English Verse 1760-1820
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{PDF EPUB} Rejected Addresses: and Other Poems by James Smith
Read Ebook {PDF EPUB} Rejected addresses: and other poems by James Smith Jun 25, 2010 · Rejected addresses, and other poems Paperback – June 25, 2010 by Epes Sargent (Author), Horace Smith (Author), James Smith (Author) › Visit Amazon's James Smith Page. Find all the books, read about the author, and more. See search results for this author. Are you an author?Author: Epes Sargent, Horace Smith, James SmithFormat: PaperbackRejected Addresses, and other poems. ... With portraits ...https://www.amazon.com/Rejected-Addresses...Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. [Smith, James, Sargent, Epes, Smith, Horatio] on Amazon.com. *FREE* shipping on qualifying offers. Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. Jun 22, 2008 · Rejected Addresses: And Other Poems by James Smith, Horace Smith. Publication date 1871 Publisher G. P. Putnam & sons Collection americana Digitizing sponsor Google Book from the collections of University of Michigan Language English.Pages: 441Rejected Addresses, and other poems. ... With portraits ...https://books.apple.com/us/book/rejected-addresses...The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collectio… Rejected addresses, and other poems Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for wordpress.com hosted blogs and archive.org item <description> tags) Want more? Advanced embedding details, examples, and help! ...Pages: 460Rejected addresses, and other poems. -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Which Vernacular Revival? Burns and the Makars R.D.S
Studies in Scottish Literature Volume 30 | Issue 1 Article 4 1-1-1998 Which Vernacular Revival? Burns and the Makars R.D.S. Jack Follow this and additional works at: http://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Jack, R.D.S. (1998) "Which Vernacular Revival? Burns and the Makars," Studies in Scottish Literature: Vol. 30: Iss. 1. Available at: http://scholarcommons.sc.edu/ssl/vol30/iss1/4 This Article is brought to you for free and open access by the USC Columbia at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. R. D. S. Jack Which Vernacular Revival? Burns and the Makars When I was introduced to Bums at university, he was properly described as the senior member of a poetic trinity. With Ramsay and Fergusson, we were told, he initiated something called "The Vernacular Revival." That is, in the eighteenth century these poets revived poetic use of Scots ("THE vernacular") after a seventeenth century of treacherous anglicization caused by James VI and the Union of the Crowns. Sadly, as over a hundred years had elapsed, this worthy rescue effort might resuscitate but could never restore the national lan guage to the versatility in fullness of Middle Scots. This pattern and these words-national language, treachery, etc.-still dominate Scottish literary history. They are based on modem assumptions about language use within the United Kingdom. To see Bums's revival of the Scots vernacular in primarily political terms conveniently makes him anticipate the linguistic position of that self-confessed twentieth-century Anglophobe, C. -
Ethnicity and the Writing of Medieval Scottish History1
The Scottish Historical Review, Volume LXXXV, 1: No. 219: April 2006, 1–27 MATTHEW H. HAMMOND Ethnicity and the Writing of Medieval Scottish history1 ABSTRACT Historians have long tended to define medieval Scottish society in terms of interactions between ethnic groups. This approach was developed over the course of the long nineteenth century, a formative period for the study of medieval Scotland. At that time, many scholars based their analysis upon scientific principles, long since debunked, which held that medieval ‘peoples’ could only be understood in terms of ‘full ethnic packages’. This approach was combined with a positivist historical narrative that defined Germanic Anglo-Saxons and Normans as the harbingers of advances in Civilisation. While the prejudices of that era have largely faded away, the modern discipline still relies all too often on a dualistic ethnic framework. This is particularly evident in a structure of periodisation that draws a clear line between the ‘Celtic’ eleventh century and the ‘Norman’ twelfth. Furthermore, dualistic oppositions based on ethnicity continue, particu- larly in discussions of law, kingship, lordship and religion. Geoffrey Barrow’s Robert Bruce and the Community of the Realm of Scotland, first published in 1965 and now available in the fourth edition, is proba- bly the most widely read book ever written by a professional historian on the Middle Ages in Scotland.2 In seeking to introduce the thirteenth century to such a broad audience, Barrow depicted Alexander III’s Scot- land as fundamentally -
