The Calgary Stampede 100 Years of Cowboys and Indians

Total Page:16

File Type:pdf, Size:1020Kb

The Calgary Stampede 100 Years of Cowboys and Indians PRICELESS September/October 2013 ANTIQUING IN WESTERN CANADA 2 • www.DiscoveringANTIQUES.com HEIRLOOMS ANTIQUES CALGARY Calgary’s Premiere Antique Store Furniture, Linen, Art, Pictures, Lighting, and over 50 showcases of Jewellery, Figurines, China, Crystal, Glass, Sterling Silver, Moorcroft, Lalique, Toys, Dolls 7004 MacLeod Trail SE Calgary, AB T2H 0L3 (403) 720 4100 (403) 301 4822 Tue - Sat 10 to 5pm Sun Noon - 4pm Take the virtual tour of our store at: Google street view Heirlooms Antiques www.antiquescalgary.com THE The canterbury, a rare find in our times, was developed in the late 1780’s in England, and was popular throughout the Victorian (1837-1901) and Canterbury Edwardian (1901-1911) periods. The small, portable and very decorative piece of furniture was originally designed to store sheet music. A canterbury stands on four legs with castors, so it is easily moved. It has an open topped rack with slatted compartments for sheet music; or newspapers, books, magazines or any loose paper that might be sitting around. If often has a drawer underneath so it suddenly becomes a convenient place for storage. Initially mahogany and rosewood were the common woods used to make them. Later, in the early 1800’s, other woods such as bird’s eye maple and walnut were used. The name is said to come from the Archbishop of Canterbury because he commissioned one. It became increasingly more ornate during the Victorian period which was also a time when a great many canterburies were produced due to the Victorian passion for the piano. Editor’s Comment Welcome to the September/October 2013 issue of Discovering ANTIQUES! The Flood! What an event. It began the day I left Calgary to go to Edmonton to do the distribution of the July/August issue. What appeared to be another dreary, rainy day became the headlines on the news I watched in Edmonton that evening. It seemed surreal to be watching these events being televised from where I lived and not thousands of miles away or on the other side of the world as they usually seem to. Fortunately, my home, and those of any family and most friends, was not affected. One description I was given of what the flood waters did in some buildings was to just lift everything up and then put it down again, leaving everything wet and covered in a thick layer of muck. In the same building, but a different area, it seemed that the water chose to toss the contents (chairs, desks, tables, etc.) around and break them before receding and again leaving what was left covered in the same thick muck. I found that really interesting, it almost gave the flood water personality. After the initial shock, several things occurred to me. One is how quickly something like this can happen, and how little control there is over the forces of Mother Nature. Also, in all the piles of destroyed and contaminated items that were standing along the streets in parts of Calgary or High River; how many priceless old pieces of furniture, or household items were there than are gone forever? (Understand, I am not comparing any of this to the treasured family pictures, or sentimental items, etc.) Some of those things might have crossed the Atlantic, come across the country in a covered wagon and served their households for generations only to be gone in what seems like an instant! For those of us who admire and appreciate beautiful old things, the potential of what might have been lost in the floods is a nightmare. As always, when visiting our advertisers, be sure to let them know that you saw their ad in Discovering ANTIQUES. Editor 4 • www.DiscoveringANTIQUES.com Discovering Table of ANTIQUES VOLUME 15 - NO. 4 2013 CONTENTS Publisher Discovering ANTIQUES 10 vincent van gogh 16 sasha: conclusion Editor Jan Mather 18 shows & auctions Layout & Ad Design 20 cool condiments www.crystalink.ca 28 100 years cowboys & Indians ii Contributing Writers Fred Hauck 31 discovering books Susan Holme Manyluk 32 the flood Dawn Marie Nokleby Catharina VanTooren 34 discover us near you Front Cover: An exquisite