CII-ITC Centre of Excellence for Sustainable Development

Total Page:16

File Type:pdf, Size:1020Kb

CII-ITC Centre of Excellence for Sustainable Development ITC Limited Creating Enduring Institutions REPORT AND ACCOUNTS 2015 CII-ITC Centre of Excellence for Sustainable Development In addition, at the request of the Ministry of Environment, Forest & Climate Change (MoEFCC), the Centre has drafted a single window clearance form for environment, forests and wildlife clearances with inputs from members of the CII National Committee on Environment as well as top government officials. The Centre also has been engaged with the Cabinet Secretariat’s Project Management Group to suggest ways to increase transparency and accountability in the project appraisal process. The 9th Annual Sustainability Solutions Summit continued its legacy of bringing together thought-and-action leaders from across the globe to discuss and propagate innovative and actionable The CII–ITC Centre of Excellence for Sustainable solutions towards building a more sustainable future. Development, established by ITC in 2006 in The Centre recognises and rewards the most collaboration with the Confederation of Indian Industry significant contributions to sustainable development by corporates in the country through the CII-ITC (CII), continues its endeavours to promote sustainable Sustainability Awards. In 2014, the Awards were business practices among Indian enterprises. The presented to 27 companies. Centre is steered by its Advisory Council, led by Mr Y C Deveshwar, Chairman, ITC Limited, and The Centre has been building capacities of companies comprises members from industry, government, civil on the new CSR legislation as per the Companies Act 2013. In 2014, the Centre conducted seven open society and institutions, which provides strategic workshops in Delhi, Mumbai, Lucknow, direction to the organisation. Bhubaneshwar, Chennai, Vishakapatnam and Goa. During the year the Centre, in partnership with the The Centre is also offering services to companies in International Integrated Reporting Council (IIRC), has baseline studies, measurement of human development indictors, and social return on investments. set up a country-level network, the IR Lab India, to promote Integrated Reporting (IR). The objective of the IR Lab is to build capacities of companies in India on integrated reporting and to represent concerns of Indian business to the IIRC. The Centre also hosted the India Business & Biodiversity Initiative (IBBI) with the support of German International Cooperation (GIZ). Launched on the occasion of International Day for Biological Diversity on May 22, 2014, the IBBI serves as a national platform of business and its stakeholders for dialogue, sharing and learning, ultimately leading to mainstreaming sustainable management of biological diversity in businesses. The Centre and GIZ have partnered also with CREM, the Netherlands, to build capacity of member companies in biodiversity management. 0 Creating Enduring Institutions ITC Limited REPORT AND ACCOUNTS 2015 ITC Sangeet Research Academy The ITC Sangeet Research Academy (ITC-SRA) is an While relentlessly focusing on Hindustani Classical Music, embodiment of sustained corporate commitment to a the Academy has also expanded the range of its offerings to priceless national heritage. It is a unique institution – the include Carnatic concerts as well. The Academy is currently only gurukul of its kind - that has been at the forefront of engaged in carrying the message of Hindustani Classical promoting the ancient tradition of Hindustani Classical Music across the country from the metros to rural India. The Music. Blending modern-day research methods with the Academy also constantly endeavours to work with other purity of the age old Guru-Shishya