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Mount Cook Rally Action
NEW ZEALAND’S FOREMOST HISTORIC MOTORING MAGAZINE No. 259 DECEMBER 2002 /JANUARY 2003 PRICE $4.50 INCL GST Beaded Wheels 9 418979 000012 Mount Cook Rally Action bw259.indd 1 10/10/2007 11:05:37 PM This card-mounted photograph of an early Buick is stamped with the photographer’s signature which appears to be “Ballows, Wanganui”. VINTAGE & CLASSIC The car has FBC Taxi No is painted at the top of the driver’s door. The number which appears to end in a zero is partially obscured by the brake ENGINE PARTS lever. The headlamps appear to have seen better days and no nights, however the white topped forage cap worn by the driver indicates the car is still in service as a taxi. No number plate and no other information, can readers assist? SubmissionsPhoto of photographs supplied for bythis Barrypage are welcomeThomson. from Beaded Wheels Beaded Wheels readers. Please send original photographs of NEW ZEALAND’S FOREMOST HISTORIC MOTORING MAGAZINE historic interest with any available information to Beaded Wheels, PO Box 13140, Christchurch. PISTONS, VALVES, HEAD GASKETS Laserprints/photocopies are not suitable. Photos will be returned as soon as practicable. TIMING GEARS, MORSE CHAINS ENGINE BEARINGS GEORGE CALDER LIMITED 307 HOON HAY ROAD, CHRISTCHURCH PH 03 338 5372 FAX 03 338 5482 Stockists of REPLACEMENT 1912-80 AUTOMOTIVE ENGLISH PARTS AMERICAN CONTINENTAL Kingpin sets Engine gaskets Gearbox gears Suspension parts. Steering joints Crownwheel & pinions Example: 475-19 Spark plugs Electrical fittings Wiper motors (vac) 4ply Engine bearings Shock -
Exhibitions & Events at Auckland Art Gallery Toi O
Below: Michael Illingworth, Man and woman fi gures with still life and fl owers, 1971, oil on canvas, Auckland Art Gallery Toi o Tāmaki MARITIME MUSEUM FERRY TERMINAL QUAY ST BRITOMART On Show STATION EXHIBITIONS & EVENTS CUSTOMS ST BEACH RD AT AUCKLAND ART GALLERY TOI O TĀMAKI FEBRUARY / MARCH / APRIL 2008 // FREE // www.aucklandartgallery.govt.nz ANZAC AVE SHORTLAND ST HOBSON ST HOBSON ALBERT ST ALBERT QUEEN ST HIGH ST PRINCES ST PRINCES BOWEN AVE VICTORIA ST WEST ST KITCHENER LORNE ST LORNE ALBERT PARK NEW MAIN WELLESLEY ST WEST STANLEY ST GALLERY GALLERY GRAFTON RD WELLESLEY ST AUCKLAND AOTEA R MUSEUM D SQUARE L A R O Y A M Auckland Art Gallery Toi o Tāmaki Discount parking - $4 all day, weekends and PO Box 5449, Auckland 1141 public holidays, Victoria St carpark, cnr Kitchener New Gallery: Cnr Wellesley and Lorne Sts and Victoria Sts. After parking, collect a discount voucher from the gallery Open daily 10am to 5pm except Christmas Day and Easter Friday. Free guided tours 2pm daily For bus, train and ferry info phone MAXX Free entry. Admission charges apply for on (09) 366 6400 or go to www.maxx.co.nz special exhibitions The Link bus makes a central city loop Ph 09 307 7700 Infoline 09 379 1349 www.stagecoach.co.nz/thelink www.aucklandartgallery.govt.nz ARTG-0009-serial Auckland Art Gallery’s main gallery will be closing for development on Friday 29 February. Exhibitions and events will continue at the New Gallery across the road, cnr Wellesley & Lorne sts. On Show Edited by Isabel Haarhaus Designed by Inhouse ISSN 1177-4614 Auckland Art Gallery Toi o Tāmaki relies on From the Chris Saines, the good will and generosity of corporate Gallery Floor Plans partners. -
Art History Sources at the Hocken Collections
Reference Guide Art History Sources at the Hocken Collections Sir William Fox, 1812-93. W Fox’s House, Nelson. 1848. Watercolour on paper: 238 x 345mm. Accession No.: 4,274 31. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to New Zealand art history held in the collections. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. The advanced search ‐ https://goo.gl/HVNTqH gives you several search options, and you can refine your results to the Hocken Library on the left side of the screen. -
New Zealand Rolls-Royce & Bentley Club
