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Cambridge University Press 978-0-521-89515-6 - The Cambridge Companion to the Pre-Raphaelites Edited by Elizabeth Prettejohn Index More information INDEX Adam Bede (Eliot), 19 ‘Art and Industry in the Fourteenth Century’ ‘Adieu’ (‘Wavering whispering trees’) (Morris), 207 (D.G. Rossetti), 95 Art and Poetry: Being Thoughts towards Adoration of the Kings and Shepherds Nature, Conducted principally by (Burne-Jones), 237–8 Artists, 3, 83. See also The Germ Adoration tapestry (Morris & Co.), 219–20 ‘The Art Catholic’, 166 Aesthetic Movement Art Journal, 38, 39 Brown, 148, 160 ‘Art News from London’ (W.M. Rossetti), Hunt, 42, 74 257 Morris, 216 ‘The Art of the People’ (Morris), 207 The Age of Rossetti, Burne-Jones and Watts: ‘Art Under Plutocracy’ (Morris), 207 Symbolism in Britain 1860–1910 269 Arts and Crafts movement, 40, 213, 218 Aids to Reflection (Coleridge), 71 Arundel Society, 35, 39 Albrecht Dürer on the Balcony of his House Aspecta Medusa (D.G. Rossetti), 28 (Scott), 40 Astrophel and Other Poems (Swinburne), Allingham, William, 16, 19–20, 57, 191–2 240–1 The Altar, or Meditations in Verse on Atalanta in Calydon (Swinburne), 27, 238, the Great Christian Sacrifice 244 (Williams), 167 The Athenaeum, 80, 161 American exhibition of Pre-Raphaelite Atlantic Monthly, 258 art, 258 ‘August’ (Swinburne), 243–4 ‘Anactoria’ (Swinburne), 242 Aurora Leigh (E.B. Browning), 17 Angel in the House (Patmore), 17 Autobiographical Notes (Scott), 238 Angiolieri, Cecco, 90 Autumn Leaves (Millais), 142–3, 256 The Annunciation (Tintoretto), 22, 35 ‘Ave’ (D.G. Rossetti), 93–4 antiquarianism, 33 The Awakening Conscience (Hunt), 39, 121, Brown, 151–2 124–5, 128, 251 Morris, 196 Aylott and Jones, 83 ‘Antwerp and Bruges’ (D.G. Rossetti), 93 April Love (Hughes), 258 Babylon Hath Been a Golden Cup Architect, 117 (Solomon), 58, 59 Armstrong, Thomas, 254 Bacchus and Ariadne (Titian), 35, 120–1 Arnold, Matthew, 82, 253 The Baleful Head (Burne-Jones), 230 Arnolfini Portrait (van Eyck), 33, 34, 35, 39, ‘A Ballad of Death’ (Swinburne), 243 40, 42, 107, 135, 136 ‘A Ballad of Life’ (Swinburne), 243 Arseneau, Mary, 176 Barbe-Bleue (Sue), 19 ‘Art, Wealth, and Riches’ (Morris), 207 Barnaby Rudge (Dickens), 19 ‘Art: A Serious Thing’ (Morris), 207 Barr, Alfred, 267 291 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89515-6 - The Cambridge Companion to the Pre-Raphaelites Edited by Elizabeth Prettejohn Index More information Index Barringer, Tim, 8–9 Bothie (Clough), 253 Bateman, Robert, 58 Botticelli, Sandro Baudelaire, Charles, 27, 239, 243–4, 245 influence on painting of D.G. Rossetti, 111 Beata Beatrix (D.G. Rossetti), 194 influence on Pre-Raphaelites, 32, 41, 42, ‘The Beauty of Life’ (Morris), 207–8 58, 269 Bedroom at Arles (van Gogh), 269 Boyd, Alice, 100 Before the Battle (D.G. Rossetti), 185–6 Brett, John, 40, 253, 254, 255 ‘The Beggar Maid’ (Tennyson), 232 Briar Rose series (Burne-Jones), 224, 228 The Beguiling of Merlin (Burne-Jones), ‘A Bridal Race’ (Scott), 26 227–8, 229 ‘The Bride’s Prelude’ (D.G. Rossetti), 91–2 Bendiner, Kenneth, 149 The Bridesmaid (Millais), 144 Bennett, Mary, 149 British Institution