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CURRICULUM VITAE CHARLES FORCEVILLE

15 key publications have been printed in bold face

Institutional Address Universiteit van Amsterdam Media & Culture/Media Studies Turfdraagsterpad 9 1012 XT Amsterdam The Netherlands

Education 1971-1977 Murmelliusgymnasium, Alkmaar (Dutch, English, French, German, Greek, Latin, History). 1977-1988 Study English Language and Literature, Vrije Universiteit, Amsterdam. 27/2/81 Kandidaatsexamen. 27/5/88 Doctoraalexamen oude stijl (cum laude). Title thesis: Pictorial Meta- phor in Surrealist Art and Advertisements. Subsidiary subjects: Comparative Arts/ Word & Image Studies and Introduction Informatics. 13/12/94 PhD Pictorial Metaphor in Advertising, NWO/Vrije Universiteit Amsterdam.

Employment 9/88-9/89 Lecturer (40%) English Dept. Vrije Universiteit Amsterdam. 1/6/90-1/6/94 Researcher at Dutch Organization of Scientific Research (NWO), section Comparative Literature. Project: "Pictorial metaphor in advertisements" (code 301-180-039). Promotors: Prof. Elrud Ibsch (Comparative and Empirical Literature) and Prof. J.Lachlan Mackenzie (Linguistics), Vrije Universiteit Amsterdam. 1992 – 1999 Lecturer (30%) English dept. Vrije Universiteit Amsterdam + part-time teaching appointments Comparative literature dept., Word & Image dept.; freelance translator/editor. 2/96-9/98 Post-doc Narration in Fiction and Film. Onderzoekschool Literatuur- wetenschap (OSL/Rijksuniversiteit Leiden (50%). 2/98-5/98 Course on English-Canadian literature Hogeschool Holland, Diemen. 11/98-11/99 Coordinator Faculty course WEL (Western-European Literary History). 9/99-9/07 Faculty Fellow, later assistant professor Film and Television Studies/ Media Studies, Universiteit van Amsterdam. 2004–2012 Programme director Research MA Media Studies, Universiteit van Amsterdam. http://www.studeren.uva.nl/ma_media_studies/ Nov. 2004– Program leader programme Rhetoric and Structure of Multimodal

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Discourse/Adventures in Multimodality. 9/07 – present UHD/Associate professor, Faculty of Humanities/Media Studies, Universiteit van Amsterdam. 16 June 2010 Basiskwalificatie Onderwijs (Basis diploma Teaching Competences University level). 9/10 – present Also affiliated to Amsterdam University College (AUC). http://www.auc.nl/auc 9/14-12/14 Visiting scholar English Department, University of Lund, Sweden (hosted by Prof. Carita Paradis). 9/16-9/18 Director MA-programmes Media Studies, Universiteit van Amsterdam.

PUBLICATIONS

Work in progress/planned

Tseronis, Assimakis, and Charles Forceville (eds). Visual and Multimodal Argumentation. Amsterdam: Benjamins. The proposal has been accepted. Tseronis, Assimakis, and Charles Forceville. “Visual antithesis in Frederick Wiseman’s Direct Cinema documentaries” (provisional title). In: Tseronis, Assimakis, and Charles Forceville (eds), Visual Argumentation. Tseronis, Assimakis, and Charles Forceville. “Introduction.” In: Tseronis, Assimakis, and Charles Forceville (eds), Visual Argumentation. Tseronis, Assimakis, and Charles Forceville. “Refuting argumentative claims by visual and multimodal means: the case of subvertisements.” To be submitted to a journal. Forceville, Charles and Jana Holsanova. “How to orally narrate a film for blind audiences? Aiming at optimal relevance.” To be submitted to a journal. Holsanova, Jana, and Charles Forceville. “How do blind audiences evaluate audio-describers narrations of a short, wordless animation film? An experiment.” To be submitted to a journal. Forceville, Charles, and Natalia Sánchez-Querubin. “Tripadvisor, Academia.edu, and Facebook: Relevance theory perspectives.” To be submitted to a journal. Forceville, Charles. A Pragmatic Model for Analyzing Mass-Communicative Visuals (working title of monograph). Forceville, Charles. “Visual and multimodal metarepresentation in comics and cartoons.”

Submitted Forceville, Charles. “Visual and multimodal metaphor in advertising: (sub)cultural perspectives.” In: Dorota Brzozowska and Władysław Chłopicki (eds), Proceedings Second International Conference on Communication Styles, Krosno, Poland, 12-14 October 2015, planned for publication in Styles of Communication, 2017. (http://journals.univ- danubius.ro/index.php/communication). Paper submitted December 2015. Forceville, Charles. “Webdocs and Grierson’s ‘creative treatment of actuality.’” Paper submitted July 2016 for “Media Evolution and Genre Expectations” issue of Discourse, Context and Media (guest editors: Tuomo Hiippala & Chiao-I Tseng). Forceville, Charles. “The affordances and constraints of genre: multimodality in unusual ‘traffic signs.’” Paper for Pragmatic insights for multimodal argumentation issue of International Review of Pragmatics (guest editors: Assimakis Tseronis & Chiara Pollaroli), sent July 2016. Cornevin, Vanessa, and Charles Forceville. “From metaphor to allegory: the Japanese manga Afuganisu-tan.” Submitted to a journal September 2016.

Forthcoming scholarly articles, chapters, and reviews Forceville, Charles. “From image schema to metaphor in discourse: The FORCE schema in

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animation films.” In: Beate Hampe (ed.), Metaphor: From Embodied Cognition to Discourse. Cambridge: Cambridge University Press (submitted May 2016). Forceville, Charles. Book review of Francisco Yus, Humour and Relevance (Benjamins 2016, ISBN 978-90-272-0231-4). Journal of Pragmatics.

2016 Forceville, Charles (2016). “Conceptual Metaphor Theory, Blending Theory, and other cognitivist perspectives on comics.” In: Neil Cohn (ed.), The Visual Narrative Reader (89-114). London: Bloomsbury. (ISBN: 9781472585592). http://www.bloomsbury.com/uk/the-visual-narrative- reader-9781472585592/. Forceville, Charles (2016). “Visual and multimodal metaphor in film: charting the field.” In: Kathrin Fahlenbrach (ed.), Embodied Metaphors in Film, Television and Video Games: Cognitive Approaches (17-32). London: Routledge. https://www.routledge.com/products/search?keywords=fahlenbrach Forceville, Charles (2016). “Mixing in pictorial and multimodal metaphors?” In: Raymond W. Gibbs, Jr. (ed.), Mixing Metaphor (223-239). Amsterdam: Benjamins (ISBN 9789027202109) doi 10.1075/milcc.6.11for. Forceville, Charles. “Pictorial and Multimodal metaphor.” In: Nina-Maria Klug and Hartmut Stöckl (eds), Handbuch Sprache im multimodalen Kontext [The Language in Multimodal Contexts Handbook] (241-260). Linguistic Knowledge series. Berlin: Mouton de Gruyter. Forceville, Charles (2016). “The FORCE and BALANCE schemas in JOURNEY metaphor animations.” In: Carla Fernandes (ed.), Multimodality and Performance (8-22). Newcastle-upon-Tyne: Cambridge Scholars. http://www.cambridgescholars.com/download/sample/63345 2015 Forceville, Charles (2015). “Interpreting The Chinese Wall knowing Dutch and ‘Dutchness.’” Short Film Studies 5(1): 107-110. Forceville, Charles (2015). Book review of Albert Rothenberg, Flight from Wonder: An Investigation of Scientific Creativity, Oxford: Oxford UP (2015), ISBN 978-0-19-998879-2, Metaphor and Symbol 30(3): 256-258. Tseronis, Assimakis, Charles Forceville, and Melle Grannetia (2015). “The argumentative role of visual metaphor and visual antithesis in ‘fly-on-the-wall’ documentary.” In: Garssen, B., Godden, D., Mitchell, G. and Snoeck Henkemans, F. (eds.), Proceedings of the 8th International Conference on Argumentation, Amsterdam: SicSat, CD-Rom pp. 1380-1395. Forceville, Charles (2015). “Metaphor and symbol: SEARCHING FOR ONE’S IDENTITY IS LOOKING FOR A HOME in animation film.” In: María Jesús Pinar Sanz (ed.), Multimodality and Cognitive Linguistics (27-44). Amsterdam: Benjamins [Reprint of Forceville 2013] Forceville, Charles (2015). Book review of Annabelle Honess Roe, Animated Documentary (Palgrave Macmillan 2013, ISBN 978-1-137-01745-1), Journal of Pragmatics 89: 66-68. doi:10.1016/j.pragma.2015.09.008. 2014 Forceville, Charles (2014). Book review of Arthur P. Shimamura, ed., Psychocinematics: Exploring Cognition at the Movies, Oxford UP (2013), Cinéma & Cie: International Film Studies Journal XIV (22/23): 197-200. http://cinemaetcie.net/2015/06/23/issue22-23/ [NB published summer 2015] Forceville, Charles, Elisabeth El Refaie, and Gert Meesters (2014). “Stylistics and comics.” Chapter 30 in: Michael Burke (ed.), The Routledge Handbook of Stylistics (485-499). London: Routledge. Koetsier, Julius, and Charles Forceville (2014). “Embodied identity in werewolf films of the 1980s.” Image [&] Narrative 15(1): 44-55 (special issue “The Moving Image and the Embodied Mind,” guest editors: Maarten Coëgnarts & Peter Kravanja). Forceville, Charles (2014). “Relevance Theory as model for analysing multimodal

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communication.” In: David Machin (ed.), Visual Communication (51-70). Berlin: Mouton de Gruyter. Forceville, Charles, and Billy Clark (2014). “Can pictures have explicatures?” Linguagem em (Dis)curso 14(3): 451-472 [Brasil, special issue on Relevance Theory, edited by Francisco Yus. (http://www.portaldeperiodicos.unisul.br/index.php/Linguagem_Discurso, ISSN 1982-1417). 2013 Forceville, Charles, and Thijs Renckens (2013). “The GOOD IS LIGHT and BAD IS DARKNESS metaphors in feature films.” For special issue of Metaphor and the Social World 3(2): 160-179 (guest editors: Laura Hidalgo & Blanca Kraljevic). doi 10.1075/msw.3.2.03for Forceville, Charles (2013). “Metaphor and symbol: SEARCHING FOR ONE’S IDENTITY IS LOOKING FOR A HOME in animation film.” Review of Cognitive Linguistics 11(2): 250-268. doi 10.1075/rcl.11.2.03for (special issue on “Multimodality and Cognitive Linguistics,” edited by Maria Jesús Pinár-Sanz). Forceville, Charles (2013). “Concluding observations and further research.” Lecture 8/8 (±4,000 words) of the online Course in Pictorial and Multimodal Metaphor. Available online http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ Forceville, Charles (2013). “The strategic use of the visual mode in advertising metaphors.” In: Emilia Djonov and Sumin Zhao (eds), Critical Multimodal Studies of Popular Culture (55-70). New York: Routledge. Kromhout, Roelf, and Charles Forceville (2013). “LIFE IS A JOURNEY: the source-path-goal schema in the videogames Half-Life, Heavy Rain, and Grim Fandango.” Metaphor and the Social World 3(1): 100-116. Forceville, Charles (2013). Book review of Oliver Grau, with Thomas Veigl, eds (2011). Imagery in the 21st Century. Cambridge, Mass.: MIT. Journal of Pragmatics 53: 109-111. DOI: 10.1016/j.pragma.2013.04.005. Veale, Tony, Kurt Feyaerts, and Charles Forceville (eds) (2013). Creativity and the Agile Mind: A Multi-Disciplinary Exploration of a Multi-Faceted Phenomenon. Applications of Cognitive Linguistics, vol. 21 (Berlin: Mouton de Gruyter). [http://www.degruyter.com/view/product/184570] Veale, Tony, Kurt Feyaerts, and Charles Forceville (2013). “Creativity and the agile mind.” In: Tony Veale, Kurt Feyaerts, and Charles Forceville (eds), Creativity and the Agile Mind: A Multi- Disciplinary Exploration of a Multi-Faceted Phenomenon (15-36). Berlin: Mouton de Gruyter. Veale, Tony, Kurt Feyaerts, and Charles Forceville (2013). “E Unis Pluribum: Using mental agility to achieve creative duality in word, image and sound.” In: Tony Veale, Kurt Feyaerts, and Charles Forceville (eds), Creativity and the Agile Mind: A Multi-Disciplinary Exploration of a Multi- Faceted Phenomenon (37-57). Berlin: Mouton de Gruyter. Forceville, Charles (2013). “Creative visual duality in comics balloons.” In: Tony Veale, Kurt Feyaerts, and Charles Forceville (eds), Creativity and the Agile Mind: A Multi-Disciplinary Exploration of a Multi-Faceted Phenomenon (253-273). Berlin: Mouton de Gruyter. 2012 Forceville, Charles (2012). “The visualization of anger in comics.“ Comics Forum 10 February 2012 (2000 words). http://comicsforum.org/ Forceville, Charles (2012). “Creativity in pictorial and multimodal advertising metaphors.” In: Rodney Jones (ed.), Discourse and Creativity (113-132). Harlow: Pearson/Longman. Forceville, Charles (2012). “Pictorial and multimodal metaphor in commercials.” Chapter 29 in: Patrick Hanks and Rachel Giora (eds), Metaphor (6 volumes). London: Routledge (= reprint of Forceville 2008). Forceville, Charles (2012). “The metaphor COLIN IS A CHILD in Ian McEwan's, Harold Pinter's, and Paul Schrader's The Comfort of Strangers.” Chapter 49 in: Patrick Hanks and Rachel Giora (eds), Metaphor (6 volumes). London: Routledge (= reprint of Forceville 1999).

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2011 Forcevile, Charles (2011). Review of Gunther Kress, Multimodality: A Social Semiotic Appraoch to Contemporary Communication (Routledge 2010). Journal of Pragmatics 43(14): 3624-3626. DOI 10.1016/j.pragma 2011.06.013. Forceville, Charles, and Marloes Jeulink (2011). “The flesh and blood of embodied understanding: The source-path-goal schema in animation film.” Pragmatics & Cognition 19(1): 37–59. DOI 10.1075/pc.19.1.02for Forceville, Charles (2011). Review of Lars Elleström (ed.), Media Borders, Multimodality and Intermediality (Palgrave MacMillan 2010), Journal of Pragmatics 43(12): 3091-3094. DOI 10.1016/j.pragma.2011.04.015. Forceville, Charles (2011). “The journey metaphor and the Source-Path-Goal schema in Agnès Varda’s autobiographical gleaning documentaries.” In: Monika Fludernik (ed.), Beyond Cognitive Metaphor Theory: Perspectives on Literary Metaphor (281-297). London: Routledge. Abbott, Michael, and Charles Forceville (2011). “Visual representation of emotion in manga: LOSS OF CONTROL IS LOSS OF HANDS in Azumanga Daioh volume 4.” Language and Literature 20(2): 91-112. DOI 10.1177/096394701 1402182. Bounegru, Liliana, and Charles Forceville (2011). "Metaphors in editorial cartoons representing the global financial crisis." Visual Communication 10(2): 209-229. DOI 10.1177/1470357211398446. Forceville, Charles (2011). “Pictorial runes in Tintin and the Picaros.” Journal of Pragmatics 43(3): 875-890. DOI: 10.1016/j.pragma.2010.07.014. Forceville, Charles (2011). “Practical cues for helping develop image and multimodal discourse scholarship.” In: Klaus Sachs-Hombach and Rainer Totzke (eds), Bilder, Sehen, Denken: ZumVerhältnis von begrifflich-philosophischen und empirisch-psychologischen Ansätzen in der bildwissenschaftlichen Forschung (33-51). Cologne: Von Halem. (ISBN : 978-3-86962- 006-0). Forceville, Charles (2011). “Structural pictorial and multimodal metaphor.” Lecture 7/8 (±10,000 words & 30 pictures) of the online Course in Pictorial and Multimodal Metaphor. Available online http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ Forceville, Charles (2011). “An introduction to pictorial and multimodal metaphor.” In: Khalid Berrada and Abdelmajid Jahfa (eds), Metaphor and Cognition (65-96). Laboratory Publications ISBN 978-9981-911-84.0). Casablanca: Sebra Press. [= slightly revised reprint of “Introduction” & Lectures 1 and 2 of online Course in Pictorial and Multimodal Metaphor.] 2010 Van Mulken, Margot, Rob le Pair, and Charles Forceville (2010). “The impact of perceived complexity, deviation and comprehension on the appreciation of visual metaphor in advertising across three European countries.” Journal of Pragmatics 42 (12): 3418-3430. doi:10.1016/j.pragma.2010.04.030. Forceville, Charles, Tony Veale, and Kurt Feyaerts (2010). “Balloonics: The visuals of balloons in comics.” In: Joyce Goggin & Dan Hassler-Forest (eds), The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form (56-73). Jefferson NC: McFarland. Forceville, Charles (2010). “Why and how study metaphor, metonymy, and other tropes in multimodal discourse?” In: Augusto Soares da Silva, José Cândido Martins, Luísa Magelhães, and Miguel Gonçalves (eds), Comunição, Cognição e Media, Vol. I. Braga: Aletheia/Associação Científica e Cultural, Faculdade de Filosofia, Universade Católica Portuguesa, pp. 41-60. Also in (2010): Rosario Caballero and Maria Jesús Pinar (eds), Ways and Modes of Human Communication. Cuenca: Ediciones de la Universidad de Castilla La Mancha, pp. 57-76. Forceville, Charles (2010). Review of Carey Jewitt (ed.), Routledge Handbook of Multimodal Analysis (2009), Journal of Pragmatics 42: 2604-2608. doi:10.1016/j.pragma.2010.03.003. Forceville, Charles (2010). “Metaphor, hybrids, and blending theory,” Lecture 6 (±5000 words & 23 pictures) of the eight-lecture Course in Pictorial and Multimodal Metaphor. Available online

