Current Strategic Business Plan for the Implementation of Digital
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Index Abulfeda crater chain (Moon), 97 Aphrodite Terra (Venus), 142, 143, 144, 145, 146 Acheron Fossae (Mars), 165 Apohele asteroids, 353–354 Achilles asteroids, 351 Apollinaris Patera (Mars), 168 achondrite meteorites, 360 Apollo asteroids, 346, 353, 354, 361, 371 Acidalia Planitia (Mars), 164 Apollo program, 86, 96, 97, 101, 102, 108–109, 110, 361 Adams, John Couch, 298 Apollo 8, 96 Adonis, 371 Apollo 11, 94, 110 Adrastea, 238, 241 Apollo 12, 96, 110 Aegaeon, 263 Apollo 14, 93, 110 Africa, 63, 73, 143 Apollo 15, 100, 103, 104, 110 Akatsuki spacecraft (see Venus Climate Orbiter) Apollo 16, 59, 96, 102, 103, 110 Akna Montes (Venus), 142 Apollo 17, 95, 99, 100, 102, 103, 110 Alabama, 62 Apollodorus crater (Mercury), 127 Alba Patera (Mars), 167 Apollo Lunar Surface Experiments Package (ALSEP), 110 Aldrin, Edwin (Buzz), 94 Apophis, 354, 355 Alexandria, 69 Appalachian mountains (Earth), 74, 270 Alfvén, Hannes, 35 Aqua, 56 Alfvén waves, 35–36, 43, 49 Arabia Terra (Mars), 177, 191, 200 Algeria, 358 arachnoids (see Venus) ALH 84001, 201, 204–205 Archimedes crater (Moon), 93, 106 Allan Hills, 109, 201 Arctic, 62, 67, 84, 186, 229 Allende meteorite, 359, 360 Arden Corona (Miranda), 291 Allen Telescope Array, 409 Arecibo Observatory, 114, 144, 341, 379, 380, 408, 409 Alpha Regio (Venus), 144, 148, 149 Ares Vallis (Mars), 179, 180, 199 Alphonsus crater (Moon), 99, 102 Argentina, 408 Alps (Moon), 93 Argyre Basin (Mars), 161, 162, 163, 166, 186 Amalthea, 236–237, 238, 239, 241 Ariadaeus Rille (Moon), 100, 102 Amazonis Planitia (Mars), 161 COPYRIGHTED -
The Vampire Lestat Has Settled in San Francisco. And
ABCD o o o xxxxx 1.10.2006 DATEBOOK Section D Darryl Bush / The Chronicle Lestat, sung by Hugh Panaro, prepares to sink his teeth into Louis (Jim Stanek) in “Lestat,” at the Curran Theatre. The musical is scheduled to run on Broadway in the spring. REVIEW K The vampire Lestat has settled in San Francisco. Lestat: Musical. And he’s singing in a new musical. Quick! Book by Linda Woolverton, adapted from Anne Rice’s “The Someone fetch the garlic and a wooden stake! Vampire Chronicles.” Music by Elton By Robert Hurwitt In “Lestat,” Elton John Palace Theatre. The world-premiere run at the Cur- John. Lyrics by Chronicle Theater Critic ran is a shakedown cruise, after all. But “Lestat” has Bernie Taupin. Directed by and Bernie Taupin have combined been in previews since Dec. 17, during which one Robert Jess The creatures of Anne Rice’s “The Vampire major supporting actor has been dismissed and pre- Roth. (Through Chronicles” have survived many things — fire, fam- their talents for a toothless act. sumably other changes have been made. It needs Jan. 29. Curran ine, dismemberment, even a couple of regrettable much more work. Theatre, 445 Hollywood movies. Whether they can survive “Les- Part of the problem may be the source. “Lestat” Geary St., San tat,” the Broadway-bound musical at the Curran “Lestat” was put together by director Robert Jess is adapted from the first two books of “The Vampire Francisco. Two Theatre, is more open to question. Roth, who staged Disney’s first theatrical venture, Chronicles” — 1976’s “Interview With the Vam- hours, 40 Didactic, disjointed, oddly miscast, confusingly “Beauty and the Beast,” now in its 12th year on pire” and 1985’s “The Vampire Lestat” — which minutes. -
The Pentagon's UAP Task Force
