The Heroes PREFACE MY DEAR CHILDREN
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Mailch 16, Hlol. Cientri1nc AMERJCAN SUPPLEMENT
MAIlCH 16, HlOl. �CIENtrI1NC AMERJCAN SUPPLEMENT, No. 1315 21083 of this piece is remar kable ; bu t what adds peculiar ley." Turning, then, to the particular examples before had already been transferred to the skies, i. e., we have interest are the bright colors with which it is set off. us, we find 4 : constellation-figures as coin-types. The Lion, Grab and The body is colored pale red; the hair is of a darker No. 1. H erakles kneeUng. "HerakIes, bearded Water-snake of the modern globe preserve the story. red, and alm ost brown, and the wings are white. Upon naked, kneeling on one knee, r." With club, strung King Herakles could not be placed next thern, even in the back, a delicate stripe of gold descends along the bow, and two arrows; behind, Tunny. Cyzicus. Cir. the Bab. Sphere, as he had already been located else spinal column, bifurcates and passes aver the sid�s. B. C. 500-450. Every Sign of the Zodaic, except where. These obvious instances justify us in presum This curious figurine, so artistically fashioned, seems Aquarius, and other constellation-figures, whether as ing a probable, or almost certain, connection between to be comparable as a work of art to the best terra such or not, appear on the coins of this city, which, constellation-figure and coin-type where, at first sight, cottas of the Cyrenaic period. through Miletus and Lampsacus, is connected with the evidence may not be quite so clear. Herakles is Visitors to the museum can scarcely believe that this Crete and Ph. -
The Argonautica, Book 1;
'^THE ARGONAUTICA OF GAIUS VALERIUS FLACCUS (SETINUS BALBUS BOOK I TRANSLATED INTO ENGLISH PROSE WITH INTRODUCTION AND NOTES BY H. G. BLOMFIELD, M.A., I.C.S. LATE SCHOLAR OF EXETER COLLEGE, OXFORD OXFORD B. H. BLACKWELL, BROAD STREET 1916 NEW YORK LONGMANS GREEN & CO. FOURTH AVENUE AND 30TH STREET TO MY WIFE h2 ; ; ; — CANDIDO LECTORI Reader, I'll spin you, if you please, A tough yarn of the good ship Argo, And how she carried o'er the seas Her somewhat miscellaneous cargo; And how one Jason did with ease (Spite of the Colchian King's embargo) Contrive to bone the fleecy prize That by the dragon fierce was guarded, Closing its soporific eyes By spells with honey interlarded How, spite of favouring winds and skies, His homeward voyage was retarded And how the Princess, by whose aid Her father's purpose had been thwarted, With the Greek stranger in the glade Of Ares secretly consorted, And how his converse with the maid Is generally thus reported : ' Medea, the premature decease Of my respected parent causes A vacancy in Northern Greece, And no one's claim 's as good as yours is To fill the blank : come, take the lease. Conditioned by the following clauses : You'll have to do a midnight bunk With me aboard the S.S. Argo But there 's no earthly need to funk, Or think the crew cannot so far go : They're not invariably drunk, And you can act as supercargo. — CANDIDO LECTORI • Nor should you very greatly care If sometimes you're a little sea-sick; There's no escape from mal-de-mer, Why, storms have actually made me sick : Take a Pope-Roach, and don't despair ; The best thing simply is to be sick.' H. -
Coexistence of Mythological and Historical Elements
COEXISTENCE OF MYTHOLOGICAL AND HISTORICAL ELEMENTS AND NARRATIVES: ART AT THE COURT OF THE MEDICI DUKES 1537-1609 Contents Introduction ........................................................................................................................................................ 3 Greek and Roman examples of coexisting themes ........................................................................ 6 1. Cosimo’s Triumphal Propaganda ..................................................................................................... 7 Franco’s Battle of Montemurlo and the Rape of Ganymede ........................................................ 8 Horatius Cocles Defending the Pons Subicius ................................................................................. 10 The Sacrificial Death of Marcus Curtius ........................................................................................... 13 2. Francesco’s parallel narratives in a personal space .............................................................. 16 The Studiolo ................................................................................................................................................ 16 Marsilli’s Race of Atalanta ..................................................................................................................... 18 Traballesi’s Danae .................................................................................................................................... 21 3. Ferdinando’s mythological dream ............................................................................................... -
