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Claiming the Hydraulic Network of Angkor with Viṣṇu
Journal of Archaeological Science: Reports 9 (2016) 275–292 Contents lists available at ScienceDirect Journal of Archaeological Science: Reports journal homepage: www.elsevier.com/locate/jasrep Claiming the hydraulic network of Angkor with Viṣṇu: A multidisciplinary approach including the analysis of archaeological remains, digital modelling and radiocarbon dating: With evidence for a 12th century renovation of the West Mebon Marnie Feneley a,⁎, Dan Penny b, Roland Fletcher b a University of Sydney and currently at University of NSW, Australia b University of Sydney, Australia article info abstract Article history: Prior to the investigations in 2004–2005 of the West Mebon and subsequent analysis of archaeological material in Received 23 April 2016 2015 it was presumed that the Mebon was built in the mid-11th century and consecrated only once. New data Received in revised form 8 June 2016 indicates a possible re-use of the water shrine and a refurbishment and reconsecration in the early 12th century, Accepted 14 June 2016 at which time a large sculpture of Viṣṇu was installed. Understanding the context of the West Mebon is vital to Available online 11 August 2016 understanding the complex hydraulic network of Angkor, which plays a crucial role in the history of the Empire. Keywords: © 2016 The Authors. Published by Elsevier Ltd. This is an open access article under the CC BY-NC-ND license Archaeology (http://creativecommons.org/licenses/by-nc-nd/4.0/). Angkor Digital visualisation 3D max Hydraulic network Bronze sculpture Viṣṇu West Mebon 14C dates Angkor Wat Contents 1. Introduction.............................................................. 276 2. The West Mebon — background.................................................... -
Views of Angkor in French Colonial Cambodia (1863-1954)
“DISCOVERING” CAMBODIA: VIEWS OF ANGKOR IN FRENCH COLONIAL CAMBODIA (1863-1954) A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Jennifer Lee Foley January 2006 © 2006 Jennifer Lee Foley “DISCOVERING” CAMBODIA: VIEWS OF ANGKOR IN FRENCH COLONIAL CAMBODIA (1863-1954) Jennifer Lee Foley, Ph. D Cornell University 2006 This dissertation is an examination of descriptions, writings, and photographic and architectural reproductions of Angkor in Europe and the United States during Cambodia’s colonial period, which began in 1863 and lasted until 1953. Using the work of Mary Louise Pratt on colonial era narratives and Mieke Bal on the construction of narratives in museum exhibitions, this examination focuses on the narrative that came to represent Cambodia in Europe and the United States, and is conducted with an eye on what these works expose about their Western, and predominately French, producers. Angkor captured the imagination of readers in France even before the colonial period in Cambodia had officially begun. The posthumously published journals of the naturalist Henri Mouhot brought to the minds of many visions of lost civilizations disintegrating in the jungle. This initial view of Angkor proved to be surprisingly resilient, surviving not only throughout the colonial period, but even to the present day. This dissertation seeks to follow the evolution of the conflation of Cambodia and Angkor in the French “narrative” of Cambodia, from the initial exposures, such as Mouhot’s writing, through the close of colonial period. In addition, this dissertation will examine the resilience of this vision of Cambodia in the continued production of this narrative, to the exclusion of the numerous changes that were taking place in the country. -
By Dana Micucci by Dana Micucci
