Hierarchies of Value at Angkor Wat
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Claiming the Hydraulic Network of Angkor with Viṣṇu
Journal of Archaeological Science: Reports 9 (2016) 275–292 Contents lists available at ScienceDirect Journal of Archaeological Science: Reports journal homepage: www.elsevier.com/locate/jasrep Claiming the hydraulic network of Angkor with Viṣṇu: A multidisciplinary approach including the analysis of archaeological remains, digital modelling and radiocarbon dating: With evidence for a 12th century renovation of the West Mebon Marnie Feneley a,⁎, Dan Penny b, Roland Fletcher b a University of Sydney and currently at University of NSW, Australia b University of Sydney, Australia article info abstract Article history: Prior to the investigations in 2004–2005 of the West Mebon and subsequent analysis of archaeological material in Received 23 April 2016 2015 it was presumed that the Mebon was built in the mid-11th century and consecrated only once. New data Received in revised form 8 June 2016 indicates a possible re-use of the water shrine and a refurbishment and reconsecration in the early 12th century, Accepted 14 June 2016 at which time a large sculpture of Viṣṇu was installed. Understanding the context of the West Mebon is vital to Available online 11 August 2016 understanding the complex hydraulic network of Angkor, which plays a crucial role in the history of the Empire. Keywords: © 2016 The Authors. Published by Elsevier Ltd. This is an open access article under the CC BY-NC-ND license Archaeology (http://creativecommons.org/licenses/by-nc-nd/4.0/). Angkor Digital visualisation 3D max Hydraulic network Bronze sculpture Viṣṇu West Mebon 14C dates Angkor Wat Contents 1. Introduction.............................................................. 276 2. The West Mebon — background.................................................... -
JSS 027 1G Reviewofbooks
115 1'1EVIEWS OF BOOKS. JEAN YvEs CLAEYS, Me.mbre de !'Ecole Fmnc;a,iHe d'Extreme Orient, Inspecteur du Service Archeulogiqne de 1'Indochiue L'.A.?·eheolO[JI:o d1L Siam; Hano'i, 1931, in-8, 88 pages; with numerous photogntphs, sketches, phms a,ucl ouc mtLp of Si111u. 'rhe author of the above vet·y interesting book is a young French architect and archreologist ·who, t[Uite recently, on the retirement of Monsieur Henri Parmentier, the Nestor of Indochinese archreo logists, took over the important position of Im>poctor of the Archreological Service in the iive countt-ies whiel1 constitute the French Indochinese Union. l\1. OlaeyH modestly calls his book a rapid survey o.E the archreological sites of Siam f'rom Nakhon Sri 'rhammarat in the south to Ohiengsaen in the extreme north. We think, however, that his survey contains more tha,n the rudiments of that complete and all embracing archu,eological Hnrvey of the kingdom o£ Siam which some day surely must be made if science is only given the necessu.ry means to carry it out. Monsieur Claeys' "book moreover reads easily, due to his clear style, his up-to-da~e information and the intelligent manner in which he treats hi,; Rubjcct aml an·ives at his conclusions. His book has made Siamese 11rchreology richer and better known to the world outside this country, for ·which all students of things Siamese will thank him. In his introduction, the author praises with good reasons the admirable pioneer work done by His Royal .Highness P?'l>nce Damrong, "un vrai erudit ",who by his indefatigable interest in his country's past history has also powerfully stimulated others to work for the cause of archaeology. -
Views of Angkor in French Colonial Cambodia (1863-1954)
