Paul Muldoon and the Context of Postmodernity
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Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
Between the Bittern 183
http://dx.doi.org/10.18778/2299-7458.06.09 Czytanie Literatury Łódzkie Studia Literaturoznawcze 6/2017 WIT ISSN 2299-7458 e-ISSN 2449-8386 PIETRZAK* Between the Bittern 183 and the Café du Monde: Paul Muldoon’s BETWEEN THE BITTERN AND THE CAFÉ DU MONDE… The Prince of the Quotidian1 Paul Muldoon’s poetry has long been infused with references to his life, raising the issue of the relation between the lived experience and its textual representations. It may be noted that Muldoon’s poetry departs from a Derridean premise. In Shibboleth: For Paul Celan, Derrida focuses on the notion of date, arguing that dating a poem, on the one hand, places it at a uniquely singular moment in time but, on the other, “to speak of it, one must also efface it, make it readable, audible, intelligible beyond the pure singularity of which it speaks”2. Therefore, shibboleth is no cypher behind which a moment from the past lies hidden; instead, it is a word-key to multifarious repetitions of the date, repetitions in which the now-effaced originary moment of inscription becomes a fiction due to the fact that the date “is not exactly the same but rather analogic to the other, and that is because the original date, as an encoded mark of the other here and now, was a kind of fiction in the first place, claiming its singularity solely thanks to fables of conventions and generalisations”3. To assume that Muldoon’s autobiographical references point to a singular moment in time or a particular person is tantamount to falling prey to the trap of “conventions and generalisations”. -
A Poet's Rising
A POET’S RISING A POET’S RISING In 2015 the Irish Writers Centre answered the Arts Council’s Open Call for 2016 and A Poet’s Rising was born. Our idea was this: to commission six of Ireland’s most eminent poets to respond through poetry focusing on a key historical figure and a particular location associated with the Rising. The poets would then be filmed in each discreet location and made permanent by way of an app, freely available for download. The resulting poems are beautiful, important works that deserve to be at the forefront of the wealth of artistic responses generated during this significant year in Ireland’s history. We are particularly proud to be producing this exceptional oeuvre in the year of our own 25th anniversary since the opening of the Irish Writers Centre. • James Connolly at Liberty Hall poem by Eiléan Ní Chuilleanáin • Pádraig Pearse in the GPO poem by Paul Muldoon • Kathleen Lynn in City Hall poem by Jessica Traynor • The Ó Rathaille at O’Rahilly Parade poem by Nuala Ní Dhomhnaill • Elizabeth O’Farrell in Moore Lane poem by Theo Dorgan • The Fallen at the Garden of Remembrance poem by Thomas McCarthy We wish to thank Eiléan Ní Chuilleanáin, Paul Muldoon, Jessica Traynor, Nuala Ní Dhomhnaill, Theo Dorgan and Thomas McCarthy for agreeing to take part and for their resonant contributions, and to Conor Kostick for writing the historical context links between each poem featured on the app. A special thanks goes to Colm Mac Con Iomaire, who has composed a beautiful and emotive score, entitled ‘Solasta’, featured throughout the app. -
The Astray Belonging—The Perplexity of Identity in Paul Muldoon's Early