The Pentagon’s UAP Task Force Franc Milburn Mideast Security and Policy Studies No. 183 THE BEGIN-SADAT CENTER FOR STRATEGIC STUDIES BAR-ILAN UNIVERSITY Mideast Security and Policy Studies No. 183 The Pentagon’s UAP Task Force Franc Milburn The Pentagon’s UAP Task Force Franc Milburn © The Begin-Sadat Center for Strategic Studies Bar-Ilan University Ramat Gan 5290002 Israel Tel. 972-3-5318959 Fax. 972-3-5359195 [email protected] www.besacenter.org ISSN 0793-1042 November 2020 Cover image: Screen capture of US Navy footage of an Unidentified Aerial Phenomenon, US Department of Defense The Begin-Sadat (BESA) Center for Strategic Studies The Begin-Sadat Center for Strategic Studies is an independent, non-partisan think tank conducting policy-relevant research on Middle Eastern and global strategic affairs, particularly as they relate to the national security and foreign policy of Israel and regional peace and stability. It is named in memory of Menachem Begin and Anwar Sadat, whose efforts in pursuing peace laid the cornerstone for conflict resolution in the Middle East. Mideast Security and Policy Studies serve as a forum for publication or re-publication of research conducted by BESA associates. Publication of a work by BESA signifies that it is deemed worthy of public consideration but does not imply endorsement of the author’s views or conclusions. Colloquia on Strategy and Diplomacy summarize the papers delivered at conferences and seminars held by the Center for the academic, military, official and general publics. In sponsoring these discussions, the BESA Center aims to stimulate public debate on, and consideration of, contending approaches to problems of peace and war in the Middle East. -
Unidentified: Inside America's Ufo Investigation with Tom
UNIDENTIFIED: INSIDE AMERICA’S UFO INVESTIGATION WITH TOM DELONGE Series 2 NEW AND EXCLUSIVE SERIES RETURNS ON HISTORY® MÅNDAGAR FRÅN 26 OKTOBER KL 21.00 (8x1) INTERVIEWS AVAILABLE ON REQUEST (Canal Digital | Com Hem | Boxer | Viasat | Telia | Telenor | Sappa | IP Sweden | Sydantenn) Website: http://www.historytv.se Facebook: facebook.com/HISTORYSverige Instagram: instagram.com/HISTORYSve Download preview clip HERE Comic Con interview “It's not often a new television series gets the U.S. government to cough up its long- held secrets. That's exactly what happened after Unidentified: Inside America’s UFO Investigation aired…” SYFY Following the recently released Pentagon UFO videos, former Blink 182 star, Tom DeLonge (pictured left) returns to HISTORY for a brand-new series of Unidentified: Inside America’s UFO investigation. In season two each episode follows a specific case of the Pentagon’s U.F.O. Task Force, the Unidentified Aerial Phenomenon (UAP) which according to The New York Times will standardise collection and reporting on sightings of unexplained aerial vehicles, and report findings to the public every six months, following a recent Senate Committee Report. Investigators followed in the series include former military intelligence official and Special Agent In-Charge, Luis Elizondo (pictured right), and former Deputy Assistant Secretary of Defence and Intelligence, Chris Mellon. The team continue to divulge what the US government know about these bizarre craft, hear additional first-hand eyewitness accounts of UAP sightings from military and civilian personnel, and share insight and information about these craft to produce tangible evidence and build the most indisputable case for the existence and threat of UAP ever assembled. -
11 — 27 August 2018 See P91—137 — See Children’S Programme Gifford Baillie Thanks to All Our Sponsors and Supporters
