Dan Moldea Spells out an Alliance of the U.S. Left and FBI Against Reagan
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How the Mob and the Movie Studios Sold out the Hollywood Labor Movement and Set the Stage for the Blacklist
TRUE-LIFE NOIR How the Mob and the movie studios sold out the Hollywood labor movement and set the THE CHICAGO WAY stage for the Blacklist Alan K. Rode n the early 1930s, Hollywood created an indelible image crooked law enforcement, infected numerous American shook down businesses to maintain labor peace. Resistance The hard-drinking Browne was vice president of the Local of the urban gangster. It is a pungent irony that, less than metropolises—but Chicago was singularly venal. Everything by union officials was futile and sometimes fatal. At least 13 2 Stagehands Union, operated under the umbrella of IATSE a decade later, the film industry would struggle to escape and everybody in the Windy City was seemingly for sale. Al prominent Chicago labor leaders were killed; and not a single (The International Alliance of Theatrical Stage Employees, the vise-like grip of actual gangsters who threatened to Capone’s 1931 federal tax case conviction may have ended his conviction for any criminals involved.Willie Bioff and George Moving Picture Technicians, Artists and Allied Crafts, here- bring the movie studios under its sinister control. reign as “Mr. Big,” but his Outfit continued to grow, exerting Browne were ambitious wannabes who vied for a place at after referred to as the IA). He had run unsuccessfully for the Criminal fiefdoms, created by an unholy trinity its dominion over various trade unions. Mobsters siphoned the union trough. Russian-born Bioff was a thug who served IA presidency in 1932. Bioff and Browne recognized in each Iof Prohibition-era gangsters, ward-heeling politicians, and off workers’ dues, set up their cohorts with no-show jobs, and the mob as a union slugger, pimp, and whorehouse operator. -
Nixon's Caribbean Milieu, 1950–1968
Dark Quadrant: Organized Crime, Big Business, and the Corruption of American Democracy Online Appendix: Nixon’s Caribbean Milieu, 1950–1968 By Jonathan Marshall “Though his working life has been passed chiefly on the far shores of the continent, close by the Pacific and the Atlantic, some emotion always brings Richard Nixon back to the Caribbean waters off Key Biscayne and Florida.”—T. H. White, The Making of the President, 19681 Richard Nixon, like millions of other Americans, enjoyed Florida and the nearby islands of Cuba and the Bahamas as refuges where he could leave behind his many cares and inhibitions. But he also returned again and again to the region as an important ongoing source of political and financial support. In the process, the lax ethics of its shadier operators left its mark on his career. This Sunbelt frontier had long attracted more than its share of sleazy businessmen, promoters, and politicians who shared a get-rich-quick spirit. In Florida, hustlers made quick fortunes selling worthless land to gullible northerners and fleecing vacationers at illegal but wide-open gambling joints. Sheriffs and governors protected bookmakers and casino operators in return for campaign contributions and bribes. In nearby island nations, as described in chapter 4, dictators forged alliances with US mobsters to create havens for offshore gambling and to wield political influence in Washington. Nixon’s Caribbean milieu had roots in the mobster-infested Florida of the 1940s. He was introduced to that circle through banker and real estate investor Bebe Rebozo, lawyer Richard Danner, and Rep. George Smathers. Later this chapter will explore some of the diverse connections of this group by following the activities of Danner during the 1968 presidential campaign, as they touched on Nixon’s financial and political ties to Howard Hughes, the South Florida crime organization of Santo Trafficante, and mobbed-up hotels and casinos in Las Vegas and Miami. -