rosewood Canterbury circa 1830’s at Attica Antiques. A rare find! Thanks, Andrew. Discovering Antiques is published five times a year. No part of this publication may be reproduced without the express written consent of Discovering ANTIQUES Discovering Antiques assumes no responsibility for lost material. For Advertising/Subscription Info: Toll Free: 1-888-705-8978 Ph.: (403) 281-0413 Fax: (403) 238-6923 email: [email protected] or write to: Discovering Antiques 60 Cedardale Road SW, Calgary Alberta CANADA • T2W 5G5 www.discoveringantiques.com September / October 2013 • 5 MEDICINE HAT ALBERTA ANTIQUES & COLLECTABLES Show and Sale & Gun and Hobby Show and Sale RAND G Trip to October 5 & 6, 2013 • Over 300 tables & booths Las Vegas Saturday 10:00 am - 6:00 pm • Vendors from all western provinces For 2 People • Bank Machine On Site 9 days & 8 Nights Valued at $800 Sunday 10:00 am - 4:00 pm • Great Door Prizes P • Free Parking RIZE The Cypress Centre, Medicine Hat Exhibition Grounds Pavilion SPONSORED BY: ANTIQUES: Furniture, Glassware, Coins, Tools, Jewellery, ADMISSION Sports cards, and thousands more collectables. Adults: $5.00 GUNS & HOBBY: Modern and collectable Rifles, Shotguns, 12 & Under: FREE 1-877-872-9977 ext. 1110 Handguns: Scopes, Knives, Optics, Reloading & Ammunition Etc. www.rockydeserttours.com (Accompanied by an Adult) For Table Rental or for More Information Phone Tim (403) 527-2615 (after 6:00pm) South Bowl Community Association 23rd Annual Antiques & Collectibles Fair Prince George, BC at the Roll-A-Dome, Corner of Highway 16 & 97 Saturday, Oct 5 10:00am - 5:00pm Admissions Sunday, Oct 6 10:00am - 4:00pm Adults ............................. $4.00 Student/Senior.............. $3.00 For further information please leave message at: Children Under 6 ......... FREE 250-565-1196 Weekend Pass ................ $6.00 6 • www.DiscoveringANTIQUES.com THE BARN FALL ANTIQUE SHOW OCTOBER 5 & 6, 2013 Saturday 9am - 5pm ADVERTISE HERE! Sunday 10 am - 4 pm Cloverdale Rodeo & Exhibition Grounds 17763 62 Avenue, Surrey, BC V3S 4L5 Call Toll Free: (888) 705-8978 Email: [email protected] RanchThe Great Museum Gatsby A TouchAntique Of The Past Fused & With Collectible Treasures Of The Present Auction Sale September 14, 2013 e former... Preview 8:00 -10:00 am Antique Expo at Tradex Unique2 Rings Furnitu startre -10:00 Collectibles am Furniture - Jewellery China - Curios HAS MOVED On the FleaRanch Market Near Bindloss,Room AB Quality Records (vinyl) & Tapes General Admission $6 Antique Identication Clinic $14 per item. Mystical Gift Shop Jewellery - Crystals Aura Camera Reading For vendor inquiries or show Psychic Reading Spiritual Life Coaching and Counselling information please call; Dennis 604 316 1933 or email 632 - 16th Ave NW [email protected] 403-362-2972Calgary, AB Show Promotion cell:403.451.9544 403-793-9988 www.antiquesbydesignshows.com www.charltonauction.com September / October 2013 • 7 Linda Baggeley and Brad Ward are both second generation Auctioneers. Bud Haynes & Co. Firearms Consultants are Bud Haynes and Jim Baggeley, and all four are Auctioneers Ltd. excited about the expansion and working together as a team in the future. Ward’s Auction will be the NEW LOCATION for all Future Bud Haynes Auctions AUCTION Contact: Ward’s Auction in Edmonton 11802 - 145 Street, Edmonton, AB 11802 - 145 St, Edmonton, AB (Turn on Yellow Head Trail) Ph: 780-451-4549 Cell: 780-940-8378 FALL FIREARMS AUCTION www.wardsauction.com Saturday, October 26 at 10:00am Preview Friday October 25 3pm-8pm & Sale Day 9am –Sale CONSIGNMENT Contact: Jim or Linda Baggaley Selection of Modern & Antique Rifles, Shotguns, Western Items, Red Deer Office, Bay 4, 7429 - 49 Avenue Sport Related, Ammo and more, with items arriving daily! Ph: 403347-5855 / 403-343-2929 Cell: 403-597-1095 Catalogues available - Live Online Bidding www.budhaynesauction.com Buyers Prem. 10% Absentee 15%. Brad Ward cell: (780) 940-8378 11802 - 145 Street email: [email protected] Edmonton, AB T5L 2H3 www.WardsAuctions.com Phone: (780) 451-4549 Antiques • Collectibles • Jewellery • Estates • Firearms Specialty Auctions • Liquidations LIVE ONLINE BIDDING WWW.BECKANTIQUES.COM 