“DISCOVERING” CAMBODIA: VIEWS OF ANGKOR IN FRENCH COLONIAL CAMBODIA (1863-1954) A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Jennifer Lee Foley January 2006 © 2006 Jennifer Lee Foley “DISCOVERING” CAMBODIA: VIEWS OF ANGKOR IN FRENCH COLONIAL CAMBODIA (1863-1954) Jennifer Lee Foley, Ph. D Cornell University 2006 This dissertation is an examination of descriptions, writings, and photographic and architectural reproductions of Angkor in Europe and the United States during Cambodia’s colonial period, which began in 1863 and lasted until 1953. Using the work of Mary Louise Pratt on colonial era narratives and Mieke Bal on the construction of narratives in museum exhibitions, this examination focuses on the narrative that came to represent Cambodia in Europe and the United States, and is conducted with an eye on what these works expose about their Western, and predominately French, producers. Angkor captured the imagination of readers in France even before the colonial period in Cambodia had officially begun. The posthumously published journals of the naturalist Henri Mouhot brought to the minds of many visions of lost civilizations disintegrating in the jungle. This initial view of Angkor proved to be surprisingly resilient, surviving not only throughout the colonial period, but even to the present day. This dissertation seeks to follow the evolution of the conflation of Cambodia and Angkor in the French “narrative” of Cambodia, from the initial exposures, such as Mouhot’s writing, through the close of colonial period. In addition, this dissertation will examine the resilience of this vision of Cambodia in the continued production of this narrative, to the exclusion of the numerous changes that were taking place in the country. -
Autochthonous Aryans? the Evidence from Old Indian and Iranian Texts
Michael Witzel Harvard University Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts. INTRODUCTION §1. Terminology § 2. Texts § 3. Dates §4. Indo-Aryans in the RV §5. Irano-Aryans in the Avesta §6. The Indo-Iranians §7. An ''Aryan'' Race? §8. Immigration §9. Remembrance of immigration §10. Linguistic and cultural acculturation THE AUTOCHTHONOUS ARYAN THEORY § 11. The ''Aryan Invasion'' and the "Out of India" theories LANGUAGE §12. Vedic, Iranian and Indo-European §13. Absence of Indian influences in Indo-Iranian §14. Date of Indo-Aryan innovations §15. Absence of retroflexes in Iranian §16. Absence of 'Indian' words in Iranian §17. Indo-European words in Indo-Iranian; Indo-European archaisms vs. Indian innovations §18. Absence of Indian influence in Mitanni Indo-Aryan Summary: Linguistics CHRONOLOGY §19. Lack of agreement of the autochthonous theory with the historical evidence: dating of kings and teachers ARCHAEOLOGY __________________________________________ Electronic Journal of Vedic Studies 7-3 (EJVS) 2001(1-115) Autochthonous Aryans? 2 §20. Archaeology and texts §21. RV and the Indus civilization: horses and chariots §22. Absence of towns in the RV §23. Absence of wheat and rice in the RV §24. RV class society and the Indus civilization §25. The Sarasvatī and dating of the RV and the Bråhmaas §26. Harappan fire rituals? §27. Cultural continuity: pottery and the Indus script VEDIC TEXTS AND SCIENCE §28. The ''astronomical code of the RV'' §29. Astronomy: the equinoxes in ŚB §30. Astronomy: Jyotia Vedåga and the -
Om: One God Universal a Garland of Holy Offerings * * * * * * * * Viveka Leads to Ānanda
Om: One God Universal A Garland of Holy Offerings * * * * * * * * Viveka Leads To Ānanda VIVEKNANDA KENDRA PATRIKĀ Vol. 22 No. 2: AUGUST 1993 Represented By Murari and Sarla Nagar Truth is One God is Truth . God is One Om Shanti Mandiram Columbia MO 2001 The treasure was lost. We have regained it. This publication is not fully satisfactory. There is a tremendous scope for its improvement. Then why to publish it? The alternative was to let it get recycled. There is a popular saying in American academic circles: Publish or Perish. The only justification we have is to preserve the valuable contents for posterity. Yet it is one hundred times better than its original. We have devoted a great deal of our time, money, and energy to improve it. The entire work was recomposed on computer. Figures [pictures] were scanned and inserted. Diacritical marks were provided as far as possible. References to citations