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http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ 2009 Forceville, Charles (2009). “Relevanz und Prägnanz: Kunst als Kommunikation.” Tr. by Martina Plümacher. Zeitschrift für Semiotik 31(1-2): 31-63 (special issue on “Prägnanter Inhalt – prägnante Form,” edited by Wolfgang Wildgen & Martina Plümacher). Forceville, Charles (2009). “Metonymy in visual and audiovisual discourse.” In: Eija Ventola and Arsenio Jésus Moya Guijarro (eds), The World Told and the World Shown: Issues in Multisemiotics (56-74). Basingstoke/New York: Palgrave Macmillan. Forceville, Charles (2009). Review of Noël Carroll, On Criticism (Routledge 2009). Language and Literature 18: 405-408. Forceville, Charles, and Eduardo Urios-Aparisi, eds, (2009). Multimodal Metaphor.1 Berlin/New York: Mouton de Gruyter. ISBN 978-3-11-020515-2. 470 pp. Applications of Cognitive Linguistics, vol. 11 http://www.degruyter.de/cont/fb/sk/detailEn.cfm?id=IS- 9783110205152-1 Forceville, Charles, and Eduardo Urios-Aparisi (2009). “Introduction.” In: Forceville & Urios-Aparisi (eds), pp. 3-17. http://www.degruyter.de/files/pdf/9783110205152Introduction.pdf Forceville, Charles (2009). ”Non-verbal and multimodal metaphor in a cognitivist framework: Agendas for research.” In: Forceville & Urios-Aparisi (eds), pp. 19-42 (Reprinted version, with minor corrections, of Forceville 2006). Eggertsson, Gunnar Theodór, and Charles Forceville (2009). “Multimodal expressions of the HUMAN VICTIM IS ANIMAL metaphor in horror films.” In: Forceville & Urios-Aparisi (eds), pp. 429-49. Forceville, Charles (2009). “The role of non-verbal sound and music in multimodal metaphor.” (Revised version of Forceville 2004), In: Forceville & Urios-Aparisi (eds), pp. 383-400. Forceville, Charles (2009). Review of Terry D. Royce & Wendy L. Bowcher (eds), New Directions in the Analysis of Multimodal Discourse (Lawrence Erlbaum 2007). Journal of Pragmatics 41(7): 1459-1463 (doi:10.1016/j.pragma.2009.01.007). Forceville, Charles (2009). “Pictorial and multimodal metaphor in fiction film,” Lecture 5 (± 5400 words + 11 pictures) of the eight-lecture Course in Pictorial and Multimodal Metaphor. Available online http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ 2008 Forceville, Charles (2008). Review of Mark Johnson, The Meaning of the Body (University of Chicago Press 2007). Metaphor and Symbol 23: 292 – 297. Forceville, Charles (2008). “Metaphor in pictures and multimodal representations.” In: Raymond W. Gibbs, Jr. (ed.), The Cambridge Handbook of Metaphor and Thought (462- 482). Cambridge: Cambridge UP. http://www.cambridge.org/us/catalogue/catalogue.asp?isbn=0521600863) Forceville, Charles (2008). “Pictorial and multimodal metaphor in commercials.” In: Edward F. McQuarrie & Barbara J. Phillips (eds), Go Figure! New Directions in Advertising Rhetoric (272-310). Armonk NY: ME Sharpe. Forceville, Charles (2008). “Bumper stories: the framing of commercial blocks on Dutch public television.” In: Jaap Kooijman, Patricia Pisters, and Wanda Strauven (eds), Mind the Screen: Media Concepts According to Thomas Elsaesser (229-241). Amsterdam: Amsterdam University Press. 2007 Forceville, Charles (2007). “Metaphors and anger in language and other media.” In: Elana I. Clausen (ed.). Psychology of Anger (17-21). Hauppauge NY: Nova Science.

1 Reviews: (1) Mark Johnson (2010). Journal of Pragmatics 42: 2848-2850; (2) Alison Gibbons (2011). Language and Literature 20: 78-81; (3) Mingwei Peng (2011). Intercultural Pragmatics 8: 614–622; (4) Hartmut Stöckl (2012). Visual Communication 11: 383-388.

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https://www.novapublishers.com/catalog/product_info.php?products_id=5783 Forceville, Charles (2007). Review of Rosario Caballero, Re-viewing Space: Figurative Language in Architects’ Assessment of Built Space (Mouton de Gruyter 2006). Metaphor and Symbol 22: 275-280. Forceville, Charles (2007). Review of Anthony Baldry & Paul J. Thibault, Multimodal Transcription and Text Analysis: A Multimedia Toolkit and Coursebook (Equinox 2006). Journal of Pragmatics 39(6): 1235-1238. Forceville, Charles (2007). “Multimodal metaphor in ten Dutch TV commercials.” Public Journal of Semiotics 1(1): 19-51. http://pjos.org/issues/pjos-1-1.swf Forceville, Charles (2007). “Pictorial and multimodal metaphor in commercials,” Lecture 4 (± 5100 words + 3 commercials) of the eight-lecture Course in Pictorial and Multimodal Metaphor. Available online http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ 2006 Forceville, Charles (2006). ”Non-verbal and multimodal metaphor in a cognitivist framework: Agendas for research.” In: Gitte Kristiansen, Michel Achard, René Dirven, and Francisco Ruiz de Mendoza Ibàñez (eds.), Cognitive Linguistics: Current Applications and Future Perspectives (379-402). Berlin/New York: Mouton de Gruyter. Forceville, Charles (2006). “The source-path-goal schema in the autobiographical journey documentary: McElwee, Van der Keuken, Cole.” New Review of Film and Television Studies 4(3): 241-261. Forceville, Charles, Paul Hekkert, and Ed Tan (2006). “The adaptive value of metaphors.” In: Uta Klein, Katja Mellmann, Steffanie Metzger (Eds.): Heuristiken der Literaturwissenschaft. Einladung zu disziplinexternen Perspektiven auf Literatur (85-109). Paderborn: Mentis. Forceville, Charles (2006). “From pictorial to multimodal metaphor,” Lecture 3 (± 4400 words + 20 pictures) of the eight-lecture Course in Pictorial and Multimodal Metaphor. Available online http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ Forceville, Charles (2006). Review of Zoltán Kövecses, Metaphor in Culture: Universality and Variation (Cambridge UP 2005). Journal of Pragmatics 38: 1528-1531. Forceville, Charles (2006). Review of Jonathan Charteris-Black, Corpus Approaches to Critical Metaphor Analysis (Macmillan-Palgrave 2004). Language and Literature 15: 402-405. 2005 Forceville, Charles (2005). “Addressing an audience: time, place, and genre in Peter van Straaten’s calendar cartoons.” Humor: International Journal of Humor Research 18(3): 247-278. Forceville, Charles (2005).”Cognitive linguistics and multimodal metaphor.” In: Klaus Sachs-Hombach (ed.), Bildwissenschaft: Zwischen Reflektion und Anwendung (264-284). Cologne: Von Halem. Forceville, Charles (2005). “Visual representations of the Idealized Cognitive Model of anger in the Asterix album La Zizanie.” Journal of Pragmatics 37(1): 69-88. Forceville, Charles (2005). “When is something a pictorial metaphor?” “Lecture 2 (± 3000 words + 8 pictures) of the eight-lecture Course in Pictorial and Multimodal Metaphor. Available online http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ 2004 Forceville, Charles (2004). “Introduction” (± 2000 words) and “Preliminary concepts and terminology,” Lecture 1 (± 6000 words + 15 figures) of the eight-lecture Course in Pictorial and Multimodal Metaphor. Available online http://semioticon.com/sio/courses/pictorial-multimodal-metaphor/ Forceville, Charles (2004). Review of Gilles Fauconnier and Mark Turner, The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities. Metaphor and Symbol 19: 83-89. Forceville, Charles (2004). “The role of non-verbal sound and music in multimodal metaphor.” In: Henk Aertsen, Mike Hannay, and Rod Lyall (eds): Words in their Places: A Festschrift for J.

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Lachlan Mackenzie (65-78). Amsterdam: Faculty of Arts, VU Amsterdam. 2003 Forceville, Charles (2003). “Bildliche und multimodale Metaphern in Werbespots” [Translated from English by Dagmar Schmauks] Zeitschrift für Semiotik 25(1-2): 39-60. Forceville, Charles (2003). Review of Zoltán Kövecses, Metaphor: A Practical Introduction (Oxford UP 2002). Journal of English Linguistics 31(2): 178-183. Forceville, Charles (2003). Review of Yuri Engelhardt, The Language of Graphics: A Framework for the Analysis of Syntax and Meaning in Maps, Charts, and Diagrams. (ILLC 2002) Document Design 4(3): 287-290. 2002 Forceville, Charles (2002). “The identification of target and source in pictorial metaphors.” Journal of Pragmatics 34(1): 1-14. Forceville, Charles (2002). Review of Lars Hermerén English for Sale: A Study of the Language of Advertising (Lund UP 2001). Journal of Pragmatics 34(3): 341-44. Forceville, Charles (2002). “The conspiracy in The comfort of strangers – narration in the novel and the film,” Language and Literature 11(2): 131-147. Forceville, Charles (2002). “Further thoughts on delimiting pictorial metaphor.” Theoria et Historia Scientiarum 6:1, 213-27. (Metaphor issue, ed. by Tomasz Komendzinski, published by Nicolas Copernicus UP, Toruń, Poland). Forceville, Charles (2002). E-book edition of Pictorial Metaphor in Advertising (Routledge, ISBN 0- 203-06425-9; via www.eBookstore.tandf.co.uk). 2001 Forceville, Charles (2001). Review of Rick Altman, Film/Genre (British Film Institute 1999), Journal of Pragmatics. 33(11): 1787-90. Forceville, Charles (2001). Review of Guy Cook, Language Play, Language Learning (Oxford UP 2000). Language and Literature 10(4): 371-74. Forceville, Charles (2001). Review of Adrian Pilkington, Poetic Effects (Benjamins 2000). Language and Literature 10: 4, 374-77. 2000 Forceville, Charles (2000). “Compasses, beauty queens and other PCs: pictorial metaphors in computer advertisements.” Hermes, Journal of Linguistics 24 (ed. Carlo Grevy): 31-55. Forceville, Charles (2000). Review of Bradd Shore's Culture in Mind: Cognition, Culture, and the Problem of Meaning (Oxford UP 1996), Metaphor and Symbol 15(3): 189-95. 1999 Forceville, Charles (1999). Review of Brian McFarlane's Novel to film: an introduction to the theory of adaptation (Clarendon 1997). In: Sara Martín (ed.) Links and Letters 6 ("Word and Screen"): 145-48. Forceville, Charles (1999). “Educating the eye? Kress and Van Leeuwen's Reading Images: The Grammar of Visual Design (1996).” Review article, Language and Literature 8(2): 163-78. Forceville, Charles (1999). “The metaphor COLIN IS A CHILD in Ian McEwan's, Harold Pinter's, and Paul Schrader's The Comfort of Strangers.” Metaphor and Symbol 14(3): 179-98. Forceville, Charles (1999). “Art or ad?: the influence of genre-attribution on the interpretation of images.” SPIEL (Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft) 18(2): 279-300. 1998 Forceville, Charles (1998). Paperback edition of Pictorial Metaphor in Advertising (Routledge, ISBN 0-415-18676-5). Forceville, Charles (1998). Review of Keiko Tanaka's Advertising language: a pragmatic approach to advertisements in Britain and Japan (Routledge 1994). Word & Image 14(3): 317-18. Forceville, Charles (1998). “Metaphor.” In: Paul Bouissac (ed.), Encyclopedia of Semiotics, 411-415.

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(New York/Oxford: Oxford University Press, 1998). 1997 Forceville, Charles (1997). Review of Matthias Hurst, Erzählsituationen in Literatur und Film. Tijdschrift voor Literatuurwetenschap 2:2, 178-81. Forceville, Charles (1997). “Timothy Mo” [updated version]. Post-War Literatures in English 36, (eds Bertens, D'Haen, Hermans, Todd), Groningen: Wolters-Noordhoff, June 1997, 1-17; A1; B1- B3. Forceville, Charles (1997). Review of Louis Goossens, Paul Pauwels, Brygida Rudzka-Ostyn, Anne- Marie Simon-Vandenbergen and Johan Vanparys, By Word of Mouth: Metaphor, Metonymy and Linguistic Action in a Cognitive Perspective (Benjamins 1995). Journal of Pragmatics 28:5, 637-44. Forceville, Charles (1997). “Making literary studies matter more.” SPIEL 16: 1/2 (1997), 116-20. 1996 Forceville, Charles (1996). Pictorial metaphor in advertising, London/New York: Routledge, 2 1996 (trade edition of dissertation), ISBN 0-415-12868-4, 233 pp. Forceville, Charles (1996). “'As far as I remember': forms of evasive recall in the novels of Kazuo Ishiguro.” In: Richard Todd & Henk Aertsen (eds), Chicago/Amsterdam – A Man of Two Cities: Essays in Memory of August J. Fry, 129-144. Amsterdam: VU Uitgeverij. 1995 Forceville, Charles (1995). “IBM IS A TUNING FORK: degrees of freedom in the interpretation of pictorial metaphors.” Poetics 23, 189-218. Forceville, Charles (1995). Review of Guy Cook's The Discourse of Advertising. Word & Image 11:1, 103-105. Forceville, Charles, and Hillig van ‘t Land (eds) (1995). European perspectives on English-Canadian Literature, Nijmegen: ACSN. Canada Cahier no. 8. Forceville, Charles (1995). "Introduction" in: idem, 7-9. Forceville, Charles (1995). “Alice Munro's layered structures.” In: idem, 51-60 [revised version of Forceville 1993]. Forceville, Charles (1995). “(A)symmetry in metaphor: the importance of extended context.” Poetics Today, 16:4, 677-708. 1994 Forceville, Charles (1994). “Pictorial metaphor in advertisements.” Metaphor and symbolic activity 9:1, 1-29. Forceville, Charles (1994). “Timothy Mo.” In Post-War Literatures in English 23, (eds Bertens, D'Haen, Hermans, Todd), Groningen: Wolters-Noordhoff, March, 1-13; A1; B1-B2. Forceville, Charles (1994). “Pictorial metaphor in billboards: relevance theory perspectives.” In: Jürgen E. Müller (ed.), Towards A Pragmatics of the Audiovisual vol. 1 (93-113). Münster: Nodus. Forceville, Charles (1994). “Towards a delineation of pictorial simile.” Kodikas/Code 17(1-4): 187- 202. (Issue edited by Ernest W.B. Hess-Lüttich and Jürgen E. Müller). Forceville, Charles (1994). Pictorial metaphor in advertising NWO-project 301-180-039. Doctoral

2 Reviews: (1) Iina Hellsten, “Mainoskuvien metaforat halki, poikki ja pinoon,” Finnish review devoted exclusively to the book, Tiedotustutkimus (1996:3), 82-84; (2) Richard Gwyn, "Limits of the literal: Five recent books about metaphor," Journal of Sociolinguistics 1:2 (1997), 269-76; (3) Ernest W.B. Hess-Lüttich, "Werbebotschaften: Neues zur Semiotik der Marktkommunikation," Medienwissenschaft: rezensionen 1997/1, 31-37 [also published in Kodikas/Code: Ars Semeiotica 19:4 (1997), 399-404]; (4) John M. Kennedy, "Visual metaphor in contest," Semiotic Review of Books 8:2 (May 1997), 2-5; (5) Sarah R. Stein, "Visuality and the Image," Journal of Com- munication 48:2 (1998), 170-77; (6) Orly Goldwasser, untitled review devoted exclusively to the book, Journal of Pragmatics 31:4 (April 1999), 609-17; (7) Patrick A. Cabe, untitled review devoted exclusively to the book, Metaphor and Symbol 14:3 (1999), 229-38.

