CHURCH ORGANS Been Restored by Thomas-Pierce, Ltd., of a Guide to Selection & Purchase Palm Beach, FL, and Installed in the Music Room of Thomas R
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Sofia Kyrka Sofia Church
NORDIC EDITION • SEPTEMBER 6–9, 2018 • NORDIC EDITION Svend-Ove Møller Orgel- Te Deum (1949) Sofia kyrka 1903-1949 Sofia Church J. P. E. Hartmann Sonate i g-mol, op. 58 (1855) 1805-1900 1. Allegro marcato 2. Andantino Torsdag 6 september kl 19.30 3. Allegro poco agitato Thursday September 6th, 7.30 p.m. César Franck Prière, op. 20 (1860) 1822-1890 Denmark Christian Præstholm 3 koralforspil til Den Danske Salmebog: 1972- • Alt hvad som fuglevinger fik Kristian Krogsøe, orgel (Mel: Th. Laub) • Min Jesus, lad mit hjerte få (Mel: Carl Nielsen) • Denne er dagen, som Herren har gjort (Mel: Melchior Vulpius/Laub) Maurice Duruflé Scherzo, op. 2 (1926) 1902-1986 Jeanne Demessieux Te Deum, op. 11 (1957-58) 1921-1986 Mingel efter konserten, ingen föranmälan behövs. Welcome to a mingle after the concert. 2 ORGANSPACE |2018 Kristian Krogsøe Kristian Krogsøe (b. 1982) has been the Spring 2012 his first CD was released with Aarhus Cathedral organist since 2007 and the complete organ works by Duruflé and teaches the organ at the Royal Academy of his Requiem and Motets together with Music in Aarhus. Aarhus Cathedral Choir and featuring Bo Skovhus and Randi Stene. The recording He studied with prof. Ulrik Spang-Hanssen has recently won the german critics’ award at the Royal Academy of Music in Aarhus “Preis der deutschen Schallplattenkritik”. and later on, he studied with prof. Leo van Doeselaar and Erwin Wiersinga at the Kristian has also appeared as a soloist with Soloists Class at the University of Arts in orchestras. In the year 2008 he played the Berlin, Germany. -
Page 14 Street, Hudson, 715-386-8409 (3/16W)
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2010 ATOS NovDec 52-6 H.indd 1 10/14/10 7:08 PM ANNOUNCING A NEW DVD TEACHING TOOL Do you sit at a theatre organ confused by the stoprail? Do you know it’s better to leave the 8' Tibia OUT of the left hand? Stumped by how to add more to your intros and endings? John Ferguson and Friends The Art of Playing Theatre Organ Learn about arranging, registration, intros and endings. From the simple basics all the way to the Circle of 5ths. Artist instructors — Allen Organ artists Jonas Nordwall, Lyn Order now and recieve Larsen, Jelani Eddington and special guest Simon Gledhill. a special bonus DVD! Allen artist Walt Strony will produce a special DVD lesson based on YOUR questions and topics! (Strony DVD ships separately in 2011.) Jonas Nordwall Lyn Larsen Jelani Eddington Simon Gledhill Recorded at Octave Hall at the Allen Organ headquarters in Macungie, Pennsylvania on the 4-manual STR-4 theatre organ and the 3-manual LL324Q theatre organ. More than 5-1/2 hours of valuable information — a value of over $300. These are lessons you can play over and over again to enhance your ability to play the theatre organ. It’s just like having these five great artists teaching right in your living room! Four-DVD package plus a bonus DVD from five of the world’s greatest players! Yours for just $149 plus $7 shipping. Order now using the insert or Marketplace order form in this issue. Order by December 7th to receive in time for Christmas! ATOS NovDec 52-6 H.indd 2 10/14/10 7:08 PM THEATRE ORGAN NOVEMBER | DECEMBER 2010 Volume 52 | Number 6 Macy’s Grand Court organ FEATURES DEPARTMENTS My First Convention: 4 Vox Humana Trevor Dodd 12 4 Ciphers Amateur Theatre 13 Organist Winner 5 President’s Message ATOS Summer 6 Directors’ Corner Youth Camp 14 7 Vox Pops London’s Musical 8 News & Notes Museum On the Cover: The former Lowell 20 Ayars Wurlitzer, now in Greek Hall, 10 Professional Perspectives Macy’s Center City, Philadelphia. -
