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LOOKING BACK: "Dr. Strangelove" at 40: the Continuing Relevance of a Cold War Cultural Icon Author(S): Paul S
Arms Control Association LOOKING BACK: "Dr. Strangelove" at 40: The Continuing Relevance Of a Cold War Cultural Icon Author(s): Paul S. Boyer Source: Arms Control Today, Vol. 34, No. 10 (DECEMBER 2004), pp. 46-48 Published by: Arms Control Association Stable URL: http://www.jstor.org/stable/23627447 Accessed: 01-10-2016 19:58 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Arms Control Association is collaborating with JSTOR to digitize, preserve and extend access to Arms Control Today This content downloaded from 95.183.180.42 on Sat, 01 Oct 2016 19:58:14 UTC All use subject to http://about.jstor.org/terms By Paul S. Boyer lookinglooking back: back:"Dr. Strangelove" "Dr. Strangelove" at 40: at 40: TheThe Continuing Continuing Relevance Relevance Of a Cold War Cultural Icon Entertainment ColumbiaTristar Home We stand at a strange and disorienting moment in our 60-year necessary technology. Additionally, the Soviet Union, hostile though it was, at encounter with nuclear weapons, with all of its strategic, political,least had a stable government and com mand structure, in contrast to the volatile cultural, and moral dimensions. The dust from the Cold War and unpredictable regimes that currently worry us, such as Iran and North Korea. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
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STRATTON CUSTOM THOMPSON CENTER POWER CUSTOM REVOLVER / SILHOUETTE / TC INDEX HAMMER SPUR SIDEPLATE SHIMS /TC E Barrels ............................. 232 Single Action Parts .............. 230-232 Provides Easy, Positive Cocking Improves S&W Trigger Pull - Smooths Function TT Double Action & T/C Parts ............ 230 Speedloaders .................. 235-236 Round, knurled pad for non-slip By taking the “slop” out between the E thumb purchase, gives extra reach for S&W hammer or trigger and the side- U Grips ......................... 233-235 Springs ....................... 232-233 easy cocking of Contenders and Encores equipped with a scope. plate, you can smooth up and improve LO May be mounted left- or right-hand; slips over the hammer spur trigger pull significantly. Fits S&W K, L & and locks in place. ab N frame only. ab 1 3 SPECS: Aluminum, anodized, black. 1 /8" (3cm) long, /8" (9.3mm) diameter. SPECS: 302 Stainless steel, .002" (.0508mm) APEX TACTICAL CYLINDER & SLIDE S&W REVOLVER #100-000-522AS TC Hammer Spur, 5K15L11 � � � � � � � � � � �$ 16.99 thick. Two models; #1 for S&W hammer pivot; #2 for S&W trigger pivot. Pak of 10. S&W J-FRAME DUTY/CARRY KIT EXTRA LENGTH FIRING PIN STOCK # MODEL STOCK # MODEL Improve Your J-Frame’s Gives Reliable & Consistent Ignition #713-050-001AS #1 #713-050-002AS #2 — Advise # — Sideplate Shims, 3A14F60 � � � � � � � � � � � � � �$ 15.99 REVOLVER/SI Trigger Pull POWER CUSTOM CYLINDER & YOKE .015", extra-length pin lets you use Replacement parts kit re- the lightest possible mainspring weight ENDSHAKE BEARINGS duces S&W J-Frame trigger and still achieve consistent and reliable pull weight by as many as 3 ignition. -
LETTERS from IWO JIMA Wettbewerb LETTERS from IWO JIMA Außer Konkurrenz LETTRES D’IWO JIMA Regie: Clint Eastwood
Berlinale 2007 LETTERS FROM IWO JIMA Wettbewerb LETTERS FROM IWO JIMA Außer Konkurrenz LETTRES D’IWO JIMA Regie: Clint Eastwood USA 2006 Darsteller General Kuribayashi Ken Watanabe Länge 141 Min. Saigo Kazunari Ninomiya Format 35 mm, Baron Nishi Tsuyoshi Ihara Cinemascope Shimizu Ryo Kase Farbe Leutnant Ito Shidou Nakamura Leutnant Fujita Hiroshi Watanabe Stabliste Kapitän Tanida Takumi Bando Buch Iris Yamashita, nach Nozaki Yuki Matsuzaki einer Idee von Iris Kashiwara Takashi Yamaguchi Yamashita und Paul Leutnant Okubo Eijiro Ozaki Haggis sowie den Hanako Nae „Picture Letters“ von Admiral Ohsugi Nobumasa Sakagami Tadamichi Sam Lucas Elliot Kuribayashi Sanitäter Endo Sonny Seiichi Saito Kamera Tom Stern Oberst Oiso Hiro Abe Kameraführung Stephen S. Campanelli Kameraassistenz Bill Coe Schnitt Joel Cox Gary D. Roach Ken Kasai, Masashi Nagadoi, Hiroshi Watanabe, Ken Watanabe Schnittassistenz Michael Cipriano Blu Murray Ton Flash Deros LETTERS FROM IWO JIMA Mischung Walt Martin Vor 62 Jahren trafen die amerikanischen und japanischen Truppen auf Musik Kyle Eastwood Iwo Jima aufeinander. Jahrzehnte später fand man Hunderte von Briefen in Michael Stevens der Erde der kargen Insel. Durch diese Briefe bekommen die Männer, die Production Design Henry Bumstead dort unter Führung ihres