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Dissertation Vrije Universiteit Amsterdam, 1994 (264 pp.). 1993 Forceville, Charles (1993). “Alice Munro's layered structures.” In Shades of Empire in Colonial and Post-Colonial Literatures, 301-310. C. Barfoot & Th. D'haen (eds), Amsterdam/ Atlanta GA: Rodopi. Forceville, Charles. Review [in Dutch] of Fred van Besien's Metafoor en Onderwijs [Metaphor and Education]. Revue Belge de Philologie et d'Histoire, 71:3, 763-65. 1992 Forceville, Charles (1992). “Kazuo Ishiguro.” Lexicon of Post-War Literatures in English 17 (eds. Bertens, D'haen, Duytschaever, Todd), Groningen: Wolters-Noordhoff, Sept., 1-9; A1-; B1-B2. 1991 Forceville, Charles (1991). “’Allemaal verleden tijd’ – over de romans van Kazuo Ishiguro.” ['All over now' – about the novels of Kazuo Ishiguro] Bzzlletin 183, February, 53-62. Forceville, Charles (1991). “Verbo-pictorial metaphor in advertisements.” Parlance 3:1, 7-19. Forceville, Charles (1991). “Alice Munro.” Post-war Literatures in English 13, (E), (eds. Bertens, D'haen, Duytschaever, Todd), Groningen: Wolters-Noordhoff, September, 1-13; A1-A2; B1-B2. 1990 Forceville, Charles (1990). “Guy Vanderhaeghe.” Post-war Literatures in English 8 (E), (eds Bertens, D'haen, Duytschaever, Todd), Groningen: Wolters-Noordhoff, June, 1-4; A1; B1-B2. 1989 Forceville, Charles (1989). “Signalement Braun,” brief review of Grundlagen der visuellen Kommunikation by Gerhard Braun. Bulletin of the International Association of Word & Image Studies 3, May: 10. 1988 Forceville, Charles (1988). “De ellende met helden – ‘macht’ en ‘onmacht’ in de fictie van Guy Vanderhaeghe” [The trouble with heroes – “power” and “powerlessness” in the fiction of Guy Vanderhaeghe]. Bzzlletin 152, January, 46-50. Forceville, Charles (1988). “Taal, tijd en werkelijkheid – over de verhalen van Alice Munro” [Lan- guage, time and reality – on the stories of Alice Munro]. Bzzlletin, 152, January, 51-54. Forceville, Charles (1988). “The case for pictorial metaphor: René Magritte and other Surrealists.” In Vestnik IX, 1988/1, Ales Erjavec, (ed.) Institut za Marksisticne Studije, Ljubljana, 150-160. Forceville, Charles (1988). External and Detached: Dutch Essays on Contemporary Canadian Literature, Ch. Forceville, A.J. Fry and P.J. de Voogd (eds.), with a preface by David Staines, Canada Cahiers no. 4, Amsterdam: Free University Press. Forceville, Charles (1988). “My Present Age and the 'Ed'-stories; the role of language and story- telling in Guy Vanderhaeghe's fiction.” In External and Detached, 53-61. Forceville, Charles (1988). “Language, time and reality: the stories of Alice Munro.” In External and Detached, 37-44. (Translated and adapted version of Munro article in Bzzlletin 152) Forceville, Charles (1988). “Some notes on Canadian literature in The Netherlands.” in David Homel and Sherry Simon (eds.), Mapping Literature: the Art and Politics of Translation (111-112)., Montréal: Véhicule Press. 1987 Forceville, Charles (1987). “Metafoor en maatschappij” [Metaphor and society]. Massacommunicatie 3: 268-76. Forceville, Charles (1987). “Note brève.” Review in Dutch of Beitrage zu einer Theorie des Sicht- baren in Bildern seit dem Amerikanischen Expressionismus by Maria Kreutzer. Rapports 57(4): 192. August J. Fry and Charles Forceville (eds) (1987). Canadian Mosaic: Essays on Multiculturalism. Canada Cahiers no. 3, Amsterdam: Free University Press. 1985 Forceville, Charles (1985). “Craig Raine's poetry of perception.” Dutch Quarterly Review 15(2):

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102-15.

Awards Feb-Sept. 2008 Visiting fellow (with Kurt Feyaerts & Tony Veale) at VLAC (Vlaamse Academie/Royal Flemish Academy Brussels, Belgium (invited). Project: The Agile Mind: Creativity in Models and Multimodal Discourse. Aug. 1993 Canadian Studies Faculty Enrichment Award. March-April 1990 Canadian Studies Research Award. Sept./Oct. 1986 “Bank of Missions” grant. Participation translators' conference in Montreal. 1982-1983 Harting Scholarship, University of Durham.

Membership advisory boards & international activities 1999 – 2007 Book review editor Metaphor and Symbol. 2005 – 2008 External examiner Masters Course in Textual & Visual Studies (TVS), Trinity College Dublin (TCD)/Paris 7/ Paris X (contact: David Scott). 2006 – Member board of advisory editors Journal of Pragmatics. http://www.elsevier.com/wps/find/journaleditorialboard.cws_home/505593/edito rialboard 2006 – Member board of scientific advisors Public Journal of Semiotics. http://semiotics.ca/ 2007 –2015 Member advisory board Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos. http://www.atlantisjournal.org/ 2007 – Member advisory board Metaphor and Symbol. http://www.informaworld.com/smpp/title~db=all~content=t775653680~tab=edit orialboard 2010 – Member advisory board Review of Cognitive Linguistics. ISSN: 1877-9751 http://www.benjamins.com/cgi-bin/t_seriesview.cgi?series=RCL (chief editor: Francisco Ruiz de Mendoza, University of Rioja, Spain). 2010- Member advisory board of Benjamin series Cognitive Linguistic Studies of Language and Cognition in Cultural Contexts. ISSN: 1879-8047 (chief editors: Ning Yu, University of Oklahoma, USA; Farzad Sharifian, Monash University, Australia). http://www.benjamins.com/cgi- bin/t_seriesview.cgi?series=CLSCC&show=board 2011- Member editorial advisor board Lodz Papers in Pragmatics (chief editors: Paul Chilton and Monika Kopytowska), Mouton de Gruyter (www.versita.com/lpp). 2015 Organization (with Assimakis Tseronis and Chiara Pollaroli) of panel “Pragmatic insights for analyzing multimodal argumentative discourse” at the 14th Conference of the International Pragmatics Association, 26-31 July, University of Antwerp, Belgium. 2014-2016 Member Scientific Committee Spanish Cognitive Linguistics Association Conference (AELCO/SCOLA) – via Javier Valenzuela.

Planned keynotes, invited and non-invited papers, workshops & other research-related activities 26-28/4/17 Invited keynote U. of Osjiek, Croatia (org. Mario Brdar).

Plenaries, workshops, invited lectures at international conferences and institutions >1987 24/10/16 Invited talk at symposium Reading Comics at University of Helsinki, Finland http://blogs.helsinki.fi/kt-sl/tapahtumat/reading-comics/ (org. Kai Mikkonen). 3/9/16 Invited workshop “Creative visual/pictorial & multimodal metaphors in advertising & cartoons.” Metaphor Festival Amsterdam, University of

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Amsterdam, 31/8-3/9/’16 (org. Gerard Steen, Christian Burgers, Marianne Bolognesi, Amber Boeynaems, Britta Brugman and Romy van den Heerik). 8-10/6/16 Invited participation for workshop talks and discussions at "Cinepoetics" Center for Advanced Film Studies, Freie Universität, Berlin, Germany (org. Cornelia Müller, Hermann Kappelhoff, Michael Wedel et al.). Other participants included Ray Gibbs, Lynn Cameron, Eve Sweetser, Alan Cienki, Oliver Lubrich, Kathrin Fahlenbrach, and Warren Buckland. 29/4/16 Presentation at “Visualization” meeting of Tekom Europe (= professional organization re technical communication), Hotel Eburon, Tongeren, Belgium (org. Birgitta Meex et al.) 6/4/16 Invited “virtual” lecture (via Skype) on stylistics in comics, Center for Cognitive Sciences Cognitive Comics Studies Lecture Series, University of Niš, Serbia, also with Neil Cohn and Miloš Tasić (org. Dušan Stamenković). 4/12/15 Invited talk on multimodality, University of Bremen, Germany (org. John Bateman and Janina Wildfeuer). http://www.fb10.uni-bremen.de/bitt/wp- content/uploads/2015/03/MultimodalityinBremen.pdf 12-16/10/15 Plenary lecture “International Conference on Communication Styles,” Philological Faculty, Krosno State College, Poland (org. Dorota Brzozowska, Władysław Chłopicki, Liisi Laineste, Villy Tsakona, Anna Rewiś-Łętkowska) https://www.pwsz.krosno.pl/gfx/pwszkrosno/userfiles/anna.letkowska/second_cal l_for_papers_iccs2_krosno.pdf; and lecture at the institute of English Studies, U. of Warsaw, Poland, http://en.uw.edu.pl/lecture-about-metaphor/ (org. Elżbieta Górska). 16-18/4/15 Plenary talk “Stylistics and comics.” AESLA XXXIII (Theme: Multimodal Communication in the XXI Century: Professional and Academic Challenges). UPM/Technical University of Madrid (org. Silvia Molina & Ana Roldán). 23-27/3/15 Visiting scholar at University of Granada, Dept. of English and German philology, Spain. Participation in course “Pragmatic processes in utterance interpretation: metaphor, a case in point” (org. Belén Soria Clivillés); 28-30/1/15 Keynote/workshop “Multimodality in comics,” Winter School "Mediality and Multimodality,” University of Tübingen, Germany (org. Jan-Noel Thon & Klaus Sachs-Hombach). 1-3/12/14 Plenary and workshop “Creative pictorial & multimodal metaphor in advertising & cartoons” in PhD Masterclass in Multimodal Analysis Methods, University of Southern Denmark, Odense, with John Bateman and Theo van Leeuwen (organized by Niels Christian Hansen and Theo van Leeuwen.) 9-12/14 Guest lectures during sabbatical in Lund, Sweden: on relevance theory applied to visuals in Research Seminar organized by Carita Paradis (1/10, Lund, Lund); on pictorial runes and hand loss in comics/manga in Research Seminar organized by Göran Sönesson (16/10); on journey metaphor in seminar series “From words to discourse,” organized by Carita Paradis & Matteo Fuoli (31/10, Lund); on pictorial metaphor in advertising & cartoons (6/11) and on relevance theory applied to visuals (7/11), University of Bergen, Norway, organized by Jens Kjeldsen; on relevance theory applied to visuals and visual and multimodal metaphor in advertising seminar in Visual Communication elective, Copenhagen Business School, 14/11, organized by Daniel Barrett; on relevance theory applied to visuals in Seminars in Cognitive Science series, (19/11 Lund), organized by Peter Gärdenfors; (with Jana Holsanova) “Narrating film to the blind: Plan for a semi-experimental study,” Symposium Film, Experimental Design & Quantitative Analysis.” Film Department University of Copenhagen, 21/11,

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organized by Birger Lankjaer & Andreas Gregersen; on the stylistics of comics, “Medium Specificity Revisited” (also with Irina Rajewsky), Linnaeus University, Växjö, Sweden, 17/12, organized by Jørgen Bruhn & Charlotte Hommerberg); on relevance theory applied to visuals, Department of Literature and History of Ideas, Stockholm University, 18/12, organized by Christer Johansson. 14/5/14 Guest seminar in Metaphor course, Universität Potsdam, Institut für Romanistik (org. Eva Kimminich). 2-9/5/14 Lectures at Latvijas Kultūras akadēmija (Latvian Academy of Culture), dept. of Intercultural Communication and Foreign Languages, Riga, Latvia, Erasmus exchange (org. Anita Naciscione). 15-28/3/14 Visiting scholar at University of Granada, Dept. of English and German philology, Spain. Participation in course “Pragmatic processes in utterance interpretation: metaphor, a case in point” (org. Belén Soria Clivillés); workshop on multimodal discourse for post-PhD researchers, lecture to BA students “Critical Discourse Analysis” (org. Encarnacion Hidalgo Tenorio) + presentation on symposium “Rhetoric , Pragmatics and Stylistics: New Trends” (Texto y Discurso en Inglés Moderno, [HUM270] Grupo & University of Granada, Facultad de Filosofía y Letras, 27-28 March) + work on my own research. 10-11/10/13 Keynote & workshop at research seminar “New Directions in Metaphor Research.” University of Southern Denmark, Campus Slagelse, Denmark (org. Astrid Jensen, Thomas Wiben Jensen, and Søren Vigild Poulsen). http://static.sdu.dk/mediafiles//E/1/2/%7BE12F5CC4-3B1A-456C- 8F46- 5DF6F043BABC%7DMetaphor_program_abstracts.pdf 25-27/9/13 Plenary talk at conference Intersemiotic Translation, University of Lodz, Poland (org. Alina Kwiatkowska). https://sites.google.com/site/intersemiotics/ 25-26/7/13 Invited participation workshop “Language in Mind and Society,” University of Birmingham, UK (org. John Barnden & Jeannette Littlemore). 18-20/7/13 Keynote presentation “Relevance Theory and communicating by pictures and word & image texts.” CRAL/CILAP conference “Meaning construction and meaning interpretation: applications and implications.” University of La Rioja, Logroño, Spain (org. Paula Peréz Sobrino & Francisco Ruiz de Mendoza). http://cral13.cilap.es/en/speakers 2-3/5/13 Keynote lecture at conference “Multimodal Communication: Language, Performance and Digital Media”/Transmedial Knowledge Base for the Performing Arts), Centro Cultural de Belém, Lisbon, Portugal (org. Carla Fernandes). http://www.fcsh.unl.pt/submissao-de-artigos-cientificos/multimodal- communication-language-performance-and-digital-media 11-23/3/13 Visiting scholar at University of Granada, Dept. of English and German philology, Spain. Participation in course “Pragmatic processes in utterance interpretation: metaphor, a case in point” (org. Belén Soria Clivillés); workshop on multimodal discourse for post-PhD researchers, lecture to BA students “Critical Discourse Analysis” (org. Encarnacion Hidalgo Tenorio) + work on my own research. 18-23/2/13 Four guest lectures on multimodal metaphor at Vilnius University, Kaunas Faculty of Humanities, Kaunas, Lithuania (org. Saulė Juzelėnienė, Skirmante Šarkauskienė, and Rita Baranauskienė). http://www.khf.vu.lt/images/stories/laikini/vizitai/PROGRAMME%20OF%20T HE%20VIZIT_LT_by%20ChF.pdf 23-24/1/13 Invited presentation in “Symposium on Metaphor and Figurative Meaning in the Art Film.” On metaphor in film. University of Copenhagen, Film Studies dept.,