Memorials of Angus and Mearns, an Account, Historical, Antiquarian, and Traditionary
j m I tm &Cfi mm In^fl^fSm MEMORIALS OF ANGUS AND THE MEARNS AN ACCOUNT HISTORICAL, ANTIQUARIAN, AND TRADITIONARY, OF THE CASTLES AND TOWNS VISITED BY EDWARD L, AND OF THE BARONS, CLERGY, AND OTHERS WHO SWORE FEALTY TO ENGLAND IN 1291-6 ; ALSO OF THE ABBEY OF CUPAR AND THE PRIORY OF RESTENNETH, By the late ANDREW JERVISE, F.SA. SCOT. " DISTRICT EXAMINER OF REGISTERS ; AUTHOR OF THE LAND OF THE LINDSAYS," "EPITAPHS AND INSCRIPTIONS," ETC. REWRITTEN AND CORRECTED BY Rev. JAMES GAMMACK, M.A. Aberdeen CORRESPONDING MEMBER OF THE SOCIETY OF ANTIQUARIES, SCOTLAND ; AND MEMBER OF THE CAMBRIAN ARCH/EOLOGICAL ASSOCIATION. *v MEMORIALS OF ANGUS and M EARNS AN ACCOUNT HISTORICAL, ANTIQUARIAN, S* TRADITIONARY. VOL. I. EDINBURGH: DAVID DOUGLAS M DCCC LXXXV TO THE EIGHT HONOURABLE 31ame& SIXTH, AND BUT FOR THE ATTAINDER NINTH, EAEL OF SOUTHESK, BARON CARNEGIE OF KINNAIRD AND LEUCHARS, SIXTH BARONET OF PITTARROW, FIRST BARON BALINHARD OF FARNELL, AND A KNIGHT OF THE MOST ANCIENT AND MOST NOBLE ORDER OF THE THISTLE, Sins Seconn tuition IN IS, ACKNOWLEDGMENT OF MANY FAVOURS, MOST RESPECTFULLY DEDICATED, BY THE EDITOR VOL. I. EDITORS PBEFACE TO THE SECOND EDITION. As the Eirst Edition of this work was evidently an object of much satisfaction to the Author, and as its authority has been recognised by its being used so freely by later writers, I have felt in preparing this Second Edition that I was acting under a weighty responsibility both to the public and to Mr. Jervise's memory. Many fields have presented themselves for independent research, but as the plan of the work and its limits belonged to the author and not to the editor, I did not feel justified in materially altering either of them. -
Barbour's Bruce and Haryls Wallace: Complements, Compensations and Conventions Grace G
Studies in Scottish Literature Volume 25 | Issue 1 Article 13 1990 Barbour's Bruce and Haryls Wallace: Complements, Compensations and Conventions Grace G. Wilson Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Wilson, Grace G. (1990) "Barbour's Bruce and Haryls Wallace: Complements, Compensations and Conventions," Studies in Scottish Literature: Vol. 25: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol25/iss1/13 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Grace G. Wilson Barbour's Bruce and Haryls Wallace: Complements, Compensations and Conventions In 1488 and 1489, John Ramsay co~ied Hary's Wallace and John Bar bour's Brnce into a pair of manuscripts. John Jamieson edited them as a pair in 1820.2 Before and after Jamieson, other readers felt a similar in clination to place the two poems side by side.3 This impulse is natural, for the Brnce and the Wallace are alike in several basic ways. The Brnce, fin ished by 1378, is the earliest long {13,645 lines in McDiarmid and Steven- 1Matthew P. McDiarmid, editor, Hary's ''Wallace; Scottish Text Society (hereafter STS), 4th series, 2 vols. (Edinburgh and London, 1968-69), I, ix, n. 1. All citations from the Wallace are from this edition. Matthew P. McDiarmid and James A. C. Stevenson, editors, Barbour's ''Bruce''; 'j4 fredom is a noble thingr, STS, 4th series, 3 vols. -
ANNA GORDON BROWN's BALLADS Ruth Perry MIT
Studies in Scottish Literature Volume 38 | Issue 1 Article 13 2012 THE PRINTED RECORD OF AN ORAL TRADITION: ANNA GORDON BROWN'S BALLADS Ruth Perry MIT Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Perry, Ruth (2012) "THE PRINTED RECORD OF AN ORAL TRADITION: ANNA GORDON BROWN'S BALLADS," Studies in Scottish Literature: Vol. 38: Iss. 1, 71–91. Available at: https://scholarcommons.sc.edu/ssl/vol38/iss1/13 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. THE PRINTED RECORD OF AN ORAL TRADITION: ANNA GORDON BROWN’S BALLADS Ruth Perry Traditional ballads—those sung narratives whose origins are uncertain and whose authorship is unknown—have been difficult for literary scholars to account for and to analyze. Anonymous folk songs, they have moved between oral tradition and printed versions in broadsides or chapbooks and back again over the course of many centuries. They rarely have a single definitive text but can be found in many variants, making textual analysis tricky. Most scholars who have studied ballads are either medievalists—when the ballads are thought to have originated—or eighteenth-century scholars—the century when ballads were first collected. Francis J. Child, Harvard’s first professor of vernacular literature in English, was both. He thought of ballads as our “earliest known poetry,” whose “historical and natural place is anterior to the appearance of the poetry of art”; and he collected as many of them as he could with all their rich variations in the late nineteenth century.1 Child’s collection was largely bibliographic: he gathered the texts of ballads for the most part without their melodies. -
THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS in VICTORIAN ENGLAND by LIRIM NEZIROSKI (Under the Direction of Nelson Hilton)
THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS IN VICTORIAN ENGLAND by LIRIM NEZIROSKI (Under the Direction of Nelson Hilton) ABSTRACT This dissertation presents a study of Lord Byron’s historical dramas (Marino Faliero, The Two Foscari, Sardanapalus, and Werner) alongside the performative aesthetics of Don Juan, and it uses performance theory as a hermeneutic for examining this relationship. It provides a literary analysis of some neglected works and important issues in Byron’s writings, it explores the legacy of Byron in the nineteenth-century theater, and it tests the limits of current scholarship on Romantic drama. The dissertation brings together a large amount of scholarship and provides a new perspective on Byron, Romantic drama, and the Victorian theater. INDEX WORDS: Lord Byron, Romanticism, Romantic drama, nineteenth-century theater, Don Juan, Marino Faliero, Sardanapalus, The Two Foscari, Werner, Childe Harold’s Pilgrimage, Beppo, Manfred, performance, Percy Shelley, William Charles Macready, Helen Faucit, Charles Kean, Samuel Phelps. THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS IN VICTORIAN ENGLAND by LIRIM NEZIROSKI BA, Augustana College, 2002 MA, University of Chicago, 2003 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2011 © 2011 Lirim Neziroski All Rights Reserved THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS IN VICTORIAN ENGLAND by LIRIM NEZIROSKI Major Professor: Nelson Hilton Committee: Roxanne Eberle Richard Menke Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2011 ACKNOWLEDGEMENTS I would like to thank some of the many people that have provided academic, financial, and moral support during my time as a graduate student. -
Front Matter
Cambridge University Press 978-0-521-13605-1 - The Cambridge Companion to British Romanticism Edited by Stuart Curran Frontmatter More information The Cambridge Companion to British Romanticism Second Edition This new edition of The Cambridge Companion to British Romanticism has been fully revised and updated and includes two wholly new essays, one on recent developments in the field and one on the rapidly expanding publishing industry of this period. It also features a comprehensive chronology and a fully up-to-date guide to further reading. For the past decade and more the Companion has been a much-admired and widely used account of the phenomenon of British Romanticism that has inspired students to look at Romantic literature from a variety of critical angles and approaches. In this new incarnation, the volume will continue to be a standard guide for students of Romantic literature and its contexts. stuart curran is Professor Emeritus of English at the University of Pennsylvania. A complete list of books in the series is at the back of this book © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-13605-1 - The Cambridge Companion to British Romanticism Edited by Stuart Curran Frontmatter More information THE CAMBRIDGE COMPANION TO BRITISH ROMANTICISM EDITED BY STUART CURRAN © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-13605-1 - The Cambridge Companion to British Romanticism Edited by Stuart Curran Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521136051 © Cambridge University Press 1993, 2010 This publication is in copyright. -
Oliver Goldsmith
OLIVER GOLDSMITH THE CRITICAL HERITAGE Edited by G. S. ROUSSEAU London and New York Contents PREFACE pagexvn ACKNOWLEDGMENTS XIX CHRONOLOGICAL TABLE XXi INTRODUCTION I The Traveller, or a Prospect of Society (December 1764) 1 DR JOHNSON, Critical Review, December 1764 29 2 Unsigned notice, Gentleman's Magazine, December 1764 33 3 Unsigned notice, London Chronicle, 18-20 December 1764 34 4 JOHN LANGHORNE, Monthly Review, January 1765 35 The Vicar of Wakefield (27 March 1766) 5 Unsigned notice, Monthly Review, May 1766 44 6 Unsigned review, Critical Review, June 1766 45 7 MME RICCOBONI, in a letter to David Garrick on the plot of The Vicar of Wakefield, 11 September 1766 48 8 LADY SARAH PENNINGTON, ^4« Unfortunate Mother's Advice to Her Absent Daughters, 1767 51 9 FANNY BURNBY compares The Vicar of Wakefield with other sentimental novels, 1768 52 10 Two brief estimates of Goldsmith's novel, 1776, 1785 (a) Unsigned review in Hugh Kelly's Babler, July 1776 54 (b) CLARA REEVE'S estimate of The Vicar of Wakefield in The Progress of Romance, 1785 56 11 MRS JANE WEST commenting on 'criminal conversation* in The Vicar of Wakefield, in Letters to a Young Lady: in which the duties and characters of women are considered . 