Download Full Book
Vegas at Odds Kraft, James P. Published by Johns Hopkins University Press Kraft, James P. Vegas at Odds: Labor Conflict in a Leisure Economy, 1960–1985. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.3451. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/3451 [ Access provided at 25 Sep 2021 14:41 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Vegas at Odds studies in industry and society Philip B. Scranton, Series Editor Published with the assistance of the Hagley Museum and Library Vegas at Odds Labor Confl ict in a Leisure Economy, 1960– 1985 JAMES P. KRAFT The Johns Hopkins University Press Baltimore © 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data Kraft, James P. Vegas at odds : labor confl ict in a leisure economy, 1960– 1985 / James P. Kraft. p. cm.—(Studies in industry and society) Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9357- 5 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9357- 7 (hardcover : alk. paper) 1. Labor movement— Nevada—Las Vegas— History—20th century. 2. Labor— Nevada—Las Vegas— History—20th century. 3. Las Vegas (Nev.)— Economic conditions— 20th century. I. Title. HD8085.L373K73 2009 331.7'6179509793135—dc22 2009007043 A cata log record for this book is available from the British Library. -
0813122023.Pdf
Engulfed Page ii Blank ? Engulfed The Death of Paramount Pictures and the Birth of Corporate Hollywood BERNARD F. DICK THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 05 04 03 02 01 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Dick, Bernard F. Engulfed: the death of Paramount Pictures and the birth of corporate Hollywood / Bernard F. Dick. p. cm. Includes bibliographical references and index. ISBN 0-8131-2202-3 (cloth : acid-free paper) 1. Paramount Pictures Corporation–History. 2. Title. PN1999.P3 D53 2001 384'.8’06579494 00012276 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Contents Preface ix 1 Mountain Glory 1 2 Mountain Gloom 44 3 Barbarians at the Spanish Gate 85 4 Charlie’s Boys 109 5 The Italian Connection 126 6 The Diller Days 149 7 Goodbye, Charlie 189 8 Sumner at the Summit 206 Epilogue 242 End Titles 245 Notes 247 Index 259 Photo insert follows page 125 Page vi Blank For Katherine Page viii Blank Preface In Mel Brooks’s Silent Movie (1977), Sid Caesar nearly has a heart attack when he learns that a megaconglomerate called “Engulf and Devour” has designs on his little studio. -
Banker Manatt and Hollywood's Mafia
Click here for Full Issue of EIR Volume 11, Number 27, July 17, 1984 Manatt and Mondale are moral degenerates, individuals whose personal lives make them easily susceptible to the kind of sexual and other blackmail in which the KGB specializes. Corruption and moral pathology The current crop of Democratic Party presidential con Banker Manatt and tenders-apart from dark horse candidate Lyndon La Rouche, the challenger to the corrupt Democratic machine by Kathleen Klenetsky exemplifies the process of moral degeneration which has grippedthe party.Gary Hart is a reputed wife-beater and bed hopper whose lies about his true name and age point to a In the summ�r of 1981, shortly after Charles Manatt spent pathological personality. Jesse Jackson's organizations have over $75,000 to buy himself the Democratic National chair received money from Libya, one of the major promoters of manship, he announced that he had reached an agreement to international terrorism. This, not conviction, explains why sell his bank, First Los Angeles, to the Istituto San Paolo di Jackson himself has dragged his feet in censuring thug worker Torino. Under the agreement, Manatt revealed, he and his Louis Farrakhan,despite his repeated anti-SemitiC outbursts. law partner, Alan Rothenberg, would retain their director But neither Hart nor Jackson holds a candle to Fritz when ships of the bank. it comes to moral turpitude. The man first in line to get the This was the first U.S. bank acquired by the huge Istituto Democratic presidential nomination has a personal and polit San Paolo, and there was plenty of speculation as to why it ical history which might suit him for the Babylonian priest would pay over $60 million to acquire First Los Angeles hood, but certainly not for the White House. -
