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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Sarkar 3 Malayalam Movie English Subtitles Download
Sarkar 3 Malayalam Movie English Subtitles Download 1 / 4 2 / 4 Sarkar 3 Malayalam Movie English Subtitles Download 3 / 4 Satya is a 1998 Indian Telugu film, directed by Ram Gopal Varma and Produced by ... The film stars J. D. Chakravarthy, Urmila Matondkar, Manoj Bajpayee, Saurabh ... Included with Eros Now on Amazon for $4.99/month after trial ... Force (English & Arabic Subtitles) ... Reviewed in the United States on January 3, 2020.. Report Bad Movie Subtitle: Thanks (8). Download. This page has been viewed 1916 times. Popular Search Terms: English subtitle, Subtitle in English .... Malayalam sites for malayalam subtitle. IQ MEDIA MALAYALAM ... English movie subtitle .... Subtitles for Sarkar 3 – (2017) ... Release Name/Film Title, Download Subs ... ondertiteling | English subtitles | Esperanto subtitles | Eestikeelsed subtiitrid .... Download The Sarkar 3 (2017) English Subtitle - SUBDL. ... is joined by his grandson Shivaji Nagre who loves and hates his grandfather with equal intensity.. We're expanding to bring you high-bitrate audio albums, movie clips, and music videos. ... We strive to constantly acquire films in order to provide our users with .... Where can I find the uncut version of the masterpiece Tamil movie 'Aaranya Kaandam'? 30,531 Views ... Well there are ample of Tamil movies along with subtitles available on hotstar! ... Check this link for my answer to download subtitles.. Amazon.in - Buy Sarkar 3 at a low price; free delivery on qualified orders. ... The third film in Ram Gopal Varma's Sarkar trilogy, which chronicles the exploits of a ... Subtitles: English; Region: Region 1 (Read more about DVD formats.) ... Purchase Protection · Amazon App Download · Amazon Assistant Download · Help. -
Digital Future? 100 Nations NSA Hack Tool, Put It Online NEW DELHI: Bajrang Punia Provided India NEW DELHI: the Seeds of the Enemy States Around the World
millenniumpost.in RNI NO.: WBENG/2015/65962 SUNDAY millenniumPUBLISHED FROM DELHI & KOLKATA VOL. 3, ISSUE 129 | Sunday, 14 May, 2017 | Kolkata | Pages 16 | Rs 3.00 post NO HALF TRUTHS CITY PAGE 3 NATION PAGE 4 FILM PAGE 16 ELECTIONS IN SEVEN ‘MISA LAUNDERED MONEY TO I CAME UP WITH A DEFINITE IDEA FOR SARKAR MUNICIPALITIES TODAY BUY A FARMHOUSE IN DELHI’ 3 ABOUT 18 MONTHS TO 2 YEARS AGO: RGV Bajrang Punia bags gold, RANSOMWARE INFECTS COMPUTERS AND RESTRICTS USERS’ ACCESS UNTIL RANSOM IS PAID Sarita silver at Asian Wrestling Championship ‘Shadow Brokers’ stole US CHANDRABOLI MITRA Digital future? 100 nations NSA hack tool, put it online NEW DELHI: Bajrang Punia provided India NEW DELHI: The seeds of the enemy states around the world. its first gold medal as he posted a come-from- massive cyber attack that has “Shadow Brokers” in April behind victory over Seungchul Lee of Korea in affected almost 100 countries claimed to have stolen this men’s 65kg freestyle on the penultimate day of including India were sown by hacking tool and dumped it the Asian Wrestling Championship here on Sat- suffer huge cyber-attack a mysterious hacking group, online. The hacking group first urday. Sarita, meanwhile, bagged a silver medal “Shadow Brokers”, in April appeared in August last year in women’s 58kg category. MPOST BUREAU when it leaked a hacking tool when it leaked a list of NSA After registering a fabulous 6-2 win, Bajrang HK researcher called “Eternal Blue” developed hacking tools. There were celebrated by taking a victory lap with the tri- SEATTLE/ NEW DELHI: Nearly by the US National Security apprehensions that the leak colour on his shoulders. -
Role of Media and Usage of Films and Documentaries As Political Tool