1806 57 12 EDWARD MANGIN compares Goldsmith and Richardson as novelists in An Essay on Light Reading, 1808 58 13 BYRON comments on Schlegel's estimate of The Vicar of Wakefield, 29 January 1821 62 14 GEORGE ELIOT on story telling and narrative art in The Vicar of Wakefield, in Essays and Leaves from a Notebook, 1884 63 ix CONTENTS 15 HENRY JAMES'S introduction to The Vicar of Wakefield, 1900 65 The Good Natured Man (29 January 1768) 16 Two early reviews of The Good Natured Man, 1768, 1772 (a) Unsigned review, Critical Review, February 1768 70 (b) SIR NICHOLAS NIPCLOSE [pseudonym] commenting on Goldsmith and other theatrical delinquents in 1768, in The Theatres. -
5559 Pindar Article No.4
England’s Populist Pindars H. J. Jackson he British Library recognizes thirty Pindars, the most productive of them being the poet of notorious lyric complexity whose works in Greek and in translation fill Talmost fifteen columns in the latest printed catalogue, with an additional seven columns or so of secondary studies. The other Pindars, all native English speakers and virtually all pseudonymous, occupy twenty-one columns. Of these only one, Peter Pindar, with twelve columns, comes close to matching his great role model in the public record, and his name is as obscure now as the real Pindar’s is illustrious. But this Peter Pindar (whom we can think of as Peter the Great to differentiate him from the others) was the forefather of several generations of little Peters, Pauls, Pollys and Peregrines, and the Pindar phenomenon deserves further study for all sorts of historical and cultural reasons. In real life Peter the Great was John Wolcot (1738-1819), a physician with literary and artistic interests. In 1782 his Lyric Odes to the Royal Academicians was an instant success; he had found his niche. For the next twenty years he kept up a steady flow of entertaining satires, mostly aimed at the King and the royal family, with digressive sorties against other well-known figures — James Boswell, Sir Joseph Banks, Tom Paine, Hannah More. The authorship of these works was an open secret. In the golden age of English caricature that we now associate with figures like Gillray, Rowlandson and Cruikshank, Wolcot was a celebrity because, like them, he made comic capital of the news of the day.1 If his work is now practically lost to sight, it may be because although like theirs it was topical and immediately accessible at the time, unlike theirs it no longer appears to be worth the trouble of decoding. -
Nineteenth Century Literary Manuscripts, Part 4
Nineteenth Century Literary Manuscripts, Part 4 NINETEENTH CENTURY LITERARY MANUSCRIPTS Part 4: The Correspondence and Papers of John Gibson Lockhart (1794-1854), Editor of the Quarterly Review, from the National Library of Scotland Contents listing PUBLISHER'S NOTE CONTENTS OF REELS DETAILED LISTING EXTRACTS: On the Cockney School of Poetry When Youthful Faith has Fled Nineteenth Century Literay Manuscripts, Part 4 Publisher's Note John Gibson Lockhart (1794-1854) desrves our attention for many reasons: He was one of the most important critics of the 19th century He was Editor of The Quarterly Review He became Scott’s Boswell, writing an acknowledged masterpiece of biography He played an important part in the rise of the novel as a literary form His letters provide a detailed account of literary society in Edinburgh and London His papers are now opened to a wider audience through the publication of this microform edition. They include: 14 volumes of correspondence received by Lockhart as Editor of The Quarterly Review, 1825-1854 (NLS MSS.923-936); 3 volumes of letters from Lockhart to Whitwell Elwin, his successor as Editor (NLS MSS.145, 341 & 2262); 3 volumes of correspondence between Lockhart and Scott, 1818-1832 (NLS.MSS.142-143, & 859); 7 volumes of family letters, 1820-1854 (NLS.MSS.1552-1558); 1 volume of letters from Lockhart to Allan Cunningham about the Lives of British Painters (NLS.MS.820); and 10 volumes of literary manuscripts by Lockhart (NLS.MSS.1623-1626, 3995 & 4817-4822). The Editorial correspondence is especially rich and includes letters from Byron, Coleridge, Croker, Disraeli, Edgeworth (one entire volume and numerous other letters besides), Murray, Norton, Southey (“a willing and ready assistant in your new undertaking”), and Wordsworth.