ART & ANTIQUES MARCH 2009 BY DANA MICUCCI BY DANA MICUCCI IN TWO WIDELY SEPARATED SPOTS on the globe-Central America and Southeast Asia-two ancient civilizations created vast tem- ple complexes that express a strikingly simi- lar sense of man’s place in the universe. The remains of Angkor, the legendary city of the Khmer in Cambodia, and the city-states of the ancient Maya in present-day Mexico Guatema- la, Belize and Honduras, are today among the most awe-inspiring legacies of man’s perennial quest to honor and actualize the sacred. Nestled deep in northwest Cambodia’s dense tropical jungle, near the TonIe Sap lake and the provincial city of Siem Reap in the heart of Southeast Asia, the sprawling monuments of Angkor dazzle the eye with an exotic grandeur that invites days of exploration. Despite the ac- counts of early Chinese travelers and a few Eu- ropean missionaries and traders in the 16th cen- tury, Angkor was little known in the West until the 1863 publication of the illustrated travel dia- ries of the French naturalist and explorer Henri Mouhot. In the following decades, artists, writers and intrepid travelers began to visit Cambodia in search of this mysterious lost city swallowed up by the jungle. From the late 1960s to the early ‘90s, Angkor was inaccessible once again due to the turmoil of the Vietnam War and civil chaos (culmi- nating in the genocidal reign of the Khmer Rouge), until United Nations peacekeeping forces reopened it to tourists and allowed international preservation groups to continue their restoration work. -
Angkor and Banteay Chhmar: the Monuments and Majesty of the Khmer Empire
Angkor and Banteay Chhmar: The Monuments and Majesty of The Khmer Empire Guided by John Sanday, OBE FSA Regional Director for GHF Asia & Pacific Organised by Destination Asia Cambodia, 11-18 November 2012 Angkor and Banteay Chhmar: The Monuments and Majesty of the Khmer Empire November 11, 2012: November 12, 2012: Arrival in Phnom Penh Phnom Penh Arrival in Phnom Penh: BA, Quantas and Thai all provide Breakfast is provided in the Café Monivong Visit to the Silver Pagoda service to Phnom Penh via Bangkok The Silver Pagoda’s proper name is Wat Preah Keo Visit to the National Museum Morokat, which means ‘The Temple of the Emerald Transfer to Raffles Hotel Le Royal, where the group will be The morning begins with a visit to the National Museum; Buddha,’ but has received the common moniker ‘Silver joined by John Sanday, Global Heritage Fund’s Regional The museum houses one of the world’s largest collections Pagoda’ after the solid silver floor tiles that adorn the Director for the Asia and Pacific region who will be our of Khmer Art, including sculptural, ceramics, bronzes, and temple building. The pagoda compound as a whole guide during our visit to Cambodia. ethnographic objects. The Museum’s collection includes contains several structures and gardens, the primary over 14,000 items, from prehistoric times to periods building being the temple Wat Preah Keo Morokat and John Sanday, OBE FSA is a British architect who has before, during, and after the Khmer Empire, which at other structures including a library, various stupas, shrines, spent the last 36 years living and working in Nepal. -
Medieval Khmer Society: the Life and Times of Jayavarman VII (Ca
John Carroll University Carroll Collected 2019 Faculty Bibliography Faculty Bibliographies Community Homepage 2019 Medieval Khmer Society: The Life and Times of Jayavarman VII (ca. 1120–1218) Paul K. Nietupski John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/fac_bib_2019 Part of the Buddhist Studies Commons, East Asian Languages and Societies Commons, and the Hindu Studies Commons Recommended Citation Nietupski, Paul K., "Medieval Khmer Society: The Life and Times of Jayavarman VII (ca. 1120–1218)" (2019). 2019 Faculty Bibliography. 34. https://collected.jcu.edu/fac_bib_2019/34 This Article is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2019 Faculty Bibliography by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Article How to Cite: Nietupski, Paul. 2019. Medieval Khmer Society: The Life and Times of Jayavarman VII (ca. 1120–1218). ASIANetwork Exchange, 26(1), pp. 33–74. DOI: https://doi.org/10.16995/ane.280 Published: 19 June 2019 Peer Review: This article has been peer reviewed through the double-blind process of ASIANetwork Exchange, which is a journal of the Open Library of Humanities. Copyright: © 2019 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: ASIANetwork Exchange is a peer-reviewed open access journal. -
