Dissidences Hispanic Journal of Theory and Criticism Volume 8 Issue 13 Article 8 May 2018 Consumption and Education in Recent Uruguayan Cinema: Between Sobriety, Joy, and Excess Cristina Miguez Metropolitan State University of Denver,
[email protected] Follow this and additional works at: https://digitalcommons.bowdoin.edu/dissidences Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Latin American Languages and Societies Commons Recommended Citation Miguez, Cristina (2018) "Consumption and Education in Recent Uruguayan Cinema: Between Sobriety, Joy, and Excess," Dissidences: Vol. 8 : Iss. 13 , Article 8. Available at: https://digitalcommons.bowdoin.edu/dissidences/vol8/iss13/8 This Article / Artículo is brought to you for free and open access by the Journals at Bowdoin Digital Commons. It has been accepted for inclusion in Dissidences by an authorized editor of Bowdoin Digital Commons. For more information, please contact
[email protected]. Consumption and Education in Recent Uruguayan Cinema: Between Sobriety, Joy, and Excess Abstract / Resumen Altering our physical and mental states through practices of consumption has formed a basis of our daily habits for hundreds of years. By the eighteenth century, consumption of stimulants such as alcohol, tobacco, coffee, tea, sugar, opiates, cannabis, coca, and other substances was widespread and democratized. Drug consumption was mirrored by a new universality of leisure reading of travel accounts and maps, sentimental novels, and pornographic