were given in certain cases. But when a vessel is already too dirty it is very difficult to clean it even in a dozen attempts. The original was an assemblage of scattered articles written by specialists in their own field. Some were extracted from publications already published. It was issued as a special number of a journal. It needed a competent editor. Even that too was not adequate unless the editor possessed sufficient knowledge of and full competence in all the subject areas covered. One way to make it correct and complete was to prepare a kind of draft and circulate it among all the writers, or among those who could critically examine a particular paper in their respective field. -
GUIDE to Vietnam & Cambodia
GUIDE TO Vietnam & Cambodia INSIDER GUIDE TO VIETNAM & CAMBODIA Vietnam & Cambodia Picture the enchanting countries of Vietnam and Cambodia. Are you soaking up the incredible history and culture of the vibrant capital cities? Discovering the magnificent temples of Angkor Wat? Cruising the emerald-green waters of Halong Bay in a traditional junk? Perhaps you’re relaxing on the gorgeous beaches or trekking through the lush landscape… Wherever your mind wanders to when you picture Vietnam and Cambodia, welcome to our mini destination guide to these two breathtaking destinations. Vietnam Cambodia Population: ca. 95 million Population: ca. 16 million Capital: Hanoi Capital: Phnom Penh National anthem: Tien Quân Ca National anthem: Nokor Reach (Royal (Marching Song) Kingdom or Majestic Kingdom) Currency: Vietnamese Dong Currency: Cambodian Riel Official Language: Vietnamese Official Language: Khmer Average Monthly Temperature: Hanoi, Vietnam Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec 17° 17° 21° 24° 28° 29° 29° 29° 28° 25° 22° 18° Average Monthly Temperature: Phnom Penh, Cambodia Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec 26° 27° 29° 31° 30° 29° 28° 29° 28° 27° 27° 26° Vietnam & Cambodia Interesting facts... Around 70% of the Vietnamese population The Vietnamese keep potbelly pigs as pets own motorbikes Vietnam is the largest exporter of cashews In Cambodia, it is considered rude to point in the world, and the second largest exporter feet, particularly the soles, towards a person of rice. or things The Cambodian flag is one of only 2 national Traditionally, birthdays are not celebrated in flags to feature a building Cambodia particularly in the rural areas. -
Into Silence the Meditation Music of Deva Premal (A Compilation from Sounds True)
Into Silence The Meditation Music of Deva Premal (A Compilation from Sounds True) AAD GURAY NAMEH OM NAMO Am E7 A D A Aad Guray Nameh Hari om namo narayana Fm# D A E7 Jugaad guray nameh Om namo narayana F#m D A Dm Am Sat guray nameh Hari om namo narayana F#m E A Siri guru de------vay nameh Dm Am Hari om namo narayana I bow to the Primal Guru, Am E7 Am I bow to the Guru woven Hari om namo narayana through time I bow to the True Guru, E7 the true identity of the self. Om namo narayana I bow to the Great Guru whose great glory will always be. Dm Am Hari om namo narayana Guru: that which brings us from darkness (GU) to light (RU). Dm Am (Snatam Kaur Khalsa) Hari om namo narayana I bow down to the divine. 1 GATE GATE OM HRAUM MITRAYA C C G F C Dm-Bb-C Gate gate Om Hraum Mitraya Namaha (2x) G Am Em Gm Dm Am Para---gate Om Eim Saraswatiyei Namaha F Em F Bb Parasam----gate Om Eim Saraswatiyei Namaha C Bodhiswaha May the light of friendship shine through me, drawing noble Gone, gone beyond. companionship. Gone altogether beyond. Oh, what Om and Salutations to the an awakening. feminine Saraswati principle. (From the Heart Sutra of Buddha) OM MANI PADME HUM (Capo 5th fret) OM RAM RAMAYA Am Om mani padme hum G Am Om F#m mani padme hum Am Om ram ramaya Om mani padme hum C# G Am Om Svaha mani padme hum Fmaj7 Bm Om ram ramaya G Om A mani padme hum Svaha Fmaj7 G Fmaj7-Am E Om mani padme hum Om Am G Am Om mani padme hum An invocation to Rama, whose perfection exists in us all. -
What Is OM (A-U-M)?