Constellation Myths Has Exciting and Sometimes Tragic Guides for Gods and Heroes
TEACHER’S GUIDE TEACHER’S GUIDE TEACHER’S GUIDE Follow-up Activities • www.pantheon.org Encyclopedia Mythica supplies definitions, images, and pronunciation • This collection of constellation myths has exciting and sometimes tragic guides for gods and heroes. events happening at the beginning, middle, and endings of their stories. • www.mythweb.com/encyc/index.html Pretend you are a news reporter called to the scene of one of these Look up your favorite Greek character in this encyclopedia of Greek events. Develop a list of “who,”“what,”“where,”“why” and “how” ques- mythology. tions to ask one of the characters.With a partner, take turns asking and • www.mythman.com recording answers about the tragic or exciting event.Write it up as a A humorous homework help site for students with classical myth “breaking news” story. retellings. • There are many variations and mythological beings in constellation and nature myths. Have students research, compare, and contrast other ver- Suggested Print Resources sions of these tales. Use Bulfinch’s Mythology by Thomas Bulfinch • Andrews,Tamra. Dictionary of Nature Myths: Legends of the Earth, Sea, (Random House, 1998) to discover alternate stories. and Sky. Oxford University Press, Oxford, NY; 2000. • Students can research other stars and planets named after characters in • D’Aulaire, Ingri and Edgar Parin D’Aulaire. Ingri and Edgar Parin Greek mythology. Have them find out why the beautiful Pleiades, the D’Aulaire’s Book of Greek Myths. Doubleday, Garden City, NY; 1962. One CONSTELLATION MYTHS seven daughters of Atlas, are placed as stars in front of the Orion con- of the best-loved classical collections of Greek mythology. -
Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia). -
Black Sea-Caspian Steppe: Natural Conditions 20 1.1 the Great Steppe
The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe East Central and Eastern Europe in the Middle Ages, 450–1450 General Editors Florin Curta and Dušan Zupka volume 74 The titles published in this series are listed at brill.com/ecee The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe By Aleksander Paroń Translated by Thomas Anessi LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Publication of the presented monograph has been subsidized by the Polish Ministry of Science and Higher Education within the National Programme for the Development of Humanities, Modul Universalia 2.1. Research grant no. 0046/NPRH/H21/84/2017. National Programme for the Development of Humanities Cover illustration: Pechenegs slaughter prince Sviatoslav Igorevich and his “Scythians”. The Madrid manuscript of the Synopsis of Histories by John Skylitzes. Miniature 445, 175r, top. From Wikimedia Commons, the free media repository. Proofreading by Philip E. Steele The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://catalog.loc.gov/2021015848 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
2014.Axx Barbantani, Mother of Snakes and Kings
Histos () – MOTHER OF SNAKES AND KINGS: APOLLONIUS RHODIUS’ FOUNDATION OF ALEXANDRIA* Abstract: Of all the lost Foundation Poems attributed to Apollonius Rhodius, active at the court of Ptolemy II, the Ktisis of Alexandria must have been the most important for his contemporaries, and surely is the most intriguing for modern scholars of the Hellenistic world. Unfortunately, only a brief mention of this epyllion survives, in a scholion to Nicander’s Theriaka , relating to the birth of poisonous snakes from the severed head of Medusa, carried by Perseus over Libya . Deadly and benign serpents belong to a multi- cultural symbolic imagery intertwined with the Greek, Macedonian, Egyptian and Jewish origins of the city. This paper explores the possible connections of the only episode preserved from Apollonius’ Ktisis with the most ancient known traditions on the foundation of Alexandria —possibly even created at the time of Alexander or of the first Lagid dynasts, Ptolemy I and II. And I wished he would come back, my snake. For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again. D. H. Lawrence , Snake (Taormina, ) Introduction pollonius of Rhodes is credited with a certain number of Foundation poems in hexameters, namely on Alexandria, Naucratis, Caunus, ACnidus, Rhodes and, possibly, Lesbos. The epic poem Argonautica is Apollonius’ only work which has survived through direct tradition, and the only one mentioned in the biographical sources, while his Κτίσεις are only known through short quotations and summaries by different ancient authors * The research on Apollonius’ Κτίσεις began in , when I was asked to edit the fragments for FGrHist IV, ed. -