International Conference on Humanities and Social Science (HSS 2016) The Astray Belonging—The Perplexity of Identity in Paul Muldoon’s Early Poems Jing YAN Sichuan Agricultural University, Dujiangyan, Chengdu, Sichuan Province, China Keywords: Paul Muldoon, Northern Ireland, Identity, Perplexity. Abstract. As a poet born in a Catholic family in Northern Ireland but deeply influenced by the British literary tradition, Paul Muldoon’s identity is obviously multiple and complex especially from 1970s to 1980s when Northern Ireland was going through the most serious political, religious and cultural conflicts, all of which were unavoidably reflected in the early poems of Paul Muldoon. This thesis attempts to study the first four anthologies of Paul Muldoon from the perspective of Diaspora Criticism in Cultural Studies to discuss the issues of identities reflected in Muldoon’s poems. Obviously, the perplexity triggered by identities is not only of the poet himself but also concerning Northern Irish issues. Muldoon’s poems relating cultural identities present the universal perplexity of Irish identity. Introduction While Ireland is a small country in Western Europe, this tiny piece of magical land has given birth to countless literary giants. From Jonathan Swift and Richard Sheridan in the 18th century, to Oscar Wilde in the 19th century and all the way to James Joyce, George Bernard Shaw, Butler Yeats, Samuel Beckett and Seamus Heaney in the 20th century, there are countless remarkable Irish writers who help to build the reputation of Irish literature. Since 1960s or 1970s, the rise of Irish poetry began to draw world attention, particularly after poet Seamus Heaney won the Nobel Prize for Literature in 1995, Following Heaney, the later poets in Ireland are also talented in poetic creation, of whom ,the 2003 Pulitzer Prize winner Paul Muldoon is undoubtedly a prominent representative. -
Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great -
Muldoon, Paul
TEXT OF THE INTRODUCTORY ADDRESS DELIVERED BY: PROFESSOR SEAN RYDER, National University of Ireland, Galway on 3 December 2012 in the Royal College of Physicians of Ireland, on the occasion of the conferring of the Degree of Doctor of Literature, honoris causa, on PROFESSOR PAUL MULDOON A Sheánsailéir, a mhuintir na hOllscoile agus a dhaoine uaisle, In the heavily populated world of poetry, in an age when we cannot but be aware of the enormous and intimidating back catalogue of the past, and at a point in history in which one may be tempted to doubt the possibility of creating anything new that isn’t a remix or a recycling, it is not easy to find a poet with the confidence and craft to make poetry that is genuinely fresh, a poetry that extends the canon rather than simply replays it. Yet Paul Muldoon is certainly such a poet. In his 11 volumes of poetry over a period of 40 years his has been a striking and compelling voice for readers of poetry not just in Ireland but all over the English - speaking world. It is a recognisable voice by now - alternately wry and dark, sometimes facetious, sometimes in deadly earnest. Always testing and torturing and playing with the language we all think we know, and making us realise we have only been using it at a fraction of its capacity. Paul Muldoon was born in Co Armagh and educated at Queen’s University, Belfast. Since 1987 he has lived in the United States, where he is now Howard GB Clark ’21 Professor at Princeton University, and Founding Chair of the Lewis Center for the Arts. -
Chapter 1 Introduction: Making History?
Notes CHAPTER 1 INTRODUCTION: MAKING HISTORY? 1. Irish Times, Weekend Section, September 3, 1994. 'Ceasefire' has sub sequently been reprinted in Longley's collection The Ghost Orchid (London: Jonathan Cape, 1995, p. 39). The poem continues Longley's discovery in the classics, and in Homer particularly, of passages and incidents pertinent to the present. His collection before The Ghost Orchid, Gorse Fires (London: Seeker & Warburg, 1991), also contains moving, freely translated excerpts which press upon events in the North of Ireland. 2. 'Ulysses, Order, and Myth', Selected Prose of T.S. Eliot, edited with an introduction by Frank Kermode (London: Faber, 1975), p. 177. 3. Modernisms: A Literary Guide (London: Macmillan, 1995), p. 167. 4. Transitions: Narratives in Modern Irish Culture (Manchester University Press, 1988), p. 9. 