56e ANNÉE – No 17087 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE DIMANCHE 2 - LUNDI 3 JANVIER 2000 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI aaaaaaaaaaaSUPPLEMENT Les années Eltsine PPARATCHIK du parti devenu le viennes, banni le vieux PC, libéré les prix pouvoir, à l’intérieur comme à l’extérieur, premier président de la Russie sinon l’économie, fait admettre la Russie malgré la sinistre démonstration de force indépendante élu au suffrage dans les organisations internationales où organisée depuis l’automne contre la Tché- A les Occidentaux se retrouvaient naguère tchénie. -
Wagnerkalender – Sluitingsdatum Van Deze Kalender 1 December 2017
Wagnerkalender – sluitingsdatum van deze kalender 1 december 2017 Amsterdam Tristan und Isolde, 18, 22, 25, 30 januari, 4, 7, 10 en 14 februari 2018 Pierre Audi regie, Christof Hetzer decor, Marc Albrecht dirigent, Stephen Gould (Tristan), Ricarda Merbeth (Isolde), Günther Groisböck (Marke), Ian Paterson (Kurwenal), Michelle Breedt (Brangäne), Roger Smeets (Ein Steuermann), Marc Lachner (Ein Hirt/Ein Junger Seemann) Tannhäuser light, 26 mei, Muziekgebouw aan het IJ Pocketversie van Tannhäuser, samengesteld door Carel Alphenaar. Michael Gieler dirigent, zangers: Laetitia Gerards, Gustavo Peña, Aylin Sezer, Michael Wilmering, orkest: leden van het Koninklijk Concertgebouworkest. Der Ring ohne Worte (arr. Lorin Maazel), Concertgebouw 13 juni 2018 UVA-orkest J.Pzn. Sweelinck Fragmenten uit de Ring, 20, 21 en 22 juni 2018, Concertgebouw Concertant, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti, met medewerking van Eva-Maria Westbroek. Antwerpen Parsifal, 18, 21, 24, 27, 29 maart, 1 en 4 april 2018 Tatjana Gürbaca regie, Henrik Ahr decor, Cornelius Meister dirigent, Erin Caves (Parsifal), Tanja Ariane Baumgartner (Kundry), Stefan Kocan (Gurnemanz), Christoph Pohl (Amfortas), Károly Szemerédy (Klingsor), Markus Suihkonen (Titurel) Baden Baden - Festspielhaus Parsifal, 24 en 30 maart, 2 april 2018 Dieter Dorn regie, Magdalena Gut decor, Simon Rattle dirigent, Stephen Gould (Parsifal), Franz-Josef Selig (Gurnemanz), Ruxandra Donose (Kundry), Evgeny Nikitin (Klingsor), Gerald Finley (Amfortas) Der fliegende Holländer, 18 mei 2018 (concertant) -
El Ring a Chicago: Òpera, Arquitectura I Exposicions Del 19 Al 27 D’Abril De 2020
El Ring a Chicago: òpera, arquitectura i exposicions Del 19 al 27 d’abril de 2020 Dia 1, diumenge 19 Sortida de Barcelona. Allotjament en el hotel Staypineapple de 4****, hotel boutique en l’històric edifici Reliance, ubicat en la zona The Loop. Dia 2, dilluns 20 Passejada per “The Loop”, on podrem veure destacats edificis de Frank Lloyd Wright, Mies van der Rohe, Louis Sullivan i Frank Gehry i les escultures de Picasso, Miró i el mosaic de Marc Chagall. 19:30 Lyric Opera House: Das Rheingold amb Eric Owens (Wotan), Zachary Nelson (Donner), Jesse Donner (Froh), Stefan Margita (Loge), Tanja Ariane Baumgartner (Fricka), Ronnita Miller (Erda), Diana Newman (Woglinde), Annie Rosen (Wellgunde), Lindsay Ammann (Flosshilde), Samuel Youn (Alberich), Rodell Rosel (Mime), Wilhelm Schwinghammer (Fasolt), director musical Sir Andrew Davis, director d’escena David Pountney. Dia 3, dimarts 21 Visita a l’Institut d’Art de Chicago, el museu és famós principalment per les seves col.leccions de pintura impressionista, post-impressionista i d’autors americans. 