Texts and Translations
SWEDEN FEBRUARY 23 | 3PM Mother Sweden Texts and Translations A Note from the Conductor Sweden has one of the world’s most eloquent and sophisticated choral voices, which emerged with the nationalist romantic era of the late nineteenth century. Composers like Jacob Axel Josephson flourished writing for men’s choruses in the popular Germanic style. A more individual national tradition developed thanks to Wilhelm Stenhammar, embracing the poetry of Verner von Heidenstam and the Dane Jens Peter Jacobsen. Meanwhile, Otto Olsson reigned supreme as a church organist and composer of florid, complex polyphony worthy of the great academies and conservatories in more southern lands. And the great tradition of men’s choral singing was championed by the great conductor Hugo Alfvén. Beginning in the 1920s, Swedish composers began stretching their wings. Note, for example, the impressionism of Hildor Lundvik, the almost orchestral writing of David Wikander, and the sumptuous harmonies of Oskar Lindberg. Other composers ensured that folksongs and folk-styles survived, including the redoubtable Alfvén, the lyrical Åke Malmfors, and Jan Håkan Åberg, whose work on today’s concert is a folksong from Sweden’s central Dalarna region. Yet folksong is never far from the internationalists, and more advanced harmonies sprinkle through the more traditional composers. By the late twentieth century, Sweden had emerged as an international powerhouse of classical music, especially for choir. Among the results of that global connection was a broader outlook in composers’ choices of text. A minimalistic handling of silences, sparse texture, and repeating motives is heard in the works of Lars Johan Werle, Jan Sandström, and (no relation) Sven-David Sandström. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Spread the Word • Promote the Show • Support Public Radio
Program No. 1313 4/1/2013 Diptyque I; Procession II) –Johan Hedin, CHARLES ZEUNER: Voluntary in G “Before Earning the Prize…in Miami (FL), Syracuse nyckelharpa; Gunnar Idenstam (1973 Grönlunds/ Service”. ROBERT SIROTA: Festival Prelude (NY), and Appleton (WI), young performers show Teg’s Church, Umeå) Caprice 21807 (Now thank we all our God) –Victoria Sirota how their special talents won them special notice. HARALD FRYKLÖF: Symphonic Piece –Claes (Metropolitan Museum) Holmgren (1892 Åkerman & Lund/St. Mary CESAR FRANCK: Choral No. 2 in b –Pierre GEORG MUFFAT: Toccata No. 1, fr Apparatus Cathedral, Visby) Organic OR01-2 Pincemaille (Cincinnati, r. 2/13/06) musico-organisticus –Pawel Wróbel (3rd Prize) GUNNAR LUNDÉN: Högtidsmarsch, Op. 6 – FRANCIS LINLEY: Trumpet Voluntary in A – J. S. BACH: Vivace, fr Trio Sonata No. 6 in G, BWV Claes Holmgren (1892 Åkerman & Lund/St. Victoria Sirota (Metropolitan Museum) 530. JEANNE DEMESSIEUX: Attende Domine, Mary Cathedral, Visby) Organic OR01-2 GUSTAV MAHLER: Ihrlicht, fr Symphony No. 2 Opus 8, no. 3. MARCEL DUPRÉ: Prelude & ANDREAS DÜBEN: Wo Gott der Herr nicht –Stacey Rishoi, mezzo-soprano; Jean-Baptiste Fugue in B, Op. 7, no. 3 –Anne Lam (2nd Prize) bei uns hält –Lars Hagström1964 Andersen/ Robin (Cincinnati, r. 5/2/11) BACH: Vivace, fr Trio Sonata No. 2 in c, BWV Cathedral Church, Skara) Fusion 103 RICHARD WAGNER: Wotan’s Farewell and 526. YUANKAI BAO (trans. Weicheng Zhao): STAFFAN BJÖRKLUND: 3 Chorale-preludes Magic Fire Music, fr Die Walküre –Peter Conte Young girl carrying water on a shoulder pole. (Det går ett tyst och tåligt lamm; Vad ljus over (Cincinnati, r. -
Sven-David Sandstrã¶M╎s Five Pictures from the Bible