8 • www.DiscoveringANTIQUES.com Alberta’s Antique Auction Company sale schedule online hallsauction.com 5240 1A St. SE Calgary 403.640.1244 DiscoveryAntiques.indd 1 4/9/2013 9:28:51 AM Coin & Antique Currency F A R Liquidation M E A S T U A T T E O 1235 - 1 Ave, Wainwright, Alberta It’s our attention to detail that sets us apart! SCRIBNER AUCTION LTD. 780-842-5666LIke us on Facebook www.facebook.com/ScribnerAuction www.scribnernet.com September / October 2013 • 9 Vincent Van Gogh self portrait 1887. portrait self Gogh Van Vincent Vincent Van Gogh One of the great post-Impressionist painters by Catharina VanTooren, Roseberry Antiques, Calgary, AB T IS saiD that to BE an artist/Painter in the previously mentioned artists all strayed from this style France (or anY other countrY for that to find their own, Van Gogh used it to demonstrate his matter) meant to BE Poor most of the time. emotions. In the aftermath of the Impressionist upheaval, Writer André Gide said, “The great artist is the one Van Gogh, upon his arrival in Paris in 1886, responded to Iuplifted by want, to whom obstacle is but a springboard. Art the message expressed by impressionists. This message was is born of frustration, kept alive through struggle and dies simple: concentrate on the general impression of a scene or of liberty.” an object, use unmixed primary colours and small brush During the mid-1800’s many restaurants in Paris strokes to simulate actual reflected light, while omitting let near-starving artists decorate the walls of their detail.
Recommended publications
  • LOOKING BACK: "Dr. Strangelove" at 40: the Continuing Relevance of a Cold War Cultural Icon Author(S): Paul S
    Arms Control Association LOOKING BACK: "Dr. Strangelove" at 40: The Continuing Relevance Of a Cold War Cultural Icon Author(s): Paul S. Boyer Source: Arms Control Today, Vol. 34, No. 10 (DECEMBER 2004), pp. 46-48 Published by: Arms Control Association Stable URL: http://www.jstor.org/stable/23627447 Accessed: 01-10-2016 19:58 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Arms Control Association is collaborating with JSTOR to digitize, preserve and extend access to Arms Control Today This content downloaded from 95.183.180.42 on Sat, 01 Oct 2016 19:58:14 UTC All use subject to http://about.jstor.org/terms By Paul S. Boyer lookinglooking back: back:"Dr. Strangelove" "Dr. Strangelove" at 40: at 40: TheThe Continuing Continuing Relevance Relevance Of a Cold War Cultural Icon Entertainment ColumbiaTristar Home We stand at a strange and disorienting moment in our 60-year necessary technology. Additionally, the Soviet Union, hostile though it was, at encounter with nuclear weapons, with all of its strategic, political,least had a stable government and com mand structure, in contrast to the volatile cultural, and moral dimensions. The dust from the Cold War and unpredictable regimes that currently worry us, such as Iran and North Korea.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Nightmare Comedy and the Ideology of Liberal Consensus Author(S): Charles Maland Source: American Quarterly, Vol
    Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus Author(s): Charles Maland Source: American Quarterly, Vol. 31, No. 5, Special Issue: Film and American Studies (Winter, 1979), pp. 697-717 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/2712432 Accessed: 01-10-2016 19:55 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to American Quarterly This content downloaded from 95.183.180.42 on Sat, 01 Oct 2016 19:55:15 UTC All use subject to http://about.jstor.org/terms DR. STRANGELOVE (1964): NIGHTMARE COMEDY AND THE IDEOLOGY OF LIBERAL CONSENSUS CHARLES MALAND University of Tennessee DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick, 1964) is one of the most fascinating and important American films of the 1960s. As a sensitive artistic response to its age, the film presents a moral protest of revulsion against the dominant cultural paradigm in America-what Geoffrey Hodgson has termed the Ideology of Liberal Consensus.' Appearing at roughly the same time as other works critical of the dominant paradigm-Catch 22 is a good literary example of the stance-Dr.