New Zealand Rolls-Royce & Bentley Club Inc Issue 16-4 2016 NEW ZEALAND ROLLS-ROYCE & BENTLEY CLUB (INC) The Bentley badge and Bentley name are registered trademarks of Bentley Motors Limited. The Rolls-Royce badge and Rolls-Royce name are registered trademarks of Rolls-Royce plc. NATIONAL EXECUTIVE CHAIRMAN: Don Cresswell Membership 26 Aputa Avenue, Te Puru, Thames 3575 Phone 07 868 2250/Mobile 021 721 792 MEMBERSHIP of the New Zealand Rolls-Royce & Bentley Club Inc is open to anyone [email protected] with an interest in these two marques, whether or not they are the owner of a Rolls-Royce or Bentley. Your Membership SUBSCRIPTION includes the Club Magazine (6 issues annually), PAST CHAIRMAN: Rob Carthew the right to attend all Club events and activities, and to partake in Club management. 85A Wharewaka Road, Taupo FEES Registration Fee $ 10.00 (once only) Phone 07 3774117 [email protected] Annual Membership Fee $115.00 Family membership $5.00 CONTACT Membership Registrar NZ Rolls-Royce & Bentley Club, Inc SECRETARY: Naomi Neill Naomi Neill, 773 Back Ormond Road, Gisborne 4071 Phone: (06) 867 1676 773 Back Ormond Road, RD1, Gisborne 4071 Email: [email protected] or www.nzrrbc.org.nz , then APPLICATION FORM Phone 06 867 1676 [email protected] Chassis Records TREASURER: Philip Eilenberg 3B 21 George Street, Parnell, Auckland The Company’s construction records for every Rolls-Royce, and every Bentley since 1931, Phone: 09 374 5901/Mobile 021 928 041 through its production at Derby or Crewe, are a valuable resource for owners. They detail [email protected] the original order and inspections before despatch. -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
Spring Catalogue 2012
Spring Catalogue 2012 pierre peeters gallery 251 Parnell Road: Habitat Courtyard: Auckland: [email protected] (09)3774832 Welcome to our 2012 Spring Catalogue. Pierre Peeters Gallery presents fine examples of New Zealand paintings, works on paper and sculpture which span from the nineteenth century to the present day. For all enquiries ph (09)377 4832 or contact us at [email protected] www.ppg.net.nz Cover illustration: Len Lye, Self Portrait with Night Tree: 1947 W .S Melvin circa 1880 Wet Jacket Arm: Milford Sound Initialled Lower right ‘WSM’ Oil on opaque glass 170 x 280 mm W. S Melvin circa 1880 Lake Manapouri Initialled Lower left ‘ WSM’ Oil on opaque glass 170 x 280 mm These two works by W.S Melvin exemplify the decorative landscape painting of nineteenth century painters of the period working in New Zealand. They knowingly utilise the decorative strength of adjacent reds , soft purples and greens . Painted on what was commonly called ‘milk glass’, popular in nineteenth century applied arts, here Melvin employs this luminous medium for his deftly realised depictions of the picturesque South Island. W.S. Melvin was a nineteenth century painter who exhibited with the Otago Art Society from 1887–1913; and whose work featured in the NZ and South Seas Exhibition in Dunedin 1889–90. John Barr Clarke Hoyte (1835-1913) Coastal Inlet c.1870 Watercolour 390 x 640 mm John Barr Clarke Hoyte could produce airy, sweeping views of the picturesque, but in works like this, he combines the atmosphere and dampness of the elements of a North Island inlet, with a homely, pragmatic and altogether, endearing aspect. -
Fitzroy July 2011
TAKE ONE MOMENT JULY 2011 IINSPIREDNSPIRED BBYY CCOLOUROLOUR Haylee Kirkham, pictured here in her home studio, has revived her old love of painting PHOTO BY DEREK HUGHES FFITZROYI T Z R O Y - more on page 2 FIZROY 1 COVER STORY TAKE ONE MOMENT EDITORIAL LOCAL ARTIST: TOM has a new look – one I hope you will all appreciate. One of the most asked ques- Haylee tions I come across is what does TOM Kirkham FFITZROYI T Z R O Y stand for so I hope TOM FITZROY is a the new logo, When viewing some of her art hung on monthly publication banner and website walls around her home it’s hard to believe delivered free to your answer this question it was just three years ago that local artist letterbox in the Fitzroy, for everyone. Haylee Kirkham began to paint seriously. Merrilands, Highlands A big thank you goes out to the local Haylee studied art and photography right