Yoga : The missionary arm of Hinduism, mystical, Hinduistic purposes. Eternal life is entirely different from the concept of Vedas. If you take a tree and chop its root off, then you Buddhism and the New Age movement ! reincarnation. Reincarnation is a lie of the Devil. This is the don’t have a tree. You cannot separate the yoga exercises HATHA YOGA teaches that The philosophy and practice of exact same lie with which the serpent in the garden of Eden from the philosophy. If you want to exercise, exercise. But there are some 72,000 invisible yoga have been the primary tools seduced Eve. The Bible later identifies this serpent as Satan, why borrow a practice that has been part of a false religion psychic channels, which of Hindu, Buddhist, and New Age the deceiver. “So the great dragon was cast out, that serpent for centuries? Remember there is no such thing as “Christian constitute another-dimensional Movement missionaries. These of old, called the Devil and Satan, who deceives the whole yoga” (an oxymoron like a “Christian Buddhist” - no such body. This "subtle" body is missionaries first present yoga as world; he was cast to the earth, and his angels were cast out thing!). Repent and ask God’s forgiveness. claimed to connect to the real an exercise, only later do they with him” (Revelation 12:9). “…The serpent deceived Eve body in seven predominant reveal it as a Pagan practice. Idol of Hindu elephant by his craftiness…” (2 Corinthians 11:2-3). “Then the In the Bible, gods such as Shiva, Ganesha, Hanuman, etc. -
A STUDY of the NAMES of MONUMENTS in ANGKOR (Cambodia)
A STUDY OF THE NAMES OF MONUMENTS IN ANGKOR (Cambodia) NHIM Sotheavin Sophia Asia Center for Research and Human Development, Sophia University Introduction This article aims at clarifying the concept of Khmer culture by specifically explaining the meanings of the names of the monuments in Angkor, names that have existed within the Khmer cultural community.1 Many works on Angkor history have been researched in different fields, such as the evolution of arts and architecture, through a systematic analysis of monuments and archaeological excavation analysis, and the most crucial are based on Cambodian epigraphy. My work however is meant to shed light on Angkor cultural history by studying the names of the monuments, and I intend to do so by searching for the original names that are found in ancient and middle period inscriptions, as well as those appearing in the oral tradition. This study also seeks to undertake a thorough verification of the condition and shape of the monuments, as well as the mode of affixation of names for them by the local inhabitants. I also wish to focus on certain crucial errors, as well as the insufficiency of earlier studies on the subject. To begin with, the books written in foreign languages often have mistakes in the vocabulary involved in the etymology of Khmer temples. Some researchers are not very familiar with the Khmer language, and besides, they might not have visited the site very often, or possibly also they did not pay too much attention to the oral tradition related to these ruins, a tradition that might be known to the village elders. -
Om : an Inquiry Into Its Aesthetics, Mysticism, and Philosophy
Newsletter Archives Om: An Inquiry into its Aesthetics, Mysticism and Philosophy The material contained in this newsletter/article is owned by ExoticIndiaArt Pvt Ltd. Reproduction of any part of the contents of this document, by any means, needs the prior permission of the owners. Copyright C 2000, ExoticIndiaArt Om: An Inquiry into its Aesthetics, Mysticism, and Philosophy Article of the Month - December 2001 In the Chandogya Upanishad it is said: The essence of all beings is the earth. The essence of the earth is water. The essence of water is the plant. The essence of the plant is man. The essence of man is speech. The essence of speech is the Rigveda. The essence of Rigveda is the Samveda. The essence of Samveda is OM. Thus OM is the best of all essences, deserving the highest place. Visually, OM is