tradition, ITC-SRA is music organisations and institutions of repute. recognised as the finest repository of Hindustani Classical The Academy continued with its traditional programmes as Music in terms of musical talent, music education and well as broke new ground with fresh initiatives such as the archives. Producing musicians of stature, it has been Malhar festival in August and the Arpan soiree in September, a catalyst in ensuring the popularity of Hindustani culminating in the ITC Sangeet Sammelan in December last Classical Music. year. In addition, collaboration with the India Habitat Centre Its list of illustrious Gurus includes Vidushi Girija Devi, at Delhi on the Morning Ragas series launched in October Ustad Abdul Rashid Khan, Pandit Buddhadev Das Gupta, last year was extremely well received with Vidushi Girija Devi Pandit Ulhas Kashalkar, Pandit Ajoy Chakrabarty, Pandit performing at the inaugural event. Arun Bhaduri, Ustad Mashkoor Ali Khan, Pandit Partha The Academy’s thrust on a collaborative effort to revisit Chatterjee, Vidushi Subhra Guha and Pandit Uday Kolkata’s magnificent heritage continued with programmes Bhawalkar. Musician Tutors Omkar Dadarkar, Abir co-sponsored by the All Bengal Music Conference, the Hossain, Brajeswar Mukherjee, Aniruddha Bhattacharya, Bhowanipore Sangeet Sammelani, the Dover Lane Music Arshad Ali Khan, Kumar Mardur and Waseem Ahmed Conference and other organisations. Efforts to showcase Khan are rising stars in the firmament of Hindustani the Academy’s talent across the country continued with Classical Music. With 53 gifted Scholars carefully selected several performances in Mumbai, Bengaluru, Lucknow from all over the country and a dedicated team of Gurus and Varanasi. and Musician Tutors, ITC-SRA continues to passionately These performances served the purpose of showcasing the pursue its mission of preserving, propagating and exceptional talent of our Scholars, Gurus and the Academy’s promoting Hindustani classical music. commitment to the cause of Indian Classical music. 0.
Recommended publications
  • Press Release BHILWARA SUR SANGAM 2018
    Press Release BHILWARA SUR SANGAM 2018 Bhilwara Sur Sangam, a rare initiative on promoting Indian classical music by LNJ Bhilwara Group, enters 7th edition New Delhi, April 22, 2018:One of Delhi’s most prestigious annual classical Indian music shows, Bhilwara Sur Sangam this year saw top artists including Padma Shri Pandit Venkatesh Kumar (Hindustani Classical Vocalist), Pandit Ajay Shankar Prasanna (Flute), Ustad Shujaat Hussain Khan (Sitar), ShriAbhishek Borkar (Sarod), perform and enthrall the audience. Organised every year by LNJ Bhilwara Group, Bhilwara Sur Sangam completed its 7th year this year and like every time left the audience spellbound by the ragas and jugalbandi of artists. This year the Sur Sangam was dedicated to Ganasarswati Kishori Amonkar, who incidentally performed her last stage show in this program in 2017. Shri Ravi Jhunjhunwala, Chairman, LNJ Bhilwara Group, and key architect of this cultural show, said, “Bhilwara Sur Sangam is our modest endeavor to spread the rich heritage of Indian classical music traditions. It is indeed heartening that in its seven years of existence many legendary artists of diverse classical traditions and genres have performed on this platform, and helped us reiterate the pride of our great classical traditions.” Started in 2012, this classical musical fest has over the years featured exceptional and legendary artists including Pt. Jasraj, Pt. Hari Prasad Chaurasia, Ustad Shahid Pravez Khan, Ustad Rashid Khan, Pt. Ulhas Kashalkar, Ustad Shujaat Husain Khan, Gaansaraswati Kishori Amonkar, Dr N Rajam, Pt. Kumar Bose, Pt. Anindo Chatterjee, Pt. Ajoy Chakraborty, Sushri Kaushiki Chakraborty, Dr Ashwani Bhide Deshpande, to name a few.