Park, Strandon and Glen community who continue to sup- through to her sixth form year at Hawera Avon areas. port the TOM through advertising High School and her two art teachers THE TEAM and article contributions – without there, Nigel Ogle and Tim Chadwick Co-ordinator/Features: either the TOM doesn’t exist. My were she says, a huge inspiration to her. Kim Ferens next most asked question is why do I Haylee also gained a wealth of photo- 06 751 1519 do the TOM and the answer is simple graphic knowledge when she worked for [email protected] – the immense satisfaction I get from Lester Timms Photography studio after Advertising: school, where instead of getting paid she Rachel Naus people’s enjoyment in reading about interesting things the local commu- asked Lester Timms to critique her pho- 06 758 1677 tographic work. -
Gallery Calendar (Subject to Adjustment)
CDA No. Forty-three 1972 President: Miles Warren The Journal of the Canterbury Society of Arts Secretary Manager: Russell Laidlaw 66 Gloucester Street Telephone 67-261 Exhibitions Officer: Tony Geddes P.O. Box 772 Christchurch Receptionist: Joanna Mowat Registered et the Post Office Headquarters, Wellington as a magazine. News Editor: S. McMillan gallery calendar (subject to adjustment) May 5 - 19 N. Z. Institute of Architects. April — May 15 British Painting. May 18 — June 1 Keith Reed and John Parker. Paintings. May 17 — June 2 Phil Clairmont. Paintings & Drawings. May 20 — June 6 Quentin MacFarlane. Paintings. June 7 — June 28 Benson and Hedges Art Award. June 4 — 16 J. V. Moore (post-humous). Paintings. June 9 — 25 Michael Eaton. Paintings. June 19 - 30 H. Struyk. Painting. July 4 — July 19 Graphic and Craft. Receiving day June 26. (continued overleaf) LUNCHTIME CONCERT On May 3 at 12.10 p.m. the University Singers will give a performance in the Gallery. Tony Fomison. Oil. But there's nothing wrong with me. Purchased by the C. S. A. for the permanent collection. Photo. Orly. calendar continued July. Graphic and Craft. Joanna Paul. Alan Clark and Barry November. Town & Country. Doris Holland. The Group. \2/ Sharplin. John Coley. Rosemary Muller. Technical Institute Graphic & Design. Contemporary August. Louise Lewis. Star Secondary School. Olivia December. Helen Rockel. Junior Art Class. Open Exhibi Spencer-Bower. Louise Henderson. Tony Geddes and tion. Jewellery Jonathon Mane. V. Jamieson. September. Neuman & Grant. Annual Spring Exhibition. Exhibitions are mounted with the assistance of Guenter Taemmler October. Valerie Heinz. Paree Romanides. J. Harris. -
AUCTION 228 Closing Tuesday May 7, 2019
AUCTION 228 Closing Tuesday May 7, 2019 132 133 2212 1507 Ex 1995 2010 2129 1704 2226 VIEW THIS AUCTION ONLINE AT WWW.AUCKLANDCITYSTAMPS.CO.NZ No Buyer’s Commission PO Box 99988 Newmarket Auckland 1149 NZ • Ph +64 9 522 0311 • Fax +64 9 522 0313 • Email [email protected] Ex 32 Ex 46 Ex 47 60 86 Ex 93 Ex 110 116 120 123 135 137 129 130 131 158 Ex 176 181 220 235 237 239 Ex 525 527 Ex 566 Ex 568 Ex 589 666 665 667 690 691 Ex 696 954 955 Ex 977 - Plate 1 - 1007 Ex 1212 Ex 1213 1215 1216 Ex 1234 1244 Ex 1253 1336 1486 1488 1500 1508 1509 1511 1513 Ex 1517 Ex 1522 1521 Ex 1523 1524 1525 1526 1528 1529 Ex 1530 1584 1581 1582 1583 1580 1586 1585 - Plate 2 - 1588 1589 1590 1591 1592 1593 1594 1595 1596 1597 1598 1599 1600 1601 1602 1603 1604 1605 1606 1607 1608 1610 1611 1609 1613 1614 1615 1616 1617 1619 1620 1621 Ex 1625 1626 1629 1631 1630 1632 1643 1656 1665 1635 1684 1690 1691 1692 - Plate 3 - Welcome To Auckland City Stamps Auction 228 Welcome to Postal Auction 228 which contain 2654 lots of World & NZ Stamps & Covers and closes on Tuesday May 7, 2019. In World Stamps the highlights include Lot 132 Canada 1897 $4 Jubilee Used (Est $1000), Lot 133 Canada 1897 $5 Jubilee Mint (Est ($1000), Lot 251 China 1980 Year of the Monkey Unhinged (Est $1500) and Lot 1507 1846 5c George Washington New York ‘Post Office’ on piece (Est $500). -
Christchurch Art G Allery Te P Una O W Aiwhetu Bulletin Issue No.188 Winter 2017