5. Jonathan Bardon, A History of Ulster (Belfast: Blackstaff Press, 1992), pp.662-90. 6. 'The Irish Writer', Davis, Mangan, Ferguson? Tradition and the Irish Writer, writings by W.B. Yeats and Thomas Kinsella (Dublin: Dolmen Press, 1970), p. 66. 7. Francis Ledwidge: Selected Poems (Dublin: New Island Books, 1992), p. 11. 8. Field Work (London: Faber, 1979), p. 60. 9. Station Island (London: Faber, 1984), p. 37. 10. 'An Ulster Twilight', Krino, No.5, Spring 1988, p. 100. 11. Dublin: The Dedalus Press, 1994; London: Anvil Press, 1993. In the poem 'Irish Cuttings' from the latter collection, O'Driscoll has written a horrific and modern version of the aisling or vision poem in which Ireland is described as a young maiden, as an old farmer is blown up by a booby-trapped bomb in a copy of Playboy (p. -
Downloaded 4.0 License
Chapter 4 Quoof Quoof presents in the very unintelligibility of its title the importance of lan- guage in Muldoon’s fourth volume of poetry. In an entirely unprecedented constellation of letters, this queer word flaunts its own alterities and sugges- tiveness. It is a quip that traces its own coming into being back to the originary, the decentered and the unidentifiable, to an endless referral of new traces from which new meanings may emerge. It presents adlinguisticism. Absence, play and emptiness appear part and parcel of its very quiddity. Due to, more than despite of, its denial of definitions and a logical or linear heritage, this semiotic specimen takes on aural and semantic currency. The language of Quoof, which differs considerably from ordinary usage, critical expectations and public vocabulary, can be said to extend to larger discourses, too. Contem- porary poetics, Heaney’s in particular but also Kinsella’s, Montague’s and Ma- hon’s, remains a target for parts of Muldoon’s abrasive and dialogic poetics. Poetic form, especially the sonnet, becomes a space to be undermined from within and overwritten from without – a form Muldoon literally executes; he keeps it alive by risking its extinction. His narrative vein, which runs from his early verses to the Byronic whimsicalities of Why Brownlee Left, increasingly undermines the established standards of narratology. In relation to the con- current chaos of its immediate contexts, for example the 1981 Hunger Strike in the Maze, the volume’s illinguisticity, narratricidal structures and flirtations with the incredible help to engender its distinctively skewed semiosis. Not sur- prisingly, the baffling and bewildering dimensions of Quoof did not pass un- noticed among critics. -
The Longman Anthology of British Literature Third Edition
The Longman Anthology of British Literature Third Edition David Damrosch and Kevin J. H. Dettmar General Editors VOLUME TWO THE ROMANTICS AND THEIR CONTEMPORARIES Susan Wolfson and Peter Manning THE VICTORIAN AGE Heather Henderson and William Sharpe THE TWENTIETH CENTURY Kevin J. H. Dettmar and Jennifer Wicke New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal CONTENTS List of Illustrations xxxix Additional Audio and Online Resources xlv Preface xlvii Acknowledgments Iv The Romantics and Their Contemporaries 3 PERSPECTIVES -£^ ' The Sublime, the Beautiful, and the Picturesque 30 EDMUND BURKE 33 from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful 33 WILLIAM GILPIN 40 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape 41 MARY WOLLSTONECRAFT 46 from A Vindication of the Rights of Men 47 JANE AUSTEN 48 from Pride and Prejudice 48 from Northanger Abbey 49 MARIA JANE JEWSBURY 51 A Rural Excursion 51 IMMANUEL KANT 56 from The Critique of Judgement 56 JOHN RUSKIN 59 from Modern Painters 59 ANNA LETITIA BARBAULD 63 The Mouse's Petition to Dr. Priestley 63 On a Lady's Writing 65 Inscription for an Ice-House 65 To a Little Invisible Being Who Is Expected Soon to Become Visible 66 To the Poor 61 Contents Washing-Day 61 Eighteen Hundred and Eleven 69 RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven 78 The First Fire 79 On the Death of the Princess Charlotte 81 CHARLOTTE SMITH 82 ELEGIAC SONNETS AND OTHER POEMS 83 To the Moon 83 "Sighing I see yon little troop at play" 83 • To melancholy. -
