DOCSLIB.ORG

Northern Irish Elegy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Northern Irish Elegy Northern Irish Elegy Naomi Marklew Thesis submitted for degree of Doctor of Philosophy to the Department of English Studies Durham University 2011 Abstract This thesis proposes that Northern Irish elegy is a distinctive genre of contemporary poetry, which has developed during the years of the Troubles, and has continued to be adapted and defined during the current peace process. It argues that the practice of writing elegy for the losses of the Troubles has established a poetic mode in which Northern Irish poets have continued to work through losses of a more universal kind. This thesis explores the contention that elegy has a clear social and political function, providing a way in which to explore some of the losses experienced by a community over the past half-century, and helping to suggest ideas of consolation. Part one focuses on three first generation Northern Irish elegists: Seamus Heaney, Michael Longley and Derek Mahon. Heaney is considered in a chapter which takes in a poetic career, through which might be traced the development of Northern Irish elegy. Following this are two highly focused studies of the elegies of Longley and Mahon. The place of artifice in elegy is considered in relation to Longley's Troubles elegies, while Mahon’s irony is discussed in relation to his elegiac need for community. Part two looks at a second generation, represented by Ciaran Carson and Paul Muldoon. Carson's elegies for Belfast are read in a discussion of the destruction and reconstruction that occurs during the process of remembering. This study explores the idea that elegies might also be written for places and temporal spaces. Carson's interest in poetic form is shown to be intricately related to his elegiac practice. The chapter on Muldoon surveys a career which has interrogated the connections between art and suffering. Muldoon raises questions of poetic responsibility, and also challenges poetry itself, on a formal and linguistic level. As his career develops, he includes not only the local threats of Troubles violence within his elegies, but also the global threats of disease, violence and terror. Part three starts with Medbh McGuckian, whose work is discussed in relation to the third generation poets Sinead Morrissey, Leontia Flynn and Colette Bryce. As McGuckian's poetry is perhaps the least immediately accessible of all the poetry covered here, the thesis considers ways in which her work might be read, before her poems are discussed as Northern Irish elegies. Following this are readings of poems from Morrissey, Flynn and Bryce, noting ways in which this generation works to develop the genre of elegy, working in the same broad themes that have been charted throughout this thesis. ii Contents Introduction “I write it out in a verse”: Northern Irish Elegy 1968 – 2008 1 i. Background to the study 1 ii. Defining elegy 5 iii. The poetic context for Northern Irish elegy 9 iv. Overview of the thesis 14 Part One: The First Generation Chapter One “Unjust Ulster hurt him into poetry”: Seamus Heaney's Elegies 17 Chapter Two “And did we come into our own...?”: The Northern Irish Elegies of Michael Longley 58 and Derek Mahon I. “Wrapped like a present”: Artifice in Michael Longley's Troubles 61 Elegies II. “A quest for community”?: Derek Mahon as a Northern Irish Elegist 79 Part Two: The Second Generation Chapter Three “Mutilation of the body and the city”: Remembering and Dismembering Ciaran 98 Carson’s Belfast Chapter Four Paul Muldoon: A Revolutionary Traditionalist 128 Part Three: The Third Generation and Beyond Chapter Five “Every step will be a gamble”: Post Peace Talk Poetry 167 Medbh McGuckian, Sinead Morrissey, Leontia Flynn and Colette Bryce I. “This great estrangement has the destination of a rhyme”: Medbh 169 McGuckian and Elegy II. “Art is waist-deep in the spirit of the times”: Three Third Generation 182 Northern Irish Elegists i. Sinead Morrissey 182 ii. Leontia Flynn 188 iii. Colette Bryce 192 iii Conclusion “The end of art is peace”: The Future of Northern Irish Elegy 196 Bibliography 201 iv Statement of Copyright The copyright of this thesis rests with the author. No quotation from it should be published without the prior written consent and information derived from it should be acknowledged. v Acknowledgements I would like to thank the University of Durham and the Department of English Studies for providing me with the opportunity to undertake this thesis. In particular, I thank Stephen Regan, my supervisor, for valuable insights and advice, and for patience in reading many draft versions. I am also very grateful to those members of staff at the University of Bristol who encouraged me to pursue an academic career