FREEDOM. 11 — 27 August 2018 Baillie Gifford Programme Children’s — See p91—137 Thanks to all our Sponsors and Supporters Funders Benefactors James & Morag Anderson Jane Attias Geoff & Mary Ball The BEST Trust Binks Trust Lel & Robin Blair Sir Ewan & Lady Brown Lead Sponsor Major Supporter Richard & Catherine Burns Gavin & Kate Gemmell Murray & Carol Grigor Eimear Keenan Richard & Sara Kimberlin Archie McBroom Aitken Professor Alexander & Dr Elizabeth McCall Smith Anne McFarlane Investment managers Ian Rankin & Miranda Harvey Lady Susan Rice Lord Ross Fiona & Ian Russell Major Sponsors The Thomas Family Claire & Mark Urquhart William Zachs & Martin Adam And all those who wish to remain anonymous SINCE Scottish Mortgage Investment Folio Patrons 909 1 Trust PLC Jane & Bernard Nelson Brenda Rennie And all those who wish to remain anonymous Trusts The AEB Charitable Trust Barcapel Foundation Binks Trust The Booker Prize Foundation Sponsors The Castansa Trust John S Cohen Foundation The Crerar Hotels Trust Cruden Foundation The Educational Institute of Scotland The Ettrick Charitable Trust The Hugh Fraser Foundation The Jasmine Macquaker Charitable Fund Margaret Murdoch Charitable Trust New Park Educational Trust Russell Trust The Ryvoan Trust The Turtleton Charitable Trust With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by the kind permission of the Charlotte Square Proprietors. Media Sponsors We would like to thank the publishers who help to make the Festival possible, Essential Edinburgh for their help with our George Street venues, the Friends and Patrons of the Edinburgh International Book Festival and all the Supporters other individuals who have donated to the Book Festival this year. -
2017 Fall Event Brochure
RING RD LOCATIONS ELM ST 1 MAIN LIBRARY LIBRARIES IN RED 1510 E UNIVERSITY BLVD PARKING GARAGES IN BLUE WARREN AVE WARREN 520.621.6442 ARIZONA HEALTH LIBRARY.ARIZONA.EDU FOR FULL PARKING MAP AND FEE INFORMATION SCIENCES CENTER PARKING.ARIZONA.EDU, 520.626.7275 CAMPBELL AVE CAMPBELL 2 SCIENCE-ENGINEERING LIBRARY 744 N HIGHLAND AVE 520.621.6384 E DRACHMAN ST UAMC VINE AVE PATIENT & VISITOR GARAGE 3 FINE ARTS LIBRARY HIGHLAND AVE PARK AVE PARK HIGHLAND E MABEL ST 1017 N OLIVE RD GARAGE AVE CHERRY FRED FOX SCHOOL OF MUSIC MOUNTAIN AVE MOUNTAIN 2nd FLOOR, ROOM 233 E HELEN ST 520.621.7009 PARK AVE GARAGE 4 SPECIAL COLLECTIONS EUCLID AVE WARREN AVE WARREN 1510 E UNIVERSITY BLVD E SPEEDWAY BLVD E SPEEDWAY BLVD 520.621.6423 SPECCOLL.LIBRARY.ARIZONA.EDU ONE WAY E FIRST ST MUSIC TYNDALL AVE TYNDALL BLDG 5 HEALTH SCIENCES LIBRARY E FIRST ST 1501 N CAMPBELL AVE MOUNTAIN AVE MOUNTAIN CAMPBELL AVE CAMPBELL PALM DR PALM OLIVE RD SECOND ST 2nd FLOOR MAIN ONE WAY E SECOND ST GATE GARAGE 520.626.6125 GARAGE AHSL.ARIZONA.EDU E SECOND ST COVER IMAGE: CHERRY AVE CHERRY Detail, Portrait of Martin Luther, OLD MALL CLOSED TO TRAFFIC E UNIVERSITY BLVD by Lucas Cranach the Elder (1472-1553), MAIN E UNIVERSITY BLVD 1528 (Veste Coburg), oil on panel TYNDALL AVE GARAGE CHERRY AVE GARAGE E FOURTH ST E FOURTH ST CHERRY AVE CHERRY ENKE DR TYNDALL AVE TYNDALL PARK AVE PARK LOWELL CAMPBELL AVE CAMPBELL EUCLID AVE NAT’L CHAMPIONS DR CHAMPIONS NAT’L SIXTH ST HIGHLAND AVE E SIXTH ST GARAGE E SIXTH ST FALL 2017 SPECIAL COLLECTIONS SPECIAL EVENTS speccoll.library.arizona.edu Library Cats Tech Breakfast Contact: Kathy McCarthy | 520.626.8332 Saturday, October 28, 9–11 a.m., Science-Engineering Library [email protected] All alumni and friends are welcome at our Homecoming EXHIBIT | Opens August 7 celebration. -
Philosophy Goes to the Movies
