Interactive Ethics Case for February-March 2001
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Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Clybourne Park Study Guide
Clybourne Park Study Guide The Theatre/Dance Department’s production oF Clybourne Park can be seen December 2 – 7 at 7:30 pm in Barnett Theatre. Tickets 262-472-2222 Monday – Friday 9:30 am – 5:00 pm The Clybourne Park Study Guide was originally created by Studio 180 Theatre, Toronto, Canada, and is being used at UW-Whitewater with Studio 180 Theatre’s permission. www.studio180theatre.com Table of Contents A. Notes for Teachers ...................................................................................................................... 3 B. Introduction to the Company and the Play .................................................................................. 4 UW-Whitewater Theatre/Dance Department .......................................................................................................... 4 Clybourne Park by Bruce Norris ..................................................................................................................................... 5 Bruce Norris – Playwright ................................................................................................................................................. 6 C. Attending the Performance ......................................................................................................... 7 D. Background Information ............................................................................................................. 8 1. Source Material: A Raisin in the Sun by Lorraine Hansberry ....................................................................... -
Multiculturalism and Transnational Formations in Tony Kushner's
Multiculturalism and Transnational Formations in Tony Kushner’s Angels in America Yvonne Iden Ngwa Higher Teacher Training School. (ENS) Yaoundé [email protected] Resum Multiculturalisme i formacions transnacionals a Angels in America de Tony Kushner En aquest article es vol demostrar que la representació del multiculturalisme ambient a Amèrica vist per Tony Kushner és palesa a la seva obra Angels in America a través de formacions transnacionals. La seva especificitat rau en el fet de recórrer els diferents aspectes del multiculturalisme. Les teories postcolonials i postmodernes posen de relleu l’heterogeneïtat que caracteritza les cultures a l’obra i justifiquen el multiculturalisme i el transnacionalisme. Paraules clau Multiculturalisme, formacions transnacionals, Tony Kushner. Resumen Multiculturalismo y formaciones transnacionales en Angels in America de Tony Kushner En este artículo, se quiere demostrar que la representación del multiculturalismo ambiente en América por Tony Kushner desemboca en formaciones transnacionales en su obra Angels in America. Lo que hace su especificidad es que recorre los distintos aspectos del multiculturalismo. Las teorías postcoloniales y postmodernas ponen de relieve la heterogeneidad que caracteriza las culturas en la obra y justifican el multiculturalismo y el transnacionalismo. Palabras clave Multiculturalismo, formaciones transnacionales, Tony Kushner. Résumé Multiculturalisme et formations transnationales dans Angels in America de Tony Kushner Dans cet article, on veut montrer que la représentation du multiculturalisme ambiant de l’Amérique par Tony Kushner aboutit à des formations transnationales dans sa pièce Angels in America. Contrairement aux autres articles qui décrivent généralement le multiculturalisme dont regorge la pièce, celui-ci s’intéresse aux différents contours de ce multiculturalisme ainsi qu’aux formations transnationales qui en découlent. -
The Heidi Chronicles As Illustration of the Second Feminist Wave in the United States
Facultad de Humanidades Sección de Filología The Heidi Chronicles as Illustration of the Second Feminist Wave in the United States Trabajo de Fin de Grado presentado por la alumna Beatriz Sánchez Ramos bajo la supervisión de la Dra. Matilde Martín González Dpto. Filología Inglesa y Alemana Grado en Estudios Ingleses Curso 2014-15 Convocatoria de julio de 2015 TABLE OF CONTENTS Abstract 1. Introduction 2. Second Feminist Wave: A Brief Account 3. The Heidi Chronicles seen from the perspective of Second Wave Feminist Theory 4. Conclusion 5. Works Cited Abstract This final degree dissertation aims to show how vital was the Second Wave Feminism in the twentieth century in terms of women’s struggle for better conditions. This period of intense fight has been the object of many literary and critical works, such as