    [Show full text]
  • Copyrighted Material
    c01.qxd 12/18/06 1:10 PM Page 5 1 Out of the Ashes of Despair The difference [between a director and an auteur] is that a director who is working for a living simply does the job, which may not be akin to his philosophy, but it is not inconsistent to have the same man being both. The word is “hunger.” If you are hungry and nobody will buy your orig- inal idea, you might get lucky, direct a Kellogg’s cornflakes commercial and take home a few boxes. —Mel Brooks, 1971 n the early 1970s, Mel Brooks had reason to find himself in an ironic I position as far as his career was concerned. He had already won Acad- emy Awards and Emmys, and had hit radio commercials and three suc- cessful comedy albums (such as The 2000 Year Old Man). He was a veteran of the writing teams for two of the most cherished series of Amer- ican television’s golden age: Your Show of Shows and Caesar’s Hour. Brooks’s recent association with the highly successful sitcom Get Smart had enhanced his visibility with the public and given him additional industry credibility.COPYRIGHTED Although his movie TheMATERIAL Twelve Chairs (1970) had failed to make any tangible impact at the box office, The Producers (1968) was well on its way to becoming a cult favorite. Yet Brooks was now unable to get any new show business projects off the ground and into production. How many times, he must have won- dered, did he have to crash through the establishment’s barriers before he gained solid acceptance from his peers and the public? How long could he continue to subject himself to the ordeal of starting over—yet again? 5 c01.qxd 12/18/06 1:10 PM Page 6 6 IT’S GOOD TO BE THE KING For a time, Mel wanted to produce a film version of She Stoops to Conquer.
    [Show full text]
  • Ford, Steven - Events - Bicentennial Trail Ride, 6/14-17/76” of the Sheila Weidenfeld Files at the Gerald R
    The original documents are located in Box 41, folder “Ford, Steven - Events - Bicentennial Trail Ride, 6/14-17/76” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. • ~ 0-.,J )Ur-rrJ ~~ /,'crV ax'_A. ~ a~ -T(/YYI /J1(1.d~~/J Steve Ford - ' 1JYjl.c; 3-5 ~'Vb/ /J y I g 1- :; 5 oS Casey Tibbs is Director of of Western Activities at - ,X ~ ~ f San Diego Country Estates, a 3200 acre resort community ~ about 38 miles northeast of San Diego (near Romana, California) ~ Steve had corresponded with Casey~ Times indicating his interest in learning more about rodeo, especially bronc riding. ,., Casey Tibbs is a two~ime world champion all around cowboy, holds six bronc-riding world championships Sa:kKxx
    [Show full text]
  • Westerns4u TV Program Guide 31-May-15
    25-May-15 Westerns4U TV Program Guide 31-May-15 Eastern Time Monday Tuesday Wednesday Thursday Friday Saturday Sunday Pacific Time The Gun and the Over the Hill Gang The Gun and the Molly and Lawless 12:00 AM Murder in Coweta Four Rode Out 9:00pm Pulpit Rides Again Pulpit John McLintock County Sue Lyon Marjoe Gortner Walter Brennan Marjoe Gortner Sam Elliot John Wayne 12:30 AM Andy Griffith Leslie Nielsen 9:30pm Slim Pickens Fred Astaire Slim Pickens Vera Miles Maureen O'Hara Johnny Cash Western 1:00 AM Western Comedy Western Western Western 10:00pm Movie 2Hrs. 1983 2 Hours 1970 2 Hours 1974 2Hrs 1980 2 Hours 1974 2 Hours 1972 2 1/2 Hours 1:30 AM 10:30pm Gone With the 1967 YUMA The Shooting The Gun and the 2:00 AM Four Rode Out West Molly and Lawless 11:00pm Clint Walker Jack Nicholson John Pulpit Sue Lyon James Caan The Gun and the 2:30 AM Barry Sullivan Millie Perkins Sam Elliot Marjoe Gortner 11:30pm Leslie Nielsen Stephanie Edgar Buchanan Will Hutchins Vera Miles Slim Pickens Pulpit Western Powers 3:00 AM Western Western Western Western Marjoe Gortner 12:00am 2 Hours 1970 Western 2 Hours 1971 Movie 2hrs 1966 2 Hours 1972 2 Hours 1974 Slim Pickens 3:30 AM 2 Hours 1975 Western 12:30am Gone With the Last Train from Soldier Blue 2 Hours 1974 4:00 AM West One-Eyed Jacks Over the Hill Over the Hill Gang 1:00am Gun Hill Candice Bergen James Caan Marlan Brando Gang Rides Again Rides Again 4:30 AM Anthony Quinn Walter Brennan Peter Strauss Walter Brennan Last Train from 1:30am Stephanie Western Kirk Douglas Fred Astaire Donald Pleasance Fred