PHILOSOPHY GOES TO THE MOVIES ‘Philosophy Goes to the Movies is very clearly and engagingly written. It has a particular claim on the attention of those preparing students for a systematic study of philosophy, one that distinguishes it from any other introductory book I know of.’ Stephen Mulhall, University of Oxford ‘I think this is an excellent text. Falzon is in control of his material. He writes clearly and at a level that undergraduates can understand. He seems as comfortable describing films as he is explaining the nature of a philosophical problem. It will make an outstanding text to use in introductory philosophy classes.’ Thomas Wartenburg, Mount Holyoke College, USA Philosophy Goes to the Movies is a new kind of introduction to philosophy that makes use of film to help us understand philosophical ideas and positions. Drawing on art- house movies like Cinema Paradiso and Hollywood blockbusters such as The Matrix, Christopher Falzon introduces and discusses central areas of philosophical concern, including: • the theory of knowledge • the self and personal identity • ethics • social and political philosophy • science and technology • critical thinking. Falzon draws from the ideas of a diverse selection of thinkers, from Plato and Descartes to Marcuse and Foucault. Ideal for the beginner, this book guides the student through philosophy using lively and illuminating cinematic examples including Total Recall, Crimes and Misdemeanors, Monty Python and the Holy Grail, Antz and Wings of Desire. It will also appeal to anyone interested in the philosophical dimensions of cinema. Christopher Falzon is Lecturer in Philosophy at Newcastle University, Australia. He is the author of Foucault and Social Dialogue (Routledge, 1998). -
Chapter 12 the Moon and Mercury: Comparing Airless Worlds The
11/4/2015 The Moon: The View from Earth From Earth, we always see the same side of the moon. Moon rotates around its axis in the same time that it takes to orbit Chapter 12 around Earth: The Moon and Mercury: Tidal coupling: Earth’s gravitation has Comparing Airless Worlds produced tidal bulges on the moon; Tidal forces have slowed rotation down to same period as orbital period Lunar Surface Features Highlands and Lowlands Two dramatically Sinuous rilles = different kinds of terrain: remains of ancient • Highlands: lava flows Mountainous terrain, scarred by craters May have been lava • Lowlands: ~ 3 km lower than highlands; smooth tubes which later surfaces: collapsed due to Maria (pl. of mare): meteorite bombardment. Basins flooded by Apollo 15 lava flows landing site The Highlands Impact Cratering Saturated with craters Impact craters on the moon can be seen easily even with small telescopes. Older craters partially … or flooded by Ejecta from the impact can be seen as obliterated by more lava flows bright rays originating from young recent impacts craters 1 11/4/2015 History of Impact Cratering Missions to the Moon Rate of impacts due to Major challenges: interplanetary Need to carry enough fuel for: bombardment decreased • in-flight corrections, rapidly after the formation of the solar system. • descent to surface, • re-launch from the surface, • return trip to Earth; Most craters seen on the need to carry enough food and other moon’s (and Mercury’s) life support for ~ 1 week for all surface were formed astronauts on board. Lunar module (LM) of within the first ~ ½ billion Solution: Apollo 12 on descent to the years. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
Overview of Race and Crime, We Must First Set the Parameters of the Discussion, Which Include Relevant Definitions and the Scope of Our Review