18:00 Lyric Opera House: Die Walküre, amb Eric Owens (Wotan),Tanja Ariane Baumgartner (Fricka), Brandon Javanovich (Siegmund), Elisabet Strid (Sieglinde), Christine Goerke (Brünnhilde), director musical Sir Andrew Davis, director d’escena David Pountney. Dia 4, dimecres 22 Passejada pel Millennium Park, on trobarem l’escultura del Cloud Gate, el Jay Pritzker Pavillon de Frank Gehry, la Crown Fountain de Jaume Plensa. A continuació farem un creuer arquitectònic pel riu Chicago. Tarda lliure. Dia 5, dijous 23 Recorregut per la Mile de Chicago on podrem veure edificis de referència com l’edifici Wrigley. -
Wagnerkalender – Sluitingsdatum Van Deze Kalender 15 Mei 2018
Wagnerkalender – sluitingsdatum van deze kalender 15 mei 2018 Amsterdam Der Ring ohne Worte (arr. Lorin Maazel), Concertgebouw 13 juni 2018 UVA-orkest J.Pzn. Sweelinck Fragmenten uit de Ring, 20, 21 en 22 juni 2018, Concertgebouw Concertant, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti, met medewerking van Eva-Maria Westbroek. Tannhäuser, 6, 10, 14, 18, 21, 24, 28 april, 1 mei 2019, Opera-ballet Christof Loy regie, Johannes Leiacker decor, Marc Albrecht dirigent, Daniel Kirch (Tannhäuser), Svetlana Aksenova (Elisabeth), Ekaterina Gubanova (Venus), Stephen Milling (Hermann), Björn Bürger (Wolfram von Eschenbach), Attilio Glaser (Walther von der Vogelweide) Antwerpen Lohengrin, 7, 10, 14, 17, 20 en 23 oktober 2018 David Alden regie, Paul Steinberg decor, Alejo Pérez dirigent, Zoran Todorovich (Lohengrin), Liene Kinca (Elsa), Irène Theorin (Ortrud), Craig Colclough (Telramund), Thorsten Grümbel (Heinrich) Bayreuth – Festspielhaus Lohengrin, 25, 29 juli, 2, 6, 10 augustus 2018 Yuval Sharon regie, Neo Rauch, Rosa Loy decor, Christian Thielemann dirigent, Roberto Alagna (Lohengrin), Anja Harteros (Elsa), Tomasz Konieczny (Telramund), Waltraud Meier (Ortrud), Georg Zeppenfeld (Heinrich), Egils Silins (Heerrufer) Parsifal, 26 juli, 1, 8, 14, 19 en 25 augustus 2018 Uwe Eric Laufenberg regie, Gisbert Jäkel decor, Semyon Bychkov dirigent, Tristan und Isolde, 27 juli, 13, 16, 20, 24 en 28 augustus 2018 Katharina Wagner regie, Frank Philipp Schlössmann, Matthias Lippert decor, Christian Thielemann dirigent Die Meistersinger von Nürnberg, 28 juli, 5, 11, 17, 21 en 27 augustus 2018 Barrie Kosky regie, Rebecca Ringst decor, Philippe Jordan dirigent Der fliegende Holländer, 30 juli, 3, 7, 12, 22 en 26 augustus 2018 Jan Philipp Gloger regie, Christof Hetzer decor, Axel Kober dirigent Die Walküre, 31 juli, 18 en 29 augustus 2018 Frank Castorf regie, Aleksandar Denić. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Whrb 95.3 Fm