Hierarchies of Value at Angkor Wat
Hierarchies of Value at Angkor Wat Lindsay French Rhode Island School of Design, Providence, RI, USA ABSTRACT The recent explosion of theft in sculpture from Angkor era temples in Cambodia raises questions about the circumstances that make such destructive acts possible at these historically sacred KJimer sites. This paper looks at the commodifica- tion of and traffic in temple sculpture in relation to a particular way of classifying and evaluating the temples. It considers different systems ofclasstfication and theories of value that have converged on the temples at different moments in history, and the politics behind the ascendance ofparticular value systems. It uses ArfunAppadurai's concept of a 'regime of value'to illuminate the intersection of many different value systems at the temples today, and to shed light on the contradictory mix ofconservation and exploitation, scholarship and commerce, preservation and development, which co-exist at these now-international heritage sites. KEYWORDS Cambodia, antiquities, regimes of value, international art trade, thefi here is no more potent symbol of Cambodian history and culture, and no more significant national icon for Cambodians, than Angkor T Wat. The most spectacular of the ancient Khmer temples in the Angkor region, Angkor Wat has enormous emotional and cultural significance for contemporary Cambodians. It is both a monument to the past greatness of the Khmer people, and a source of inspiration and hope in a highly uncertain future. The Angkor temples as a group and Angkor Wat in particular have a great collective economic importance for Cambodia as well, as the country's primary tourist attraction. But the significance and value of the Angkor temples extends well beyond Cambodia's physical and cultural borders. -
09-Michael Vickery:Udaya7.Qxd
09-Michael Vickery:Udaya7 12/28/2007 11:03 AM Page 101 BAYON: NEW PERSPECTIVES RECONSIDERED Michael Vickery Independent Scholar In recent years a number of nicely illustrated coffee-table publications about Cambodia and its temples have been put on the market. Because such publications do not usually demand the critical standards of academic writing, they have been used by some writers wishing to push historico-novelistic speculations as demonstrated historical fact, or as the consensus of the specialist academic milieu. Perhaps this is harmless enough if these publications just fall into the hands of amateurs desiring pretty pictures or guides to their own tours among the monuments, but if used by students they result in misleading confusion (specialist scholars, well aware of their weaknesses, only use these books for their illustrations, and tend to ignore the texts).1 The most recent of such publications is Bayon: New Perspectives, in which I wrote the Introduction. When I was invited to participate in that book I insisted on the desirability of avoiding the fate of earlier volumes of that type, in order to produce a book which would be useful for serious historians, art historians and students. I urged that contributors should be held to standard academic discipline in the use of source references (footnotes) and specific recognition of whatever speculations they wished to make. That is, they should provide a full scholarly argument for new proposals, and if those were only hypotheses or speculations they should be clearly identified as such. If they are maintained as speculations, each such proposal must be the end of that argument. -
Metropolitan Museum Studies in Art, Science, and Technology ◆ Volume 2 / 2014