while I was an undergraduate student. Thanks to the community at Hatfield College, Durham, and to the Hatfield Trust for their generosity in funding a number of research trips. I am thankful to the many people who have supported me in different ways during the writing of this thesis, particularly those at Emmanuel Church, Durham, and the Banks and Marklew families. Thank you most of all to my parents, without whose support – financial, emotional and spiritual – this would have been impossible, and to Ryan, whose love, encouragement and friendship have become indispensable. vi For my parents vii Introduction “I write it out in a verse”: Northern Irish Elegy 1968 – 2008 From that moment the problems of poetry moved from being simply a matter of achieving the satisfactory verbal icon to being a search for images and symbols adequate to our predicament.1 Background to the study Early in 2010, following the catastrophic earthquake in Haiti, Britain's Poet Laureate, Carol Ann Duffy, helped to organise a literary event to raise funds for the victims. Speaking about Poetry Live for Haiti, Duffy explained: We turn to poetry at intense moments in our lives. […] When we lose people, or are bereaved, we look for a piece of music or poem to read at the funeral, or when we fall in love we turn to poetry, or when children are born. And I think that can happen at moments of public grief too, as well as personal. It is so close to prayer, it is the most intense use of language that there is. It is the perfect art form for public or private grief.2 Duffy's instinctive poetic response to loss and crisis is one that is heard in the work of elegists writing about situations of personal and communal grief all over the world. She also echoes many of the theorists of elegy, in declaring that, just as in the past, poetry continues to be one of the most enduring sources of consolation, even in the twenty-first century. This thesis seeks to trace the development of a specific kind of poetry which has grown out of the need to work through the grief suffered during a period of violence and conflict that has taken place in recent decades; the years that have come to be termed the Troubles of Northern Ireland.3 Perhaps the most influential work done on elegy in recent decades has been Peter Sacks's book The English Elegy. Sacks sets out the conventions of the traditional genre of elegy, interpreting them largely through the lens of psychoanalysis, and taking inspiration from the notion of “the work of mourning”, which is found in Freud's essay “Mourning and Melancholia”.4 Sacks's study follows a chronological route, performing close readings upon the major elegies of poets ranging from Spenser to Yeats. It is from this foundational work that many subsequent understandings of the genre of elegy have developed, and many of the conventions identified by Sacks are the ones which are held up for comparison against the poems studied in this thesis. The pre-eminent inheritor of Sacks's project, however, is often 1 Seamus Heaney, “Feeling into Words,” Finders Keepers, (London: Faber, 2002) 14-25 (23). 2 BBC news website, “Poets to hold 'literary Live Aid',” 29th Jan 2010, accessed 17/02/2011, <http://news.bbc.co.uk/1/hi/entertainment/arts_and_culture/8485443.stm>. 3 The term “Troubles” might be regarded as a problematic one with which to talk about a serious conflict: it might seem to be overly euphemistic and fail to carry the full weight of the losses experienced during the violence of the past decades in Northern Ireland. However, as it has become the most common way in which this period of history is referred to, the term will be used throughout the thesis, and without the continual use of quotation marks, for the sake of brevity and ease of reading. 4 Peter M. Sacks, The English Elegy: Studies in the Genre from Spenser to Yeats (Baltimore: Johns Hopkins UP, 1987) 1. 1 thought to be Jahan Ramazani.5 Sacks, in his study of pre-twentieth century poetry, builds on the idea that the work of mourning must be successfully performed in elegy in order to achieve consolation, but he finally comes to conclude that: “recent attitudes to death have made it increasingly difficult to write a conventional elegy”, as both modern “large-scale” warfare and the clinical detachment of hospital care make the experience of death “obscene, meaningless, impersonal”.6 It is this idea that is built upon in Ramazani's study, as he follows the other strand of thought found in Freud's essay, that of melancholia, arguing that the twentieth century has produced a type of dis-consolatory elegy. Ramazani, acknowledging his debt to his predecessor, writes, nevertheless, that Sacks's model of “healthy” and “successful” mourning is, I think, inadequate for understanding in the twentieth-century elegy.