© 2018 JETIR June 2018, Volume 5, Issue 06 www.jetir.org (ISSN-2349-5162) Role of Media and Usage of Films and Documentaries as Political Tool DR. VIKRAMJIT SINGH, ASSOCIATE PROFESSOR DEPARTMENT OF POLITICAL SCIENCE, DAYANAND COLLGE, HISAR, HARYANA, INDIA Abstract Now days the usage of print as well as digital media is widely used for the propaganda to have the political advantage by the political parties. A number of movies and documentaries are intentionally released so that the political benefits can be taken. In this manuscript, the case scenarios of such movies and the film based propaganda are addressed so that the overall motive and the goals of the political parties can be identified. In this research paper, the case studies and the scenarios of assorted films and documentaries are cited so that the clear theme can be addressed with the higher degree of references and the proof of the mentioned work. In current scenarios, the political parties whether these are opposition or the ruling they are getting the huge benefits with the exploitations of emotions of the general public with the integration of films to defame or fame the particular person or parties. By this way, the overall scenario and integrity of movies and bollywood is getting affected with the favor of particular political benefits. Keywords: Propaganda Movie, Role of Media in Politics, Cinema as Political Tool Introduction The filmmakers are now days more focused on polishing the image of particular person or defaming the image of particular parties and these are visible from the assorted movies specifically in the time of elections but it is not the good practices to exploit the image of particular parties. -
End of a Dream
Wednesday 10 May to 16 May , 2017 A NUWAY MEDIA GROUP PUBLICATION Shah Rukh Khan on1 his TED talk debut Voice of South Asian Community Since March 2002 Vol. 14 Issue 35 Wednesday 10 May to 16 May , 2017 $1 www.thesouthasian.info In Ransomware Attack, Where Does Microsoft’s Responsibility Lie? STORY STORY ON page ON page 21 29 Why Is Trump So Angry ? The President’s End Of A Dream uncontrollable rage Kapil Mishra’s charges conclusively prove that the AAP is powers his ruthlessness now just another political party, that too a below average one. and his ineptitude. (Special Feature) Allegations of corruption because we believe those allegations. against Delhi Chief Minister Arvind Kejriwal Nobody believes charges made by a loser. and his trusted lieutenant Satyendra Jain Kapil Mishra, the former water minister in have turned a dream into a nightmare. Not the Kejriwal government, (Contd on page 20) Forced Surrogacy (Special Report) Donald Trump is upset. He’s Trafficked, traded, enslaved, raped and made to conceive not happy about America’s preoccupation with babies for adoption. Adivasi girls are turned into baby- the “Russia narrative.” He’s angry that we’re bothered by the possible damning ties making machines that fetch Rs 1-4 lakh per child. between his campaign and a hostile foreign (Insider Bureau) There’s body. The terms of abuse go beyond power. He’s seething over the Senate Judiciary something almost eerily Nazi about even sadism; the human body here Committee’s insolent insistence on this. Not in terms of formal politics, is just a device and also its product. -
The Shoah on Screen – Representing Crimes Against Humanity Big Screen, Film-Makers Generally Have to Address the Key Question of Realism
Mémoi In attempting to portray the Holocaust and crimes against humanity on the The Shoah on screen – representing crimes against humanity big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has emember been adopted, covering documentaries and fiction, historical reconstructions such as Steven Spielberg’s Schindler’s List, depicting reality in all its details, and more symbolic films such as Roberto Benigni’s Life is beautiful. Some films have been very controversial, and it is important to understand why. Is cinema the best way of informing the younger generations about what moire took place, or should this perhaps be left, for example, to CD-Roms, videos Memoi or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increas- Mémoire ingly younger audiences, inured by the many images of violence conveyed in the media. ireRemem moireRem The Shoah on screen – www.coe.int Representing crimes The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal princi- against humanity ples based on the European Convention on Human Rights and other reference texts on the protection of individuals. -
In Re Eros International Securities Litigation 15-CV-08956-Amended