    [Show full text]
  • Part 05.Indd
    PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
    [Show full text]
  • 12 NI 6340 MASHKOOR ALI KHAN, Vocals ANINDO CHATTERJEE, Tabla KEDAR NAPHADE, Harmonium MICHAEL HARRISON & SHAMPA BHATTACHARYA, Tanpuras
    From left to right: Pandit Anindo Chatterjee, Shampa Bhattacharya, Ustad Mashkoor Ali Khan, Michael Harrison, Kedar Naphade Photo credit: Ira Meistrich, edited by Tina Psoinos 12 NI 6340 MASHKOOR ALI KHAN, vocals ANINDO CHATTERJEE, tabla KEDAR NAPHADE, harmonium MICHAEL HARRISON & SHAMPA BHATTACHARYA, tanpuras TRANSCENDENCE Raga Desh: Man Rang Dani, drut bandish in Jhaptal – 9:45 Raga Shahana: Janeman Janeman, madhyalaya bandish in Teental – 14:17 Raga Jhinjhoti: Daata Tumhi Ho, madhyalaya bandish in Rupak tal, Aaj Man Basa Gayee, drut bandish in Teental – 25:01 Raga Bhupali: Deem Dara Dir Dir, tarana in Teental – 4:57 Raga Basant: Geli Geli Andi Andi Dole, drut bandish in Ektal – 9:05 Recorded on 29-30 May, 2015 at Academy of Arts and Letters, New York, NY Produced and Engineered by Adam Abeshouse Edited, Mixed and Mastered by Adam Abeshouse Co-produced by Shampa Bhattacharya, Michael Harrison and Peter Robles Sponsored by the American Academy of Indian Classical Music (AAICM) Photography, Cover Art and Design by Tina Psoinos 2 NI 6340 NI 6340 11 at Carnegie Hall, the Rubin Museum of Art and Raga Music Circle in New York, MITHAS in Boston, A True Master of Khayal; Recollections of a Disciple Raga Samay Festival in Philadelphia and many other venues. His awards are many, but include the Sangeet Natak Akademi Puraskar by the Sangeet Natak Aka- In 1999 I was invited to meet Ustad Mashkoor Ali Khan, or Khan Sahib as we respectfully call him, and to demi, New Delhi, 2015 and the Gandharva Award by the Hindusthan Art & Music Society, Kolkata, accompany him on tanpura at an Indian music festival in New Jersey.
    [Show full text]
  • The Sixth String of Vilayat Khan
    Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
    [Show full text]
  • Raag-Mala Music Society of Toronto: Concert History*
    RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2013 2012 2011 Praveen Sheolikar, Violin Ud. Shahid Parvez, Sitar Pt. Balmurli Krishna, Vocal Gurinder Singh, Tabla Subhajyoti Guha, Tabla Pt. Ronu Majumdar, Flute Arati Ankalikar Tikekar, Vocal Ud. Shujaat Khan, Sitar Kishore Kulkarni, Tabla Abhiman Kaushal, Tabla Ud. Shujaat Khan, Sitar Abhiman Kaushal, Tabla Anand Bhate, Vocal Vinayak Phatak, Vocal Bharat Kamat, Tabla Enakshi, Odissi Dance The Calcutta Quartet, Violin, Suyog Kundalka, Harmonium Tabla & Mridangam Milind Tulankar, Jaltrang Hidayat Husain Khan, Sitar Harvinder Sharma, Sitar Vineet Vyas, Tabla Ramdas Palsule, Tabla Warren Senders, Lecture- Raja Bhattacharya, Sarod Demonstration and Vocal Shawn Mativetsky, Tabla Raya Bidaye, Harmoium Ravi Naimpally, Tabla Gauri Guha, Vocal Ashok Dutta, Tabla Luna Guha, Harmonium Alam Khan, Sarod Hindole Majumdar, Tabla Sandipan Samajpati, Vocal Raya Bidaye, Harmonium Hindole Majumdar, Tabla Ruchira Panda, Vocal Pandit Samar Saha, Tabla Anirban Chakrabarty, Harmonium 2010 2009 2008 Smt. Ashwini Bhide Deshpande, Smt. Padma Talwalkar, Vocal Pt. Vishwa Mohan Bhatt, Mohan Vocal Rasika Vartak, Vocal Veena Vishwanath Shirodkar, Tabla Utpal Dutta, Tabla Subhen Chatterji, Tabla Smt. Seema Shirodkar, Suyog Kundalkar, Harmonium Heather Mulla, Tanpura Harmonium Anita Basu, Tanpura Milind Tulankar, Jaltarang Pt. Rajan Mishra, Vocal Sunit Avchat, Bansuri Pt. Sajan Mishra, Vocal Tejendra Majumdar, Sarod Ramdas Palsule, Tabla Subhen Chatterji, Tabla Abhijit Banerjee,Tabla Sanatan Goswami, Harmonium Kiran Morarji, Tanpura Irshad Khan, Sitar Manu Pal, Tanpura Subhojyoti Guha, Tabla Aparna Bhattacharji, Tanpura Aditya Verma, Sarod Ramneek Singh, Vocal Hindol Majumdar, Tabla Pt. Ronu Majumdar, Flute Won Joung Jin, Kathak Ramdas Palsule, Tabla Amaan Ali Khan, Sarod Rhythm Riders, Tabla Bharati, tanpura Ayaan Ali Khan, Sarod Vineet Vyas, Tabla 1 RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2010 Cont.