Load more

Recommended publications
  • Limits of Orality and Textuality in Ciaran Carson's Poetry
    Grzegorz Czemiel Instytut Anglistyki Wydział Neofilologii Uniwersytet Warszawski Limits of orality and textuality in Ciaran Carson’s poetry praca doktorska napisana pod kierunkiem prof. dr. hab. Jerzego Jarniewicza Warszawa, 2012 Table of contents Introduction .............................................................................................................................. 4 Chapter One – The dialectics of orality and textuality ....................................................... 18 I Aspects of orality in The Irish For No ............................................................................ 18 The turn ........................................................................................................................... 18 The revival of the oral tradition .................................................................................... 19 The dialectic .................................................................................................................... 21 The Irish For No ............................................................................................................. 23 The ends of discourse ..................................................................................................... 28 Locality and the reservoir .............................................................................................. 32 The image of speech ....................................................................................................... 34 Ying-yang, I-Ching and politics ...................................................................................
    [Show full text]
  • Études Irlandaises, 34.2 | 2009, « Figures De L'intellectuel En Irlande » [En Ligne], Mis En Ligne Le 02 Février 2012, Consulté Le 22 Septembre 2020
    Études irlandaises 34.2 | 2009 Figures de l'intellectuel en Irlande Representations of the Intellectual in Ireland Maurice Goldring et Carle Bonafous-Murat (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/1456 DOI : 10.4000/etudesirlandaises.1456 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 30 septembre 2009 ISBN : 978-2-7535-0982-5 ISSN : 0183-973X Référence électronique Maurice Goldring et Carle Bonafous-Murat (dir.), Études irlandaises, 34.2 | 2009, « Figures de l'intellectuel en Irlande » [En ligne], mis en ligne le 02 février 2012, consulté le 22 septembre 2020. URL : http://journals.openedition.org/etudesirlandaises/1456 ; DOI : https://doi.org/10.4000/ etudesirlandaises.1456 Ce document a été généré automatiquement le 22 septembre 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Introduction Maurice Goldring et Carle Bonafous-Murat Maurice Goldring et Carle Bonafous-Murat (éd.) Richard Lovell Edgeworth, or the paradoxes of a “philosophical” life Isabelle Bour A Panacea for the Nation : Berkeley’s Tar-water and Irish Domestic Development Scott Breuninger “Is that the word ?” Samuel Beckett and the Port-Royal Philosophy of Language Mélanie Foehn Aristotle’s concept of energeia in Autumn Journal by Louis MacNeice, poet, classics scholar and intellectual Mélanie White Emblems of his early adversity
    [Show full text]
  • The Immigrant in Contemporary Irish Literature
    From Byzantium to Ballymun A review of Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature. Ed. Pilar Villar-Argáiz. Manchester: Manchester University Press, 2014. Pb 2015. 273 pps. A book like Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature has been long-awaited, and since its publication the topic of migrations has become more burning than ever. That the phenomenon of immigration is more striking in Ireland than in many other countries is due to several factors, the most striking of which would be that Ireland has (1) known a centuries-long history of emigration, (2) an almost equally long history of being colonized and (3) a small population on a much divided island. In The Ex-Isle of Erin (1997) O’Toole punningly catches the inversion of the above situation as the tradition of ‘exile’ has been replaced by mass immigration while the country has been ‘un-islanded’ in its embrace by the EU’s vaster network of (mainly) continental countries. This densely printed book contains 18 contributions divided over four parts: Part I deals with ‘Irish multiculturalisms: obstacles and challenges’; Part II ‘‘Rethink[s] Ireland’ as a postnationalist community’; Part III focuses on ‘‘The return of the repressed’: ‘performing’ Irishness through intercultural encounters’; Part IV, finally, looks at ‘Gender and the city’. In this review I will first present the Irish sociological background as sketched by the contributors, then discuss each of the literary genres scrutinized in this book and conclude with a general assessment. That Ireland has undergone major changes since Mary Robinson became president is obvious.