exhibition (1848), 32–3 Berengaria’s Alarm for the Safety of her The Broadway, 252 Husband, Richard Coeur de Lion Brontë, Charlotte, Emily and Anne, 19, 83 (Collins), 138–9 Brother Rabbit (Morris), 217 Bettall (drawing master), 48 Brown, Ford Madox, 148–61. See also Bible. See also religion names of specific works by Brown Burne-Jones description of Book of Kings, artistic formation of, 149–54 225 close drawing from nature (observational criticism of, 69, 71–2 drawing), 156–8 influence on painting of Hunt, 127–9 D.G. Rossetti and, 16, 150, 154, 155, 158, Bibliography (W.M. Rossetti), 260 161 Bird and Anemone (Morris), 216–17 formal training, 47 Bird and Vine (Morris), 216–17 furniture design, 160 The Birth of the Virgin (Dürer), 40 The Germ, 82–3, 154–61 The Black Brunswicker (Millais), 145 historical painting, 158–9 Blake, William Hunt and, 119–20, 123, 130, 150–1, 153 biography of, 27, 165–6 influence of early Flemish art, 39–40 contrasted with poetry of D.G. Rossetti, influence of early Italian art, 37 97–8 influence on Siddall, 189 influence on C. Rossetti, 178 interest in Thackeray, 19 influence on D.G. Rossetti, 27–8, 51–2, 97 Millais and, 144, 160 influence on Pre-Raphaelites, 58 Morris and, 212, 219 influence on Swinburne, 239 observation of nature, 156–7 literary sources, 49 oil study of bottles, 105, 106, 154 ‘minute particulars’, 94 outline drawing style, 51 BLAST, 76 patrons and the public, 159–61 The Blessed Damozel (Burne-Jones), 223 recent exhibitions, 268 ‘The Blessed Damozel’ (D.G. Rossetti), 20, Ruskin and, 153–4, 157–8 77, 81, 93, 95–6, 98 sexual politics and feminism and, 17 The Blind Fiddler (Wilkie), 34 Swinburne and, 237 The Blind Girl (Millais), 142, 143, 145 W.M. Rossetti and, 255, 258 A Blot in the Scutcheon (R. Browning), 20 Working Men’s College, 54 ‘The Blue Closet’ (Morris, D.G. Rossetti), Brown, Lucy Madox, 262–3 200, 201 Browning, Elizabeth Barrett, 17 Bocca Baciata (D.G. Rossetti), 41, 110, 240, Browning, Robert 242 contrasted with poetry of D.G. Rossetti, Boccaccio, Giovanni, 4, 64 99 Bodichon, Barbara, 17, 258 influence on D.G. Rossetti, 20, 93–4 The Body of Harold Brought before William influence on Pre-Raphaelites, 77 (Brown), 150–1 influence on Swinburne, 245 Border ballads, 184–5, 239 Morris’s writings and, 200, 201 Borgia, Lucrezia, 242–3 ‘Old Pictures in Florence’, 36 292 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89515-6 - The Cambridge Companion to the Pre-Raphaelites Edited by Elizabeth Prettejohn Index More information Index review of in The Germ, 82, 253 ‘Une Charogne’ (Baudelaire), 245 Brownrigg, Elizabeth, 19 Chaucer, Geoffrey, 152–3, 220, 230 Buchanan, Robert, 238, 246 Chaucer at the Court of Edward III Buckley, Jerome Hamilton, 266 (Brown), 17–18, 151–4 Burden, Bessie, 220 Chesneau, Ernest, 267 Burden, Jane. See Morris, Jane Burden ‘The Child Jesus: A Record Typical of the The Burlington Magazine, 265 Five Sorrowful Mysteries’ (Collinson), Burne-Jones, Edward, 223. See also names of 24, 72, 82 specific works by Burne-Jones ‘Chimes’ (D.G. Rossetti), 95 D.G. Rossetti and, 57, 73, 223 Christ in the House of His Parents (Millais), Hogarth Club, 160 20, 37–8, 50, 64–6, 72, 