Overview CHAPTER 1 of Race and Crime Because skin color is socially constructed, it can also be reconstructed. Thus, when the descendants of the European immigrants began to move up economically and socially, their skins apparently began to look lighter to the whites who had come to America before them. When enough of these descendants became visibly middle class, their skin was seen as fully white. The biological skin color of the second and third generations had not changed, but it was socially blanched or whitened. —Herbert J. Gans (2005) t a time when the United States is more diverse than ever, with the minority popula- tion topping 100 million (one in every three U.S. residents; U.S. Census Bureau, 2010), the notion of race seems to permeate almost every facet of American life. A Certainly, one of the more highly charged aspects of the race dialogue relates to crime. Before embarking on an overview of race and crime, we must first set the parameters of the discussion, which include relevant definitions and the scope of our review. When speaking of race, it is always important to remind readers of the history of the concept and some current definitions. The idea of race originated 5,000 years ago in India, but it was also prevalent among the Chinese, Egyptians, and Jews (Gossett, 1963). Although François Bernier (1625–1688) is usually credited with first classifying humans into distinct races, Carolus Linnaeus (1707–1778) invented the first system of categorizing plants and humans. It was, however, Johan Frederich Blumenbach (1752–1840) who developed the first taxonomy of race. -
Author Alex Kerekes in Mexico
FINDING LOST CIVILIZATIONS AUTHOR ALEX KEREKES IN MEXICO Finding Lost Civilizations Alex Kerekes Park Place Publications Pacific Grove, california Finding Lost Civilizations Alexander Kerekes [email protected] Copyright © 2008 Alexander Kerekes All rights reserved under International and Pan-American copyright conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. ISBN 978-1-877809-12-5 Printed in the U.S.A. First U.S. Edition: July 2008 Published by PARK PLACE PUBLICATIONS PACIFIC GROVE, CALIFORNIA www.parkplacepublications.com 2 Preface ome people have asked me, “Is this story true?” The an- Sswer is, mostly yes. I am not an anthropologist document- ing scientific observations. What I am is a witness to history, a storytelling accidental tourist on a path less traveled, and a protector of rascals and innocents encountered during my journey into Mexico. Sit back, relax, and enjoy the excite- San Pedro Lagunillas ment I truly did experience. Oscar Wilde said something to the effect that the storyteller recognizes that recreation, not instruction, is the aim of conversation, and the storyteller is Zacualpan * * a far more civilized being than the blockhead who loudly expresses his disbelief in a story that is told for the amuse- ment of the company. I hope my story is both amusing and educational. Read on and judge for yourself. State of Nayarit, Mexico. 1 CHAPTERS Preface .................................................................................. 1 Sacred Hot Springs and Deer Roasts .................................... 65 The Thirteen Stations of the Cross .......................................... 5 The Treasures of El Conde ................................................... -
TRASH CONVERTER: the Process of Contemporary Alchemy Collecting, Copying and Arranging in Sculptural Forms
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2018 TRASH CONVERTER: The Process of Contemporary Alchemy Collecting, copying and arranging in sculptural forms Sarah Goffman University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Goffman, Sarah, TRASH CONVERTER: The Process of Contemporary Alchemy Collecting, copying and arranging in sculptural forms, Doctor of Creative Arts thesis, School of the Arts, English and Media, University of Wollongong, 2018.