    [Show full text]
  • Women Writers of the Troubles
    Women Writers of The Troubles Britta Olinder, University of Gothenburg Abstract During the thirty years of the Troubles in Northern Ireland, writing by women was difficult to find, especially concerning the conflict and its violence. The publication of the first three heavy volumes of The Field Day Anthology of Irish Writing towards the end of that period demonstrated the blindness of its male editors to female writing, leading to another two volumes focusing on women and also presenting more than expected on the conflict itself. Through looking at a selection of prose, poretry and drama written by women, this article wishes to illuminate a number of relevant issues such as: How have female writers reacted to the hate and violence, the social and political insecurity in their writing of poetry, plays and fiction? Is Robert Graecen’s question ‘Does violence stimulate creativity?’—in a letter to the Irish Times (18 Jun. 1974)—relevant also for women? In this very partial exploration, I have chosen to discuss a novel by Jennifer Johnston (Shadows on Our Skin, 1977) and one by Deirdre Madden (One by One in the Darkness, 1996), a well-known short story by Mary Beckett (‘A Belfast Woman,’ 1980), together with plays by Anne Devlin (Ourselves Alone, 1986) and Christina Reid (Tea in a China Cup, 1987), as well as poetry, by, among others, Meta Mayne Reid, Eleanor Murray, Fleur Adcock and Sinéad Morrissey. Keywords: women writers; violence; conflict; The Troubles; Jennifer Johnston; Deirdre Madden; Mary Beckett; Anne Devlin; Christina Reid; Meta Mayne Reid; Eleanor Murray; Fleur Adcock; Sinéad Morrissey The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.
    [Show full text]
  • The Great War in Irish Poetry
    Durham E-Theses Creation from conict: The Great War in Irish poetry Brearton, Frances Elizabeth How to cite: Brearton, Frances Elizabeth (1998) Creation from conict: The Great War in Irish poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5042/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Creation from Conflict: The Great War in Irish Poetry The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. Frances Elizabeth Brearton Thesis submitted for the degree of Ph.D Department of English Studies University of Durham January 1998 12 HAY 1998 ABSTRACT This thesis explores the impact of the First World War on the imaginations of six poets - W.B.
    [Show full text]
  • Irish Studies Around the World – 2020
    Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon
    [Show full text]
  • Female Ulster Poets and Sexual Politics
    Colby Quarterly Volume 27 Issue 1 March Article 3 March 1991 "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics Jacqueline McCurry Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 27, no.1, March 1991, p.4-8 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. McCurry: "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics "Our1/Our Lady, dispossessed": Female Ulster Poets and Sexual Politics by JACQUELINE MCCURRY OETRY AND POLITICS, like church and state, should be separated," writes P Belfast critic Edna Longley (185); in Eire and in Northern Ireland this is not the case: the marriage of church and state in the Republic has resulted in constitutional bans on divorce and on abortion; Northern Ireland's Scots­ Presbyterian majority continues to preventminority Irish-Catholic citizens from having full participationin society. Butwhile mencontinue to control church and state, women have begun to raise their voices in poetry and in protest. Northern Ireland's new poets, through the 1960s and 1970s, were exclusively male: Jan1es Simmons, Seamus Heaney, Michael Longley, Derek Mahon, Paul Muldoon, Seamus Deane, Frank Ormsby, Tom Paulin, and Ciaran Carson dominated the literary scene until the early 1980s. In 1982 Medbh McGuckian published her first book ofpoetry. Since then, she has published two additional collections and achieved international fame, while younger women poets like Janet Shepperson and Ruth Hooley have made their debuts in print.
    [Show full text]
  • HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
    HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses 'A forest of intertextuality' : the poetry of Derek Mahon Burton, Brian How to cite: Burton, Brian (2004) 'A forest of intertextuality' : the poetry of Derek Mahon, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1271/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk "A Forest of Intertextuality": The Poetry of Derek Mahon Brian Burton A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Submitted as a thesis for the Degree of Doctor of Philosophy University of Durham Department of English Studies 2004 1 1 JAN 2u05 I Contents Contents I Declaration 111 Note on the Text IV List of Abbreviations V Introduction 1 1. 'Death and the Sun': Mahon and Camus 1.1 'Death and the Sun' 29 1.2 Silence and Ethics 43 1.3 'Preface to a Love Poem' 51 1.4 The Terminal Democracy 59 1.5 The Mediterranean 67 1.6 'As God is my Judge' 83 2.