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sven-David Sandström's Five Pictures from the Bible: Historical Precedents, Development, and Analysis Joshua Bronfman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SVEN-DAVID SANDSTRÖM’S FIVE PICTURES FROM THE BIBLE: HISTORICAL PRECEDENTS, DEVELOPMENT, AND ANALYSIS By JOSHUA BRONFMAN A Dissertation submitted to the College Of Music in partial fulfillment of the requirements for the degree of Doctor Of Philosophy Degree Awarded: Summer Semester, 2010 The members of the committee approve the dissertation of Joshua Bronfman, defended on June 14, 2010. _________________________________________ André J. Thomas Professor Directing Dissertation _________________________________________ Evan Jones University Representative _________________________________________ Judy Bowers Committee Member _________________________________________ Kevin Fenton Committee Member The Graduate School has verified and approved the above-named committee members. ii To Niki, Lucia, and Leah. iii ACKNOWLEDGEMENTS I am very grateful to my supportive and helpful committee, including Dr. Andre Thomas, chair, and Drs. Judy Bowers, Kevin Fenton, and Evan Jones. I owe debt of gratitude to the administration, faculty, and staff at the University of North Dakota. Without their support and assistance, this document would never have happened. Specifically, Chris Gable, Mike Wittgraf, James Popejoy, Janice Hoffarth for transcription and cheerleading, and Dean Martha Potvin for encouraging me to continue. Thank you to Philip and Carolyn Brunelle, who opened up their home to me while I was researching this document. Additionally, Philip and the staff at VocalEssence were especially welcoming and accommodating, and made my visit to Minneapolis both fruitful and enjoyable. -
THE JVEDIS. ART SONG Presented to the Graduate Council of the North
110,2 THE JVEDIS. ART SONG THESIS Presented to the Graduate Council of the North Texas State College in Partial ifillment of the requirements For the Degree of MAST ER OF MUSIC by 223569 Alfred R. Skoog, B. Mus. Borger, Texas August, 1953 223569 PREFACE The aim of this thesis is to present a survey of Swedish vocal music, a subject upon which nothing in English exists and very little in Swedish. Because of this lack of material the writer, who has spent a year (195152) of research in music in Sweden, through the generosity of Mrs. Alice M. Roberts, the Texas Wesleyan Academy, and the Texas Swedish Cultural Foundation, has been forced to rely for much of his information on oral communication from numerous critics, composers, and per- formers in and around Stockholm. This accounts for the paucity of bibliographical citations. Chief among the authorities consulted was Gsta Percy, Redaktionssekreterare (secretary to the editor), of Sohlmans Jusiklexikon, who gave unstintedly, not only of his vast knowledge, but of his patience and enthusiasm. Without his kindly interest this work would have been impossible, iii TABLE OF CONTENTS Page . 1.F. .:.A . !. !. ! .! . .! ! PREFACE.! . ! .0 01 ! OF LIST ITLISTRATITONS. - - - . a- . a . V FORH4ORD . .* . .- . * .* . * * * * * * * . vii Chapter I. EARLYSEDIS0H SONG. I The Uppsala School II. NINETEENTH CENTURY NATIONALISTS . 23 The Influence of Mid-Nineteenth Century German Romanticism (Mendelssohn, Schumann, Liszt and Wagner) The French Influence III. LATE NINETEENTH CENTURY ND EARLY TWENTIETH CENTURY COMPOSERS . 52 Minor Vocal Composers of the Late Nine- teenth Century and Early Twentieth Century IV. THE MODERN SCHOOL OF S7E)ISl COMPOSERS. -
THEATRE ORGAN BOMBARDE, the Official Pub Lication of the American Threatre Organ Enthu 11 but in a Bike Shop?