WHRB 95.3 FM WHRB does NOT publish a Program Guide in the summer. The next issue is October-November 2017. We’ll have a September highlights page online by September 1. Our summer schedule is Jazz 5 am-1 pm, Classical 1 pm-10 pm, then Rock. Please join us at 95.3 FM each day for all our summer broadcasts. Sunday evening operas - 8 pm LYRIC OPERA OF CHICAGO June 11 – August 13 followed in August by opera performances from Los Angeles. June 11: Wagner: Das Rheingold; Eric Owens, Samuel Youn, Stefan Margita, Tanja Ariane Baumgartner, Wilhelm Schwinghammer, Tobias Kehrer, Okka von der Damerau, Sir Andrew Davis conducting June 18: Donizetti: Lucia di Lammermoor; Albina Shagimuratova, Piotr Beczala, Quinn Kelsey, Adrian Sampetrean, Enrique Mazzola conducting June 25: Berlioz: Les Troyens; Christine Goerke, Susan Graham, Brandon Jovanovich, Lucas Meachem, Christian Van Horn, Sir Andrew Davis conducting July 2: Massenet: Don Quichotte; Ferruccio Furlanetto, Clémentine Margaine, Nicola Alaimo, Sir Andrew Davis conducting July 9: Mozart: The Magic Flute, K. 620; Matthew Polenzani, Christiane Karg, Adam Plachetka, Kathryn Lewek, Christof Fischesser, Diana Newman, Rory Macdonald conducting July 16: Bellini: Norma; Sondra Radvanovsky, Elizabeth DeShong, Russell Thomas, Andrea Silvestrelli, Riccardo Frizza conducting July 23: Bizet: Carmen; Anita Rachvelishvili, Brandon Jovanovich, Eleonora Buratto, Christian Van Horn, Ainars Rubikis conducting July 30: Tchaikovsky: Yevgeny Onegin; Mariusz Kwiecien, Ana María Martínez, Charles Castronovo, Dmitry Belosselskiy, -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
9E Symphonie
E 9 Ricarda Merbeth Robert Dean Smith Soprano Ténor SYMPHONIE Ricarda Merbeth est née à Chemnitz en Allemagne. Après ses Né au Kansas, Robert Dean Smith a étudié le chant à la l’Université études au Conservatoire de Leipzig, elle est engagée au Théâtre de de Pittsburg, à la Juilliard School de New York ainsi qu’en Europe. Magdeburg puis à celui de Weimar. Depuis 1999, Ricarda Merbeth Au début de sa carrière il est baryton puis s’affirme comme un Ludwig van Beethoven est membre de la Staatsoper de Vienne où on a pu l’entendre dans heldentenor possédant une maîtrise des styles et des langues. Il fait les plus grands rôles du répertoire. Elle est invitée au festival de ses débuts au festival de Bayreuth en 1997 dans le rôle de Walther Bayreuth : la Tétralogie (2000 et 2001) et Tannhäuser (2002 à 2007). des Maîtres chanteurs de Nuremberg et y est invité dans les rôles de Myung-Whun Chung Elle a chanté l’Impératrice (La Femme sans ombre) et la Comtesse des Tristan, Lohengrin et Siegmund (La Walkyrie). Depuis, il a joué sur Direction musicale Noces à Toulouse, Sieglinde (La Walkyrie) à Cologne, la Comtesse à les scènes de l’Opéra de Munich (Fidelio, Aida, Tristan et Isolde, Dresde, Tannhäuser à Munich et à Tokyo, Senta (Le Vaisseau fantôme) Tannhäuser, Lohengrin, Walkyrie, La Femme sans ombre, Tosca, Myung-Whun Chung est né à Séoul en 1953. Il est diplômé de la THÉÂTRE ANTIQUE et Hélène d’Egypte à Berlin. La saison 2009-2010 l’amène à chanter Manon Lescaut, Ariane à Naxos, Les Maîtres chanteurs, Le Vaisseau Juilliard School après avoir étudié au Mannes College of Music DIMANCHE 16 JUILLET 2017 – 21H45 La Ville morte et Sieglinde à Paris, Salomé et Le Chevalier à la rose fantôme, La Dame de pique), de l’Opéra de Vienne (Tristan, et reçoit le deuxième prix au Concours Tchaïkovski de Moscou à Vienne, Lohengrin à Berlin, Elisabeth à Turin.