133, 136–8, Hunt and, 116 140, 155 illustrative and narrative drawing, 49, Christ Scourged (Manet), 128 57–9 ‘Christian and his Companions’ (Wells), influence of Botticelli, 32, 269 26–7 influence of early Flemish art, 40 The Christian Year (Keble), 167–8 Morris, Marshall, Faulkner & Co., ‘A Christmas Carol’ (Swinburne), 243 219–20 Christmas Eve and Easter Day (R. Morris and, 211–12, 213, 219, 220, 223, Browning), 253 224 The Chronicle of Tebaldeo Tebaldei obituary of, 32, 44 (Swinburne), 243 Oxford and Cambridge Magazine, 5, 198 Chronicles (Froissart), 200, 214 recent exhibitions, 268 ‘The Churches of North France’ (Morris), religion and, 223–4 196 Swinburne and, 236–8, 240–1, 242–3 Claudio and Isabella (Hunt), 256 Working Men’s College, 54 Clerk Saunders (Siddall), 183, 184, 185, 186, Burne-Jones, Georgiana, 228–9 187, 189, 190, 192, 258 Burne-Jones, Philip, 225 Clifford, Rosamond, 242 The Butcher’s Shop (Carracci), 38 Clough, Arthur, 82, 253 Byron, George Gordon (Lord Byron) Cobden, Richard, 119 Brotherhood’s interest in, 20 Coleridge, Samuel Taylor, 71, 170, 239, 240, D.G. Rossetti’s interest in, 27 251–2 Hunt’s interest in, 127 Collins, Charles Allston, 138–9 Swinburne’s interest in, 240 Collinson, James, 24, 51, 72, 82 Colonna, Vittoria, 111 Cameron, Julia Margaret, 257 Concert Champêtre (Giorgione or Titian), The Car of Love (Burne-Jones), 230 35–6 ‘The Card-Dealer’ (D.G. Rossetti), 95 La Conque, 84 Carlyle, Thomas, 67, 159, 207 Constable, John, 157 Carracci, Annibale, 38 Contes de Fées (Perrault), 28 Cary, H. F., 23–4 A Converted British Family Sheltering The Castaway (Howitt), 187 a Christian Missionary from the The Castle of Otranto (Walpole), 19 Persecution of the Druids (Hunt), Catholicism 136–7, 153, 193 Collinson’s conversion to, 72 ‘Cordelia’ (W.M. Rossetti, ill. by Brown), perceived threat of, 65, 66 82–3 Cavalcanti, Guido, 90, 104, 105, 267 Cornelius, Peter, 151 Cavour, Camillo Benso di, 259 Cornforth, Fanny, 109, 240 Le Centaure, 84 Coronation of the Virgin (Fra Angelico), 34 A Century of Roundels (Swinburne), 240–1, The Coronation of the Virgin (Lorenzo 243 Monaco), 37 A Channel Passage and Other Poems ‘Correspondances’ (Baudelaire), 243–4 (Swinburne), 240–1 Courbet, Gustave, 128 293 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89515-6 - The Cambridge Companion to the Pre-Raphaelites Edited by Elizabeth Prettejohn Index More information Index Crane, Walter, 58 Divine Comedy (Dante), 23–4, 111 The Crayon, 84, 255, 257 Donatello, 42 The Critic, 84, 253 ‘Dream Land’ (C. Rossetti), 82, 169–73, 243 Crivelli, Carlo, 233 ‘A Dream of John Ball’ (Morris), 206 Cruikshank, George, 255 ‘A Dream of Love’ (Scott), 26 Cyclographic Society, 50, 120 A Dream of the Past (Sir Isumbras) (Millais), Cymon and Iphigenia (Millais), 120 144, 145, 256 Dryden, John, 120 Daisy curtains (Morris et al), 220 du Maurier, George, 254 Daisy wallpaper (Morris), 214 Dudley Gallery, 58 Dalí, Salvador, 269 Dürer, Albrecht, 40, 41, 57 Dalziel illustrated Bible project (Dalziels’ Dyce, William, 39, 123, 151 Bible Gallery), 56, 73–4, 223 Danaë and the Brazen Tower The Early Italian Poets…Together with (Burne-Jones), 230 Dante’s Vita Nuova (D.G.