außergewöhnlichen Generals gekämpft haben, James J. Murakami Ausstattung Gary Fettis Gesicht und Stimme. Spezialeffekte Michael Owens Als die japanischen Soldaten nach Iwo Jima geschickt werden, wissen sie, Kostüm Deborah Hopper dass sie aller Wahrscheinlichkeit nach nicht zurückkehren werden. Zu ihnen Maske Tania McComas gehört der Bäcker Saigo, der überleben möchte, um seine neugeborene Regieassistenz Donald Murphy Tochter sehen zu können. Baron Nishi, der 1936 als Reiter bei den Olym pi - Katie Carroll Casting Phyllis Huffman schen Spielen in Berlin siegte, gehört ebenso dazu wie der idealistische Ex- Produzenten Clint Eastwood Polizist Shimizu und der von der Sache überzeugte Leut nant Ito. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Online Only Firearms Lots Begin Closing 8/11/2019 @ 5Pm Preview Day: Friday, August 9Th from 8Am-4Pm - - - - - Preview by Appointment ONLY - - - -
GENERAL INFORMATION ONLINE ONLY FIREARMS LOTS BEGIN CLOSING 8/11/2019 @ 5PM PREVIEW DAY: FRIDAY, AUGUST 9TH FROM 8AM-4PM - - - - - PREVIEW BY APPOINTMENT ONLY - - - - - SAFETY IS OF UTMOST IMPORTANCE AT SIERRA AUCTION We ask that you cooperate with us by abiding by our safety rules: 1. If you see an unsafe condition, please notify a Sierra representative immediately. We have representatives stationed in each selling room as well as outside. 2. The front door entry and walkway from Room 1 to Room 2 need to be kept clear for safety reasons in the event of an emergency. Please help us by not standing in this high traffic area. 3. Sierra has been a family affair since we opened the business 30 years ago. However, due to safety concerns and large crowds, it has become necessary for us to initiate a policy of NO CHILDREN UNDER THE AGE OF 16. We hope you will cooperate and understand the need for this policy. 4. Service dogs are the only animals allowed on the property. This is for the safety and well being of our customers. 5. Sierra does not allow weapons (visible or concealed) on the premises per Arizona statues. 6. Please watch for moving auction vehicles and avoid standing in a position to block or impede moving vehicles. This will keep you safe and allow the auction to move rapidly. This will keep you safe and allow the auction to proceed in an orderly fashion. 7. Sierra will not release keys for vehicles that have been sold until we have determined that it is safe to do so. -
James Longstreet and the Retreat from Gettysburg
“Such a night is seldom experienced…” James Longstreet and the Retreat from Gettysburg Karlton Smith, Gettysburg NMP After the repulse of Lt. Gen. James Longstreet’s Assault on July 3, 1863, Gen. Robert E. Lee, commanding the Army of Northern Virginia, knew that the only option left for him at Gettysburg was to try to disengage from his lines and return with his army to Virginia. Longstreet, commander of the army’s First Corps and Lee’s chief lieutenant, would play a significant role in this retrograde movement. As a preliminary to the general withdrawal, Longstreet decided to pull his troops back from the forward positions gained during the fighting on July 2. Lt. Col. G. Moxley Sorrel, Longstreet’s adjutant general, delivered the necessary orders to Maj. Gen. Lafayette McLaws, commanding one of Longstreet’s divisions. Sorrel offered to carry the order to Brig. Gen. Evander M. Law, commanding John B. Hood’s division, on McLaws’s right. McLaws raised objections to this order. He felt that his advanced position was important and “had been won after a deadly struggle; that the order was given no doubt because of [George] Pickett’s repulse, but as there was no pursuit there was no necessity of it.” Sorrel interrupted saying: “General, there is no discretion allowed, the order is for you to retire at once.” Gen. James Longstreet, C.S.A. (LOC) As McLaws’s forward line was withdrawing to Warfield and Seminary ridges, the Federal batteries on Little Round Top opened fire, “but by quickening the pace the aim was so disturbed that no damage was done.” McLaws’s line was followed by “clouds of skirmishers” from the Federal Army of the Potomac; however, after reinforcing his own skirmish line they were driven back from the Peach Orchard area. -
“Never Was I So Depressed”
