L & W Program Final 2
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Prospectus 2 About Us Rambert School, Is Recognised Internationally As One of the Small Group of First-Level Professional Dance Schools of the World
Director: Ross McKim MA PhD NBS (IDP) Patrons: Lady Anya Sainsbury CBE Robert Cohan CBE Prospectus 2 About Us Rambert School, is recognised internationally as one of the small group of first-level professional dance schools of the world. In order to remain so, and to support its students (given the demands they must confront), Rambert School provides a contained, bordered and protected environment through which an unusual and intense level of energy and professionalism is created, respected, treasured and sustained. “Rambert School is a place of education and training in Ballet, Contemporary Dance and Choreography. It seeks to cause or allow each student to achieve his or her unique potential personally and professionally. It encourages learning, reflection, research and creative discovery. Through these processes, as they relate to performance dance, all those at the school are provided with the opportunity to develop their vision, awareness, knowledge and insight into the world and the self. They may thus advance in terms of their art form and their lives.” Principal and Artistic Director Dr Ross McKim MA PhD NBS (IDP) Conservatoire for Dance and Drama Clifton Lodge, St Margaret’s Drive, Twickenham TW1 1QN Telephone: 020 8892 9960 Fax: 020 8892 8090 Mail: [email protected] www.rambertschool.org.uk 3 History Marie Rambert began teaching in London in 1919. In her autobiography she wrote, “In 1920 I collected the various pupils I had into a class and began teaching professionally.” This was the beginning of Rambert School which, in these early days, was based at Notting Hill Gate. Out of it grew Rambert Dance Company. -
Paul Taylor Dance Company’S Engagement at Jacob’S Pillow Is Supported, in Part, by a Leadership Contribution from Carole and Dan Burack
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Suzanne Carbonneau TO OUR VISIONARY LEADERS The PillowNotes comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through It is said that the body doesn’t lie, but this is wishful thinking. All earthly creatures do it, only some more artfully than others. annual gifts of $10,000 and above. —Paul Taylor, Private Domain Their deep affiliation ensures the success and longevity of the It was Martha Graham, materfamilias of American modern dance, who coined that aphorism about the inevitability of truth Pillow’s annual offerings, including educational initiatives, free public emerging from movement. Considered oracular since its first utterance, over time the idea has only gained in currency as one of programs, The School, the Archives, and more. those things that must be accurate because it sounds so true. But in gently, decisively pronouncing Graham’s idea hokum, choreographer Paul Taylor drew on first-hand experience— $25,000+ observations about the world he had been making since early childhood. To wit: Everyone lies. And, characteristically, in his 1987 autobiography Private Domain, Taylor took delight in the whole business: “I eventually appreciated the artistry of a movement Carole* & Dan Burack Christopher Jones* & Deb McAlister PRESENTS lie,” he wrote, “the guilty tail wagging, the overly steady gaze, the phony humility of drooping shoulders and caved-in chest, the PAUL TAYLOR The Barrington Foundation Wendy McCain decorative-looking little shuffles of pretended pain, the heavy, monumental dances of mock happiness.” Frank & Monique Cordasco Fred Moses* DANCE COMPANY Hon. -
The Dark Side User Manual
USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries. -
Wayne Mcgregor | Random Dance
WAYNE MCGREGOR | RANDOM DANCE FEBRUARY 13, 2014 OZ SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler A MESSAGE FROM OZ Welcome and thank you for joining us for our first presentation as a new destination for contemporary performing and visual arts in Nashville. By being in the audience, you are not only supporting the visiting artists who have brought their work to Nashville for this rare occasion, you are also supporting the growth of contemporary art in this region. We thank you for your continued support. We are exceptionally lucky and very proud to have with us this evening, one of the worlds’ most inspiring choreographic minds, Wayne McGregor. An artist who emphasizes collaboration and a wide range of perspectives in his creative process, McGregor brings his own brilliant intellect and painterly vision to life in each of his works. In FAR, we witness the mind and body as interconnected forces; distorted and sensual within the same frame. As ten stunning dancers hyperextend and crouch, rapidly moving through light and shadow to a mesmerizing score, the relationship between imagination and movement becomes each viewer’s own interpretation. An acronym for Flesh in the Age of Reason, McGregor’s FAR investigates self-understanding and exemplifies the theme from Roy Porter’s novel by the same name, “that we outlive our mortal existence most enduringly in the ideas we leave behind.” Strap in. -
Calendar Filled with Holes by Adrienne Belz Girl’S Soccer Game Against Bryan