represented by a stylized pictograph. A deeper insight into this mystic symbol reveals that it is composed of three syllables combined into one, not like a physical mixture but more like a chemical combination. Indeed in Sanskrit the vowel 'o' is constitutionally a diphthong compound of a + u; hence OM is representatively written as AUM. Fittingly, the symbol of AUM consists of three curves (curves 1, 2, and 3), one semicircle (curve 4), and a dot. The large lower curve 1 symbolizes the waking state (jagrat), in this state the consciousness is turned outwards through the gates of the senses. The larger size signifies that this is the most common ('majority') state of the human consciousness. The upper curve 2 denotes the state of deep sleep (sushupti) or the unconscious state. -
Mantras for Life
Tracks: 1) OM Sahana Vavatu Mantra (Shanti Mantra) 2) Hanuman Mantra (Strength through Devotion) 3) Saraswati Mantra (Music and Learning) 4) Narayana Mantra (Divine Spirit) 5) Nam Myoho Renge Kyo Mantra (Devotion to the Mystic Law) 6) Kumara Mantra (Blessing the Children) 7) Kala Mantra (Perfect Timing) 8) Niyamaya Mantra (Law of Nature) 9) Pashupati Mantra (Blessing the Animals) 10) OM Purnam Mantra (Shanti Mantra) 11) Mantra to Find Lost Things (Bonus Track) 12) Ananda (Bonus Track) 1] Om Sahana Vavatu Mantra (Shanti Mantra) OM Sahana Vavatu Sahanau Bhunaktu Saha Viryam Karavavahai Tejasvi Navaditamastu Ma Vidvishavahai OM Shanti Shanti Shantihi OM, may we all be protected. May we all be nourished. May we work together with great energy. May our studies be enlightening. Let us not give rise to enmity. OM, peace (within), peace (with each other), peace (universal). 2] Hanuman Mantra (Strength through Devotion) OM Hum Hanumate Vijayam Victory to the invincible Hanuman. By invoking prana (life force) with this mantra, our awareness is showered with 'vigorous energy'... an energy so vast and so strong it opens us to an ecstasy that is beyond our physical human capabilities. When we devote our practice of physical exercise to the Great Spirit, it becomes meaningful, inspirational and fulfilling - it becomes true Yoga. 3] Saraswati Mantra (Music and Learning) OM Eim Saraswatyei Namaha OM and salutations to Saraswati, the goddess of music, poetry, the arts, education, learning and divine speech. This mantra opens us towards education, learning, and the artistic world of music and poetry. Whenever you find yourself moved to tears by a piece of music, or touched by the words of the great poets and sages, you are in the presence of Saraswati. -
The French Archaeological Mission and Vat Phou : Research on an Exceptional Historic Site in Laos Marielle Santoni, Christine Hawixbrock, Viengkeo Souksavatdy
The French archaeological mission and Vat Phou : Research on an exceptional historic site in Laos Marielle Santoni, Christine Hawixbrock, Viengkeo Souksavatdy To cite this version: Marielle Santoni, Christine Hawixbrock, Viengkeo Souksavatdy. The French archaeological mission and Vat Phou : Research on an exceptional historic site in Laos. 2017, 27 p. hal-03144441 HAL Id: hal-03144441 https://hal.archives-ouvertes.fr/hal-03144441 Submitted on 17 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Marielle Santoni; Christine Hawixbrock; Viengkeo Souksavatdy The French archaeological mission and Vat Phou : Research on an exceptional historic site in Laos Marielle Santoni* Christine Hawixbrock** Viengkeo Souksavatdy*** “La Mission archéologique française et le Vat Phu : recherches sur un site exceptionnel du Laos”. in Y. Goudineau et M. Lorrillard (ed.), Recherches nouvelles sur le Laos, Vientiane/Paris, EFEO, coll.“Études thématiques” (18), 2008, pp. 81-111. The Vat Phou complex [fig. 1] is located in Champasak Province in Southern Laos on the right bank of the Mekong River, 100 km north of the Khone waterfalls which mark the border with Cambodia. It stretches to a sacred mountain, the tip of which has a remarkable shape, identified in antiquity as a liṅga, hence the ancient Sanskrit name Liṅgaparvata, meaning “Liṅga Mountain”.