    [Show full text]
  • From Curtis to Eleanor, What Splendor In-Between; from Curtis to Eleanor, Was It Only a Dream
    From Curtis Ken Curtis To Eleanor Eleanor Parker An exercise in Proximity and Happenstance by Clark N. Nelson, Sr. (May be updated periodically: Last update 06-07-20) 1 Prelude The quality within several photographs, in particular, those from the motion pictures ‘Untamed Women’, ‘Santa Fe Passage’, and ‘The King and Four Queens’, might possibly prove questionable, yet were included based upon dwindling sources and time capsule philosophy. Posters and scenes relevant to the motion picture ‘Only Angels Have Wings’ from 1939 are not applicable to my personal accounts, yet are included based upon the flying sequences above Washington County by renowned all-ratings stunt pilot Paul Mantz. Acknowledgements I would like to acknowledge the following individuals for their contributions as well as those providing encouragements toward completion of this document: Emma Fife Pete Ewing LaRee Jones Heber Jones Eldon Hafen George R. Cannon. Jr. Winona Crosby Stanley Don Hafen Jim Kemple Rod Kulyk Kelton Hafen Bert Emett 2 Index Page Overture 4 Birth of a Movie Set 4 Preamble 8 Once Upon a Dime 19 Recognize this 4 year-old? 20 Rex’s Fountain 9 Dick’s Cafe 15 The Films Only Angels Have Wings 22 Stallion Canyon 26 Untamed Women 29 The Vanishing American 46 The Conqueror 51 Santa Fe Passage 71 Run of the Arrow 90 The King and Four Queens 97 3 Overture From the bosom of cataclysmic event, prehistoric sea bed, riddles in sandstone; petrified rainbows, tectonic lava flow; a world upside down; cataclysmic brush strokes, portraits in cataclysm; grandeur in script, grandeur in scene.
    [Show full text]
  • GUNSMOKE TV CAST and DETAILS Premiered
    GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall
    [Show full text]
  • The Significance of the Wasteland in American Culture
    Berkeley Undergraduate Journal 160 THE SIGNIFICANCE OF THE WASTELAND IN AMERICAN CULTURE By Joshua Peterson n this paper, I examine the sense of restlessness and the resultant apocalyptic fantasy in contem- porary American culture by distilling two film genres—the Hollywood western and the post- apocalyptic—down to their basic structural elements. The post-apocalyptic genre’s aesthetic Iand thematic borrowing from the Hollywood western signifies a cynical critique of the frontier myth. In 1893, Frederick Jackson Turner presented The Significance of the Frontier in American His- tory, his “Frontier Thesis,” which mourns the closure of the frontier and celebrates the American institutions built upon it.1 The frontier only exists insofar as it is available for human exploration and settlement. Though the frontier is long gone, the desire for open space and freedom from social restriction remains prominent in American culture. The post-apocalyptic genre continues Turner’s mourning and indulges the fantasy of free and open space. In essence, it gives the frontier back to viewers by undoing everything that the frontier made possible. The characters in the post- apocalyptic genre then explore the possibilities of rebuilding society and struggle (and often fail) to avoid the mistakes of America’s historical past. In this sense, the wasteland functions as a revision of the frontier myth. This paper explores the post-apocalyptic genre’s view of the frontier myth as a trajectory towards civilization’s collapse. It posits a more cynical view of humanity and, in doing so, aims to expose the feet of clay on which our social order stands.