The Army of Northern Virginia in the Gettysburg Campaign “Never Was I So Depressed” James Longstreet and Pickett’s Charge Karlton D. Smith On July 24, 1863, Lt. Gen. James Longstreet wrote a private letter to his uncle, Augusts Baldwin Longstreet. In discussing his role in the Gettysburg Campaign, the general stated: General Lee chose the plan adopted, and he is the person appointed to chose and to order. I consider it a part of my duty to express my views to the commanding general. If he approves and adopts them it is well; if he does not, it is my duty to adopt his views, and to execute his orders as faithfully as if they were my own. While clearly not approving Lee’s plan of attack on July 3, Longstreet did everything he could, both before and during the attack, to ensure its success.1 Born in 1821, James Longstreet was an 1842 graduate of West Point. An “Old Army” regular, Longstreet saw extensive front line combat service in the Mexican War in both the northern and southern theaters of operations. Longstreet led detachments that helped to capture two of the Mexican forts guarding Monterey and was involved in the street fighting in the city. At Churubusco, Longstreet planted the regimental colors on the walls of the fort and saw action at Casa Marta, near Molino del Ray. On August 13, 1847, Longstreet was wounded during the assault on Chapaltepec while “in the act of discharging the piece of a wounded man." The same report noted that during the action, "He was always in front with the colors. -
Lesson 1: Cowboy Church
Lesson 1 COWBOY CHURCH PLANNING AHEAD One week before this lesson, consider planning a western night. Encourage your students to dress in western attire. Think through some fun western-themed games and snacks different age groups of children will enjoy. Encourage older students to help you prepare and run the activities and snacks. STARTUP PREP Each lesson in this Texas Missions for Kids curriculum volume tells the story of how one church is being the salt of the earth and the light of the world in response to Christ’s Sermon on the Mount as found in Matthew 5. Each week prepare your heart for ministry by reading the Beatitudes and following verses as recorded in Mathew 5:1-20. The Bible verse for this unit is Matthew 5:16. “In the same way, let your light shine before men, so that they may see your good works and give glory to your Father in heaven.” Matthew 5:16 Each couple of lessons will also have a separate focal Bible verse to help the boys and girls in your church learn ways to minister as they focus on ministry throughout Texas and respond to the Word of God in their own lives. 1 COWBOY CHURCH VOLUME 2 - LESSON 1 SOUTHERN BAPTISTS OF TEXAS CONVENTION Blessings on each of you who teach children about the missions work of God in Texas through the ministry of the Southern Baptists of Texas Convention. We hope you will learn about our state missions efforts as you teach the children in your church and/or community. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Acknowledgments
Acknowledgments Many people contributed to the various sections of this report. The contributions of these authors, reviewers, suppliers of data, analysts, and computer systems operators are gratefully acknowl- edged. Specific contributions are mentioned in connection with the individual chapters. Chapter 1 Chapter 4 Authors: Jack Holcomb, USDA Forest Service Jack Holcomb, Team co-leader, John Greis, USDA Forest Service USDA Forest Service Patricia A. Flebbe, USDA Forest Service, Chapter 5 Southern Research Station Lloyd W. Swift, Jr., USDA Forest Service, Richard Burns, USDA Forest Service Southern Research Station Morris Flexner, U.S. Environmental Chapter 2 Protection Agency Authors: Richard Burns, USDA Forest Service Patricia A. Flebbe, USDA Forest Service, Bill Melville, U.S. Environmental Southern Research Station Protection Agency Jim Harrison, Team co-leader, U.S. Environmental Protection Agency Chapter 6 Gary Kappesser, USDA Forest Service Jack Holcomb, USDA Forest Service Dave Melgaard, U.S. Environmental Protection Agency Chapter 7 Jeanne Riley, USDA Forest Service Patricia A. Flebbe, USDA Forest Service, Lloyd W. Swift, USDA Forest Service, Southern Research Station Southern Research Station Jack Holcomb, USDA Forest Service Chapter 3 Jim Harrison, U.S. Environmental Protection Agency Jim Harrison, U.S. Environmental Lloyd W. Swift, USDA Forest Service, Protection Agency Southern Research Station Geographic Information System Liaison (graphic and database development): Dennis Yankee, Tennessee Valley Authority Neal Burns, U.S. Environmental Protection Agency Jim Wang, U.S. Environmental Protection Agency Don Norris, USDA Forest Service Many people, in addition to the authors and their colleagues, contributed to the preparation of this report. Special thanks are given to the people who worked on various sub-teams and to the many reviewers and scientists who helped along the way.