novels, collections of poetry and scholarly articles. From the huge bibliography on this topic I have chosen to focus on The Heidi Chronicles, a play written by Wendy Wasserstein (1950-2006) which reflects and engages with the main concerns raised by women in the period covering the 1960s, 1970s and 1980s. Thus, I argue that this text could very well illustrate the political, social and theoretical aspects developed within the Second Feminist Wave in the United States. A further reason for choosing this work has to do with the possibilities of theatre as a cultural manifestation to deal with questions that include gender relations and social themes. The theatre has always implied an interaction between characters in a literal way, and this turns it perhaps into the most straightforward genre to involve the public – the audience – or the readership. -
EDUCATIONAL MATERIAL “PROOF” by David Auburn
www.that.theatre.com / [email protected] Birgitte Holm Halkjær Lektor, engelsk og dansk Birkerød Gymnasium, HF og IB EDUCATIONAL MATERIAL “PROOF” by David Auburn Proof is a Pulitzer Prize and Tony Award winning family drama that explores the relationship between brilliance and madness. It centers on the character of Catherine, a young woman who has spent years caring for her father, a once-great mathematician now stricken with mental illness. The play opens on the eve of his funeral, as Catherine begins her struggles with issues of responsibility, trust, and the possible inheritance of her father´s brilliance and madness. This is one of the best and funniest plays that I have read. I hope that you enjoy studying it and that you’ll come in to see the play. I would like to thank Birgitte for writing this material. Ian Burns - Artistic director. 1 Contents: 1: Pre-reading activities for students. Page 3: 2: Reading: Act I Scene I – (Page 4) Act I Scene II – (Page 7) Act I Scene III – (Page 10) Act I Scene IV – (Page 12) Act II Scene I – (Page 13) Act II Scene II – (Page 14) Act II Scene III – (Page 15) Act II Scene IV – (Page 16) Act II Scene V – (Page 17) 3: Post reading and writing. (Page 20) 4: Points for further discussion. (Page 30) 5: Quiz yourself. (Page 36) 6: Post-reading & writing. Non-fiction articles. (Page37) 7: Having seen the play by That Theatre in Krudttønden. (Page 38) 8: Writing activities for students. (Page 39) 9: Grammar and translation activities. -
PLAY GUIDE Inside
McGuire Proscenium Stage / Jan 11 – Feb 16, 2020 Noura by HEATHER RAFFO directed by TAIBI MAGAR PLAY GUIDE Inside THE PLAY Synopsis, Setting and Characters • 4 Responses to Noura • 5 THE PLAYWRIGHT About Heather Raffo •7 In Her Own Words • 8 After the Door Slams: An Interview With Heather Raffo •9 CULTURAL CONTEXT The Long Sweep of History: A Selected Timeline of the Land That Is Now Iraq • 12 What’s What: A Selected Glossary of Terms in Noura • 19 Iraq: Ripped From the Headlines • 22 Chaldean Christians • 24 Meet Cultural Consultant Shaymaa Hasan • 25 ADDITIONAL INFORMATION For Further Reading and Understanding • 27 Guthrie Theater Play Guide Copyright 2020 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Graves CONTRIBUTORS Shaymaa Hasan, Daisuke Kawachi, Heather Raffo, Carla Steen Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 EDITOR Johanna Buch ADMINISTRATION 612.225.6000 All rights reserved. With the exception of classroom use by BOX OFFICE 612.377.2224 or 1.877.44.STAGE (toll-free) teachers and individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic guthrietheater.org • Joseph Haj, artistic director or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie creates transformative theater experiences that ignite the imagination, The Guthrie Theater receives support from the National stir the heart, open the mind and build community through the illumination of our Endowment for the Arts. -
HHS the Dispatch
School NewspaperDISPATCH“The beacon of truth since 1974” ISSUE I, VOLUME 48 HUNTINGTON HIGH SCHOOL OAKWOOD AND MCKAY ROADS HUNTINGTON, NY 11743 INSIDE THIS ISSUE: 2018 OP-ED Freshman Year: The Best Type of Storm 2 The Dress Code: Safe or Discriminato- ry? 3 Proof That More Must Be Done for Survivors 4 Image from The Weekly Standard Justcie for Kavahaugh 5 PROOF THAT MORE The UN General Assembly: The Good, The Bad, The Ugly, And What It MUST BE DONE FOR JUSTICE FOR Means for the United States 6 Sexual Harassment and Assualt Is Still SURVIVORS KAVANAUGH A Problem, Guys. 7-9 NATALIE MCANN CRAIG HAAS SCHOOL NEWS Interact Club Earns Their Way to “We The past month has been a Justice for Kavanaugh, you Day” Again! 