Neoliberalism and Monopoly in the Motion Picture Industry
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-19-2020 Neoliberalism and Monopoly in the Motion Picture Industry Michael S. Wartenbe Florida International University, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the American Politics Commons, International Economics Commons, International Relations Commons, and the Political Economy Commons Recommended Citation Wartenbe, Michael S., "Neoliberalism and Monopoly in the Motion Picture Industry" (2020). FIU Electronic Theses and Dissertations. 4417. https://digitalcommons.fiu.edu/etd/4417 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida NEOLIBERALISM AND MONOPOLY IN THE MOTION PICTURE INDUSTRY A d issertati on s ubm. itt ed in par tia l fulf illm en t of the requireme nt s for the deg ree of DOCTOR OF PHILOSOPHY in INTERNATIONAL RELATIONS by Michael Wartenbe 2020 To: Dean John F. Stack, Jr. Steven J. Green School of International & Public Affairs This dissertation, written by Michael Wartenbe, and entitled Neoliberalism and Monopoly in the Motion Picture Industry, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved. ________________________________________ Gail Hollander ________________________________________ Jin Zeng ________________________________________ Clement Fatovic ________________________________________ Ronald Cox, Major Professor Date of Defense: March 19, 2020 This dissertation of Michael Wartenbe is approved. -
7Th National A&E Journalism Awards
2014 SEVENTH ANNUAL Quincy Jones The Visionary Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS Nancy O’Dell The Luminary Award LOS ANGELES PRESS CLUB 7TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2013 and 2014, Honorary Awards for 2014 4773 Hollywood Boulevard Los Angeles, California 90027 Phone: (323) 669-8081 LOS ANGELES PRESS CLUB’S Fax: (310) 464-3577 E-mail: [email protected] Website: www.lapressclub.org The Visionary Award For Humanitarian Work PRESS CLUB OFFICERS QUINCY JONES PRESIDENT: Robert Kovacik NBC4 SoCal In conversation with Robert Kovacik VICE PRESIDENT: Patt Morrison Los Angeles Times/KPCC Introduced by Tina Sinatra TREASURER: Anthony Palazzo Bloomberg News Greg Gorman SECRETARY: Christina Villacorte Freelance The Luminary Award PUBLISHER: Gloria Zuurveen Pace News For Career Achievement EXECUTIVE DIRECTOR: Diana Ljungaeus N ANCY O’DELL International Journalist PRESIDENT EMERITUS: Jill Stewart Entertainment Tonight LA Weekly Introduced by Brad Bessey BOARD MEMBERS Barbara Gasser Hollywood Foreign Press Association Gabriel Kahn, USC Annenberg Fernando Mexia, Spanish EFE News Service Tony Pierce, Academy of Motion Picture Arts and Sciences Your hosts: Adam J. Rose, Huffington Post Robert Kovacik, Dan Lauria and Carolina Sarassa, MundoFox Valerie Azlynn 43 NOMINATIONS Ben Sullivan, ScienceBlog.com LOS ANGELES PRESS CLUB 2014 NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS Brain Watt, KPCC HARONOR Y BOARD MEMBERS Alex Ben Block MORE NOMINATIONS Ted Johnson Will Lewis THAN ANY OTHER ENTERTAINMENT ADVISORY BOARD ORGANIZATION Eli Broad Ramona Ripston Sunday, November 23, 2014 Rick J. Caruso Hon. -
Bibliography