    [Show full text]
  • Dr. Kedar Naphade Accompanied by Dr
    Raag•Rang Presents A Lecture•Demonstation on the Indian Harmonium By Dr. Kedar Naphade Accompanied By Dr. Amod Dandawate on Tabla Dr. Kedar Naphade received preliminary training in Hindustani Classical Music from his grandfather, Shri Dadasaheb Naphade and from Shri Arvind Gajendragadkar. For over 15 years, he has been a leading disciple of Pt. Tulsidas Borkar, arguably the most acclaimed harmonium player in India today. Kedar has also had the privilege of training from Smt. Padmavati Shaligram•Gokhale, a veteran singer of the Atrauli•Jaipur gharana. She played a pivotal role in his musical development and sowed in him the seed that developed into a passionate love for the vocal art form. As such, like his guru, Kedar's music derives inspiration from the stylistic genius and dexterous wizardry of P. Madhukar as well as the character of the traditional hindustani vocal art form. In addition to classical music, Kedar also plays the semi•classical forms of Marathi Natyasangeet (Stage Music), Bhajans, Thumri, Dhun etc. Kedar has performed harmonium solo and has accompanied vocalists at numerous concerts in India, Europe and in the U.S. including prestigious festivals and venues such as the Alladiya Khan Smruti Samaroha, Dadar Matunga Cultural Center in Mumbai, The Lincoln Center in New York, The Smithsonian Institute in Washington D.C etc. He has also been featured on NPR. He has shared the stage with luminaries such as his guru Smt. Padmavati Shaligram•Gokhale, Pt. Jasraj, Smt. Veena Sahasrabuddhe, Pt. Ulhas Kashalkar, Smt. Prabha Atre, Smt. Laxmi Shankar, Pt. Phiroz Dastur etc. Kedar continues to train from Pt.
    [Show full text]
  • Pak. Releases Jadhav Video, India Terms It Propaganda
    Downloaded from: www.iascgl.com Downloaded from: www.jioepaper.com follow us: friday, january 5, 2018 Delhi City Edition thehindu.com 36 pages ț 10.00 facebook.com/thehindu twitter.com/the_hindu Manmohan writes to Vijay Mallya declared ‘Bannon leaks’ trigger India to play rst Test A. Raja, says happy a proclaimed oender fury of U.S. President against South Africa at with his vindication in FERA violation case Donald Trump Cape Town from today page 10 page 11 page 12 page 15 Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow NEARBY Pak. releases Jadhav video, Govt. refuses to list triple India terms it propaganda talaq Bill changes rst Heated arguments over second slot in day’s agenda Rajnath rejects charge Such exercises simply carry no credibility, says statement issued by MEA on Assam’s NRC Special Correspondent New Delhi NEW DELHI Suhasini Haidar conducting a business in Mubashir Zaidi Trinamool Congress Iran when he was kidnapped The government’s move to NEW DELHI/KARACHI members in the Lok Sabha on by Pakistani operatives. list the Muslim Women (Pro­ Thursday alleged a Accusing Pakistan of violat­ The government made tection of Rights on Mar­ conspiracy to drive out the ing the human rights of Kulb­ more than a dozen requests riage) Bill as a second entry Bengali­speaking population hushan Jadhav again, India for consular access to Pakis­ in the legislative business from Assam, a charge on Thursday dismissed as tani authorities, failing irked the Opposition on rejected by Union Home “propaganda” another video which, it approached the In­ Thursday, leading to anoth­ Minister Rajnath Singh.