Metropolitan Museum Studies in Art, Science, and Technology ◆ Volume 2 / 2014 THE METROPOLITAN MUSEUM OF ART, NEW YORK DISTRIBUTED BY YALE UNIVERSITY PRESS, NEW HAVEN AND LONDON Editorial Board Photographs of works in the Metropolitan Museum’s Silvia A. Centeno collection are by The Photograph Studio, The Metro politan Museum of Art, unless otherwise noted. Research Scientist, Department of Scientific Research Additional picture credits appear at the end of each Nora W. Kennedy article. Sherman Fairchild Conservator of Photographs, Department of Photographs Typeset in Warnock Pro Printed on 150 gsm Galaxi Matte Marijn Manuels Separations by Professional Graphics, Inc., Conservator, Sherman Fairchild Center for Rockford, Illinois Objects Conservation Printed and bound by Verona Libri, Verona, Italy Deborah Schorsch ◆ Conservator, Sherman Fairchild Center for Objects Conservation Cover illustrations: Saint Michael, lower right panel of the Richard E. Stone retable of Saint Anne with the Virgin and Child (1938.141d; Conservator Emeritus, Sherman Fairchild Center for Figure 5, page 74): (left), detail, photograph by Andrew Objects Conservation Winslow; (right) infrared reflectogram (Figure 19, page 80) Zhixin Jason Sun Frontispiece: Detail of Suzanne de Court, Mirror: Venus Curator, Department of Asian Art Mourning the Dead Adonis (1975.1.1236; Figure 3a, page 159) Mark T. Wypyski The Metropolitan Museum of Art endeavors to Research Scientist, Department of Scientific Research respect copyright in a manner consistent with its nonprofit educational mission. If you believe any material has been included in this publication This publication is made possible by gifts from improperly, please contact the Editorial Department. Ludmila Schwarzenberg Bidwell and her late husband Copyright © 2014 by The Metropolitan Museum of Carl B. -
With John Stubbs
WORLD MONUMENTS FUND Best of Angkor February 6–11, 2011 with John Stubbs 1 Angkor Wat Itinerary Sunday, February 6 Tuesday, February 8 Arrive in Siem Reap and transfer to hotels. Meet John Meet in the lobby of the Grand Hotel at 8:30 am to depart Stubbs and other travelers in the lobby of the Raffles Grand for a day-long trip to some of the earliest Angkorian sites, Hotel d’Angkor for a welcome lunch at 1:00 pm, then de- starting at the Roulous Group (late ninth century), located part at 2:30 pm for a visit to the Angkor Archaeological 25 kilometers southeast of Siem Reap. After, take a 90-min- Park, obtaining a five-day pass en route. Visit the ancient ute drive to Beng Mealea to walk along timber pathways city of Angkor Thom, starting at its north gate, followed and wall tops at this grandest of all the Cambodian jungle by a stroll from the Terrace of the Leper King via the Royal ruins. After a picnic lunch, drive to the sublimely beautiful Baths to Pimeniakas; then on to Baphuon ending the after- Banteay Srei, the “jewel” of Angkor. This small 10th-centu- noon with a viewing of the Bayon, the amazing centerpiece ry temple is famous for its exquisite carvings in pinkish red temple of Angkor Thom. Return to hotels and enjoy din- sandstone. Also known as the citadel of women, the temple ner on your own. (Lunch) is replete with images of goddesses and guardian figures which adorn its niches. At 5:30 pm return to Siem Reap and meet up at the Foreign Correspondents Club for an Monday, February 7 optional dinner. -
Towards a Quantitative Petrographic Database of Khmer Stone Materials—Koh Ker Style Sculpture*
Archaeometry 00, 00 (2009) 000–000 doi: 10.1111/j.1475-4754.2009.00475.x TOWARDS A QUANTITATIVE PETROGRAPHIC DATABASE OF KHMER STONE MATERIALS—KOH KER STYLE SCULPTURE* F. CARÒ Department of Scientific Research, The Metropolitan Museum of Art, New York, NY 10028-0198, USA J. G. DOUGLAS Department of Conservation and Scientific Research, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC 20013-7012, USA and S. IM APSARA Authority, Siem Reap, Cambodia A comprehensive quantitative petrographic database of sandstones used by the Khmers for sculptural purposes would be a helpful tool for archaeologists, museum curators and others interested in pursuing research on early stone usage, geological source and provenance. Towards that end, this paper presents quantitative petrographic analysis of stone materials used in the production of some free-standing sculptures and architectural elements in the Koh Ker style of the 10th century from the collections of the National Museum of Cambodia and