Dark Quadrant: Organized Crime, Big Business, and the Corruption of American Democracy Bibliography Archives and Unpublished Documents Association for Diplomatic Studies and Training Oral History Interviews -Ambassador Joseph S. Farland, January 31, 2000 -Henry Dearborn, April 24, 1991 Central Intelligence Agency - Reading Room, at https://www.cia.gov/library/readingroom/docs/ Dwight Eisenhower Library Papers -Robert Anderson -Jacqueline Cochran -Floyd Odlum -William Rogers Federal Bureau of Investigation Files -Sen. Howard W. Cannon -Louis Chesler -Roy Cohn -Henry Crown -Morris Dalitz -Abraham Feinberg -Hank Greenspun -Henry Grunewald -Murray Humphreys -Sydney Korshak -Meyer Lansky -Charles Rebozo -John Rosselli -Anthony Salerno -G. David Schine -Benjamin “Bugsy” Siegel Jonathan Marshall, Dark Quadrant: Organized Crime, Big Business, and the Corruption of American Democracy -Al Schwimmer -Frank Sinatra -George Sokolsky -Abner Zwillman Harry S. Truman Library Oral History Interviews -George E. Allen, May 15, 1969 -Eben A. Ayers, April 19, 1967 -John M. Cabot, July 18, 1973 -Thomas D. Cabot, June 6, 1975 -Harry Easley, August 24, 1967 -Abraham Feinberg, August 23, 1973 -Felix E. Larkin, September 18 and October 23, 1972 -David H. Stowe, July 27, 1963 Papers -Dean Acheson -Edward H. Foley Jr. -Richard C. Patterson Jr. -President’s Secretary’s Files Hoover Institution Papers -Charles Cooke -Stanley Hornbeck -Gilbert Stuart John F. Kennedy Library JFK White House Telephone Records Oral History Interviews -Harold Brown, May 14, 1964 -John E. Byrne, September 16, 1969 -McGeorge Bundy, March 1964 -Ramsey Clark, July 7 and 20, 1970 -Joseph Farland, July 24, 1969 -William G. Hundley, December 9, 1970 -Laura Bergquist Knebel, December 8, 1965 -Fred Korth, January 27, 1966 -Norbert Schlei, February 20–21, 1968 2 Jonathan Marshall, Dark Quadrant: Organized Crime, Big Business, and the Corruption of American Democracy -Walter Sheridan, June 12, 1970 -George A. -
DISTINGUISHED Residentsof
DISTINGUISHED 1 RESI D ENTS of Hillside Memorial Park and Mortuary DISTINGUISHED RESIDENTS IRV I NG AA RONSON (1895 – 1963) EV E RL A ST I NG Pea C E Irving Aaronson’s career began at the age of 11 as a movie theater pianist. DISTINGUISHED RE S I D E NTS GU I D E : A LE G A CY OF LE G E NDS In the 1920’s he became a Big Band leader with the Versatile Sextette and Irving Aaronson & the Commanders. The Commanders recorded “I’ll Get By,” Cole Porter’s “Let’s Misbehave,” “All By Ourselves in the Hillside Memorial Park and Mortuary has provided a place to Moonlight,” “Don’t Look at Me That Way” and “Hi-Ho the Merrio.” Irving Aaronson His band included members Gene Krupa, Claude Thornhill and Artie honor the accomplishments and legacies of the Jewish community Shaw. He later worked for MGM as a music coordinator for “Arrivederci Roma” (1957), “This Could Be the Night” (1957), “Meet Me in Las Vegas” since 1942. We have made it our mission to provide southern (1956) and as music advisor for “The Merry Widow” (1952). California with a memorial park and mortuary dedicated to ROSLYN ALF I N –SL A T E R (1916 – 2002) GA RD E N OF SA R A H honoring loved ones in a manner that is fitting and appropriate. Dr. Roslyn Alfin-Slater was a highly esteemed UCLA professor and nutrition expert. Her early work included studies on the relationship between cholesterol and essential fatty acid metabolism. -
The Los Angeles Olympic Organizing Committee
Click here for Full Issue of EIR Volume 11, Number 18, May 8, 1984 The Los Angeles Olympic Organizing Committee A playground for organized crim.e and Soviet KGB operations by Tim Pike The Los Angeles Olympic Organizing Committee, founded Pat Brown, then state attorney general, elevated Lester in 1979, describes itself as a "blue-ribbon" panel mandated Ziffren, Paul's younger brother, to deputy attorney general, to organize every aspect of the 1984 summer Olympics, from right out of law school. The mobsters themselves were placed contract services to security protection. In fact, as we shall at the top of the "law enforcement" apparatus. show, it is the Committee itself, with its connections to or In the 1960s, Ziffren and Korshak negotiated one deal ganized crime and to Soviet intelligence agencies, that poses after another for Bernie Cornfeld's Investors Overseas Ser the greatest threat to the security of the Olympics. vices, set up in 1961 with a $26,000 loan from the Dreyfuss These