    [Show full text]
  • B.A. (Music) Entrance Exam: Question Paper
    B.A. (Music) Entrance Exam: Question Paper Select the correct option – 1. The Indian concept of Music includes singing, playing instruments and ----. (a) painting (b) sculpture (c) dancing (d) acting 2. The sharp state of a musical note is called ---- in Hindustani music. (a) Komal (b) Taar (c) Teevra (d) Shuddha 3. The pair of --- and --- notes is never considered as Vadi-Samvadi for any Raga. (a) R-D (b) G-N (c) S- m (d) S-P 4. Komal Nishad along with all other Shuddha Swaras can be identified as ---- Thaat. (a) Khamaj (b) Kalyan (c) Kafi (d) Bhairawi 5. The famous playback singer ----- was awarded with BharatRatna. (a) Asha Bhosle (b) Shreya Ghoshal (c) Suman Kalyanpur (d) Lata Mangeshkar 6. Pandit Ulhas Kashalkar learnt music under ----. (a) Sawai Gandharva (b) Gajanan buwa Joshi (c) Yashavant buwa Joshi (d) Babanrao Haldankar 7. The song form consisting of poetry, Sargam, syllables of percussion instruments and Tarana is called as ------. (a) Khayal (b) Triwat (c) Chaturang (d) Dhrupad 8. The middle beat of the Tala is called as ------. (a) Sama (b) Khanda (c) Kala (d) Theka 9. Tala ----- constists of 7 beats. (a) Jhap Tala (b) Sapta Tala (c) Ek Tala (d) Roopak 10. The instruments having strings are classified in the ------ category. (a) Ghana (b) Tantu (c) Avanaddha (d) Sushir 11. The note Dhaiwat is ---- in Raga Bhoop. (a) Varjya (b) Vivadi (c) Samvadi (d) Komal 12. The ---- music system is prevalent in southern parts of India. (a) Carnatic (b) Hindustani (c) Symphony (d) Rajasthani 13. Pandit Bhimsen Joshi was famous for renditions of --------.
    [Show full text]
  • Dr. RANJANI RAMACHANDRAN Hindustani Classical Vocalist
    Dr. RANJANI RAMACHANDRAN Hindustani Classical Vocalist, Assistant Professor, Department of Hindusthani Classical Music, Sangit Bhavana, Visva Bharati, Santiniketan Email (Official): [email protected] Dr. Ranjani Ramachandran is a well known khayal vocalist of the Gwalior and Jaipur gharana having trained under eminent gurus including Padmashree Pandit Ulhas Kashalkar, Vidushi Veena Sahasrabuddhe and Pandit Kashinath Bodas. Ranjani also received guidance from Vidushi Girija Devi, acquiring a rich repertoire of Thumri, Dadra, Chaiti and Kajri. She has performed in prestigious platforms in India and abroad. Her research interests include music analysis, archiving and interdisciplinary studies. An ex- scholar of the prestigious ITC Sangeet Research Academy, she is a recipient of many awards including the Charles Wallace Research grant from the UK and has been a long time collaborator with ethnomusicologists at the Durham University in UK. She is currently working as an Assistant professor and teaches vocal music at the Department of Hindustani classical music in Sangit Bhavana at Visva Bharati University, Santiniketan, West Bengal. Ranjani is a Doctorate in vocal music. Her doctoral thesis focused on studying the stylistic diversity within the Gwalior Gharana through analysis of recordings of a few Gwalior Gharana vocalists from the 20th Century. Awards and accolades: • Charles Wallace Fellow,Charles Wallace India Trust (CWIT) Research Grant, UK, 2015 • Ramkrishnabua Vaze Yuva Gayak Puraskar 2013 • ‘Surmani’ Award, Sur