Case 1:15-cv-08956-AJN Document 68 Filed 10/10/16 Page 1 of 122 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) In re EROS INTERNATIONAL SECURITIES ) Master File No. 15 Civ. 8956 (AJN) LITIGATION ) _________________________________________ ) AMENDED CONSOLIDATED ) CLASS ACTION COMPLAINT This Document Relates To: ALL ACTIONS ) FOR VIOLATIONS OF THE ) FEDERAL SECURITIES LAWS ) ) Jury Trial Demanded ) Michael W. Stocker David J. Goldsmith Barry Michael Okun Alfred L. Fatale III LABATON SUCHAROW LLP 140 Broadway New York, New York 10005 Tel.: (212) 907-0700 Fax: (212) 818-0477 Attorneys for Lead Plaintiffs Fred Eisner and Strahinja Ivoševič and Lead Counsel for the Class Case 1:15-cv-08956-AJN Document 68 Filed 10/10/16 Page 2 of 122 TABLE OF CONTENTS I. NATURE OF THE ACTION ............................................................................................. 1 II. JURISDICTION AND VENUE ......................................................................................... 9 III. PARTIES .......................................................................................................................... 10 IV. FACTUAL BACKGROUND AND SUBSTANTIVE ALLEGATIONS .................................................................................. 13 A. Company Background .......................................................................................... 13 B. The Lulla Family’s Extensive Related-Party Transactions ................................................................................... 14 C. Eros Goes -
Reading Subaltern Studies In South Asia
Reading Subaltern Studies Critical History, Contested Meaning and the Globalization of South Asia DAVID LUDDEN Anthem Press , INTRODUCTION A Brief History of Subalternity DAVID LUDDEN UBALTERN STUDIES1 began its impressive career in England at the end of the 1970s, when conversations on subaltern themes S among a small group of English and Indian historians led to a proposal to launch a new journal in India. Oxford University Press in New Delhi agreed instead to publish three volumes of essays called Subaltern Studies: Writings on South Asian History <andSociety. These appeared annually from 1982 and their success stimulated three more volumes in the next five years, all edited by Ranajit Guha. When he retired as editor in 1989, Ranajit Guha and eight collaborators2 had written thirty-four of forty-seven essays in six Subaltern Studies vol- umes, as well as fifteen related books.3 By 1993, the group he remem- bers as originally being 'an assortment of marginalised academics'4 had sufficient international prestige for a Latin America Subaltern Studies Group to be inspired !by this interdisciplinary organisation of South Asian scholars led by Ranajit Guha.'5 Today, eleven (and counting) Subaltern Studies volumes have appeared. They include essays by forty-four authors whose allied publications apprpach two hundred, including translations in several languages,6 yet the core group still includes eight founders7 and Ranajit Guha's 'intellectual driving force'8 is still visible. Readings of Subaltern Studies began in India, where writing about -
Guidelines for the Conservation of Lions in Africa
Guidelines for the Conservation of Lions in Africa Version 1.0 – December 2018 A collection of concepts, best practice experiences and recommendations, compiled by the IUCN SSC Cat Specialist Group on behalf of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) and the Convention on the Conservation of Migratory Species of Wild Animals (CMS) Guidelines for the Conservation of Lions in Africa A collection of concepts, best practice experiences and recommendations, compiled by the IUCN SSC Cat Specialist Group on behalf of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) and the Convention on the Conservation of Migratory Species of Wild Animals (CMS) The designation of geographical entities in this document, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of IUCN or the organisations of the authors and editors of the document concerning the legal status of any country, territory, or area, or of its authorities, or concerning the delimi- tation of its frontiers or boundaries. 02 Frontispiece © Patrick Meier: Male lion in Kwando Lagoon, Botswana, March 2013. Suggested citation: IUCN SSC Cat Specialist Group. 2018. Guidelines for the Conservation of Lions in Africa. Version 1.0. Muri/Bern, Switzerland, 147 pages. Guidelines for the Conservation of Lions in Africa Contents Contents Acknowledgements..........................................................................................................................................................4 -