TheatreOrgan Bombarde JOURNAL of the AMERICAN THEATRE ORGAN ENTHUSIASTS HI! AT.OE. lets sing along Wurlitzer Theatre Organ I 111:11111 fl11, II . I IMIII I ! I I The modern Theatre Console Organ that combines the grandeur of yesterday with the electronic wizardry of today. Command performance! Wurlitzer combines the classic Horseshoe Design of the immortal Mighty Wurlitzer with the exclusive Total Tone electronic circuitry of today. Knowledge and craftsmanship from the Mighty Wurlitzer Era have produced authentic console dimensions in this magnificent new theatre organ. It stands apart, in an instru ment of its size, from all imitative theatre organ • Dual system of tone generation • Authentic Mighty Wurlitzer Horseshoe Design designs. To achieve its big, rich and electrifying • Authentic voicing of theatrical Tibia and tone, Wurlitzer harmonically "photographed" Kinura originating on the Mighty Wurlitzer pipe organ voices of the Mighty Wurlitzer pipe organ to • Four families of organ tone serve as a standard. The resultant voices are au • Two 61-note keyboards • 25-note pedal keyboard with two 16 ' and thentic individually , and when combined they two 8' pedal voices augmented by Sustain blend into a rich ensemble of magnificent dimen • Multi-Matic Percussion @ with Ssh -Boom ®, Sustain , Repeat , Attack , Pizzicato, and sion. Then, to crown the accomplishment, we Bongo Percussion incorporated the famous Wurlitzer Multi-Matic • Silicon transistors for minimum maintenance Percussion ® section with exclusive Ssh-Boom ® • Reverb, Slide, Chimes, and Solo controls • Electronic Vibrato (4 settings) that requires no special playing techniques, • Exclusive 2 speed Spectra -Tone ® Sound Pizzi ca to Touch that was found only on larger pipe in Motion • Two-channel solid state amplifiers, 70 watts organs, Chimes and Slide Control .. -
Cameron Carpenter, Innovative Spirit of the Twenty-First the Instruments Are Very Different but Complementary
The Festival history The International Organ Festival “Città di Bergamo” was born at the beginning of the Nineties as a gamble among friends. Convinced of the need to bring to the town an international top circuit of concerts, especially considering the quality and variety of its organs, in 1992 the association Vecchia Bergamo organized a ‘test’ concert. Jean Guillou, one of the most famous contemporary players in the world and titular of the great organs at St. Eustache in Paris, was invited with a special mission: to introduce the improvisation on themes given by the audience in his program. As a matter of fact, this art which is considered as a fundamental pillar by all northern European organ Schools had practically disappeared from the Italian churches in the last fifty years. The clear goal was to show and consequently to measure the reactions of the public, on how much the interpreter’s capability in communicating his own unique feeling is of basic importance to create a larger popular interest around organ music, which up to that time was considered a specialists’ niche. The success was so great and enthusiastic that the year after the International Organ Festival started officially on the big Serassi organ at S.Alessandro della Croce in Pignolo: a perfect instrument, just restored, for portraying a wide range of music and, at the same time, for representing worthily the important organ builders’ tradition of our land. The guidelines and contents of the Festival were, and still are, the following: to focalize on the real actor -
SUMMER Dora Chatzigeorgiou and Alexander Binns ORGAN FESTIVAL Thursday 26 August, 2021 7.30Pm
SAPOLLON DUO SUMMER Dora Chatzigeorgiou and Alexander Binns ORGAN FESTIVAL Thursday 26 August, 2021 7.30pm BIOGRAPHIES The Apollon Duo was founded in 2015 by violinist Dora Chatzigeorgiou and organist Alexander Binns. Their aim is to perform and promote works for this seldom heard combination of instruments. Together they have performed across the UK in venues which include St Paul’s Cathedral, Peterborough Cathedral, St Edmundsbury Cathedral, Derby Cathedral, Southwark Cathedral and Waltham Abbey. Greek violinist Dora Chatzigeorgiou is a professional freelance violinist and holds teaching posts at the prestigious Repton School, Repton Prep School, Trent College and with the European String Tutors. In 2015 Dora graduated from the Orchestral Artistry programme at the Guildhall School of Music and Drama in London, where she studied with Jacqueline Ross. At the Guildhall she has played in many prestigious concerts and projects including performances with the London Symphony