    [Show full text]
  • Sankeet Natak Akademy Awards from 1952 to 2016
    All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi
    [Show full text]
  • ANNUAL REPORT 2016 15 March Final.Pdf
    INDIA INTERNATIONAL CENTRE 2015-2016 INDIA INTERNATIONAL CENTRE Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) B.N. Srikrishna Prof. M.G.K. Menon Mr. Vipin Malik Dr. (Smt.) Kapila Vatsyayan Dr. R.K. Pachauri Mr. N.N. Vohra Executive Committee Mr. Soli J. Sorabjee, Chairman Mr. K.N. Rai Air Marshal Naresh Verma (Retd.), Director Mr. Suhas Borker Cmde. Ravinder Datta, Secretary Smt. Shanta Sarbjeet Singh Mr. Dhirendra Swarup, Hony. Treasurer Dr. Surajit Mitra Mr. K. Raghunath Dr. U.D. Choubey Finance Committee Justice (Retd.) B.N. Srikrishna, Chairman Air Marshal Naresh Verma (Retd.), Director Dr. U.D. Choubey Cmde. Ravinder Datta, Secretary Mr. Rajarangamani Gopalan Mr. Ashok K. Chopra, CFO Mr. Dhirendra Swarup, Hony. Treasurer Medical Consultants Dr. K.A. Ramachandran Dr. Rita Mohan Dr. Mohammad Qasim Dr. Gita Prakash IIC Senior Staff Ms Omita Goyal, Chief Editor Ms Hema Gusain, Purchase Officer Dr. S. Majumdar, Chief Librarian Mr. Vijay Kumar Thukral, Executive Chef Mr. Amod K. Dalela, Administration Officer Mr. Inder Butalia, Sr. Finance & Accounts Officer Ms Premola Ghose, Chief, Programme Division Mr. Rajiv Mohan Mehta, Manager, Catering Mr. Arun Potdar, Chief, Maintenance Division Annual Report 2015–2016 This is the 55th Annual Report of the India International Centre for the year commencing 1 February 2015 to 31 January 2016. It will be placed before the 60th Annual General Body Meeting of the Centre, to be held on 31 March 2016. Elections to the Executive Committee and the Board of Trustees of the Centre for the two-year period, 2015–2017, were initiated in the latter half of 2014.
    [Show full text]
  • LIC of INDIA.Qxd
    NIACL AO E xam Previous Paper NIACL Administrative Officer Model Paper/ Previous Papers Reasoning Ability 1. How many such pairs of letters are there in the word TRANSFER each of which has as many letters between them in the word as in the English alphabet? 1) None 2) One 3) Two 4) Three 5) More than three 2. D is sister of F. M is brother of F. K is brother of D and son of T. R is wife of T. How is F related to T? 1) Son 2) Daughter 3) Son or daughter 4) Data inadequate 5) None of these 3. The positions of how many digits in the number 8359614 will remain unchanged after the digits are rearranged in descending order within the number? 1) None 2) One 3) Two 4) Three 5) More than three 4. In a certain code 'STAGE' is written as '4@59' and 'EARN' is written as 987'. How is 'NEST' written in that code? 1) 497@ 2) 794@ 3) @79 4) 79@ 5) None of these 5. In a certain code TRILOGY is written as HQSMXFN. How is CREDITS writ- ten in that code? 1) DQBERSH 2) FSDCTUJ 3) DQBETUJ 4) FSDCRSH 5) None of these Directions (6 - 10) : Study the following arrangement carefully and answer the questions given below: H 3 $ E K 5 @ M % I 8 2 T A F 6 W I N V ★ P4 Q δ R D Z 6. Four of the following five are alike in a certain way based on their positions in the above arrangement and so form a group.
    [Show full text]