Pak. Releases Jadhav Video, India Terms It Propaganda
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Press Release BHILWARA SUR SANGAM 2018
Press Release BHILWARA SUR SANGAM 2018 Bhilwara Sur Sangam, a rare initiative on promoting Indian classical music by LNJ Bhilwara Group, enters 7th edition New Delhi, April 22, 2018:One of Delhi’s most prestigious annual classical Indian music shows, Bhilwara Sur Sangam this year saw top artists including Padma Shri Pandit Venkatesh Kumar (Hindustani Classical Vocalist), Pandit Ajay Shankar Prasanna (Flute), Ustad Shujaat Hussain Khan (Sitar), ShriAbhishek Borkar (Sarod), perform and enthrall the audience. Organised every year by LNJ Bhilwara Group, Bhilwara Sur Sangam completed its 7th year this year and like every time left the audience spellbound by the ragas and jugalbandi of artists. This year the Sur Sangam was dedicated to Ganasarswati Kishori Amonkar, who incidentally performed her last stage show in this program in 2017. Shri Ravi Jhunjhunwala, Chairman, LNJ Bhilwara Group, and key architect of this cultural show, said, “Bhilwara Sur Sangam is our modest endeavor to spread the rich heritage of Indian classical music traditions. It is indeed heartening that in its seven years of existence many legendary artists of diverse classical traditions and genres have performed on this platform, and helped us reiterate the pride of our great classical traditions.” Started in 2012, this classical musical fest has over the years featured exceptional and legendary artists including Pt. Jasraj, Pt. Hari Prasad Chaurasia, Ustad Shahid Pravez Khan, Ustad Rashid Khan, Pt. Ulhas Kashalkar, Ustad Shujaat Husain Khan, Gaansaraswati Kishori Amonkar, Dr N Rajam, Pt. Kumar Bose, Pt. Anindo Chatterjee, Pt. Ajoy Chakraborty, Sushri Kaushiki Chakraborty, Dr Ashwani Bhide Deshpande, to name a few. -
Music Initiative Jka Peer - Reviewed Journal of Music
VOL. 01 NO. 01 APRIL 2018 MUSIC INITIATIVE JKA PEER - REVIEWED JOURNAL OF MUSIC PUBLISHED,PRINTED & OWNED BY HIGHER EDUCATION DEPARTMENT, J&K CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in EDITOR DR. ASGAR HASSAN SAMOON (IAS) PRINCIPAL SECRETARY HIGHER EDUCATION GOVT. OF JAMMU & KASHMIR YOOR HIGHER EDUCATION,J&K NOT FOR SALE COVER DESIGN: NAUSHAD H GA JK MUSIC INITIATIVE A PEER - REVIEWED JOURNAL OF MUSIC INSTRUCTION TO CONTRIBUTORS A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines. JK Music Initiative is a quarterly publication of MANUSCRIPT GUIDELINES Higher Education Department, Authors preparing submissions are asked to read and follow these guidelines strictly: Govt. of Jammu and Kashmir (JKHED). Length All manuscripts published herein represent Research papers should be between 3000- 6000 words long including notes, bibliography and captions to the opinion of the authors and do not reect the ofcial policy illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures. of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors Format are responsible for the originality and genuineness of the work Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc. -
Page7local.Qxd (Page 1)
DAILY EXCELSIOR, JAMMU THURSDAY, SEPTEMBER 10, 2020 (PAGE 7) 13-million-year-old fossil ape BJP party of principles, internal Provide district status to Billawar, BJP to correct misdeeds of discovered in Udhampur democracy: Kavinder Gupta Basohli; regularize daily wagers: DCC DEHRADUN, Sept 9: sis, and comparison were con- earlier Govts : Dr Manyal Excelsior Correspondent Narendra Modi has come to Excelsior Correspondent daily rated workers/ casual labour- ducted to verify that the tooth ers engaged in various Excelsior Correspondent youth of J&K have come out of An international team of belongs to a new species, as power," he claimed. deep slumber and asking the JAMMU, Sept 9: Former Former Dy. CM said in its KATHUA, Sept 9: District Government departments and researchers has unearthed a 13- well as to accurately determine Congress Committee (DCC) Corporations in J&K. Their pend- JAMMU, Sept 9: Accusing Government to act fast while Deputy Chief Minister and sen- 60 years of rule, the Congress million-year-old fossil of a its place in the ape family tree, Kathua, led by its president Dr ing wages should also be cleared, earlier Governments of making issuing warning of Aandolan. newly discovered ape species in the researchers said. ior BJP leader, Kavinder Gupta can hardly boast three achieve- Manohal Lal Sharma former min- he demanded. all illegal appointments and He said that such politicians and Jammu and Kashmir's The molar was pho- in a statement today said that the ments whereas the Modi ister urged upon the Lt Governor, The DCC team -