9 rollercoaster of emotions for ev- read the title correct. Despite eryone in the United States, Demo- weeks of allegations, Mr. Brett Ka- crat or Republican, Male or Female, vanaugh was named the 114th Su- SEASONAL Black or White, Gay or Straight, preme Court Justice of The United Cisgender or Transgender, and ev- States. The History of Halloween 12 eryone in between any of those After months of Democrat- Attention: Enjoy Fall While You Still categories. I just wanted to begin ic officials attempting to block Can! 12-13 by saying, my heart is out to every Brett Kavanagh’s confirmation single survivor across every con- with claims that he didn’t rep- tinent. It hurts seeing the people resent the people or was too-far ENTERTAINMENT closest to me and those who I have right, information was released in never even met recount their tales early September which stated that Gaining The Light: A Destiny 2 Cam- of assault and abuse and it’s even Mr. -
Home and Family
5 Home and Family UNCORRECTED PAGE PROOFS Copyright © 2017 (and distributed by) Bedford, Freeman & Worth High School Publishers. Strictly for use with its products. Not for redistribution 06_JAG_8251_ch05_148_307.indd 148 18/08/16 12:26 PM hat makes a house a W home? “Home” suggests sanctuary, loved ones, nourishment — a place where everybody knows your name. The term is woven deep into our language as well as our consciousness. Consider the connotations of homemade and homespun. Home can offer refuge from the hostile world, or it can be a prison. People living together inevitably — sometimes intentionally — rub one another the wrong way. This chafing provides writers with rich material for art. (Remember, without conflict there is no story.) Are these writers working through their own failed relationships with mothers, fathers, and siblings? Sometimes. Are they exploring their conflicted feelings toward a home they left behind? Maybe. Are they holding up a mirror that allows us to see our own homes and families in a new light? Most certainly. Though the trappings of Happy families are all alike; home and family differ across every unhappy family is unhappy cultures, human families have in its own way. much in common. Legend has it that a man from Czechoslovakia, — Leo Tolstoy, Anna Karenina after watching a production of August Wilson’s Fences (set in Pittsburgh in the 1950s), approached the playwright and asked him, “How did you know about my family?” Wilson may not have known that particular man’s family, but he knew about families and how the sins of the Getty Images / father play out in the lives of sons. -
In Kindergarten with the Author of WIT
re p resenting the american theatre DRAMATISTS by publishing and licensing the works PLAY SERVICE, INC. of new and established playwrights. atpIssuel 4,aFall 1999 y In Kindergarten with the Author of WIT aggie Edson — the celebrated playwright who is so far Off- Broadway, she’s below the Mason-Dixon line — is performing a Mdaily ritual known as Wiggle Down. " Tapping my toe, just tapping my toe" she sings, to the tune of "Singin' in the Rain," before a crowd of kindergarteners at a downtown elementary school in Atlanta. "What a glorious feeling, I'm — nodding my head!" The kids gleefully tap their toes and nod themselves silly as they sing along. "Give yourselves a standing O!" Ms. Edson cries, when the song ends. Her charges scramble to their feet and clap their hands, sending their arms arcing overhead in a giant "O." This willowy 37-year-old woman with tousled brown hair and a big grin couldn't seem more different from Dr. Vivian Bearing, the brilliant, emotionally remote English professor who is the heroine of her play WIT — which has won such unanimous critical acclaim in its small Off- Broadway production. Vivian is a 50-year-old scholar who has devoted her life to the study of John Donne's "Holy Sonnets." When we meet her, she is dying of very placement of a comma crystallizing mysteries of life and death for ovarian cancer. Bald from chemotherapy, she makes her entrance clad Vivian and her audience. For this feat, one critic demanded that Ms. Edson in a hospital gown, dragging an IV pole. -
Press Release