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Denmark (org. Johannes Riis). http://mef.ku.dk/kalender/metaphorintheartfilm/ 27/8/12 Workshop “Emotion in comics” at International Summer School in Affective Sciences (ISSAS) International Summer School in Affective Sciences “Art, Aesthetics & the Emotions” (22-29 August 2012), Swiss Center for Affective Sciences, Château de Bossey, Geneva, Switzerland (org. Cristina Soriano et al.). http://www.affective- sciences.org/system/files/page/3089/Forceville_CORRECTED.pdf March 12 Visiting scholar at University of Granada, Dept. of English and German philology, Spain. Participation in course “Pragmatic processes in utterance interpretation: metaphor, a case in point.” (22 + 27/3/12), presentation in mini- symposium on rhetoric and communication (23/3/12) + work on research (org. Belén Soria Clivillés). 20-23/9/11 Three invited lectures on multimodal discourse (Relevance Theory perspectives; Positionining vis-à-vis Elleström’s approach; Source-Path-Goal in animation case studies) at Linneaus University, Växjö (org. Jörgen Bruhn, Lars Elleström, Charlotte Hommerberg) and one on multimodal metaphor in advertising and film at Lund University (org. Carita Paradis) Sweden. 13/4/11 “Creative use in advertising metaphors and comics balloons.” Videoconferencing talk Cogsci Colloquium, Case Western Reserve University, Cleveland Ohio, USA. http://www.case.edu/artsci/cogs/colloquium.html 28-29/3/11 Pictorial and multimodal discourse in stories and argumentation. Invited talk European University Viadrina (Frankfurt/Oder, Germany), meeting planned international graduate school Dynamic Multimodal Communication (DMC). www.europa-uni.de/DMC 17-18/11/10 Invited talks on (1) Pictures & Relevance Theory; and (2) Multimodal Metaphor in Moving Images during workshop on Multimodal Metaphor and Expressional Movement, Freie Universität Berlin, funded by the Cluster of Excellence “Languages of Emotion” (org. Cornelia Müller, Hermann Kappelhof, Susanne Tag; other workshops by Todd Oakley). 1/6/10 Invited talk in the Multimodalities Seminar Series of the Literacy Research Discussion Group at University of Lancaster, UK (org. Mary Hamilton, Julia Gillen). http://www.lancs.ac.uk/fass/faculty/event/3309/ 3-8/5/10 Invited talks Austrian Association of University Teachers of English (AAUTE, Salzburg, org. Hartmut Stöckl and Wolfgang Görtschacher), English dept. of University of Salzburg (org: Hartmut Stöckl), English dept. Karl Franzens University at Graz (org. Bernard Ketteman), and Wissenschafts Universität Wien (org. Martin Stegu). http://www.univie.ac.at/aauteweb/downloads/aaute_2010/AAUTE_2010_Progra mm.pdf 19-23/4/10 Three invited talks at symposium with representatives from various partner universities, celebrating the merger of Växjö University and the University of Kalmar into Linnaeus University (LnU), Sweden (contact: Charlotte Hommerberg). Cancelled because of Iceland vulcano eruption. 28-30/1/10 Keynote lecture at conference Cognitive Poetics/Stylistics and Rhetoric, Polish Cognitive Linguistics Association (PTJK), Institute of English Studies, University of Łódź, Poland. Org. Alina Kwiatkowska, Sylwia Dżereń-Głowacka, Barbara Lewandowska-Tomaszczyk, et al. http://ia.uni.lodz.pl/cognitive-poetics/ 17-24/10/09 Invited participation Contextualization and Understanding conference, Institute for the Advanced Study in Humanities & Social Sciences, National Taiwan University, Taipei, Taiwan (18-19 October). Org. I-wen Su; invited talk at Institute of European and American Studies Academia Sinica, Taipei. Org.

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Norman Teng; invited talk at National Chengchi University, Taipei. Org. Sewen Sun. http://comm.nccu.edu.tw/categories/english 23-25/9/09 Keynote lecture Communication, Cognition and Media (Faculty of Philosophy of the Catholic University of Braga, Portugal. Org. Augusto Soares da Silva. http://www.cicom2009.org/ing_cicom_index.html 28/7-1/8/09 Keynote lecture Poetics and Linguistics Association (PALA), Roosevelt Academy/University College, Middelburg, The Netherlands. Org. Michael Burke. http://www.roac.nl/roac/pala.shtml 7-9/5/09 Invited participation annual Roundtable Discourse and Creativity, Department of English, City University of Hong Kong. Org. Rodney Jones. http://encityu.hk/ For the online lecture, see http://www.youtube.com/watch?v=sskPO7reYTs&feature=PlayList&p=2E8958 B767C27530&index=0 26-28/3/09 Keynote lecture AESLA (Asociación Española de Lingüística Aplicada) conference, University of Ciudad Real, Spain. Org. Rosario Caballero. http://www.aesla.uji.es/congresoxxvii/ 18-20/3/09 Keynote lecture Image, Vision, Mind/Bilder, Sehen, Denken conference, at Chemnitz University of Technology. Org. Klaus Sachs-Hombach. http://www.tu- chemnitz.de/phil/phil/Tagung.php 22-24/10/08 Plenary lecture at Spanish Cognitive Linguistics Association Conference (AELCO/SCOLA 6), Universitat Jaume I, Castellón, Spain. Org. Ignasi Navarro, Jose Luis Otal et al. http://www.aesla.uji.es/congresoxxvii/main 10-12/10/08 Plenary lecture Lived Experience, Metaphor and Multimodality: Implications in Communication, Education, Learning and Knowledge. University of Rethymnon, Gallos Campus, Dept. of Preschool Education, Crete, Greece Org. Marios Pourkos, Eleni Katsoura, and Angeliki Polyzou. http://www.edc.uoc.gr/multimodality2008/index.htm 7-9/6/07 Invited paper at Zeichen der Identität/Signs of Identity – Exploring the Borders conference, Leibniz University Hanover (Org. Klaus Rehkämper, Marijana Kresic, Gabrielle Diewald et al.). http://www.signsofidentity.de/programm.html?L=1 21-25/5/07 Invited workshop and masterclass at “Multimodal Metaphor” expert meeting, De Bergse Bossen, Driebergen-Zeist (Tilburg University). Other master classes by Dedre Gentner, Barbara Tversky, Paul Hekkert, Rachel Giora, Diane Pecher, Larry Zbikowski, Seana Coulson.) Org. Fons Maes. http://www.cognitie.nl/education/courses/master-classes-multimodal-metaphor. 23/2-3/3/07 Various invited lectures and workshops at Universidad di Aruba and Instituto Pedagogico Arubano in Animation Art Aruba programme. Org. Mirto Laclé. 5-7/7/06 Invited lecture and workshop in Summer course “Multimodal discourse(s): image and communication.” Universidad de Castilla-La Mancha/ Cuenca, Facultad de Letras (Spain). Org. Jesús Moya, Maria-Jésus Pinar, Rosario Caballero. Other participants: Gunther Kress, Eija Ventola, Lisa el Refaie, Crispin Thurlow, Rachel Segovia, Ernesto Suarez-Toste. https://linguistlist.org/issues/17/17-1732.html 21-25/4/06 Two invited lectures on multimodal metaphor, PhD course on Multimodal Discourse + one invited plenary lecture on Peter van Straaten, Universidad de Castilla-La Mancha, Facultad de Letras/Ciudad Real (Spain). Org. Rosario Caballero. 29/3/04 Invited talk “Cultural factors in the interpretation of multimedial metaphor." Semiotics and the Humanities (International Congress jointly organized by Chinese Association of Social Sciences (CASS) and the International Association

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of Semiotic Studies (IASS), Beijing, China, March 25-29, 2004 (org. Roland Posner et al.). 24-28/9/03 Invited talk “Pictorial metaphor in images and film.” Conference Bildwissenschaft zwischen Reflektion und Anwendung. Otto von Guericke Universität Magdeburg, Germany. Org. Klaus Sachs-Hombach. 22/2/02 Invited paper “Visual representations of the Idealized Cognitive Model of ANGER in comics.” Conference Social Cognition and Verbal Communication: Cultural Narratives, Linguistic Identities and Applied Argumentation in a Period of Social Transition” (Dutch-Hungarian Conference on Crosscultural Linguistics and Intercultural Communication), University of Pécs (PTE), Hungary (invited paper). Org. Lachlan Mackenzie, Laszlo Tarnay et al. 4/94 Two post-graduate seminars (invited) on pictorial metaphor, Trinity College, Dublin (org. David Scott). 15/10/87 Invited paper conference Metaphor, Aesthetics Society, Ljubljana, Yugoslavia.

Non-invited papers at international conferences & institutions > 1990 1-4/7/16 “Sustained personification & allegory in the manga Afuganisu-tan” (with Vanessa Cornevin). RaAM 11: Metaphor in the Arts, in Media and Communication, Freie Universität Berlin, Germany. 20-25/7/15 “Representation and metarepresentation of thoughts and speech in the medium of comics,” in Viewpoint in and across multimodal artifacts panel (org. by Lieven Vandelanotte & Barbara Dancygier) at ICLC 13, Newcastle. 26-31/7/15 “Decoding visuals? The case of traffic signs and brand logos.” In Insights for analysing multimodal argumentative discourse panel, (org. by Assimakis Tseronis, Chiara Pollaroli, and Charles Forceville) at 14th IPrA conference, Antwerp, Belgium. 24-25/7/14 “Theorizing and making the ‘LIFE IS A JOURNEY’ animation film (Koelma, Adriaansz & Forceville).” 10th Anniversary Conference: Creative industry: Bridging Theory and Practice (School of Creative Studies and Media, Bangor University), Bangor, Wales, UK (org. Cwfryth Jones). 1-4/7/14 (with Assimakis Tseronis and Melle Grannetia): “The argumentative role of visual metaphor and visual antithesis in ‘fly on the wall’ documentary,” ISSA (International Society for the Study of Argumentation) Conference, University of Amsterdam (org Francisca Snoeck Henkemans et al). 20-23/6/14 (with Assimakis Tseronis and Melle Grannetia) “The argumentative role of visual metaphor and visual antithesis in ‘fly on the wall’ documentary” RaAM 10 conference Metaphor in Communication, Science and Education, University of Cagliari, Sardinia. 12-15/6/13 (with Julius Koetsier) “Embodied identity in werewolf films of the 1980s.” SCSMI conference 2013, Berlin University of the Arts, Berlin (Germany, org. Monika Suckfüll). 4-7/7/12 (1) “Creative metaphors, metonyms, blends? Music and sound in documentary film,” invited participation in theme panel "Metaphor and Metonymy in Creative Thought and Expression Across Genres” (org. Susan Ryland & Helen Thomas); (2) “Creative mappings in GOOD IS LIGHT & BAD IS DARK” in films” (with Thijs Renckens), invited paper in theme panel "Metaphor and Creativity" (org. Laura Hidalgo & Blanca Kraljevic), RaAM conference Lancaster, UK. 7-8/7/11 (with Michael Abbott) “Visual representation of emotion in manga: LOSS OF CONTROL IS LOSS OF HANDS in Azumanga Daioh vol. 4.” IBDS conference, Manchester, UK. 8-11/6/11 “Life is a journey: Varda’s Les Glaneurs et la Glaneuse and Deux Ans Après.”

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Society for Cognitive Studies of the Moving Image (SCSMI) conference. ELTE, Budapest, Hungary. 4-7/5/11 (with Michael Abbott) “The visual expression of anger: LOSS OF CONTROL IS LOSS OF HANDS in Azumanga vol. 4.” RaAM Workshop 2011, Almagro, Spain. 7-11/7/10 (with Michelle Hilscher & Gerry Cupchik): “Advertising symbolically: Dutch and Canadian responses to metaphors presented in television commercials.” IGEL conference, Universiteit Utrecht, NL. http://www2.hum.uu.nl/congres/igel/Program-IGEL-2010-Final-Program.pdf 7-11/7/10 (with Kathrin Fahlenbrach & Ed Tan). “Metaphors, emotions, and paradigm scenarios in entertainment films.” IGEL conference, Universiteit Utrecht, NL. http://www2.hum.uu.nl/congres/igel/Program-IGEL-2010-Final-Program.pdf 30/6-3/7/10 (with Liliana Bounegru) "Metaphors in editorial cartoons (October 2008) representing the global financial crisis." RaAM 8 conference, Vrije Universiteit Amsterdam, NL. https://raam8.let.vu.nl/sessions/friday_table/index.html 24-27/6/09 “The source-path-goal schema in animation film.” Society for Cognitive Studies of the Moving Image (SCSMI) conference, Copenhagen, Denmark. http://www.scsmi-online.org/conference-2009.html 19-20/6/09 “A blueprint for studying ‘pictorial runes’ based on Tintin and the Picaros.” International Bande Dessinée Conference, London, UK. http://www.arts.gla.ac.uk/ibds/society/index.html 4-5/6/09 Keynote and workshop at Researching and Applying (RaAM) 2009 workshop Metaphor, Metonymy & Multimodality. Dept. of Media Studies, University of Amsterdam. http://www.raam.org.uk/Events.html 11-12/9/08 “Norms and creative use in comics balloons.” The Agile Mind: Creativity in Discourse and Art. Royal Flemish Academy of Belgium for Science and the Arts (VLAC), Brussels, Belgium. Org. Kurt Feyaerts, Charles Forceville, and Tony Veale. http://www.hcsnet.edu.au/node/2400 th 15-20/7/07 “The Source-Path-Goal schema in animation film” (with Marloes Jeulink) at 10 International Cognitivist Linguistics conference (ICLC) at Jagiellonian University, Krakow (Poland). 10-12/4/06 “Sound and music in multimodal metaphor.” Researching and Applying Metaphor (RaAM 6). University of Leeds (UK). 11/7/04 “Addressing an audience: time, space, and genre in Peter van Straaten’s calendar cartoons” at Semiotics Conference, University Lumière II, Lyon, France. 5/9/03 “The source-path-goal schema in first person [travel] documentaries.” RaAM 5, 3-5 September 2003, Université Paris 13, France. 24/7/03 “The source-path-goal schema in first person [travel] documentaries.” 20-25 July, 2003, ICLC 8, University of Rioja, Logroño, Spain. th 16/9/02 “The source-path-goal schema in first person [travel] documentaries.” Paper 9 Laterna Magica Film Academy conference Representations of Time and Space in Film (University of Pećs (PTE), Hungary, September 16-18, 2002). 24/7/01 ICLC conference, Santa Barbara CA, USA (July 22-27): Paper "Blends and metaphors in multimodal representations." 12/4/01 "Visual representations of the ICM of ANGER in comics." PALA conference 21 (Textual secrets: the message of the medium), Budapest, Hungary. 6/4/01 “Pictorial and multimodal metaphor: Setting agendas for further research.” RaAM IV, University of Manouba, Tunis, Tunisia. 10-16/7/99 “Metaphor in moving images.” ICLC 6 (International Cognitive Linguistics Conference), Stockholm, Sweden. 30/6-2/7/99 Paper on metaphor in Comfort of Strangers at RaAM 3 (Researching and Applying Metaphor), Tilburg, The Netherlands.

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5-8/11/98 "Introduction" Day 1 ("Word & Image in Context") of two-day symposion "Intermediality" for PhD and MA students, Vrije Universiteit Brussel, Belgium. Org. in cooperation with Johan Callens (speakers: Leo Hoek, Gunther Kress, Bernard Scholz, Ed Tan). 9/5/98 "Metaphor in moving images" Makars in motion Conference, organized by Iain Davidson/Scottish Word & Image Group (SWIG), Aberdeen, Scotland. 9/9/97 "She ... cradled his head against her breasts": The BABY metaphor in Ian McEwan's, Harold Pinter's, and Paul Schrader's The Comfort of Strangers." Cognitive stylistics panel, ESSE/4 (European Society for the Study of English) conference, Debrecen, Hungary. 3/7/97 "Metaphors in moving images." PALA conferentie, Nottingham, UK. 12/8/96 "The influence of genre attribution on the interpretation of images," Word & Image conference Dublin, 11-17 August. 20-23/3/95 Paper about the influence of genre-attribution on the interpretation of images, Conference "Semiotics of the media," Kassel, Germany. April 1994 Experiment about the influence of genre-attribution on the interpretation of images, Trinity College, Dublin. 4/10/93 "Degrees of freedom in interpreting pictorial metaphors." Conference "Zeichen und Zeit,” Tübingen, Germany. 16/8/93 "IBM is a tuning fork: degrees of freedom in interpreting pictorial metaphors." Word & Image conference, Ottawa, Canada. 11/9/92 Workshop "responses to billboard advertisements" PALA conference Gent. [Replication of experiment 11-6-'92 VUA.] Sept. 91 "Pictorial metaphor in advertising: relevance perspectives" PALA conference Lancaster, UK. Aug. 90 "The role of context in pictorial advertisement metaphors," Word & Image conference, Zürich, Switzerland.

