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I'm Still Here, Still: a Performance by Alexandra Billings
THEMEGUIDE I’m Still Here, Still TRANS REPRESENTATION BY THE A PERFORMANCE BY NUMBERS o GLAAD¹ has documented 102 episodes and non-recurring ALEXANDRA BILLINGS storylines of scripted TV featuring transgender characters Thursday, January 26, 2017, at 7 p.m. since 2002, and 54 percent of those were negative Bing Theatre representations. Transgender characters were often victims or killers, and anti-trans slurs were present in 61 Is Hollywood “Transparent”? percent of the episodes. o In 2010, Trans Media Watch conducted a survey in which Identity and “Mis”representation 21 percent of respondents said they had experienced at least one instance of verbal abuse they felt was related in the Industry to negative media representations of trans or intersex Friday, January 27, 2017, at 3 p.m. people. 20 percent had experienced negative reactions McClintock Theatre at work that they could trace to items in the media. o While TV shows like Transparent and Orange Is the New Black represent a significant improvement in trans visibility, 80 percent of trans students still feel unsafe in school and in 2015 more trans people were reported murdered than in any other year on record. DEFINITIONS CISGENDER: This adjective applies to a person whose gender identity corresponds with the sex they were identified as having at birth. MEDIA REPRESENTATION: The way the media portrays a given social group, community, or idea. TRANSGENDER: This adjective applies to a person whose gender identity differs from the sex they were identified as having at birth. TIMELINE OF TRANS VISIBILITY IN U.S. DOMINANT CULTURE 1952 Christine Jorgensen, a former Army private, becomes the first American to undergo what was then called a “sex change” operation. -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
Gender&Motivated-Killings-Of-Women
Gender&motivated-killings-of-women-on-the-basis-of-sexual- orientation-and-gender-identity! by#Kim#Vance,#ARC#International# # Background- - On# October# 12,# 2011,# the# United# Nations# Special# Rapporteur# on# violence# against# women,# its# causes# and# consequences,# Rashida# Manjoo,# convened# a# dayGlong# expert# group# meeting# on# genderGmotivated# killings# of# women# in# New# York# City,# USA.# The# purpose#of#the#meeting#was#to#examine#the#manifestations,#causes#and#consequences#of# genderGmotivated#killings#in#preparation#for#a#report#to#the#UN#Human#Rights#Council# in#Geneva#in#June#2012.#ARC#International#was#honoured#to#participate#in#this#group# meeting,# make# a# presentation,# and# prepare# a# briefing# paper.# I# represented# ARC# International# at# this# meeting,# and# the# following# paper# is# intended# to# provide# a# somewhat# brief# and# current# overview# of# the# global# situation# of# genderGmotivated# killings#of#women#on#the#basis#of#sexual#orientation#and#gender#identity.#There#is#also# an# accompanying# 30Gminute# PowerPoint# presentation# for# which# I# would# welcome# further# presentation# opportunities# in# other# fora,# or# which# can# be# shared# directly# by# request#by#contacting:#[email protected].# - Manifestations,-causes-and-consequences- ! Information! on! the! prevalence! and! physical! manifestations! of! killings! of! women! based!on!sexual!orientation!and!gender!identity!is!very!difficult!to!gather.!Those!of! us!who!work!in!this!field!keep!bumping!up!against!a!circular!problem:!!women!often! -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Safe Zone Manual – Edited 9.15.2015 1
Fall 2015 UCM SAFE ZONE GUIDE FOR ALLIES UCM – Safe Zone Manual – Edited 9.15.2015 1 Contents Safe Zone Program Introduction .............................................................................................................. 4 Terms, Definitions, and Labels ................................................................................................................. 6 Symbols and Flags................................................................................................................................... 19 Gender Identity ......................................................................................................................................... 24 What is Homophobia? ............................................................................................................................. 25 Biphobia – Myths and Realities of Bisexuality ..................................................................................... 26 Transphobia- Myths & Realities of Transgender ................................................................................. 28 Homophobia/biphobia/transphobia in Clinical Terms: The Riddle Scale ......................................... 30 How Homophobia/biphobia/transphobia Hurts Us All......................................................................... 32 National Statistics and Research Findings ........................................................................................... 33 Missouri State “Snapshot” ...................................................................................................................... -