FOR IMMEDIATE RELEASE 11/1/2019 CONTACT: Lesley Greene, [email protected] / (607) 272-0403 PHOTOS AND OTHER MEDIA: https://www.kitchentheatre.org/proof OPENING: TUESDAY, November 26, 7:30pm. RSVP to [email protected] ‘WHY DON’T WE BELIEVE HER?’ THE PULITZER AND TONY AWARD WINNING CLASSIC, PROOF, STILL RESONATES TODAY ON STAGE AT THE KITCHEN THEATRE COMPANY NOVEMBER 23 - DECEMBER 15, 2019 “An exhilarating and assured new play by David Auburn that turns the esoteric world of higher mathematics literally into a back porch drama, one that is as accessible and compelling as a detective story.”― The New York Times (ITHACA) - Next up at Kitchen Theatre Company is Proof, the Pulitzer Prize and Tony Award winning play by David Auburn that explores what we inherit from our parents and what it takes to believe a woman when she doesn’t have the physical proof to back up her words. Performances of Proof begin at the Kitchen Theatre Company in the Percy Browning Performance Space on Saturday, November 23 and will run through Sunday, December 15. Thanks to the support of two sponsors and an anonymous donor, all three preview performances (11/23, 11/24, 11/25) will offer patrons the opportunity to “Pay What You Want,” attending the performance for any price. Following the death of her father, a famous mathematician, Catherine must grapple with what she may or may not have inherited from him—from brilliance to madness. With the appearance of Catherine’s estranged sister, an unexpected suitor, and a notebook containing a groundbreaking proof, Catherine’s life and the future of the field change forever. -
POLITICAL ENGAGEMENT in FOUR PLAYS by LYNN NOTTAGE Ludmila MARTANOVSCHI ”Ovidius” University of Constanța This Study Focus
POLITICAL ENGAGEMENT IN FOUR PLAYS BY LYNN NOTTAGE Ludmila MARTANOVSCHI ”Ovidius” University of Constanța Abstract: Since the 1990s, Lynn Nottage’s drama has constantly spoken to audiences and critics alike, as her plays have depicted characters whose individual struggles question the status quo and inspire self- interrogation for audiences in the United States of America and elsewhere. Working with an expanded definition of political engagement, the analysis here examines four plays in which Nottage turns a seamstress from the turn of the twentieth century into a protagonist capable of holding the audience’s attention for the entire length of a play (Intimate Apparel), reevaluates the communist overtones of the fight for racial justice at mid-century (Crumbs from the Table of Joy), exposes lingering colonialism and cultural appropriation (Mud, River, Stone), and attacks extreme violence enacted on women as part of the ravages of war (Ruined). In an interview, Nottage talks about the need to challenge oneself and she does live up to her goal of defying labels. As the current study shows, she cannot simply be celebrated as an African American woman playwright, but as an important voice in American drama today. Keywords: drama, performance, African American identity, race, gender, sisterhood, social change, colonialism in Africa, rewriting history, bearing witness This study focuses on four plays by Lynn Nottage, Crumbs from the Table of Joy (1995), Mud, River, Stone (1998), Intimate Apparel (2003) and Ruined (2008), all of which reflect on essential aspects of political engagement. The analysis first examines the African American women’s experience as revealed by the focus on characters from Manhattan and Brooklyn at two separate historical moments: 1905 in Intimate Apparel and 1950 in Crumbs from the Table of Joy. -
Exploring the Theme of Neo-Orientalism in Ayad Akhtar's
INTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, LITERATURE AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in (Impact Factor : 5.9745) (ICI) KY PUBLICATIONS RESEARCH ARTICLE ARTICLE Vol. 7. Issue.1. 2020 (Jan-Mar) EXPLORING THE THEME OF NEO-ORIENTALISM IN AYAD AKHTAR’S DISGRACED AS A REPRESENTATION OF THE ARAB-ISLAMIC WORLD MONA BAGATO E-mail: [email protected] ABSTRACT The goal of this study is to explore Ayad Mkhtar’s “Disgraced”, as a Neo-Orientalist account, portraying the injustice and prejudice of the American society towards Muslims and Arabs, and how it considers them as a threat that must be othered and excluded. The main objective of this study is to reflect on how Disgraced tackled Neo- Orientalist ideology, and consequently how this critical trend has widened the gap between East and West. Intentionally, the West had imposed a Stereotype figure on Article information Received:29/01/2020 Muslims throughout their myopic lens, and consequently created distorted image of Accepted: 27/02/2020 Islam and Muslims in their writings. Since 9/11, the situation has worsened. The Published online: 03/03/2020 classical orientalism has taken a new, and more negative approach. Neo-Orientalists doi: 10.33329/ijelr.7.1.122 now see Muslims as terrorists, lunatics, fundamentalists, and blood-thirsty beings. The stigmata September11th attached to Islam and Muslims drove many second generation immigrates playwrights to do something about it. They could not turn a blind eye to the injustice Muslim Americans are facing in the American society.