Papers, lectures, etc. at Dutch institutions (professional/internal) > 1987 13/6/16 “Documentaire: genre tussen kunst en journalistiek.” “Kroeglezing” in Jij & Wij, voor studievereniging Media en Cultuur, AKT (Universiteit Utrecht), ism studieverenigingen Muziekwetenschap en Kunstgeschiedenis (org. Safirah Dijkstra). 31/5/16 Invited paper “Ervaringen met open access en copyright issues” in afternoon discussion Open Science & Humanities: Een Vruchtbare Combinatie. Meeting Spui 25, University of Amsterdam (org. Lidie Koeneman et al.). 25/11/15 Invited paper “Een gemeenschappelijke (beeld)taal? Over metaforen als synthetiserend instrument.” In track “Op reis met behulp van de VVV – Verlangen (stakeholder), Verbeelding (verbeelder), Verbinding (facilitator)” (org. Laurent Fraters-Yeşiltepe) Landelijk Architectuur Congres voor de Digitale Wereld (17e editie): “Van Ego naar Eco,” 25-26 November 2015, Nieuwegein, NL. 28-10-’15 Masterclass Comics & Cartoons and the Art of Visualizing Information Research School Media Studies, University of Amsterdam, NL (with Dan Hassler-Forest). 21/9/15 “LIFE IS A JOURNEY: embodied metaphor in short animation film.” Metaphor Lab, University of Amsterdam (org. Gerard Steen & Romy van den Heerik).

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19/5/15 “De taal voorbij #16: Denken in reizen.” Presentation (in Dutch) with Wietske Koelma and Iris Adriaansz about the JOURNEY metaphor. Instituut voor Beeldtaal, Pakhuis de Zwijger, Amsterdam, NL. https://dezwijger.nl/programma/denken-in- reizen (org. Marjan de Vries). 6/2/15 Presentation on Relevance Theory applied to mass-communicative visuals, Research Colloquium of the Department of Speech Communication, Argumentation, and Rhetoric, Universiteit van Amsterdam. 13/2/14 “De taal voorbij #7: Visuele metaforen.” Presentation (in Dutch) with Nazli Cila (TU Delft) on visual metaphors in advertising and product design. Instituut voor Beeldtaal, Pakhuis de Zwijger, Amsterdam, NL. http://www.dezwijger.nl/94531/nl/de-taal-voorbij-7-visuele-metaforen (org. Marjan de Vries). 9/12/11 Cinetik (film programme for high school students): “Geluid in de documentaire film.” Film theatre ’t Hoogt, Utrecht (org. Layla Verbeek). 4/11/11 Cinetik (film programme for high school students): “Authenticiteit in de documentaire film.” Film theatre ’t Hoogt, Utrecht (org. Layla Verbeek). 27/6/11 “Cognitivist approaches to studying media: pattern-finding precedes ideological interpretation.” Short presentation at launching RMeS (Research Media Studies) research school, Universiteit van Amsterdam, NL. 18/2/11 Short presentation “Multimodal discourse in narration and argumentation,” symposium "Postcolonial and intermedial research: An exchange of ideas” at UvA; speakers from Linnaeus university, Sweden (LNU), Tromsø university, Norway (UiT), and UvA) (org. Astrid Surmatz, Scandinavian dept. & ICG). 10/11/10 Short presentation and participation in debate “Het stripboek: de rijkste vorm van literatuur?” (UvA, “Spui 25” at the occasion of the appearance of Joyce Goggin & Dan Hassler-Forest (eds), The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form (with Joyce Goggin, Dan Hassler- Forest, and Margriet Schavemaker). 19/9/10 “Animating scientific facts” at symposium devoted to animation & science, on KLIK! Animation festival, Kriterion, Amsterdam. 21/6/10 Introduction to Berlin: Symphonie der Groβstadt (Walter Ruttman, Germany 1927), Filmhuis Lumen Delft (org. Astrid Tates & Ludo de Roo). 12/5/10 “A plea for systematic pattern-finding in Cultural Studies research” ASCA seminar Engaging Method Universiteit van Amsterdam. 9/4/10 ”Relevance Theory and the communication of pictures and other non-verbal information.” Invited talk Information Management PhD Seminar, University of Amsterdam (contact: Michel Avital). http://imphd.wordpress.com/seminars/ 1/4/10 Cineville Talkshow, Balie Amsterdam, interviewed by Dirk van der Straaten about, and before screening of documentary The Shock Doctrine (Winterbottom & Whitecross 2009, based on the book by Naomi Klein). http://www.debalie.nl/artikel.jsp?articleid=347601 15/12/09 Interviewed by Hans Kennepohl in Felix & Sofie, Felix Meritis, a philosophical interview series in a café context, Amsterdam. http://www.felix-en-sofie.nl/cgi- bin/dbp.cgi?db=op&style=programma&Datum=%3Eyesterday&Evenement=Feli x+%26+Sofie&content=Felix+%26+Sofie+in+de+nabije+toekomst 27/11/09 “A practical programme for helping develop multimodal discourse” Conference Participating in a Mediated World, organized by the Platform for Communication, Media, and Information (CMI)/KNAW, Amsterdam. 19-21/12/09 Invited opening lecture on the genre of advertising at symposium The Images that Changed Your Life: Advertising Films. Film Museum, Amsterdam. Org. Julia Noordegraaf, Nico de Klerk, Leenke Ripmeester et al.

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9/10/09 Invited lecture Center for Language and Cognition Groningen (CLCG). Org. Esther Pascual. 31/10/08 Invited lecture at symposium TV-Versierders. Nederlands Instituut voor Beeld en Geluid, Hilversum. Org. Liselotte Doeswijk. Other participants: Esther Cleven, Max Kisman, Jaap Drupsteen, Rob van den Berg, Oskar Luyer. http://bgwiki.tuxic.nl/index.php/TV-versierders_bij_Beeld_en_Geluid 26/11/07 Participation panel discussion “Ethiek en esthetiek in de documentaire,” [Ethics and aesthetics in the documentary] ISHSS Amsterdam. On the basis of Arijon’s Stranded. Org. Karen van Stapele. Other participants: Gonzalo Arijon, Pieter Pekelharing, Ernie Tee. 3/11/06 “Pictorial and multimodal metaphor in advertising.” Lecture in department “English and Rhetoric” of University College Roosevelt Academy, Middelburg, NL (org. Michael Burke). 13/10/06 “Picturale en multimodale metaforen in reclame.” Lecture department Taalbeheersing, Argumentatie en Retorica. Universiteit van Amsterdam (org. Eveline Feteris). 24/6/05 Chairing panel “documentary” Cinema in Europe: Networks in Progress Conference, Media Studies, Universiteit van Amsterdam, 23-25 June 2005. 17/2/04 In-house pre-screening introduction to Grey Gardens (Maysles brothers & Ellen Hovde, USA 1974). In series Film Repertoire for Media Studies students. 31/10/03 Presenter on “complexity of words and images” theme, Onderzoeksschool Literatuurwetenschap, Vrije Universiteit Amsterdam (Org. Dick Schram). 19/3/02 Talk about Comfort of Strangers film-based-on-book, 1st year students "Nederlandse Film- en Televisieacademie" Amsterdam (Organisation: Ernie Tee). 15/3/02 Workshop “Overtuigen met stijl: het raffinement van de reclamecommercial.” [“Persuading with style: the subtleties of the advertising commercial”] Dag van Taal & Cultuur, Rijks Universiteit Groningen/UCLO [Day organized for humanities’ secondary school teachers.] 13/3/02 Introduction to screening Peter Greenaway’s ZOO/ A Zed and Two Noughts. Organisation: Amfibios (student film club dept. of philosophy, University of Amsterdam, CREA-building). 27/2/02 “De semiotiek van het beeld in reclame” [The semiotics of the image in advertising] Lecture to +/- 120 students Communication Studies, Hogeschool van Amsterdam. (Org. Dick Gilsing, Mireille Middelhof). 4/1/02 “Cognitive linguistics and cognitive film studies” PhD seminar University of Amsterdam. Dept. of Film and Television. 5/9/00 Lecture “Categorisering, genre en reclame” [Categorization, genre, and advertising] in series Film en de Audiovisuele Cultuur (first year lecture series for 250 students, org. Thomas Elsaesser). Film and Television Studies, University of Amsterdam, The Netherlands. 22/2/00 Talk about Comfort of Strangers film-based-on-book, 1st year students "Nederlandse Film- en Televisieacademie" Amsterdam (Org. Ernie Tee). 3/6/99 "Ervaringen met onderzoek naar intermedialiteit in de literatuurwetenschap: literatuur en film." OSL basiscursus "Interdisciplinariteit in de literatuur- wetenschap," VU Amsterdam, 3-4 June 1999. 16/3/99 Talk about Comfort of Strangers film-based-on-book, 1st year students "Film- academie" Amsterdam (Org. Ernie Tee). 3/6/99 Talk at colloquium "Intermediality", OSL seminar, VU Amsterdam, 3-4 june 1999. 8/1/99 Participant symposium "Cognitive Stylistics" UvA, Humanities dept. (org. Peter

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Verdonk & Michael Burke). 14/10/98 "Sinistere vooruitwijzingen in The Comfort of Strangers: verteltechniek in de roman en de film." [Ominous foreboding in The Comfort of Strangers: narrative technique in the novel and the film.] Paper given at faculty "Cultuurwetenschappen," University of Maastricht. Feb 1998 etc. Lecture "Grenzeloze identiteiten in Michael Ondaatje's The English Patient (Zwolle 17-2-'98, Rotterdam 3-3-'98, Leeuwarden 17-3-'98, Apeldoorn 27-10- '98, Amsterdam 10-11-'98, Middelburg 8-2-'99), part of the VUSA-course (Vrije Universiteit en Samenleving) De moderne Engelstalige roman [The modern novel in English]. 13/2/98 Lecture "Woord en beeldrelaties." Nascholingscursus [Teachers' day about "Advertising as discourse"] (VU Amsterdam, English dept.), 1 hr. 5+19/2/98 Lectures HOVO-course [“Hoger Onderwijs Voor Ouderen”; for senior people] "Fiction & Film": "De hachelijkheid van het herinneren" (Ishiguro/Ivory, The Remains of the Day); "De motten en de lamp" (McEwan/Schrader, The Comfort of Strangers). 23/1/98 "Spelen met het Shakespeare-sonnet." Workshop nascholingscursus [Teachers' day] "De (On)mogelijke liefde" (VU Amsterdam), 2 x 1,5 hrs. 17/3/97 "Kijk, champagnebier: picturale metafoor in reclame" (VU Amsterdam), Workshop HOVO-course [= for senior people] Series Literatuur en Visuele Kunsten [Literature and Visual Arts], 3 hrs. 17/1/97 Fiction & film: Ishiguro's The Remains of the Day and James Ivory's The Remains of the Day" Workshop nascholingscursus [Teachers' day] "Over de grenzen" (VU Amsterdam), 2 x 1,5 hrs (with Drs. K. Quint). 17/12/96 Workshop "De invloed van genre-toekenning op de interpretatie van beelden," [The influence of genre attribution on the interpretation of images] Basiscursus Intermediale Processen, OSL (Onderzoeksschool Literatuurwetenschap), VU Amsterdam. 6/11/96 Lecture on Michael Ondaatje's In the Skin of a Lion in cycle "Masterpieces from Non-Western World Literature," Leiden, Algemene Literatuurwetenschap (Coordinators Mineke Schipper and Uldrik Speerstra). 27/9/96 "Metaforische beelden," [Metaphorical images] Symposium Ex Libris & Epi- logos. "Van teksten naar beelden." [From texts to images] Faculty of Arts, Tilburg. 11/3/96 "Kijk, champagnebier: picturale metafoor in reclame" (VU Amsterdam), Workshop HOVO-course [= for senior people] series Literatuur en Visuele Kunsten [Literature and Visual Arts], 3 hrs. 19/1/96 "The Comfort of Strangers": novel, screenplay, film." Workshop teachers' day "Dood en verderf" [Death and decay in word & image] (VU Amsterdam). 30/11/95 Speaker/participant interactive video symposium (Amsterdam, Delft, Groningen, Toronto-McLuhan Institute) on metaphor (part of "The World Series on Culture and Technology" organised by "Amsterdam Cultural Studies-interactive" [ACS- i]). With: Geert Lovink (media-theorist) and others. 6/2/95 VUSA-course on Ishiguro's The remains of the day, Amsterdam VU (22-2: Middelburg; 6-3: Zwolle; 16-10: Rotterdam; 31-10: Arnhem.) 18/1/95 "Towards a theory of pictorial metaphor." Lecture in series "Representatie in kunst en wetenschap," University of Amsterdam (organization: Bipin Indurkhya & Mehdi Dastani). Spring 93 Three seminars (Zwolle -- 1 February, Amsterdam -- 8 March, Leeuwarden -- 22 March) on Nadine (Matt Cohen). VUSA-course Jewish-American literature. 13-14/10/92 "De gekleurde bril van de metafoor." [The coloured glasses of metaphor.]

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Workshop as part of Wetenschapsweek 1992 Vrije Universiteit Amsterdam. [Science week for secondary school pupils.] 2/9/92 "Pragmatic aspects of (pictorial) metaphor, "Openingscollege" Dept. of English, Vrije Universiteit Amsterdam. 11/6/92 Pilot study "Responses to advertisements" [experiment on the identification of pictorial metaphors], Faculty of Arts, Vrije Universiteit Amsterdam. 20/3/92 "Pictorial metaphor in printed advertisements," conference "Towards a pragmatics of the audiovisual" (Film and Television Studies, University of Amsterdam). 6/11/91 Seminar on Alice Munro in Post-Academic Course "Post-war tendencies in Canadian and American literature," Nijmegen (organizer: Dr. Hans Bak). 25/9/91 Introduction Canadian literature + seminar on Guy Vanderhaeghe in Post- Academic Course "Post-war tendencies in Canadian and American literature," Nijmegen (org. Dr. Hans Bak). 28/3/91 On pictorial metaphor at Colloquium with Mark Johnson, International School for Philosophy, Leusden. 22/11/90 On pictorial metaphor for "VU Letterkundekring", Vrije Universiteit Amsterdam. 23/10/90 "Layered structures in the fiction of Alice Munro," Conference on commonwealth literature (University of Leyden, The Netherlands). 3/6/89 "De picturale metafoor in reclames" on the annual meeting of the International Society for the History of Rhetoric (Dutch branch), Universiteit van Amsterdam, Klassiek Seminarium. 20/1/89 "Picturale metafoor in reclames," conference "De semiotiek van het visuele", organized by the Dutch Society for Semiotics, Catholic University Brabant (KUB), Tilburg. 7/10/88 "Iris Murdoch: het verzet tegen vorm" [Iris Murdoch: the resistance to form] on conference Iris Murdoch: schrijfster en filosofe, International School for Philosophy, Leusden, 7-8 October 1989. 18/3/88 "Picturale reclamemetaforen" on Metaphor-colloquium, Vrije Universiteit, Amsterdam. 8/5/87 On Guy Vanderhaeghe's fiction at conference "Contemporary Canadian Literature – Possibly Post-Modern", Vrije Universiteit, Amsterdam.