    [Show full text]
  • Movie Suggestions for 55 and Older: #4 (141) After the Ball
    Movie Suggestions for 55 and older: #4 (141) After The Ball - Comedy - Female fashion designer who has strikes against her because father sells knockoffs, gives up and tries to work her way up in the family business with legitimate designes of her own. Lots of obstacles from stepmother’s daughters. {The} Alamo - Western - John Wayne, Richard Widmark, Laurence Harvey, Richard Boone, Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O’Brien, Chill Wills, Ken Curtis, Carlos Arru , Jester Hairston, Joseph Calleia. 185 men stood against 7,000 at the Alamo. It was filmed close to the site of the actual battle. Alive - Adventure - Ethan Hawke, Vincent Spano, James Newton Howard, et al. Based on a true story. Rugby players live through a plane crash in the Andes Mountains. When they realize the rescue isn’t coming, they figure ways to stay alive. Overcoming huge odds against their survival, this is about courage in the face of desolation, other disasters, and the limits of human courage and endurance. Rated “R”. {The} American Friend - Suspense - Dennis Hopper, Bruno Ganz, Lisa Kreuzer, Gerard Blain, Nicholas Ray, Samuel Fuller, Peter Lilienthal, Daniel Schmid, Jean Eustache, Sandy Whitelaw, Lou Castel. An American sociopath art dealer (forged paintings) sells in Germany. He meets an idealistic art restorer who is dying. The two work together so the German man’s family can get funds. This is considered a worldwide cult film. Amongst White Clouds - 294.3 AMO - Buddhist, Hermit Masters of China’s Zhongnan Mountains. Winner of many awards. “An unforgettable journey into the hidden tradition of China’s Buddhist hermit monks.
    [Show full text]
  • THE LATEST from SHOTGUN BOOGIE Larsen E
    S S A ig CCCoooowwwCbbbbooooyywyy C bCCohhhhyrrrr ooCoonnnhiiicirccclloleleeenicle n November 2001 Coowbbooyy CC(ShhrroonnSiiccllee P-age 1 For Updates, Information and GREAT Offers on the fly-Text SASS to 772N9NSSoeo3epvv7eteteeemm!mbbbeeeeerrrr r 2 2 200000111 0 e S PPPaaaugggeeee 1 11 Cowboy Chronicle e C p July 2014 Ppage 1 a o T g n o e v d s e a 2 n y ~ 0 t , 2 io 1 n The Cowboy Chronicle ) The Monthly Journal of the Single Action Sh ooting Society ® Vol. 27 No. 9 © Single Action Shooting Society, Inc. September 2014 SPACE COWBOYS , SASS O REGON STATE CHAMPIONSHIP SHBOy PalOaver PT ete, SASS Life/ Regulator #4375 Photos provided by a host of shooting friends Every member of the Federation, including nine-year-old Buckaroo Remington Brass, SASS #100861, was called upon to fight the Aliens. He did his name well! hedd, Oregon. The Storyline takes place somewhere in-between bizarre, creative, and cutting edge. Whatever between Portlandia and the SASS Edgewood Federa - the correct description, we ask that you judge for yourself Stion. This spot is the playground for several wonderful as the Saga of the Shootout at Saddle Butte begins . Cowboys and Cowgirls with huge imaginations, and al - BACKGROUND: The Oregon Old West Shooting though they are much loved by their fellow shooters, their Society (OOWSS) is Oregon’s original and oldest Cow - combined productions are often considered somewhere (Continued on page 14 ) SASS C owboy Chronicle June Cover Correction - OOPS! Chronicle In This Issue he June cover C photo lists Stone Creek h C TDrifter, SASS #58853 as the r o SMOKE IN THE AR S TATE WB 22 42 o shooter; however, this is incor - w ADLANDS by Back Forty B n b by Palaver Pete i rect.
    [Show full text]
  • Micionlms International 300 N
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete.
    [Show full text]