the Vol. 57 No. 5 bagpipeonline.com BAGPIPEOctober 7, 2010 The Parking Lottery Exploring Covenant’s parking vices and virtues ANNIE HUNTINGTON by Karin Olson late to class looking for one.” plaints have been from off-campus However, many students find parking. [email protected] Greg Ford, Safety and Security students. parking at Scotland Yard to be “They should either not let Coordinator, believes frustration There are an estimated 834 park- inconvenient. freshmen have cars or they need to For those driving cars at Covenant with parking anywhere is inevi- ing spaces on Covenant’s campus “I didn’t pay $100 for an off- invest more money in off-campus College, finding a parking spot can table. where students may park. This campus sticker so I could park in parking for students,” said Gore. quickly spiral into a moment of “I often feel that Covenant gets a year, the school sold about 680 Scotland Yard. By the time I get to Parking permits at Covenant anxiety and frustration. ‘bad rap’ when it comes to parking permits. Ford said the lots closer to school, I don’t have time for a long are $100 for main campus park- “You’re lucky to find a parking simply because parking is a sensi- campus are clogged because people walk up from one of the satellite ing (off-campus parking permit spot the first few lots you try,” said tive issue anywhere you go,” he are refusing to park in Scotland parking lots,” said senior Lisa Cow- free of charge), $75 for Scotland senior Alison Gore, who lives off said. -
Record Collector Magazine
The Year of the HOBSE hat Mark Linkous of priated lyrical inspiration from south Waits, Grandaddy and Mercury Rev, Sparklehorse once briefly Virginian novelists, Ohio-born cinematog- Sparklehorse cut through their off-kilter died is probably the least raphers and film-makers, l6th Century music with almost perverse experimenta- interesting thing about him. English dramatists, esoteric American tion. They are as likely to create vigorous, In 1997, the American musician troubadors, a French poet and music critic feedback-enfettered rock songs as they collapsed in the en suite bathroom of and a deadpan American songlrrriter. He's are drowsy instrumentals; as likely to a London hotel with his legs pinned also sung about: pigs, horses, butchered forge fragile, debilitated ballads as beneath him for 14 hours. He was cows, "painbirds" and "pianobirds", esoteric, sample-heavy interludes. eventually found by a maid and rabbits, spiders, insects, leeches, hum- For the most part, this music is taken to St. Mary's Hospital, where, mingbirds, "hundreds of sparrows", poignant, melancholic and touching. On for two minutes, his heart stopped wolves, crows, snails, dogs, tigers and their first album, Viuadixiesubmarine- beating. It reads like a meta "more yellow birds". transmissionplot, Linkous even sang rock'n'roll story for a man who like Mark Linkous and his more or less about rescuing an iniured hawk: "I chased kindred spirits Grandaddy - anon)"rnous -has co-conspirators crush guitars, him round, tried to pick him up." Linkous tried to circumvent rock'n'roll clich6. tape loops, organs and frequently distort- has explained, "but he kept biting Nearly dying isn't cool. -
David Lynch to Show New Works at Solo Gallery Exhibition.” Los Angeles Times
Ng, David. “David Lynch to show new works at solo gallery exhibition.” Los Angeles Times. 14 November 2013. Web. David Lynch to show new works at solo gallery exhibition David Lynch will be opening a show this month at Kayne Griffin Corcoran. It will run Nov. 23 through Jan.4. David Lynch hasn't released a new feature since "Inland Empire" in 2006, but the director has been creating visual art and exhibiting surreal creations in gallery shows. Lynch held solo exhibitions in Los Angeles in 2009 and 2011, and will be opening yet another show this month at Kayne Griffin Corcoran. The exhibition, which is being curated by Brett Littman, executive director of the Drawing Center in New York, will focus on how Lynch uses "naming" in film, photography, drawings and other works dating from 1968 to the present. Kayne Griffin Corcoran said the show will run from Nov. 23 to Jan. 4, and will feature a group of new paintings, drawings and watercolors by Lynch. The filmmaker, whose credits include "Blue Velvet," "Mulholland Dr." and the "Twin Peaks" television series, has previously exhibited his art at William Griffin Gallery in Santa Monica. In 2009, he showed original artwork for the album "Dark Night of the Soul," featuring music by Danger Mouse and Sparklehorse, at L.A.'s Michael Kohn Gallery. Next year, Lynch's work will be the subject of a retrospective show at the Pennsylvania Academy of Fine Arts in Philadelphia, where the director studied in his youth. The show will feature approximately 75 paintings and drawings created by Lynch since 1965. -
Glen Tetley: Contributions to the Development of Modern
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr. -
Championsip Celebrating the Creators of Jobs, Innovation, Safety, and Access