The Greek Heroes
Conditions and Terms of Use Copyright © Heritage History 2009 PREFACE Some rights reserved My Dear Children, This text was produced and distributed by Heritage History, an organization dedicated to the preservation of classical juvenile history books, and to the Some of you have already heard of the old Greeks; and promotion of the works of traditional history authors. all of you, as you grow up, will hear more and more of them. The books which Heritage History republishes are in the public domain and Those of you who are boys will, perhaps, spend a great deal of are no longer protected by the original copyright. They may therefore be reproduced time in reading Greek books; and the girls, though they may not within the United States without paying a royalty to the author. learn Greek, will be sure to come across a great many stories taken from Greek history, and to see, I may say every day, things The text and pictures used to produce this version of the work, however, are which we should not have had if it had not been for these old the property of Heritage History and are licensed to individual users with some restrictions. These restrictions are imposed for the purpose of protecting the integrity Greeks. You can hardly find a well-written book which has not of the work itself, for preventing plagiarism, and for helping to assure that in it Greek names, and words, and proverbs; you cannot walk compromised or incomplete versions of the work are not widely disseminated. through a great town without passing Greek buildings; you cannot go into a well-furnished room without seeing Greek In order to preserve information regarding the origin of this text, a copyright statues and ornaments, even Greek patterns of furniture and by the author, and a Heritage History distribution date are included at the foot of every page of text. -
The Crimean Tatar Question: a Prism for Changing Nationalisms and Rival Versions of Eurasianism*
The Crimean Tatar Question: A Prism for Changing Nationalisms and Rival Versions of Eurasianism* Andrew Wilson Abstract: This article discusses the ongoing debates about Crimean Tatar identity, and the ways in which the Crimean Tatar question has been crucial to processes of reshaping Ukrainian identity during and after the Euromaidan. The Crimean Tatar question, it is argued, is a key test in the struggle between civic and ethnic nationalism in the new Ukraine. The article also looks at the manner in which the proponents of different versions of “Eurasianism”—Russian, Volga Tatar, and Crimean Tatar—have approached the Crimean Tatar question, and how this affects the attitudes of all these ethnic groups to the Russian annexation of Crimea. Key words: Crimean Tatars, Euromaidan, Eurasianism, national identity, nationalism—civic and ethnic Introduction In the period either side of the Russian annexation of Crimea, the Crimean Tatar issue has become a lodestone for redefining the national identities of all the parties involved. The mainstream Crimean Tatar movement has been characterized by steadfast opposition first to the Yanukovych regime in Ukraine and then to Russian rule. This position has strengthened its longstanding ideology of indigenousness and special rights, but it has also * The author is extremely grateful to Ridvan Bari Urcosta for his invaluable help with research for this article, to Bob Deen and Zahid Movlazada at the OSCE HCNM, to Professor Paul Robert Magocsi, and to the anonymous reviewers who made useful comments and criticisms. 1 2 ANDREW WILSON belatedly cemented its alliance with Ukrainian nationalism. Meanwhile, Ukraine’s would‐be new supra‐ethnic civic identity draws heavily on the Crimean Tatar contribution. -
Table of Contents