(Co)organization of/involvement in scholarly events 1-4/7/16 Organization themed panel “Metaphor and metonymy in comics and cartoons” (Lisa El Refaie & Charles Forceville), RaAM 11, Freie Universität, Berlin, Germany. December 15 Member scientific committee 4th International Seminar on Metaphor and Discourse, “New Cognitive Domains in the 21st Century,” Universitat Jaume I, Castellón de la Plana, Spain, 3-4/12/15). (org. Ignasi Navarro i Ferrando). http://metafora-discurs4.uji.es/committee-conference-metaphor-discourse/ 31/7/15 Organisation, with Assimakis Tseronis and Chiara Pollaroli, of panel Pragmatic Insights for Analysing Multimodal Argumentative Discourse at 14th International Pragmatics Conference, Antwerp, Belgium. 17-19/10/12 Member scientific committee Spanish Cognitive Linguistics Association International Conference (8th Biennial AELCO Conference, University of Almeria, Spain (contact Carmen Bretones). 4-6/7/12 Member scientific committee RaAM conference Lancaster, UK (org. Elena Semino and Veronika Koller). 30/9-2-10/10 Member scientific committee AELCO 7, Departamento de Filología Moderna, Facultad de Letras, Universidad de Castilla-La Mancha, Ciudad Real, Spain (org.

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Rosario Caballero). 25/11/09 Afternoon devoted to “animation” at KNAW (Royal Academy of Science), Amsterdam (participants: Paul Driessen, Valentijn Visch, Mette Peeters, ChF). Org: Charles Forceville, with KNAW and NIAF. http://www.knaw.nl/cfdata/agenda/agenda_detail.cfm?agenda__id=1347 4-5/6/09 Chair of the RaAM 2009 workshop Metaphor, Metonymy & Multimodality. Dept. of Media Studies, University of Amsterdam. (with Alan Cienki, Irene Mittelberg [scientific committee]; Raul Nino Zambrano, Marijn de Jong, Leonie Schmidt, Jacqueline Antonissen, [local organizers]) http://www.raam.org.uk/Events.html 11-12/9/08 Organization, with Kurt Feyaerts & Tony Veale of “contactforum”/workshop The Agile Mind: Creativity in Models and Multimodal Discourse at at VLAC (Koninklijke Vlaamse Academie), the Royal Flemish Academy of Belgium for Science and the Arts, Brussels, Belgium (speakers: Geert Brône & Bert Oben, Alan Cienki & Irene Mittelberg, Kathleen Coessens, Seana Coulson, Rachel Giora, Patrick Hanks, Andreas Langlotz, Tim de Mey, Brigitte Nehrlich, Bert Oben, Juan Parra, Paul Sambre, Tom de Smedt & Frederik de Bleser, Hendrik Vanden Abeele, Elizabeth Zima). 29/5/08 Organization of workshop “Multimodal Metaphor” at Researching and Applying Metaphor (RaAM 8), University of Cácares, Spain, 28-31/5/08). Participants: Elizabeth El Refaie, Ning Yu, Charles Forceville. [+ paper on source-path-goal schema in this panel]. 12/7/05 Organization (with Eduardo Urios-Aparisi) of panel “The Pragmatics of Multimodal Representations.” 9th International Pragmatics Association (IPrA), Riva del Garda, Italy, 10-15 July 2005 [+ paper on multimodal metaphor in this panel]. 5-7 /4/01 Member steering committee of/organization of panel on pictorial metaphor at “Researching and Applying Metaphor” (RAAM IV) conference, University of Manouba, Tunis, Tunisia (org. Zouhair Maalej). 5-8 /11/98 Co-organization, with Johan Callens, of two-day symposion “Intermediality” for PhD and MA students, Vrije Universiteit Brussel. Speakers: Leo Hoek, Gunther Kress, Bernard Scholz, Ed Tan. 24/2/95 Member organizing committee "Literature day for teachers," English Dept. VU. 16/12/94 Organization annual seminar Association of Canadian Studies in the Netherlands (“European perspectives on English-Canadian literature”), English depart., VU Amsterdam. Peer reviews Oct 16 Review of paper submitted to Journal of Communication (contact: Silvio Waisbord). June 16 Review of paper submitted to Multimodal Communication (contact: Sigrid Norris). June 16 Review of two abstracts for CogLing7 (http://cogling7.ruhosting.nl), the biennial conference of BeNeCLA (5-6 January 2017, Radboud University Nijmegen, NL (contact: Ad Foolen). th May 16 Review of 8 abstracts for AELCO 2016, “Discourse, culture and contexts,” 10 conference of the Spanish Society of Cognitive Linguistics (26-28 October, University of Alcalá, Spain). Feb 16 Paper for Handelingen van de Koninklijke Zuid-Nederlandse Maatschappij voor Taal- en Letterkunde en Geschiedenis (KZM), Vlaanderen (via Freek van de Velde). Jan 16 Review 14 abstracts RaAM 11 (1-4 July 2016) (via Cornelia Müller & Hermann

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Kappelhoff). Jan 16 Evaluation of research proposal (provenance: Middle East). Nov 15 Paper for Argumentation (via Frans van Eemeren). Nov 15 Evaluation of research grant proposal (provenance: European university). August 15 Paper for Journal of Pragmatics (via Michael Haug). July 15 Paper for Visual Communication (via Theo van Leeuwen). July 15 Chapter for edited volume Metaphor in Communication, Science, and Education (eds Francesca Ervas, Elisabetta Gola, and Maria Grazia Rossi, Mouton de Gruyter) (via Francesca Ervas). March 15 Paper for European Journal of Applied Linguistics (via María del Pilar García Mayo). Feb 15 Paper for Cognitive Linguistics (via Claudia Heinrich). Feb 15 Paper for Pragmatics (via Gunter Senft). Jan 15 Paper for Discourse Studies (via Teun van Dijk). Jan 15 Research proposal National Research Council (provenance: Northern Americas). Dec 14 9 Abstracts for 13th International Cognitive Linguistic Conference (via James Street). Oct 14 Book proposal for Routledge (via Kathleen Larentiev). Sept 14 Paper for Journal of Experimental Psychology (via Richard Gerrig). Sept14 Paper for Style (via John Knapp). July 14 Paper for Journal of Pragmatics (via Michael Haugh). May 14 4 abstracts for AELCO conference, Spain (via Ana Mª Piquer Píriz). May 14 Paper for Metaphor and the Social World (via Alice Deignan). March 14 Book proposal for Routledge (via Kathleen Laurentiev). Feb 14 Paper for Metaphor and Symbol (via Ray Gibbs). Feb 14 Twelve abstracts for RaAM 10 conference, University of Cagliari, Italy (via Maria Grazia Rossi). Nov 13 Paper for Public Journal of Semiotics (via Jordan Zlatev). Sept 13 Paper for Journal of Pragmatics (via Neal Norrick). May 13 Paper for Public Journal of Semiotics (via Jordan Zlatev). April 13 Paper for Language & Communication (via John Joseph). April 13 Evaluation of grant application NWO (= National Science Foundation NL). March 13 Paper for Image [&] Narrative (via Maarten Coëgnarts). March 13 Revised paper for Journal of Pragmatics (via Neal Norrick). Dec 12 Paper for Journal of Visual Communication (via Theo van Leeuwen). Nov 12 Book proposal for Routledge (via Sophie Jacques). Oct 12 Paper for Journal of Pragmatics (via Jonathan Culpeper). Sept 12 Revised paper for Journal of Pragmatics (via Jonathan Culpeper). Sept 12 Paper for Sound Effects (via Birger Langkjær). July 12 Paper for Scientific Study of Literature (via Will van Peer). May 12 Paper for Alphaville (via Stefano Odorico). May 12 Paper for Journal of Pragmatics (via Neal Norrick). March 12 Paper for Tijdschrift voor Mediageschiedenis (TMG) (via Mette Peters). March 12 Chapter for edited book, Benjamins (via Maria Jésus Pinar-Sanz). Feb. 12Evaluation of resubmitted grant request at a National Science Foundation (provenance: Middle East). Feb. 1218 abstracts for RaAM conference, University of Lancaster, UK (via Elena Semino and Veronika Koller). Feb. 12Paper for Scandinavian Journal of Comic Art (SJoCA) (via Ralf Kauranen). Feb. 12Book ms. for University of Nebraska Press (via Wesley Sniper). Jan. 12 Chapter for edited book, Benjamins (via Olga Fischer).

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Dec. 11 Chapter for edited book, Benjamins (via Elisabetta Gola). Aug. 11 Paper for Journal of Pragmatics (via Jonathan Culpeper). May 11 Advice on revised edition book for Routledge (via Sophie Jaques). April 11 Book proposal for Palgrave (via Melanie Blair). March 11 Evaluation of grant request at a National Science Foundation (provenance: Middle East). Feb. 11Paper for Metaphor & The Social World (via Alex Laffers). Jan. 11 5 abstracts for RaAM workshop Almagro, Spain (via Rosario Caballero). Oct. 10 Entry for Encyclopaedia of Applied Linguistics (via Sigrid Norris). Oct. 10 PhD-proposal Amitash Ojha, India. Oct. 10 Paper for Media Psychology (via Elly Konijn). Sept. 10 Paper for Journal of Pragmatics (revision 2) (via Jacob Mey). June 10 Paper for Journal of Pragmatics (via Jacob Mey & Jonathan Culpeper). May 10 Paper for Journal of Pragmatics (via Jacob Mey). April 10 Paper for Cognitive Linguistics (via James Street). March 10 Paper for Journal of Pragmatics (revision 1) (via Jacob Mey). Feb. 105 abstracts for AELCO/SCOLA 7 conference, University of Castilla-La Mancha, Almagro, Spain (Via Rosario Caballero). Jan. 10 27 abstracts for RaAM 8 conference, VU Amsterdam, NL (via Alan Cienki). Jan. 10 Paper (in Dutch) for Tijdschrift voor Communicatiewetenschap (via Rinze van Groningen). Jan. 10 Evaluation of grant request at a National Science Foundation (provenance: Europe). Dec. 09 Book proposal for Routledge (via Liz Levine). Nov. 09 Paper for Atlantis (via Angela Downing). Nov. 09 Paper for Argumentation, revision 2 (via Frans van Eemeren). Jan. 09 Paper for Journal of Pragmatics (via Jacob Mey). Jan. 09 Paper for Humor (via Salvatore Attardo). Jan. 09 Paper for ESP Across Cultures (via Christopher Williams). Nov. 08 Paper for Argumentation, revision 1 (via Frans van Eemeren). Oct. 08 Book proposal for Routledge (via Liz Levine). Aug. 08 Paper for Argumentation (via Frans van Eemeren). June 08 Book manuscript for Benjamins (via Jan Nuyts). June 08 Paper for Journal of Pragmatics, revision (via Jacob Mey). April 08 Paper for Applied Linguistics (via Denise Santos/Guy Cook). Dec. 07 25 abstracts, conference Metaphor in Cross-Cultural Communication (Researching and Applying Metaphor [RaAM]) 7), Cáceres, Spain. (co- organizer: Fiona Mac Arthur). Dec. 07 5 abstracts for special issue on metaphor of Iberica [journal of European Association for Languages for Specific Purposes] (via Mike White). Nov. 07 Paper for Public Journal of Semiotics (via Paul Bouissac). May 07 Paper for Language and Literature (via Paul Simpson). April 07 Evaluation of grant request at a National Science Foundation (provenance: Middle East). Jan. 07 Paper for Humor (via Salvatore Attardo). Aug. 06 Paper for Journal of Pragmatics (via Jacob Mey). July 06 Paper for Functions of Language (via Geoff Thompson). July 06 Paper for Public Journal of Semiotics (via Paul Bouissac). Spring 06 Evaluation of grant request (provenance: University in Western Europe). Oct. 05 Paper for Journal of Pragmatics (via Jacob Mey). Sept. 05 Evaluation of submitted project (NWO, via Ms. Soeleman).

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Nov. 04 Paper for Document Design) (via Cathy de Waele). Oct. 04 Evaluation of grant request submitted at British Academy. Sept. 04 Paper for Philosophical Psychology (via Cees van Leeuwen). June 04 Paper for Language and Literature (via Paul Simpson). Sept. 03 Paper special issue on metonymy Style (via Gerard Steen). Oct. 02 Paper for Document Design (via Cathy de Waele). Oct. 02 Paper for Poetics (via Cees van Rees). Sept. 02 Paper for Journal of Pragmatics (revised version). Aug. 02 External report on tenure track proposal Dept. of Modern Languages, Literatures and Linguistics, University of Oklahoma, Texas (USA). March 02 Paper for Metaphor and Symbol (via Ray Gibbs). Jan. 02 Two papers for proceedings RaAM 4 (via Zouhair Maalej). Nov. 01 Paper for Journal of Pragmatics (via Jacob Mey). June 01 Confidential report on book proposal Routledge (via Christy Kirkpatrick/Louisa Semlyen). Dec. 00 Paper for Science as Culture (ed. Richard Tutton, U. of Lancaster). Oct. 00 Evaluation of submitted project (NWO, via H. Gooren). Oct. 00 Abstracts for Conference "Researching and Applying Metaphor" (RAAM IV), University of Manouba, Tunis, Tunisia, 5-7 April 2001 (org. Zouhair Maalej). Sept. 99 Evaluation of submitted project (NWO, via Jan Nap). Sept. 99 Paper for Metaphor and Symbol (via John Kennedy). June 99 Three papers metaphor special Theoria (Denmark, via Finn Collin). Jan. 99 Abstracts for Conference "Researching and Applying Metaphor" (RaAM 3), KUB Tilburg NL, July 1999 (org. Gerard Steen). Sept. 95 Evaluation of submitted project (NWO, via Jan Nap).

PhD examinations 28 May 15 PhD examination PhD thesis by Maarten Coëgnarts, “Embodied Cognition and Cinema: The Sensory-Motor Grounding of Abstract Meaning in Film”. Universiteit Antwerpen (promotor: Luc Pauwels). 21 May 13 PhD examination PhD thesis Amitash Ojha, Metaphors and Perception: Towards a Perceptual Theory of Visual Metaphor. Deemed University, Cognitive Science Lab, International Institute of Information Technology, Hyderbad-32, India, supervisor: Bipin Indurkhya. 3 May 05 PhD committee Thomas van Rompay, Expressions: Embodiment in the Experience of Design. Technische Universiteit Delft (NL), promotors: Paul Hekkert and Jan Jacobs. July/Aug 04 Examination PhD thesis Radu Daniliuc, Relevance in Advertising: A Conceptual Approach. Australian National University, Canberra, Australia (Contact: Avery Andrews). 13 April 04 PhD committee Tarja Laine, Shame and Desire: Intersubjectivity in Finnish Visual Culture. Universiteit van Amsterdam (NL), promotor: Thomas Elsaesser. 3 Dec. 03 PhD committee Klarijn Loven, Si Doel and Beyond Universiteit Leiden (NL), promotor: Ben Arps. 2 Nov. 01 External Examiner PhD University of East Anglia (UK), Dept. of Language, Literature, and Translation/Film Studies. (Internal Examiner: Jon Cook).

Interview committees Spring 14 For several part-time UDs (assistant professor) and “Docenten” (academic teachers) Film, University of Amsterdam. Autumn 11 For Post-doc position “Multimodal Rhetoric and Cognition” (job description by

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ChF and Dr. Francisca Snoeck Henkemans, Rhetoric dept.). Spring 11 For several part-time UDs (assistant professor) and “Docenten” (academic teachers) Film/Presentation & Preservation of the Moving Image, University of Amsterdam. Spring 05 For Junior UD (junior assistant professor), Media Studies, University of Amsterdam. Spring 04 For Teacher in “praktijkteam,” Media Studies, University of Amsterdam. Autumn 03 For Junior UD (junior assistant professor) Media Studies, University of Amsterdam. Spring 02 For UD (assistant professor) Film/Media Studies, University of Amsterdam.