Rabindra Sangeet
UNIVERSITY GRANTS COMMISSION NET BUREAU Subject: MUSIC Code No.: 16 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music www.careerindia.com -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. www.careerindia.com -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
A Study of Shakespeare Contribution in Hindi Cinema
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala. -
Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi. -
DUKE UNIVERSITY 2016-17 Women's Tennis Media Guide
DUKE UNIVERSITY 2016-17 Women’s Tennis Media Guide DUKE WOMEN’S TENNIS 2016-17 MEDIA GUIDE TABLE OF CONTENTS QUICK FACTS MEDIA INFORMATION 2-9 2015-16 IN REVIEW 28-30 DUKE INFORMATION Table of Contents/Quick Facts 2 2015-16 Statistics 28 Sports Information 3 2015-16 Schedule/Results 29 Location Durham, N.C. 2016-17 Schedule 4 2016 ACC Recap 30 Founded 1838 as Trinity College 2016-17 Season Outlook 5 Enrollment 6,485 Facilities 6 DUKE TEAM RECORDS 31-36 Colors Duke Blue and White Records 31 Nickname Blue Devils INFORMATION STAFF 7-12 Honors and Awards 33 Conference Atlantic Coast Head Coach Jamie Ashworth 7 Duke in the National Rankings 35 Affiliation NCAA Division I Associate Head Coach Marc Spicijaric 9 All-Time Letterwinners 36 Outdoor Courts Ambler Tennis Stadium Support Staff 10 Indoor Courts Sheffield Indoor Tennis Center Vice President/Director of Athletics 11 DUKE TENNIS HISTORY 37-57 President Dr. Richard Brodhead Senior Administration 12 ACC Tournament History 37 Vice President/Director of Athletics Kevin White All-ACC Selections 38 COACHING STAFF PLAYERS & STATS 13-27 Duke ACC Tournament Results 41 Chalena Scholl 13 ACC Flight Champions 43 Head Coach Jamie Ashworth Alyssa Smith 15 2009 National Championship 44 Alma Mater Maryland ‘94 Samantha Harris 17 Duke NCAA Tournament Results 45 Duke Record/Years 446-1115/20th season Christina Makarova 19 Duke All-Time Results 50 Career Record 446-115/20th season Rebecca Smaller 21 Duke Series Results 57 Assistant Coach Marc Spicijaric Ellyse Hamlin 23 Alma Mater Illinois ‘09 Kaitlyn McCarthy 25 Tennis Office Phone (919) 668-0345 Meible Chi 27 Tennis Office Fax (919) 668-0391 TEAM INFORMATION 2016 Record 19-7 2016 ACC Record 11-3 In 2009, Duke University and Nike Inc. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
12 NI 6340 MASHKOOR ALI KHAN, Vocals ANINDO CHATTERJEE, Tabla KEDAR NAPHADE, Harmonium MICHAEL HARRISON & SHAMPA BHATTACHARYA, Tanpuras
From left to right: Pandit Anindo Chatterjee, Shampa Bhattacharya, Ustad Mashkoor Ali Khan, Michael Harrison, Kedar Naphade Photo credit: Ira Meistrich, edited by Tina Psoinos 12 NI 6340 MASHKOOR ALI KHAN, vocals ANINDO CHATTERJEE, tabla KEDAR NAPHADE, harmonium MICHAEL HARRISON & SHAMPA BHATTACHARYA, tanpuras TRANSCENDENCE Raga Desh: Man Rang Dani, drut bandish in Jhaptal – 9:45 Raga Shahana: Janeman Janeman, madhyalaya bandish in Teental – 14:17 Raga Jhinjhoti: Daata Tumhi Ho, madhyalaya bandish in Rupak tal, Aaj Man Basa Gayee, drut bandish in Teental – 25:01 Raga Bhupali: Deem Dara Dir Dir, tarana in Teental – 4:57 Raga Basant: Geli Geli Andi Andi Dole, drut bandish in Ektal – 9:05 Recorded on 29-30 May, 2015 at Academy of Arts and Letters, New York, NY Produced and Engineered by Adam Abeshouse Edited, Mixed and Mastered by Adam Abeshouse Co-produced by Shampa Bhattacharya, Michael Harrison and Peter Robles Sponsored by the American Academy of Indian Classical Music (AAICM) Photography, Cover Art and Design by Tina Psoinos 2 NI 6340 NI 6340 11 at Carnegie Hall, the Rubin Museum of Art and Raga Music Circle in New York, MITHAS in Boston, A True Master of Khayal; Recollections of a Disciple Raga Samay Festival in Philadelphia and many other venues. His awards are many, but include the Sangeet Natak Akademi Puraskar by the Sangeet Natak Aka- In 1999 I was invited to meet Ustad Mashkoor Ali Khan, or Khan Sahib as we respectfully call him, and to demi, New Delhi, 2015 and the Gandharva Award by the Hindusthan Art & Music Society, Kolkata, accompany him on tanpura at an Indian music festival in New Jersey. -
Sufiana Mousiqi