April 23, 2014 U.S. Chamber of Commerce Washington, D.C. 2014 CHAMPIONSIP Celebrating the Creators of Jobs, Innovation, Safety, and Access 2014 IP Champions Agenda April 23, 2014 Hall of Flags | U.S. Chamber of Commerce Time Details 8:30 AM Registration 9:00 AM Opening Remarks • David Hirschmann, President & CEO, Global Intellectual Property Center 9:05 AM Business Innovations Panel Moderator: Mark Crowell, Executive Director, U.Va. Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc 9:55 AM Presentation of Awards to Business Innovators • Mark Crowell, Executive Director, U.Va Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc. 10:00 AM Consumer Awareness Campaigns - Panel Discussion • Marjorie Clifton, Executive Director, Center for Safe Internet Pharmacies • Libby Baney, Executive Director, Alliance for Safe Online Pharmacies • Alun Jones, Chief of Communication and Advocacy, United Nations Office of Drugs and Crime • Chuck Westfall, Technical Advisor, Professional Engineering & Solutions Division, Canon U.S.A. 10:55 AM Presentation of Awards to Consumer Awareness Campaigns • “Be Safe. Buy Smart.” - CSIP • “Counterfeit: Don’t buy into organized crime.” - UNODC • “Anti-Counterfeit Consumer Awareness Campaign” - Canon U.S.A. 11:00 AM Consumer Awareness Speech • Introduction by: Sandra Aistars, Chief Executive Officer, Copyright Alliance • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:20 AM Presentation of Award to Consumer Awareness Speaker • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:25 AM Presentation of Awards to Public Officials Introduction by: William Reid, Vice President, Global Anti- Counterfeiting Operations, Eli Lilly • Mark Cohen, Senior Counsel, China, U. -
Just Announced
JUST ANNOUNCED Aldous Harding Wed 30 & Thu 31 Mar 2022, Barbican Hall, 8pm Tickets £20 – £25 New Zealand singer-songwriter Aldous Harding, alongside her band, makes her Barbican debut in March 2022. The two shows will feature material from her three studio albums to date. Harding, whose music has been described as ‘disquietingly beautiful and unsettling as her image’ by the Guardian, drew critical acclaim for the gothic indie folk style on her eponymous self-titled 2014 debut album. Her two follow-up albums – 2017’s Party and 2019's Designer – were released on British independent label 4AD. Both records were co-produced by John Parish (PJ Harvey, Sparklehorse). John Parish also produced Harding’s track Old Peel – known and loved by fans as the set-closer at her most recent live shows – which will be digitally released on 15 June and as a limited 7” on 9 July 2021. Aldous Harding was awarded a prestigious Silver Scroll Award for The Barrel (the New Zealand equivalent of the Ivor Novellos) and was nominated in the Solo Artist category in 2020’s Q Awards. Designer also made the top 5 in Mojo's 2019 Best Albums of the Year. Touring extensively pre-pandemic, Harding is renowned for the captivating state of possession she occupies in live performances, winning over audiences across the world. Produced by the Barbican in association with Bird On The Wire On sale to Barbican patrons and members on Wed 16 Jun 2021 On general sale on Fri 18 Jun 2021 Find out more FURTHER EVENT DETAILS ANNOUNCED George the Poet: Live from the Barbican Thu 1 Jul 2021, Barbican Hall, 8pm Tickets £20 – 30 & £12.50 (livestream) George the Poet will bring his innovative brand of musical poetry to Live from the Barbican this summer. -
David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, -
Frame of Mind William Forsythe | Rafael Bonachela
MEDIA RELEASE March 26, 2015 AUSTRALIAN PREMIERE SEASON SYDNEY DANCE COMPANY’S FRAME OF MIND WILLIAM FORSYTHE | RAFAEL BONACHELA NINE MELBOURNE SHOWS ONLY MAY 6 TO 16, BOOK NOW! ★★★★ ½ - It’s sublime. – Sunday Telegraph Astonishing… powerful, personal and poetic… quite simply, breathtaking. – Limelight Magazine ★★★★ - It’s a delight…a potent blend of technique, daring and playfulness. - SMH Could be seen again and again without exhausting its possibilities. - The Australian ★★★★ - Passionate… precise… breath-stealing. – The Guardian Sydney Dance Company The Wharf, Pier 4, 15 Hickson Road, Sydney, NSW 2000, Australia MEDIA RELEASE March 26, 2015 As part of its Australian premiere season, Sydney Dance Company is set to presen t a limited run of its acclaimed double bill, Frame of Mind, at Southbank Theatre, Melbourne . This is an exceptional opportunity to experience two mesmerising danceworks - legendary American choreographer William Forsythe’s acclaimed masterpiece Quintett, and Rafael Bonachela’s newly created Frame of Mind, direct from its world premiere Sydney performances. Created in 1993, William Forsythe’s Quintett is one of the most renowned contemporary dance works of the 20th Century. This highly poetic and powerful work, developed in collaboration with Ballet Frankfurt dancers Dana Caspersen, Stephen Galloway, Jacopo Godani, Thomas McManus and Jone San Martin, was a final love letter to Forsythe’s wife, dancer Tracy-Kai Maier, who succumbed to cancer in 1994, aged 32. Quintett is set to a hauntingly beautiful soundtrack by renowned post-minimalist British composer, Gavin Bryars; his iconic 1975 composition, Jesus's Blood Never Failed Me Yet. Inspired by a grainy, chance recording of a homeless man singing, the looped vocals begin as a barely audible, distant melody, and acquire a slowly evolving, growing orchestral accompaniment, which with its insistent optimism, tinged with tragedy, creeps under the skin and magnifies the intense poignancy of the choreography.