The Roman House as Memory Theater: The House of the Tragic Poet in Pompeii Author(s): Bettina Bergmann Source: The Art Bulletin, Vol. 76, No. 2 (Jun., 1994), pp. 225-256 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046021 Accessed: 18-01-2018 19:09 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms College Art Association is collaborating with JSTOR to digitize, preserve and extend access to The Art Bulletin This content downloaded from 132.229.13.63 on Thu, 18 Jan 2018 19:09:34 UTC All use subject to http://about.jstor.org/terms The Roman House as Memory Theater: The House of the Tragic Poet in Pompeii Bettina Bergmann Reconstructions by Victoria I Memory is a human faculty that readily responds to training reading and writing; he stated that we use places as wax and and can be structured, expanded, and enriched. Today few, images as letters.2 Although Cicero's analogy had been a if any, of us undertake a systematic memory training. In common topos since the fourth century B.c., Romans made a many premodern societies, however, memory was a skill systematic memory training the basis of an education.