Sufiana Mousiqi Introduction The classical music of Kashmir is known as Sufiana Mousiqi. It is an important component of the Kashmiri society and culture. It is a type of mystical music practiced traditionally by professional musicians belonging to different gharanas of Kashmir. This musical form has been fashioned over the centuries of its development by a synthesis of foreign as well as indigenous elements. It is a type of composed choral music in which five to twelve musicians, led by a leader, sing together to the accompaniment of Santoor, Saaz-e- Kashmir, Kashmiri Sehtar and Tabla. Instead of Raga, Persian Maqams are used. The texts of the songs are mystical Sufi poems in Persian and Kashmiri. This classical music genre took shape in the 15th at the time of Sultan Zain-ul-Abidin (1420-1470). It is the amalgam of the music of Central Asia, Persia, Turkey and India. It is generally believed that during the time of Sultan Zain-ul-Abidin, artists from Central Asia and Persia brought with them their art, music, musical instruments and culture and that resulted in the wonderful interaction with the local culture and in the course of time gave birth to what is known as Sufiana Mousiqi. The word Sufiana has been derived from “Sufism”, meaning “mystical” and Mausiqi is the Urdu word for music. Therefore the phrase Sufiana Mausiqi means ‘mystical music’. Sufiana Mausiqi is so called because of the association of this musical form with the Sufis and the text used in it is mostly that of Sufi poets. Historical Overview There is no written source available that may trace the origin and history of the Kashmiri Sufiana Mousiqi. -
As Biden Warns of More Attacks, U.S. Destroys Car Bomb
follow us: monday, august 30, 2021 Delhi City Edition thehindu.com 14 pages ț ₹10.00 facebook.com/thehindu twitter.com/the_hindu Government extends President Ram Nath Djokovic chases Bhavina, Nishad win deadlines for various Kovind offers prayers calendar Grand Slam as silver and Vinod bronze IT compliances at Ayodhya temple U.S. Open begins today at Paralympics page 8 page 8 page 13 page 13 Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow . cuttack . patna NEARBY As Biden warns of more attacks, NITI bats for tax breaks to U.S. destroys car bomb in Kabul achieve monetisation goal It proposes insolvency cover for investment instruments The explosive-laden vehicle was destined for the airport, says Taliban spokesman JD(U) reiterates demand Vikas Dhoot for castebased Census Agence France-Presse NEW DELHI PATNA Kabul To make the National Mone At its national council The United States said it des tisation Pipeline (NMP) a meeting in Patna under new troyed an explosiveladen success, the government president Rajiv Ranjan Singh, the Janata DalUnited on vehicle with an air strike in should give Income Tax Sunday passed eight resolu Kabul on Sunday, hours after breaks to attract retail inves tions, including the demand President Joe Biden warned tors into instruments such as for a castebased Census. of another terror attack in Infrastructure Investment NORTH & EAST Ī PAGE 4 the capital as a massive airlift Trusts (InvITs), the NITI DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD of tens of thousands of Af Aayog has recommended. -
Notice Dated: 20.03.2018 Subject: Music
NOTICE DATED: 20.03.2018 The syllabus for conducting Written Test [Multiple Choice Questions (MCQs)] in Music for the posts of Lecturer (10+2) in School Education Department is notified for the information of the concerned candidates as under: SUBJECT: MUSIC Definition of the following Musical Terminology relevant both for streams, Gayan and Vadan Kriya. Swar, Nayas, Swar, Kanswara, Meend, Gamak, Krintan, Zamzama, Murki, Ghaseet, Soot. Naad kinds and qualities: (i) Aahatt Naad (ii) Anahat Naad (iii) Pitch (iv) Timber (v) Magnitude. Origin of Music: “Omkar” beginning of music and this very reason, Music has been a universal language. Western version based on vocal chords man made Kanth Tantree. History of Music: Historical background of Indian Music. Development of Hindustani Classical Music from ancient till modern period. Coordination between different combination of music. (i) Gayan Kriya (ii) Vadan Kriya (iii) Nritya Kriya Knowledge of concept of Gharanas towards Indian Classical music: (i) Vocal Gharanas, prominent performers components of Gaykee and their formation in particular Ragas. (ii) Tantravad Gharana’s, leading personalities in contest of components of Raag formation. (iii) Tabla Percussion Gharana, familiar components. Periodical Shruti and Swar (Notes) Divisions (Vibhajan) (i) Ancient Period (ii) Medieval Period (iii) Modern Period Influence of the Indian Classical Music on Western Music. A brief description on important western musical Artist, who were influenced by Indian classical music (two examples). Creditability of the different musical terms: (i) Kalyan angg (ii) Malhar angg (iii) Sarang angg (iv) Kandha angg Thorough knowledge of the following:- (i) Kinds of Malhaar (the Myth involved with Malhaar and Deepak Raag) (ii) Todi its kinds (iii) Sarang kinds Time Theory: The relevance and weightage of time theory in Indian classical Music.