Mapping the Landscape of Social Impact Entertainment
Bonnie Abaunza Neal Baer Diana Barrett Peter Bisanz Dustin Lance Black Johanna Blakley Caty Borum Chattoo Don Cheadle Wendy Cohen Nonny de la Peña Leonardo DiCaprio Geralyn Dreyfous Kathy Eldon Eve Ensler Oskar Eustis Mapping the landscape of Shirley Jo Finney social impact entertainment Beadie Finzi Terry George Holly Gordon Sandy Herz Reginald Hudlin Darnell Hunt Shamil Idriss Tabitha Jackson Miura Kite Michelle Kydd Lee Anthony Leiserowitz David Linde Tom McCarthy Cara Mertes Sean Metzger Pat Mitchell Shabnam Mogharabi Joshua Oppenheimer Elise Pearlstein Richard Ray Perez Gina Prince-Bythewood Ana-Christina Ramón James Redford Liba Wenig Rubenstein Edward Schiappa Cathy Schulman Teri Schwartz Ellen Scott Jess Search Fisher Stevens Carole Tomko Natalie Tran Amy Eldon Turteltaub Gus Van Sant Rainn Wilson Samantha Wright Welcome to the test — a major university research SIE’s work to date: the most effective Welcome center focused on the power of strategies for driving impact through entertainment and performing arts to storytelling; the question of when, inspire social impact. The structure of within the creative process, impact Note this new center would be built upon three should first be considered; the key role pillars: research, education and special of research to explore, contextualize initiatives, and public engagement, and help define the field; and the programming and exhibition. importance of partnering with the right allies across the entertainment At the time, there wasn’t a university and performing arts industries for new model fully focused on this topic that ideas, special projects and initiatives. I could draw upon for information as the field was in its infancy. -
Film Preservation & Restoration Workshop
FILM PRESERVATION & RESTORATION WORKSHOP, INDIA 2016 1 2 FILM PRESERVATION & RESTORATION WORKSHOP, INDIA 2016 1 Cover Image: Ulagam Sutrum Valiban, 1973 Tamil (M. G. Ramachandran) Courtesy: Gnanam FILM PRESERVATION OCT 7TH - 14TH & RESTORATION Prasad Film Laboratories WORKSHOP 58, Arunachalam Road Saligramam INDIA 2017 Chennai 600 093 Vedhala Ulagam, 1948, Tamil The Film Preservation & Restoration Workshop India 2017 (FPRWI 2017) is an initiative of Film Heritage Foundation (FHF) and The International Federation of Film Archives (FIAF) in association with The Film Foundation’s World Cinema Project, L’Immagine Ritrovata, The Academy of Motion Picture Arts & Sciences, Prasad Corp., La Cinémathèque française, Imperial War Museums, Fondazione Cineteca di Bologna, The National Audivisual Institute of Finland (KAVI), Národní Filmový Archiv (NFA), Czech Republic and The Criterion Collection to provide training in the specialized skills required to safe- guard India’s cinematic heritage. The seven-day course designed by David Walsh, Head of the FIAF Training and Outreach Program will cover both theory and practical classes in the best practices of the preservation and restoration of both filmic and non-filmic material and daily screenings of restored classics from around the world. Lectures and practical sessions will be conducted by leading archivists and restorers from preeminent institutions from around the world. Preparatory reading material will be shared with selected candidates in seven modules beginning two weeks prior to the commencement of the workshop. The goal of the programme is to continue our commitment for the third successive year to train an indigenous pool of film archivists and restorers as well as to build on the movement we have created all over India and in our neighbouring countries to preserve the moving image legacy.