B1. Popularising publications Verhalen uit Canada, [Stories from Canada], Charles Forceville, August Fry and Leo Gillet (eds), with an afterword by the anthologists, Van Gennep: Amsterdam, 1989. "Een gemakkelijke prooi voor de reclamemakers," article on persuasion in advertising, with a discussion of Schemata, by Jan Beijk and W. Fred van Raaij, Trouw, 23-9-'89, 25. "'IBM IS EEN STEMVORK' en andere picturale metaforen in IBM billboards." ["'IBM IS A TUNING FORK' and other pictorial metaphors in IBM billboards."] Reclamare No. 3, Sept. 1992, pp. 19- 23, 25-27. [(incomplete) rectification in Reclamare No. 1, '93, p. 32.] "Varieties of realism," [review of Guy Vanderhaeghe's Things as they are?] NeWest Review, June/ July 1993, 30-31. "Nadine van Matt Cohen." [In Dutch] In Bart Voorsluis (ed.) Joods-Amerikaanse Literatuur 4. Amsterdam: VU Uitgeverij, 1994, 85-104. "De kleren van de butler: Meneer Stevens' metaforen in Kazuo Ishiguro's De rest van de dag." [Article on Stevens's metaphors in Ishiguro's The Remains of the Day] in: Henk Aertsen (ed.). Amsterdam: VU Uitgeverij, 53-69, 1996. Inleiding en item over Alice Munro in "Over de Canadese literatuur" ["Introduction and item on Alice Munro"] (Insert in Boekblad, 26 april 1996). "Kijk, champagnebier: picturale metafoor in reclame." ["Look, champaign beer: pictorial metaphor in advertising"] Kunst en wetenschap 5:3 (autumn 1996), 35-36. "The remains of the day: Ishiguro's boek en Ivory's film. De verfilming van romans als thema voor een les." In: Dick Schram & Cor Geljon (eds), Grensverleggend literatuuronderwijs: Literaire en kunstzinnige vorming in de tweede fase. Zutphen: Thieme, 1998, 7-24. Introductie en profielen Alice Munro et al. in "Over de Canadese literatuur" ["Introduction and profiles on Alice Munro et al."] (Advertorial in Vrij Nederland, 21 November 1998). Adapted and revised version of insert in Boekblad, 26 april 1996). "Grenzeloze identiteiten in The English Patient." Bzzlletin 261-262, dec. 1998-jan. 1999, 13-26. Review [in Dutch] of Joseph Anderson's The Reality of Illusion: An Ecological Approach to Cognitive Film Theory. Skrien 231 (March '99), 49. Review [in Dutch] of Jakob Lothe, Narrative in Fiction and Film: An Introduction (OUP 2000, ISBN 0-19-875232-6). Skrien 244 (June '00), 61. "Categorisering, genre en reclame." [Categorization, genre and advertising] In: Thomas Elsaesser and Pepita Hesselberth (eds), Hollywood op straat. Amsterdam: Vossiuspers AUP, 2000, 58-73. “Hollywood-genres.” Review [in Dutch] of Steve Neale, Genre and Hollywood (Routledge 2000, ISBN 0-415-02906-7). Skrien. 32: 10 (December ‘00-January ’01), 56. “Eisenstein versus Stalin.” Review [in Dutch] of David Gillespie, Early Soviet Cinema: Innovation, Ideology and Propaganda (ISBN 1 903364 04 3). Skrien 33:1 (February ’01), 68. “Bedrog of kunst.” Review/article [in Dutch] based on Brian Winston, Lies, damn lies and documentaries (London: BFI, 2000, ISBN: 0-85170-797-1). Skrien 33:3 (April ’01), “Tussen Buis en Bioscoop” (= Skrien supplement 3), 2-4.

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”Wijze mannen spreken.” [Impression of Wiseman masterclas/ interview Albert Maysles by Peter Wintonick at IDFA 2001.] Skrien 34:1 (February 2002), 17. “Nichols introduceert nieuwe documentairecategorieen.” Review of Bill Nichols, Introduction to Documentary (Indiana University Press 2001, ISBN 0-253-33954-5) [in Dutch], Skrien 34: 5 (June/July 2002), 57. “Creatieve waarheden.” [“Creative truths” – about documentary genre] Skrien 35:2 (March 2003), 19, 21-22.” “25 (gewetens)vragen aan de documentairemaker [25 tricky questions to the documentary maker] Skrien 35:2 (March 2003), 20. ”IJskasten, merkschoenen en wasmachines in het milieu van nette armoede: Rijke studie naar Indonesische soap. (Article on PhD thesis by Klarijn Loven: Si Doel Anak Sekolahan – an Indonesian soap series). Skrien 36: 2 (March 2004), 48-49. ”Bewegen is veranderen: de animatiefilms van Gerrit van Dijk.” (Article on animation filmer Gerrit van Dijk, on the occasion of a retrospective of his work in the Film Museum, Amsterdam). Skrien 36: 9 (November 2004), 22-24.

B2. Internal publications/reports "De macht van metafoor," ["The power of metaphor"] Fovea (Magazine of department of psychology and pedagogy, Vrije Universiteit Amsterdam) 4:4, 1989, 4-6. "Bijdrage aan discussiedag over studierichting `Woord en Beeld,' Faculteit der Letteren VUA op 12 maart 1994." Discussiedag Woord en Beeld, 3 pp. [Contribution to discussion panel on Word & Image as an independent academic discipline at the VU] "Picturale metafoor als perspectief op woord & beeld" [Pictorial metaphor as perspective on word & image studies]. Oogcontact (magazine of Word & Image dept, VUA), Winter 1994-'95, 22-25. Review Brian McFarlane's Novel to film: an introduction to the theory of adaptation. [In English] Galatea 4 (June '97). "ESSE/4, Debrecen, Hungary -- an impression". Essenses 6:2 (december 1997), 37-41. "Talen naar poëzie: Shakespeare's sonnet 94 en twee Nederlandse vertalingen." In: De (on)mogelijke liefde (Verslag van nascholingsdag leraren IDO/VU, 23-1-'98), 21-27. ["Longing for poetry: Shakespeare's sonnet 94 and two Dutch translations." In (Im)possible love (Report of workshops for secondary school teacher's)] "Woord & Beeld, genre-theorie en cognitiewetenschap: overwegingen naar aanleiding van Rick Altman's Film/Genre (BFI, 1999)." Split 4: 5/2, 3-5. “De documentaire: genre tussen registratie en regie.” Xi (November 2002), 14-15. (With Joost Bolten and Wim Staat) “Over de identiteit van de opleiding Media- en Cultuurstudies” (About the identity of Media and Culture Studies), May 2004, 10 pp. Self-Evaluation Research Master Media Studies Faculty of Humanities, University of Amsterdam (principal author, written in cooperation with others), August 2008, 78 pp. “De openbaring: Charles Forceville herleest Lakoff & Johnson.” [UvA humanities scholars re-read an inspirational book] Nieuwsbrief Faculteit der Geesteswetenschappen, September 2010: 10.

C. Literary Translations Three poems by Craig Raine, De Tweede Ronde, Summer 1985, Amsterdam: Bert Bakker. (With the "Werkgroep Anglistiek VU"). Short prose by Mavis Gallant (69-73); Mordecai Richler (166-70); and Guy Vanderhaeghe (171-81). De Tweede Ronde, Winter 1985 (Issue on Canada), Amsterdam: Bert Bakker. The translation of the Vanderhaeghe story ("Going to Russia" -- "Op weg naar Rusland") was reprinted in the Dutch translation of Man Descending, Van Gennep: Amsterdam, 1989, otherwise translated by Ernst Ris. An essay by Margaret Atwood (61-68) and a story by Alice Munro (161 65); poems by Margaret Atwood (2), Patrick Lane (2), Dorothy Livesay (2), Raymond Souster (1) and Colleen Thibaudeau (1); also introductory notes to these and other writers, De Tweede Ronde, Winter

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1985 (Issue on Canada), Amsterdam: Bert Bakker. (With the "Werkgroep Anglistiek VU"). "Never Sisters" ("Nooit zusjes"), a story by Aritha van Herk, in From a Chosen Land -- a Dutch-Canadian Anthology, Hendrika Ruger (ed). Netherlandic Press: Windsor, Ontario, Canada: Netherlandic Press, 1986, 57-64 and in Verhalen uit Canada, Forceville et al. (eds), Amsterdam: Van Gennep, 1989. "Reunion" ("Reünie"), a story by Guy Vanderhaeghe, in Avenue, Feb. '87, 100-103, reprinted in the Dutch translation of Man Descending, Van Gennep: Amsterdam, 1989, otherwise translated by Ernst Ris. (With "Werkgroep Anglistiek VU"). "A matter of balance" (W.D. Valgardson) and "Waterman" (Audrey Thomas). In Verhalen uit Canada, Forceville et al. (eds). Amsterdam: Van Gennep, 1989. "The interrogator's divorce," a story by Paul Sayer, and poems by Andrew Motion (2), Paul Muldoon (4) and Craig Raine (1), De Tweede Ronde, Spring 1991. "The trouble with heroes," a story by Guy Vanderhaeghe, De Tweede Ronde, Summer 1991, 94-102. "Ingenieurshoek," transl. of "Engineers' corner" by Wendy Cope, De Tweede Ronde, Summer 1995, 55.

D. Interviews (all in Dutch) With Guy Vanderhaeghe, Nieuw Wereldtijdschrift, October '87, 14-18. "Ware kwaliteit bewijst zichzelf toch wel," with Margaret Atwood, Bzzlletin 152, January 1988, 24-28. "Er bestaat geen liefde zonder eigenbelang," with Anne Hébert, Trouw, 4-2-'88, 18. "Al in hun taalgebruik verraden vrouwen dat ze zichzelf als slachtoffers zien," with Audrey Thomas, Trouw, 28-6-'90, 19. "Ik begrijp niets van ambitie," with Matt Cohen, Trouw, 5-10-'91, 19. “De dilemma’s van Paul Schrader.” (Interview on the occasion of the Dutch release of Affliction), Skrien 33:1 (February ‘01), 35-37. ”Regisseurs stralen in eigen documentaire.” (Interview with Stella Bruzzi, author of New Documentary: A Critical Introduction, Routledge 2000), Skrien 34: 9 (November ‘02), 27-29.

E. Literary reviews (1987-2007, all in Dutch) Reviews, varying in length, of British, Canadian, and some American fiction, either of the original version or the translation, which all appeared in the Dutch national newspaper Trouw. Some 200 longer and shorter reviews were published. A complete list is available on request. Authors reviewed include Martin Amis, Margaret Atwood, Iain Banks, John Banville, Julian Barnes, Sebastian Barry, Saul Bellow, Anita Brookner, Joseph Boyden, Peter Carey, Matt Cohen, Jim Crace, Roddy Doyle, Michel Faber, Mary Flanagan, Esther Freud, Mavis Gallant, Lesley Glaister, Alan Hollinghurst, Siri Hustvedt, Kazuo Ishiguro, A.L. Kennedy, Hanif Kureishi, Margaret Laurence, Norman Levine, Toby Litt, Penelope Lively, Antonia Logue, Adam Mars-Jones, Patrick McCabe, Ann-Marie McDonald, Ian McEwan, Colum McCann, Jay McInerney, Bernard MacLaverty, Rohinton Mistry, Timothy Mo, Brian Moore, Blake Morrison, Alice Munro, Iris Murdoch, Michael Ondaatje, Cynthia Ozick, Charles Palliser, Walker Percy, Craig Raine, Mordecai Richler, Carol Shields, Graham Swift, Audrey Thomas, Rose Tremain, William Trevor, Joanna Trollope, Anne Tyler, Barry Unsworth, Guy Vanderhaeghe, Fay Weldon, Irvine Welsh, Jeanette Winterson, Tobias Wolff, Helen Zahavi.

F. Various 3-'85- 3-'87 Coordination Translation group "Anglistiek VU." "Uitzendkr. 265, kast 3, kluis 12." De Volkskrant, Het Vervolg, 23-8-'86 (almost page-length article on working as a cleaner at Schiphol Airport). Apr '87 -'92 Co-editing of "Newsletter" of the Association for Canadian Studies in the Netherlands. Short comment on The Moons of Jupiter (Alice Munro) in the radioprogramme "Cultuur Magazine" of the NOS (Dutch broadcasting corporation), 4-7-'88. Contributions to radio programs (General intro of Canadian literature and introduction of Margaret Lau-

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rence) in "NOS Cultuur", produced by John Albert Jansen and Petra van Hulsen, 5+27-10-'88. Margaretha H. Schenkeveld. "The child I was: the narrator in Gerard Reve's Werther Nieland," In Standing Clear: a Festschrift for Reinder P. Meijer (eds Jane Fenoulhet & Theo Hermans) London: The Centre for Low Countries Studies, University College London, 1991, 13-23. (Translation). Personal Top-10 literature. [With 43 other Dutch and Flemish critics.] In: Jef van Gool & Jooris van Hulle (red.) Praktijkboek voor Leeskringen. Leuven/Den Haag: Davidsfonds/ Clauwaert i.s.m. NBLC, 1997, pp. 84-85. A. Th. van Deursen. "The Trades in the Village of Graft." (Translation). Various non-academic and non-literary translations English-Dutch and Dutch-English. Contribution to discussion about the power of TV in KRO radio programme De vijfde verdieping, Radio 5 (Holland), 19-7-'00, 9.00-9.30. Presenter: Ron Kas. With Yvonne Lesser (NAA). Contribution to student TV project (30’) about shifting borders of advertising (with Roland de Haas, VEA, and Joris van Ammeron, Lowe) in Lichtblauw Licht (presenter : Roos de Jager). Media Studies dept., UvA. Shooting : 7-6-’02 ; broadcast repeatedly on local Amsterdam station (“Salto”), 26 June 2002. Introduction Jacques Brel. “Hemelse Schoonheid” theme, to celebrate 10th issue SIC[!] (Student paper Humanities dept. Vrije Universiteit Amsterdam). 22-6-’02, Stichting Perdu, Amsterdam. Introduction and interview Elodie Pong, director of Secrets for Sale, Shadowfestival (Documentary), Melkweg, Amsterdam, 22-11-’03. Contribution to discussion on The Big Read (BBC programme on classsic books). In: Katja de Bruin, “Idols voor boeken: The Big Read.” VPRO-gids 50, 13-19 december 2003, 10-11. Contribution to student documentary De Ego-documentaire: Het zelf in beeld? (20’) (Sjoerd Knibbeler et al.) Media Studies dept., UvA, 2004, (with Jaap van Hoewijk, Ali Haselhoef). Report on Semiotics Conference, Beijing, March 2004, SemiotiX, issue 1. See the website at: www.semioticon.com/semiotix/newsletterindex2.htm Member jury (with Willem Pool, Britta Hosman, and Jelle Schot) of “Gouden Eend” competition of short student films, organized by Off-Screen, Rialto cinema, 17-3-’10. Introduction to, and screening of, four short documentaries, “Dag van de Geesteswetenschappen,” CREA, organized by Maecenas, Studievereniging Algemene Cultuurwetenschappen Amsterdam, 13-4-’10. Coordination of Media Studies/UvA part NVAO “Thesis Assessment Study” (TAS), comparing quality MA/Research MA theses in four Dutch university departments. Participation in NVAO symposium on this subject on 24 March 2011, in theatre Diligentia, The Hague. “Emoties in Striptaal.” European Day of Languages, organized by AEGEE student society, Crea, Amsterdam, 14-4-’11. Contribution to regional radio programme Swammerdam, Wetenschap te Amsterdam about film scholarship [in Dutch], 5 February 2012 (org. Laura Burgers & Mashya Boon). http://www.amsterdamfm.nl/programmering/Swammerdam/default.aspx Member of one-day mock –accreditation committee of CIW, UvA, 5 March 2013. Humanities member of committee evaluating the supervision and marking of AUC Capstone (BA) theses 2012-2013, Oct-Nov 2013. “LIFE IS A JOURNEY: an animated metaphor” (https://www.youtube.com/watch?v=MvocTKD5o5A). Short (5’24”) animation film, made by Wietske Koelma and Iris Adriaansz, with Charles Forceville, May 2014. “The art of storytelling (part I): about characters and characterization.” (https://www.youtube.com/watch?v=IfbwZBM9RtQ) Short (5’08”) animation film, made by Teun Boulogne and Raymond Schmitz, with Charles Forceville, June 2015. “Heerlijk, helder taalgebruik: Pleidooi voor transparantie in wetenschappelijke teksten” (1000 words). De Omslag, September 2015. https://omslag.nu/taal-vd-universiteit/heerlijk-helder-taalgebruik/ Gesprek voorafgaande aan film-screening Chomsky: Is The Man Who Is Tall Happy? (Michel Gondry,

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USA 2013). De Balie, Amsterdam (Absaline Hehakya), in cooperation with KNAW (Barbara Visser), also with Dario van Vree (13-11-’15). Humanities member of committee evaluating the supervision and marking of AUC Capstone (BA) theses 2014-2015, Oct-Dec 2015. “Foreword.” In: Georgina Cuadrado-Esclapez et al. (eds), Diccionario Bilingüe de Metáforas y Metonimias Científico-Técnicas: Ingeniería, Arquitectura y Ciencias de la Actividad Física/ Bilingual Dictionary of Scientific and Technical Metaphors and Metonymies: Engineering, Architecture, Physical Activity and Sports Sciences (xviii-xix). London: Routledge (2016). Member of jury (with Pieter Pekelharing) to nominate one MA humanities thesis (out of 14) for the 2016 UvA thesis prize (April 2016). Adaptation/development of MA Lecture Course “Pictorial & Multimodal Metaphor and Cognition” for Ural Federal University, Russia (contact: Prof. Lyudmila Zapevalova) (March-April 2016). “The art of storytelling (part II): places.”( https://www.youtube.com/watch?v=gdlSrpvjIEQ ). Short (2’31”) animation film, made by Roel Bogers, Tina de Groot, Marion van der Poel, Nienke Schipper, Loek Hennipman, Phoenix Koolen, Nola Klop, with Charles Forceville, June 2016.