Electronic Antiquity 12.2 (May 2009) Article: Foulmouthed Shepherds: Sexual Overtones As a Sign of Urbanitas in Virgil’s Bucolica 2 and 3 Stefan van den Broeck [PDF 2.7 MB] [email protected] Reviews: Efstratios Sarischoulis, Schicksal, Götter und Handlungsfreiheit in den Epen Homers (Fate, Gods and the Freedom of Action in the Epic Poems of Homer). Franz Steiner Verlag Stuttgart, 2008. ISBN: 3515091688. 312pp. Reviewed by Lucas Fassnacht [PDF 109 KB] Friedrich-Alexander-Universität Erlangen, Germany [email protected] Genevieve Liveley and Patricia Salzman-Mitchell (eds.), Latin Elegy and Narratology: Fragments of Story (Columbus: Ohio State University Press, 2008), ISBN 0814204066. xiii + 288pp. Reviewed by Ian Fielding [PDF 333 KB] University of Warwick and University of Wisconsin-Madison ([email protected]) Gendered Dynamics in Latin Love Poetry, eds. Ronnie Ancona and Ellen Greene. Baltimore: Johns Hopkins University Press, 2005. ISBN: 0801881986. 384pp. Reviewed by Hunter H. Gardner [PDF 183 KB] University of South Carolina [email protected] A Brief History of Ancient Astrology, by Roger Beck. Blackwell, 2007. ISBN 1-4051-1074-0. xiii + 159pp; Fig. 10, Tab. 4. Reviewed byJohn M. McMahon [PDF 261 KB] Le Moyne College [email protected] A History of the Later Roman Empire AD 284-641. The Transformation of the Ancient World, by Stephen Mitchell. Blackwell History of the Ancient World. Blackwell Publishing, 2007. ISBN: 1405108568. 469pp. Reviewed by Charles F Pazdernik [PDF 247 KB] Grand Valley State University [email protected] 1 FOULMOUTHED SHEPHERDS: SEXUAL OVERTONES AS A SIGN OF URBANITAS IN VIRGIL’S BUCOLICA 2 AND 3 Stefan van den Broeck [email protected] Abstract: This article argues that Virgil introduced sexual overtones, an urbane motif par excellence, in Bucolica 2 and 3 – the oldest of his bucolic poems - to forestall criticism from his intended audience: the Poetae Novi and their aficionados, who would have regarded bucolic poetry – however unjustly – as ‘rustic’. -
Apollonius Rhodius, the Argonautica
i EB CLASSICA BRAR 1 1 APOLLONIUS RHODIUS ARGONAUTICA Translated by R. C. SEATON mmmmm]mmm\m[mmmm[^[r^\[f^\[r^\i7^\[?^\[?D\[fD\\o] Complete list of Loeb titles can be found at the end of each volume APOLLONIUS Of Rhodes' was a Greek grammarian and epic poet of Alexandria in Egypt and lived late in the 3rd century and early in the 2nd century [ES B.C. While still young he composed his extant epic poem of four books on the story of the Argonauts. When this work failed to win acceptance he went to Rhodes where he not only did well as a rhetorician but also made a success of his epic in a revised form, for which the Rhodians gave him the 'freedom' of their city; hence his surname. On returning to Alexandria he recited his poem again, with applause. In 196 Ptolemy Epiphanes made him the librarian of the Museum (the University) at Alexandria. His Argonautica is one oi the better minor epics, remarkable for originality, powers of observation, sincere feeling, and de- piction of romantic love. His Jason and Medea are natural and interesting, and did much to inspire Virgil (in a very different setting) in the fourth book of the Aeneid. L• ^' % Sb ^" ^ Ak- THE LOEB CLASSICAL LIBRARY EDITED BY li. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. II. D. ROUSE, Lirr.D. APOLLONTUS RHODIUS Digitized by tine Internet Arciiive in 2011 witii funding from University of Toronto littp://www.arcliive.org/details/apolloniusrliodiuOOapol APOLLONIUS RHODIUS THE ARGONAUTICA WITH AN ENGLISH TRANSLATION BY 11. -
Homer's Use of Myth Françoise Létoublon
Homer’s Use of Myth Françoise Létoublon Epic and Mythology The Homeric Epics are probably the oldest Greek literary texts that we have,1 and their subject is select episodes from the Trojan War. The Iliad deals with a short period in the tenth year of the war;2 the Odyssey is set in the period covered by Odysseus’ return from the war to his homeland of Ithaca, beginning with his departure from Calypso’s island after a 7-year stay. The Trojan War was actually the material for a large body of legend that formed a major part of Greek myth (see Introduction). But the narrative itself cannot be taken as a mythographic one, unlike the narrative of Hesiod (see ch. 1.3) - its purpose is not to narrate myth. Epic and myth may be closely linked, but they are not identical (see Introduction), and the distance between the two poses a particular difficulty for us as we try to negotiate the the mythological material that the narrative on the one hand tells and on the other hand only alludes to. Allusion will become a key term as we progress. The Trojan War, as a whole then, was the material dealt with in the collection of epics known as the ‘Epic Cycle’, but which the Iliad and Odyssey allude to. The Epic Cycle however does not survive except for a few fragments and short summaries by a late author, but it was an important source for classical tragedy, and for later epics that aimed to fill in the gaps left by Homer, whether in Greek - the Posthomerica of Quintus of Smyrna (maybe 3 c AD), and the Capture of Troy of Tryphiodoros (3 c AD) - or in Latin - Virgil’s Aeneid (1 c BC), or Ovid’s ‘Iliad’ in the Metamorphoses (1 c AD).