will be the first Olympic Games paid for entirely Fund. Under cover of mutual funds activities, lOS laundered by "private enterprise,"ostensibly to save the taxpayers mon monies from mobster Meyer Lansky's syndicate, after Lan ey. But the entrepreneurs who constitute the Committee, sky's move into narcotics. Within a few years, the influx of controlling $3.3 billion in economic benefits generated di dirty money from the drug trade and the Las Vegas skim was rectly and indirectly by the Olympics (by the Committee's so large that stock movements by lOS on the New York estimate), are not acting out of love for spectator sports. -
Counterspy: Cia Front
Approved For Release 2010/06/14: CIA-RDP90-00845R000100130002-1 SenatorLaxalt and the Mob 1 Alsolnthis Issue: Reagan Censors Government Workers • The CIA's "Free"Elections in El Salvador • Philippine Elections "Made in U.S.A." • CIA Goesto Rutgers • South Africa Positions for Olympic Gold• Corruption in El Salvador• Right Wing Subverts Australian Labor Approved For Release 2010/06/14: CIA-RDP90-00845R000100_1�0002-1 Approved For Release 2010/06/14: CIA-RDP90-00845R000100130002-1 2 June-August 1984 Counterspy Approved For Release 2010/06/14: CIA-RDP90-00845R000100130002-1 Editor COUNTERSPY JUNE-AUGUST 1984 John Kelly FEATURES Board of Advisors Cover to Cover: Rewald's CIA Story Dr. Walden Bello by John Kelly Congressional Lobby When Rewald's investment company went bankrupt, furious In Director, Philippine 8 vestors filed suit against Rewald-and the CIA- to recover Support Committee their money. For Rewald claims his company was a CIA front, John Cavanagh cultivating wealthy individuals as CIA contacts through money Economist making schemes. Dr. Noam Chomsky Paul Laxalt's Debt to the Mob Professor at MIT by Murray Waas Peace Activist Paul Laxalt-U.S. Senator, close friend and personal confidant 18 of the President, and Chairman of the Republican national Com Dr. Joshua Cohen Assistant Professor, MIT mittee-accepted a $950,000 loan arranged by organized crime friends. Joan Coxsedge Member of Parliament World Bank State of Victoria, Australia A poem by Arjun Makhijani Konrad Ege 27 Journalist Ruth Fitzpatrick ... And Lifetime Censorship for All Member, Steering Committee by Angus MacKenzie of the Religious Task Force Congress thought it had stopped a new rule subjecting govern on Central America 28 ment workers to censorship for life. -
Chicago Jewish History
Look to the rock from which you were hewn Vol. 30, No. 4, Fall 2006 chicago jewish historical society chicago jewish history Sunday, December 10—Save the Date! CJHS Presents “From Balaban & Katz to the Last Independent: Chicago’s Jewish Movie Theater Owners” Richard Stern, whose family for forty years owned Chicago’s first fine art theater, the Cinema Theater at Chicago and Michigan Avenues, will be the featured speaker at the next open meeting of the Chicago Jewish Historical Society, on Sunday, December 10. The program will begin at 2:00 p.m., after a social hour and refreshments at 1:00 p.m., at Temple Sholom, 3480 North Lake Shore Drive, Chicago. Admission is free and open to the public. An uncle of Richard Stern married a sister of Sam Katz, one of the founders of Balaban & Katz. Through this connection, Richard’s family got into the movie theater business. His father, uncles and cousins were all in the business, and among them owned many different well-known theaters in many neighborhoods in Chicago and the suburbs. Richard began managing Xavier Cugat: Caricature his father’s theaters while in his early teens. In recent years, he was known of Danny Newman, 1951. for the high-quality but not widely distributed Jewish-themed movies which Collection of Mr. Newman. he screened at the Wilmette Theater (which he recently sold). Mr. Stern will discuss the matrix IN THIS ISSUE of his own and several other Jewish Year-End Review: families who owned both chains and Our Popular Public individual movie theaters.