The Metropolitan Museum of Art. These materials are compared to samples from the quarry of Thmâ Anlong near the foothills of the Phnom Kulen, Sieam Reap province. Primary and secondary detrital modes and key grain-size parameters are used to identify three sandstone types. The free-standing sculptures are carved from feldspathic arenite and feldspato-lithic to litho-feldspathic arenite. Finely carved lintels are worked from a quartz arenite, which is significantly richer in quartz grains and of a finer grain size. The geo- logical source of the two other lithotypes will have to await detailed geological survey of the Koh Ker area accompanied by petrographic study of selected samples from documented quarries. -
Thai-Cambodian Culture Relationship ------10
ThaiThai -- CambodianCambodian CultureCulture RelationshipRelationship thrthroughough ArtsArts Mrs Charuwan Phungtian HAN DD ET U 'S B B O RY eOK LIBRA E-mail: [email protected] Web site: www.buddhanet.net Buddha Dharma Education Association Inc. 2 3 4 Preface I got the inspiration to take up this thesis “Thai- Cambodian Culture relationship through arts” at the time I used to work in the camp with the S.E.A. refugees to resettle their lives in America. I worked with the “Consortium” organization under the administrative of UNHCR. The camp was at Phanat Nikhom, Chonburi, Thailand. I had good social relationship with all of my refugee students in the camp with all clans, tribes and countries. Especially for the Khmers, I learnt Khmer language and Khmer dance. I was fascinated with their arts so much. Apart from this, I took my Ph.D. topic from one part of my previous M.A. thesis “Some aspect of Buddhist arts in Thailand”. Its chapter “Lopburi art” helped me very much to make further studies on details of my present work on this Ph.D. thesis. I am proud of my work and give very much gratitude and my thanks to many persons. I must express my thanks and my gratitude to my re- spected supervisor Professor Dr. Sahai Sachchidanand, Head of the Department of Ancient Indian and Asian Studies, Magadh University, Bodh-Gaya, Bihar (India) who very kindly allowed me to take up this thesis. Besides, he with full attention pours out his scholarship and his knowledge and gave me the benefit of many sug- gestions for my Ph.D. -
WITHOUT PROVENANCE: the Making of Contemporary Antiquity
WITHOUT PROVENANCE: The Making of Contemporary Antiquity AUCTION IN SINGAPORE 4 OCTOBER, 6PM Jim Sanborn 2011 – 2018 WITHOUT PROVENANCE: The Making of Contemporary Antiquity AUCTION IN SINGAPORE TUESDAY 4 OCTOBER 2018 EXHIBITION AT 4400 MASSACHUTTETS AVE NW TUESDAY 4 SEPT 11:00am-4:00pm WEDENSDAY 5 SEPT 11:00am-4:00pm THURSDAY 6 SEPT 11:00am-4:00pm FRIDAY 7 SEPT 11:00am-4:00pm SATURDAY 8 SEPT 11:00am-4:00pm SUNDAY 9 SEPT 11:00am-4:00pm jimsanborn.net 4400 MASSACHUSETTS AVENUE NW, WASHINGTON DC +1 202 885 1300 [email protected] CONTENTS Introduction {Pg. 5} Southeast Asian Works of Art, Lots 1–21 {Pg. 6} Siem Reap Workshop {Pg. 26} Scholarly Texts {Pg. 27} In Situ Images {Pg. 40} PROPERTIES FROM: THE SULTINATE OF BRUNAE PRIVATE COLLECTIONS MUSEUM COLLECTIONS EUROPEAN COLLECTIONS LONDON COLLECTIONS THE INTERNAL REVENUE SERVICE THE KINGDOM OF CAMBODIA UNIVERSITY COLLECTIONS THAI COLLECTIONS FRENCH COLLECTIONS 2 3 SPECIALISTS FOR THIS SALE United States {Pg. 35} ADAM LERNER Director and Chief Animator The Museum Of Contemporary Art Denver, Colorado Prague {Pg. 37} MILENA KALINOVSKA Director of The Modern and Contemporary Art Collection The National Gallery in Prague Prague, Czech Republic South Australia {Pg. 36} MARTIN POLKINGHORNE Scholar and Research Fellow at Flinders University Adelaide, South Australia United States {Pg.31} GARY VIKAN Writer and former Director of the Walters Art Museum Baltimore, Maryland 4 5 PROPERTY OF A GENTLEMAN 91 A LIFE SIZE SANDSTONE FIGURE OF VARUNA KHMER, ANGKOR PERIOD PRE-RUP STYLE 3RD QUARTER OF THE 10TH CENTURY It is believed that this nearly complete guardian figure was discovered and documented by the French in 1896 against the western wall of the collapsed temple of East Mebon.