TEACHING

Seminars/Lectures taught once or more in Faculty of Arts (English, Comparative Literature, Word & Image departments), Vrije Universiteit Amsterdam, NL (1988-99); in the Dept of Film and TV Studies (renamed: Media Studies in 2003), Universiteit van Amsterdam, NL (since 1999) on propedeutic, “Kandidaats”/BA, “Doctoraal”/MA and Research MA levels; and at Amsterdam University College (since 2009), second year BA level.

English-Canadian literature; Literary comprehension; Introduction translation English-Dutch; Advertising; Surrealism; The British novel in the 1980s; Composition; Practical criticism; Narration in fiction and film; Introduction film theory; First-person narrators in contemporary British fiction; introductory (parallel) seminar audiovisual culture; introductory (parallel) seminar film history; introductory (parallel) seminar film theory; Pictorial and multimodal metaphor in advertising, film, and cartoons; (parallel) seminar Narratological analysis of film; (parallel) seminar Representations of cultural identity; (parallel) seminar Philosophy of science; Documentary film; Rhetoric of multimodal representations; BA-thesis seminar on Animation; BA-thesis seminar on Non-Fiction; Narrative across Media (AUC): Tutorial on Multimodal discourse (RMA).

Visits of (PhD/post-doc) scholars Media Studies dept. University of Amsterdam, hosted by ChF

Valentina Di Fabio, PhD student in Italian Studies at the University of Bologna, Italy. Research focus: Linguistics & Teaching (October 2010-March 2011). Søren Vigild Poulsen, PhD student, Ph.d.-stipendiat, Institut for Sprog og Kommunikation. Syddansk University, Denmark. Research focus: multimodal discourse in advertising (May 2012). Camelia-Mihaela Cmeciu, postdoctoral student at Romanian Academy, Iaşi Branch (The Knowledge Based Society Project / Faculty of Communication Studies, Danubius University of Galati, Romania. Research focus: Romanian identity as transpiring in EU posters (August 2012). Paula Pérez Sobrino, PhD student, University of La Rioja, Spain. Research focus: multimodal metaphor & metonymy in advertising (February 2013-June 2013). Yong Liu, PhD student/lecturer School of Journalism at Fudan University, Shanghai, China. Research focus: digital technology's influence on cinematic metaphors; Erasmus Mundus Asia grant (Nov- Dec 2013). Chiara Pollaroli, PhD student guest at Media Studies and Rhetoric (TAR) dept. (Feb-Sept 2014). Yanhua, Wang, Associate professor at Hubei University of Education, China. (Sept 2014-Sept 2015). Xiufeng Zhao, Professor & Dean of School of Foreign Languages, China University of Petroleum,

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Beijing (July-August 2016, to be confirmed.)

“Doctoraal”/MA theses supervised from 1993 onwards. All theses until september 1999 were written at the Vrije Universiteit Amsterdam (with the exception of Molenaar, August ’98: Universeit of Leyden); since that time all theses supervised were written at the Universiteit van Amsterdam

(1) Vlatka Dobric, [on Alice Munro], 1993 (In English). (2) Hella Janssen, Women and their other selves in four novels by Margaret Atwood, August 1994. (3) Christine Crouwel-Bradshaw, No smoke without fire: modality as an indicator of unreliable narration in Kazuo Ishiguro's An Artist of the Floating World, August 1995. (4) Liesbeth Krumeich, [On the Dutch and British reception of Helen Zahavi's Dirty Weekend] June 1996 (In English). (5) Peter Willems, The use of iconicity in print advertising, June 1996. (6) Laura Blijleven, The fiction of Aritha van Herk: an analysis in the context of postmodernism and feminism, December 1996. (7) Ellen Molenaar [On narration/characterization in Joseph Conrad's Heart of Darkness and Nicholas Roeg's and Francis Ford Coppola's film versions], August 1998 (Universiteit Leiden) (In Dutch). (8) Miranda de Groot, [On four contemporary Canadian novels in the light of Margaret Atwood's characterization of Canadian literature in Survival (1972)], May 1999 (In English). (9) Joy Phillips [On fairy tale elements in Margaret Atwood’s The Robber Bride], June 1999 (in English). (10) Els Botman [On the “left-right” as “given-new” distinction in newspaper photographs, with reference to Kress & Van Leeuwen 1996], August 1999 (In Dutch). (11) Maurice Dekker [On characterization in Michael Ondaatje's novel The English Patient and Anthony Minghella's film version], August 1999 (In English). (12) Arend Andreae. [On the preproduction, production and reception of Alfred Hitchcock’s The Birds], November 2001 (In Dutch). (13) Corinne Spijker. [A comparison between the narrative techniques in Danny Boyle’s Trainspotting and The Beach, and the novels on which these films were based], November 2001 (in Dutch). (14) Usha Uppal. [On narrative techniques in four films by Julio Medem], May 2002 (in Dutch). (15) Ellen Falkenhage en Marieke Jongen, Christus in actie: Een onderzoek naar het metaforische gebruik van Christusfiguren in de hedendaagse Westerse actiefilm [“Christ in action: an investigation of the metaphorical use of Christ figures in contemporary Western action films”] July 2002. This duo-thesis comprises a video presenting the research results (In Dutch). (16) Delphine Tardieu. Cinéma de banlieue: representatie van minderheden in de hedendaagse beur/banlieue film [“Cinéma de banlieue: the representation of minorities in the contemporary beur/banlieue film”], November 2002 (In Dutch). (17) Andrea Meuzelaar. Bewegend verleden: Een onderzoek naar het gebruik van archiefbeelden in de hedendaagse documentaire.[“The moving past: the use of archival footage in the contemporary documentary”], November 2002 (in Dutch). (18) Annemarie Vissers. Een reis door het road movie genre: een semantisch/syntactische analyse van het Amerikaans en ‘Europees’ road movie genre aan de hand van de experiëntiele genretheorie. [“A road through the road movie genre: a semantic/syntactic analysis of the American and ‘European’ road movie genre on the basis of the experiential genre theory”], April 2003 (In Dutch). (19) Gejo Hoogeveen. [About ‘concepts’ in the albums, films and concerts by U2, Pink Floyd and Talking Heads, in the light of blending theory], September 2003 (in Dutch). (20) Maja Brouwer [About interactive documentary], February 2004 (in Dutch). (21) Bart Eerden. [About the visual representation of anger and love in Asterix comics and animation film on the basis of work by Kövecses and Forceville], April 2004 (in Dutch). (22) Judith Moortgat [About the representation of Madame Bovary/Bovarysm in the films based on

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Flaubert’s novel by Minelli, Renoir, Sokourov, Chabrol], September 2004 (in Dutch). (23) Thomas Bensdorp and Arjan Vergeer [About literal and nonliteral sound in mainstream animation film], September 2004 (in Dutch). This duo-thesis comprises a DVD (Sound Please!) presenting the research results. (24) Paul Victor [About metaphorical sound in film], September 2004 (in English). (25) Sarah van Brussel [About Peter Greenaway as European filmmaker], September 2004 (in English). (26) Pol Bierhoff [A phenomenological reading of Jacques Tati’s Playtime], November 2004 (in Dutch). (27) Lotte Baltussen [statistics supported research project investigating the correlation between contemporary Hollywood film and the so-called “MTV clip style.”], April 2005, (in Dutch). (28) Astrid Louwers, Aristoteles vraagt om Moore: De toepasbaarheid van de retorische theorieën van Aristoteles op audiovisuele producten met als casestudy de documentaire FAHRENHEIT 9/11, Juni 2005 (in Dutch). (29) Gerthein Boersma Gotcha! [About the question whether twist endings in contemporary films are ontological rather than epistemological (McHale)], September 2005 (in English). (30) Hans Bouwens [A systematic study into the phenomenon of the trailer. A “blueprint” is developed, both generically and with attention to the genres blockbuster, thriller, and romantic comedy] November 2005 (in Dutch). (31) Dennis Houtman [About the consequences of the superlight portable digital camera for documentary filmmaking. November 2005 (In English). (32) Philip Brink [On non-spot advertising.] January 2006 (In Dutch). (33) Marloes Jeulink [The S-P-G schema and “embodiment” in 9 journey animations, April 2006 (In Dutch]. (34) Anton Kanis Bond Branding [inventory of all brands appearing in 21 Bond films, and chapters on branding in film in general + theoretical implications. August 2006] (In English). (35) Floor Horninge. Metaforen in Videoclips: Een Onderzoek maar de Metaforische Betekenissen van Beeld in Samenwerking met Geluid en Tekst [Metaphors in videoclips] November 2006 (In Dutch). (36) Janske Stoop. On cinematic techniques to signal a filmer’s (personal) past in 9 Dutch documentaries. June 2007 (In Dutch). (37) Thijs van Eunen. On the ICMs of anger, love, and fear in Asterix and Donald Duck (June 2007, in Dutch). (38) Marjolein Sprenger. De Klap van de Werkelijkheid! Een Onderzoek naar de Maatschappelijke Documentaire in Nederland. [The engaged documentary in the Netherlands] December 2007 (In Dutch). (39) Maaike Beerman. About the Source-Path-Goal schema in classic and modern Westerns. February 2008 (In Dutch). (40) Thijs Renckens. Licht en Duisternis in Film: De Rol van het Symbolische en Metaforische Gebruik in Relatie met Conceptuele Structuren en Affectieve Staten [Light and darkness in film: The role of symbolic and metaphoric use in relation to conceptual structures and affective states.], cum laude. June 2010 (In Dutch). (41) Hannah Kamphuijs. Amores Perros, 21 Grams en Babel: Klassiek of Post-Klassiek? June 2010. (In Dutch). (42) Rutger van den Berg. The Age of Networked Identities. September 2010 (In English). (43) Dana Duijn. De Indische Autobiografische Documentaire: Hoe Foto’s en Filmbeelden worden gebruikt bij Traumaverwerking en de vorming van Identiteit bij Tweede-Generatie Indische Documentairemakers. October 2010 (In Dutch). (44) Wouter Los. Betrokkenheid en Identificatie in de Superheldenfilm. September 2010 (In Dutch). (45) Roelf Kromhout. Source-Path-Goal Structure in Multimodal and Interactive Videogames: Half- Life 2, Grim Fandango and Heavy Rain . September 2010 (In English). (46) Iris van den Berg. “We May Try to Run, But We Can’t Hide.” Een Onderzoek naar

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Productplaatsing in de Nederlandse Film. September 2010 (In Dutch). (47) Charlotte Tillieux. Where the Wild Things are Moving: Een Narratologische Analyse van de Adaptatie van het Prentenboek naar Cinema. September 2010 (In Dutch). (48) Jasper Moes. Metaphors of Anger and Disgust: Visual Representations of the Idealized Models of the Emotions Anger & Disgust in The Complete Calvin and Hobbes. November 2010. (Research MA, in English). (49) Babette Heeren. Een Reis naar de Kindertijd: Een Onderzoek Naar de Rol van Dromen in die Fantasie Kinderfilms: The Never Ending Story, Where the Wild Things Are en Labyrinth. February 2011 (in Dutch). (50) Hielke Idzerda. Sympathy in de Revisionary Superheldenfilm.” October 2011 (in Dutch). (51) Nikki Smit. Thesis about political documentary and reportage in Holland. October 2011 (in English). (52) Nadia Alexopolou. Thesis about fake documentaries. October 2011 (in English). (53) Nanda Aris. Moeder, vrouw, hoer: Representatie van de vrouw in zes films van Roberto Rossellini. July 2012 (in Dutch). (54) Kaya van Dun. Een beeld zegt meer dan duizend woorden: verhaalvertelling zonder woorden in twaalf korte Pixar animatie films. July 2012 (in Dutch). (55) Marnieke Klarus. On short promo-trailers for TV documentaries on Dutch TV channels. July 2012 (in Dutch). (56) Julius Koetsier. Transformation metaphors in the films of David Cronenberg. July 2012 (in English). (57) Benjamin Klumperbeek. Tropical figures in the Assassin Film: How Metaphor and Other Tropes in Film Sound and Music Create Moral Allegiance. July 2012 (in English). (58) Lauren Murphy. Overcoming Reality: Performativity (?) in the Documentaries of Werner Herzog. July 2012 (in English). (59) Lydia Busstra. The Format: The use of genre in the production of the Dutch and U.S. adaptations of the reality TV format The Phone (Research MA). July 2012 (in English). (60) Melle Grannetia. Sprekende beelden: Een zoektocht naar stijlfiguren in direct cinema documentaire. July 2013 (in Dutch). (61) Merel Veel. Embedding and Embedded Worlds within the Medium of Film: The self-reflexive function of storytelling. July 2013 (in English). (62) Mélanie Cravero. This Is Not A Film: An Exploratory Examination of Recent Mockumentaries and Their Relation to New Forms of Representation of the Real. July 2013 (in English). (63) Marta San Vicente Feduchi. Sharing Worlds Through Film Sound: An Acoustic Journey where Blindness Leads the Way. July 2014 (cum laude, in English). (64) Lucas Reehorst. Metaphor in American editorial cartoons about the presidential elections of 1936 and 2012. July 2014 (Research MA, in English). (65) Bo van der Meer. De Stijl van Heddy Honigmann. July 2015, in Dutch (Profession-oriented track). (66) Sean Johansen. Journey Metaphor and Home Symbolism in “The Pixar Universe.” July 2015 (in English). (67) Donny van Sas. Japan’s Cultural Trauma and Anime of the 80s and 90s. January 2016 (in English). (68) Roos Philipsen. Een Moderne Manier van Sterven: De representatie van het euthanasiedebat in de Nederlandse documentaire. January 2016, in Dutch (Profession-oriented track). (69) Dominique van Helvert. Animation as Documentary: Using Animation for Persuasion. June 2016 (Profession-oriented track). (70) Tom Veldman. The Cinematic Chimp: Film Studies, Evolution, & the Future of Knowledge. June 2016 (Profession-oriented track).

“Tweede lezer” (“examiner”) of ± 70 MA and Research MA theses.

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Supervisor of  4 BA theses on animation (Erlijne Runia, Tom Rovers, Jelle Hoogenboom, Melina Walrave) in June 2007;  9 BA theses on animation (Marjet Andeweg, Iris van den Berg, Sander van der Eijk, Roxanne Booms, Rein Mulder, Gabriel de Rop, Hans Terpstra, Charlotte Tillieux, David Timmer) in June 2009;  7 BA theses on non-fiction (Mirjam Bal, Jelmar van Belle, Jason Britton, Rody Buijs, Bibi Rekhess, Neeltje Tuijnman, Aletta Verwoerd) in January 2010;  6 BA theses on animation (Jelena Barisic, Renée Penris, Michelle van Gerven, Inan Erkal, Robin Parera, Jaap Nijman) in January 2011.  2 “capstone” (BA) theses on: (1) the desirability of grafting humanities teaching and research on the evolutionary paradigm (Marnix Vos, Amsterdam University College, June 2012); (2) “A Comparative Analysis of Characterization of Characters in Aleksandr Afanas’ev’s and the [?] Brothers Grimm Fairy Tales” (Sabina Bahisheva, Amsterdam University College, May 2016).