Orchestra at the Barbican Hall under the baton of Sir Simon Rattle, at Milton Court under the direction of Edward Gardner, and performances as concertmaster for the Guildhall Opera Orchestra. Dora graduated from the Oberlin College Conservatory of Music in the USA in June 2013 where she studied with Milan Vitek. At Oberlin she was the recipient of the Danenberg Chamber Music Prize. Dora was a member of the Oberlin Orchestra with whom she has toured Asia and the USA (including a performance in New York’s Carnegie Hall), and was concertmaster for the Oberlin Opera Orchestra. Prior to her studies in the USA, Dora graduated with the Greek National Diploma in Violin Performance from the Kodaly Conservatory of Music in Athens, winning the First Prize and Gold Medal, having studied with Georgios Demertzis and Apollon Grammatikopoulos. -
THE LA.ST QUARTER of the Nineteenth Century Saw Detroit
OHS meµibera may join as many chapters as they desire. Several chapters publish excellent newsletters wit.h eignilioant scholarly con tent. Chapter and Newslett.e,. Met11beI'8hip FoundineDate Editor, Address -,; ( Date joined OHS} andAnnual Membership Boston Organ Club Newsletter, E. A. Alan Laufms.u 1966,1976• Boadway,$!> BollUM, lrardevtllo,N'fl 03460 British Columbia, none 1983 Central New York, The Coupler, $6 Culver Mowers 1976 2371 Slaterville Rd.,Box 130,Broolr.tondale , NY U817 The Organ Historical Society Chicago Midwest, The StoptDiapason, Julie Stephens 198 0 Susan R.Friesen, $12 620W. 47th St., Western Box 26811, Richmond,Virginia 23261 Springs,IL 60668 (804)353-9226 EasternIowa, 1982 Newsletter, August Knoll Archives Collection at Westminster Choir College, Mark Nemmers, $7.50 Boz179 Lowden, 1A62266 Princeton, New Jersey Greater New York TheKeraulophon, Alan Laufman (as TheNai:,ional Council City, 1969 John Ogasapian, $6 above) The Cypher, Officers and Councillors (all terms expire 1989) Greater St. Louis, Eliza- JohnD. Phillippe 1975 beth Schmitt,$5 4836DuPage Dr. William C. Aylesworth ..•..............•..•..••..•... President Bridgeton,MO 63044 8230 Harrison, Evaneton,IL 60201 Hilbus (Washington- Where the Tracker Peter Ziegler Kri&tinGronni.ng Farmer ..••..•........... , . , ... Vice President Action Is, 14300Medwiclr. Ct. 8060 .FraternityChurch Bd,., WJn8wn-&Jcni, NC 27107 Baltimore), 197 0 Carolyn Fix, $4 Upper Marlboro,MD Michael D.Friesen .................................. Secretary 20870 2139Hanell Rd.,Hoffman Eotatea, IL 60196 Mid-Hudson (New The Whistlebox, June Marvel David M. Barnett ...............•, . , ...•.......•....Treasurer York), 1978 Robert Guenther, $5 CrownHill Rd. 423N. Stafford Ave., Richmond , VA23220 WappingeraFallo, NY James J.Hammann .........Councillor forFinance & Development 12690 1646 S.Maple , AnnAlbor, MI 48103 New Orleans, 1983 TheSwell Shoe, Michael Christiansen Randall J.McCarty . -
Oct 2014 Nat.Pdf
Program No. 1440 10/6/2014 Pipedreams Archive (r. 5/10/13) Recordings by audio engineer William F. Lund were Some Anniversaries . a selective collection J. S. BACH: Fantasy and Fugue in c, BWV 537 –Virgil made over a period of years, featuring the Cathedral of organ works by composers with significant Fox (Aeolian-Skinner/Riverside Church, New York instruments in their original condition and following birthdays observed during this year. City) Organ Arts 4 the recent expansion of the gallery organ by Quimby CYRIL JENKINS: Dawn –John Balka (1971 Pipe Organs, Inc. RICHARD STRAUSS: Festliches Präludium Ruffatti/St. Mary’s Cathedral, San Francisco, CA) for Organ and Orchestra, Op. 61 –Philadelphia Reference 98 Program No. 1443 10/27/2014 Orchestra/Wolfgang Sawallisch, conductor; MAURICE RAVEL (trans. Idenstam): Daybreak, Verizon Hall Spotlight . select solos and Michael Stairs (1986 Rieger/Suntory Hall, fr Daphnis et Chloé –Gunnar Idenstam (1812 works for organ and orchestra, featuring the Fred Tokyo, Japan) EMI Classics 55185 Stahlhuth-2002 Jann/St. Martin’s Church, J. Cooper Memorial Pipe Organ (by Dobson) at FRANZ TUNDER: In dich hab ich gehoffet, Dudelange, Luxembourg) BIS 2049 Philadelphia’s Kimmel Center. Herr –Christopher Marks (1950 Holtkamp/ THÉDORE DUBOIS: Verset de procession – HANDEL: Organ Concerto in g, Op. 4, no. 1 –Matt Setnor Auditorium, Crouse College, Syracuse Ursina Caflish (1872 Kuhn/Neumünster, Zurich, University, NY) Raven 790. Glandorff, organist Switzerland) Guild 7340 JOSEPH JONGEN: Priere, Op. 37, no. 3 –Alan Morrison, TUNDER: Praeludium in G –Pamela Ruiter- CESAR FRANCK: Cantabile & Piece heroique Feenstra (2001 GoArt North German Organ/ organist –Simon Johnson (Willis-Mander/St.