    [Show full text]
  • French Elections: Workers Win Big Victory -Pages 2, 7
    MAY 22, 1981 75 CENTS VOLUME 45/NUMBER 19 A SOCIALIST NEWSWEEKLY/PUBLISHED IN THE INTERESTS OF THE WORKING PEOPLE FRENCH ELECTIONS: WORKERS WIN BIG VICTORY -PAGES 2, 7 '· The plan Solidarity to slash with miners' strike workers' wages -PAGE 5 -PAGE 4 Black party leaders denounce FBI disruption -PAGE 12 In Our Opinion VOLUME .45/NUMBER 19 MAY 22, 1981 CLOSING NEWS DATE-MAY 13 United States, and around the world will be work force and an incredibly expensive substi­ U.S. workers & encouraged by this victory, which shows it is tute for personal retirement savings." possible for the workers to throw out right­ This reflects the bosses' mentality in a French elections wing capitalist governments. nutshell. As long as we produce profits for The May 10 election of Fran~;ois Mitterrand Mitterrand's election will give encourage­ them, they recognize that it is unfortunately as president of France is a victory for working ment to workers and peasants in the colonial necessary to provide us with some kind of people. and semi-colonial world, too. The French So­ wage-as long as we don't win "excessive" The Socialist Party candidate defeated in­ cialist Party is a member of the Socialist Increases. cumbent President Valery Giscard d'Estaing International, which opposes the brutal junta If we can't work any more, however, they by 52 to 48 percent. in El Salvador. Mitterrand is a member of the think we should be thrown on the scrap heap The French franc immediately plummeted. Committee for the Defense of the Revolution in like· a used-up machine.
    [Show full text]
  • New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
    New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE.
    [Show full text]
  • Neill Lecture Theatre, Trinity Long Room Hub)
    MONDAY 22 JULY 9:30: Fóram iarchéimithe | Postgraduate Forum (Neill Lecture Theatre, Trinity Long Room Hub) 11:00: Osclaíonn clárú | Registration opens (Arts Building 2nd Floor) 12:00: Cruinniú Gnó IASIL | IASIL Executive Meeting (Neill Lecture Theatre, Trinity Long Room Hub) 14:30: Fáilte agus Lánseisiún | Welcome and Keynote (Burke Theatre, Arts Building 1st Floor) ‘Framing Irish Poetry: Groarke, Flynn, O’Reilly’ Matthew Campbell (University of York) 16:00: Tae/Caife | Tea/Coffee 16:30: Lánphainéal | Plenary Panel (Burke Theatre, Arts Building 1st Floor) ‘50 Years of The Critical Ground’ Angela Bourke, Patricia Coughlan, Michael Kenneally, Chris Morash, Shaun Richards, Eve Patten (Cathaoirleach|Chair) 18:00: Fáiltiú | Welcome Reception (Lower Concourse, Arts Building 1st Floor) 19:00: Léamh Ficsin Dhuais Rooney | Rooney Prize Fiction Reading (Burke Theatre, Arts Building 1st Floor) Hugo Hamilton, Caitriona Lally, Kevin Power, Carlo Gébler (Cathaoirleach|Chair) Chuir an Dr Peter Rooney tacaíocht fhial ar fáil don léamh seo | The reading is generously supported by Dr Peter Rooney 1 TUESDAY 23 JULY 9:30: Seisiún Painéal 1 | Panel Session 1 (Mis)Representations: Oscar Wilde on Film (Neill Lecture Theatre, Trinity Long Room Hub) The Happy Prince: Biography, Boys, and Binaries Helena Gurfinkel (Cathaoirleach|Chair) Oscar Wilde, Postmodern Identities and Brian Gilbert’s Graham Price Wilde Sexual representation and the zeitgeist: Wilde, film, Julie-Ann Robson and A Man of No Importance Writing Art (TRiSS Seminar Room, Arts Building 6th Floor)
    [Show full text]