Speakers Bureau Manual
Speakers Bureau Manual 2011-2012 The Stonewall Center A Bisexual, Gay, Lesbian, Queer, and Transgender Resource Center Crampton Hall, 256 Sunset Ave. University of Massachusetts, Amherst 413-545-4824 [email protected] www.umass.edu/stonewall Table of Contents ABOUT THE SPEAKERS BUREAU .................................................................................................................. 2 INTRODUCTION .................................................................................................................................................. 2 THE HISTORY OF THE STONEWALL CENTER ...................................................................................................... 2 ABOUT THE MANUAL ........................................................................................................................................ 2 DOES THE SPEAKERS BUREAU MAKE A DIFFERENCE? ....................................................................................... 3 SAMPLE EVALUATION FEEDBACK ..................................................................................................................... 3 SPEAKERS BUREAU GOALS................................................................................................................................ 4 SPEAKERS BUREAU MECHANICS ................................................................................................................. 5 HOW MEMBERS ARE ASSIGNED TO A SPEAKING ENGAGEMENT ....................................................................... -
Gender Self-Determination Troubles
Gender Self-Determination Troubles by Ido Katri A thesis submitted in conformity with the requirements for the degree of Doctor of Juridical Science Faculty of Law University of Toronto © Copyright by Ido Katri 2021 Gender Self-Determination Troubles Ido Katri Doctor of Juridical Science Faculty of Law University of Toronto 2021 Abstract This dissertation explores the growing legal recognition of what has become known as ‘gender self-determination.’ Examining sex reclassification policies on a global scale, I show a shift within sex reclassification policies from the body to the self, from external to internal truth. A right to self-attested gender identity amends the grave breach of autonomy presented by other legal schemes for sex reclassification. To secure autonomy, laws and policies understand gender identity as an inherent and internal feature of the self. Yet, the sovereignty of a right to gender identity is circumscribed by the system of sex classification and its individuating logics, in which one must be stamped with a sex classification to be an autonomous legal subject. To understand this failure, I turn to the legal roots of the concept self-determination by looking to international law, and to the origin moment of legal differentiation, sex assignment at birth. Looking at the limitations of the collective right for state sovereignty allows me to provide a critical account of the inability of a right to gender identity to address systemic harms. Self- attested gender identity inevitably redraws the public/private divide along the contours of the trans body, suggesting a need to examine the apparatus of assigning sex at birth and its pivotal role in both the systemic exclusions of trans people, and in the broader regulation of gender. -
Eugenics and Domestic Science in the 1924 Sociological Survey of White Women in North Queensland
This file is part of the following reference: Colclough, Gillian (2008) The measure of the woman : eugenics and domestic science in the 1924 sociological survey of white women in North Queensland. PhD thesis, James Cook University. Access to this file is available from: http://eprints.jcu.edu.au/5266 THE MEASURE OF THE WOMAN: EUGENICS AND DOMESTIC SCIENCE IN THE 1924 SOCIOLOGICAL SURVEY OF WHITE WOMEN IN NORTH QUEENSLAND Thesis submitted by Gillian Beth COLCLOUGH, BA (Hons) WA on February 11 2008 for the degree of Doctor of Philosophy in the School of Arts and Social Sciences James Cook University Abstract This thesis considers experiences of white women in Queensland‟s north in the early years of „white‟ Australia, in this case from Federation until the late 1920s. Because of government and health authority interest in determining issues that might influence the health and well-being of white northern women, and hence their families and a future white labour force, in 1924 the Institute of Tropical Medicine conducted a comprehensive Sociological Survey of White Women in selected northern towns. Designed to address and resolve concerns of government and medical authorities with anxieties about sanitation, hygiene and eugenic wellbeing, the Survey used domestic science criteria to measure the health knowledge of its subjects: in so doing, it gathered detailed information about their lives. Guided by the Survey assessment categories, together with local and overseas literature on racial ideas, the thesis examines salient social and scientific concerns about white women in Queensland‟s tropical north and in white-dominated societies elsewhere and considers them against the oral reminiscences of women who recalled their lives in the North for the North Queensland Oral History Project. -