Jefferson Holdridge Cv
JEFFERSON HOLDRIDGE English Dept. Wake Forest University P.O. Box 7387 Reynolda Station Winston-Salem, NC, 27109-7387 Ph: 336-758-3365 email: [email protected] EDUCATION University College Dublin, Dublin, Ireland (1991-97). Ph.D. in Anglo-Irish Literature (supervisor, Prof. Declan Kiberd; external examiner, Prof. Terence Brown). Thesis on Yeats, the beautiful and the sublime, entitled Those Mingled Seas. University College Dublin, Dublin, Ireland (1986-1988). M.A. in Anglo-Irish Literature. 1st class honors (supervisor, Prof. Augustine Martin; external examiner, Prof. A. N. Jeffares). Thesis on Irish and English literature of the 1890s entitled Prayers Out of the Canon. San Francisco State University, San Francisco, CA (1979-1983). B.A. in English. Also concentrated on Greek and Roman mythology and literature. School of Irish Studies, Dublin, Ireland (1981-1982). Undergraduate study of the history, language, folklore and literature of Ireland. TEACHING AND RESEARCH EXPERIENCE Wake Forest University, Winston-Salem, North Carolina (2002-present). Associate Professor of English and Director of Wake Forest University Press. Duties include teaching undergraduate and graduate courses on Irish literature from the 18th century to the contemporary periods, teaching intensive writing courses, introduction to literature surveys, and first-year seminars, as well as supervising WFU Press. General duties as Director of Wake Forest University Press: editing, acquisitions and management. University College Dublin, Dublin, Ireland (1997-2000). Faculty of Arts Fellow in Department of Modern English. Lectured on Modernism/Postmodernism and on 18th-century to contemporary Anglo-Irish literature, ran seminars for postgraduates, taught 3rd-year tutorials, and supervised M.A. theses in Anglo-Irish literature. -
Teach NA Eng. Lit. #1591 Fm 8/25/06 8:03 AM Page I
Teach NA Eng. Lit. #1591 fm 8/25/06 8:03 AM Page i Teaching with The Norton Anthology of English Literature EIGHTH EDITION A Guide for Instructors Teach NA Eng. Lit. #1591 fm 8/25/06 8:03 AM Page ii THE EDITORS Stephen Greenblatt COGAN UNIVERSITY PROFESSOR OF THE HUMANITIES, HARVARD UNIVERSITY Carol T. Christ PROFESSOR EMERITUS OF ENGLISH, UNIVERSITY OF CALIFORNIA, BERKELEY PRESIDENT, SMITH COLLEGE Alfred David PROFESSOR OF ENGLISH EMERITUS, INDIANA UNIVERSITY Barbara K. Lewalski WILLIAM R. KENAN PROFESSOR OF ENGLISH AND OF HISTORY AND LITERATURE, HARVARD UNIVERSITY Lawrence Lipking PROFESSOR OF ENGLISH AND CHESTER D. TRIPP PROFESSOR OF HUMANITIES, NORTHWESTERN UNIVERSITY George M. Logan JAMES CAPPON PROFESSOR OF ENGLISH, QUEEN’S UNIVERSITY Deidre Shauna Lynch ASSOCIATE PROFESSOR OF ENGLISH, INDIANA UNIVERSITY Katharine Eisaman Maus JAMES BRANCH CABELL PROFESSOR OF ENGLISH, UNIVERSITY OF VIRGINIA James Noggle ASSOCIATE PROFESSOR OF ENGLISH AND WHITEHEAD ASSOCIATE PROFESSOR OF CRITICAL THOUGHT, WELLESLEY COLLEGE Jahan Ramazani EDGAR F. SHANNON PROFESSOR OF ENGLISH, UNIVERSITY OF VIRGINIA Catherine Robson ASSOCIATE PROFESSOR OF ENGLISH AND CHANCELLOR’S FELLOW, UNIVERSITY OF CALIFORNIA, DAVIS James Simpson PROFESSOR OF ENGLISH AND AMERICAN LITERATURE, HARVARD UNIVERSITY Jon Stallworthy PROFESSOR OF ENGLISH LITERATURE, OXFORD UNIVERSITY Jack Stillinger CENTER FOR ADVANCED STUDY PROFESSOR OF ENGLISH, UNIVERSITY OF ILLINOIS Teach NA Eng. Lit. #1591 fm 8/25/06 8:03 AM Page iii Teaching with The Norton Anthology of English Literature EIGHTH EDITION A Guide for Instructors Sondra Archimedes UNIVERSITY OF CALIFORNIA, SANTA CRUZ Elizabeth Fowler UNIVERSITY OF VIRGINIA Laura Runge UNIVERSITY OF SOUTH FLORIDA Philip Schwyzer EXETER UNIVERSITY B W.