From Sissy to Sickening: the Indexical Landscape of /S/ in Soma, San Francisco
From sissy to sickening: the indexical landscape of /s/ in SoMa, San Francisco Jeremy Calder University of Colorado, Boulder [email protected] ABSTRACT: This paper explores the relation between the linguistic and the visual in communicating social meaning and performing gender, focusing on fronted /s/ among a community of drag queens in SoMa, San Francisco. I argue that as orders of indexicality (Silverstein 2003) are established, linguistic features like fronted /s/ become linked with visual bodies. These body-language links can impose top-down restrictions on the uptake of gender performances. Non-normatively gendered individuals like the SoMa queens embody cross-modal figures of personhood (see Agha 2003; Agha 2004) like the fierce queen that forge higher indexical orders and widen the range of performative agency. KEY WORDS: Indexicality, performativity, queer linguistics, gender, drag queens 1 Introduction This paper explores the relation between the linguistic and the visual in communicating social meaning. Specifically, I analyze the roles language and the body play in gender performances (see Butler 1990) among a community of drag queens and queer performance artists in the SoMa neighborhood of San Francisco, California, and what these gender performances illuminate about the ideological connections between language, body, and gender performativity more generally. I focus on fronted /s/, i.e. the articulation of /s/ forward in the mouth, which results in a higher acoustic frequency and has been shown to be ideologically -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Jeremias Lucas Tavares
UNIVERSIDADE FEDERAL DE CAMPINA GRANDE CENTRO DE HUMANIDADES UNIDADE ACADÊMICA DE LETRAS CURSO DE LICENCIATURA EM LETRAS: LÍNGUA INGLESA JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. Monografia apresentada ao Curso de Licenciatura em Letras - Língua Inglesa do Centro de Humanidades da Universidade Federal de Campina Grande, como requisito parcial para obtenção do título de Licenciado em Letras – Língua Inglesa. Orientadora: Professora Dra. Sinara de Oliveira Branco. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA Monografia de conclusão de curso apresentada ao curso de Letras – Língua Inglesa da Universidade Federal de Campina Grande, como requisito parcial à conclusão do curso. Aprovada em 11 de Julho de 2019 Banca Examinadora: _______________________________________________________________ Orientadora: Profa. Dra. Sinara de Oliveira Branco – UFCG _______________________________________________________________ Profa. Dra. Danielle Dayse Marques de Lima – UFCG _______________________________________________________________ Prof. Dr. Suênio Stevenson Tomaz da Silva – UFCG Campina Grande - PB 2019 AGRADECIMENTOS Primeiramente, gostaria de agradecer a essa força – ainda tão pouco explicada – que foi batizada com diversos nomes no decorrer da história da humanidade e que eu gosto de me referir como natureza. Toda minha vida fui guiado por essa força – nunca estive só. Quero agradecer à minha família – minhas duas mães, Finha e Dona Donzica, meu irmão, Jonas e minha cunhada, Day – que sempre me amaram e torceram por mim. -
The Frames and Depictions of Transgender Athletes in Sports Illustrated
THESIS DECOLONIZING TRANSNESS IN SPORT MEDIA: THE FRAMES AND DEPICTIONS OF TRANSGENDER ATHLETES IN SPORTS ILLUSTRATED Submitted By Tammy Rae Matthews Department of Journalism and Media Communication In partial fulfillment of the requirements For the Degree of Master of Science Colorado State University Fort Collins, Colorado Fall 2016 Master’s Committee: Advisor: Catherine Knight Steele Co-Advisor: Kris Kodrich Joseph Champ Caridad Souza Copyright by Tammy Rae Matthews 2016 All Rights Reserved ABSTRACT DECOLONIZING TRANSNESS IN SPORT MEDIA: THE FRAMES AND DEPICTIONS OF TRANSGENDER ATHLETES IN SPORTS ILLUSTRATED This discourse analysis examines depictions of trans athletes in Sports Illustrated and sport culture through the lens of queer theory and the interpretive-packages model proposed by Gamson and Modigliani (1989). Four interpretive packages emerged from the print content: (1) Marginalization, (2) Labeling, (3) Fighting and Fairness and (4) Pride and Affirmation. The results illustrate that discourse has generally become more sensitive to trans issues. The author presents these results with cautious optimism. Blindingly affirming and romancing the transgender can be equally as superficial as marginalization, and representations of trans athletes secured by one person are problematic. Researchers and sport organizations should dismantle antiquated, coercive sex segregation in traditional sport and decolonize how it contributes to gender-based oppression. The author recommends that media outlets focus on presenting fair, accurate and