Christchurch Art Gallery Len Lye Works The Art of the Heist Observing Rituals In the Studio Bringing the Soul Te Puna o Waiwhetu Sally Blundell on the challenges Nick Spill tells the story of a Balamohan Shingade speaks Bridget Riley in conversation Rau Hoskins looks at the of realising new, larger and little-known heist from the with artist Kushana Bush. with Paul Moorhouse at the expression of Ngāi Tūāhuriri / Bulletin Issue no.188 louder works by Len Lye. Robert McDougall Art Gallery. artist’s studio. Ngāi Tahu cultural identity in Winter 2017 the Christchurch rebuild. Bulletin Issue no.188 2017 Christchurch Art Gallery Te Puna o Waiwhetu B.188 Editor Other Contributors Contact Us Christchurch Art Gallery Foundation David Simpson Sally Blundell, Mark Braunias, Ben Cauchi, We welcome your feedback and Stephen Furlonger, Murray Horton, suggestions for future articles. Level One TOGETHER Partners Louise Edwards David Wilton Gallery Contributors Rau Hoskins, Paul Moorhouse, Tel: (+64 3) 941 7300 Heather and Neville Brown Lisa and Garth Gallaway Carey and Margaret Wood Director: Jenny Harper Balamohan Shingade, Nick Spill Email: [email protected] Philip Carter Family Sarah and Brett Gamble Anonymous Partner Gardner Family Trust Anonymous Partner Curatorial Team: Ken Hall, [email protected] Sandra and Grant Close Ben and Penny Gough, trustees of the Dame Jenny Gibbs Anonymous Partner Felicity Milburn, Nathan Pohio, Design and Production Please see the back cover for more details. Ben Gough Family Foundation June Goldstein Lara Strongman, Peter Vangioni Our thanks to the Graphic Design class at Grumps Charlotte and Marcel Gray Small Business TOGETHER Partners Public Programmes: Lana Coles, the Ilam School of Fine Arts for designing ISSN 1176-0540 (print) Joanna and Kevin Hickman Nicola and Ben Hardy Alex Malone Ltd Amy Marr Bulletin, and to PMP Print for their generous ISSN 1179-6715 (online) Gabrielle Tasman Ernest and Catherine Henshaw Cakes by Anna Photographer: John Collie sponsorship of the production. -
Redressing Theo Schoon's Absence from New Zealand Art History
DOUBLE VISION: REDRESSING THEO SCHOON'S ABSENCE FROM NEW ZEALAND ART HISTORY A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Art History in the University of Canterbury by ANDREW PAUL WOOD University of Canterbury 2003 CONTENTS Abstract .......................................... ii Acknowledgments ................................. iii Chapter 1: The Enigma of Theo Schoon .......................... 1 Chapter2: Schoon's Early Life in South-East Asia 1915-1927 ....... .17 Chapter 3: Schoon in Europe 1927-1935 ......................... 25 Chapter4: Return to the Dutch East-Indies: The Bandung Period 1936-1939 ...................... .46 Chapter 5: The First Decade in New Zealand 1939-1949 ............ 63 Chapter 6: The 1950s-1960s and the Legacy ......................91 Chapter 7: Conclusion ...................................... 111 List of Illustrations ................................ 116 Appendix 1 Selective List of Articles Published on Maori Rock Art 1947- 1949 ...................................... 141 Appendix 2 The Life of Theo Schoon: A Chronology ................................... .142 Bibliography ..................................... 146 ABSTRACT The thesis will examine the apparent absence of the artist Theo Schoon (Java 1915- Sydney 1985) from the accepted canon ofNew Zealand art history, despite his relationship with some of its most notable artists, including Colin McCahon, Rita Angus and Gordon Walters. The thesis will also readdress Schoon's importance to the development of modernist art in New Zealand and Australia, through a detailed examination of his life, his development as an artist (with particular attention to his life in the Dutch East-Indies, and his training in Rotterdam, Netherlands), and his influence over New Zealand's artistic community. ii ACKNOWLEDGEMENTS Acknowledgment and thanks are due the following: My thesis supervisor Jonathan Mane-Wheoke, without whose breadth of knowledge and practical wisdom, this thesis would not have been possible. -
Important Paintings & Contemporary
IMPORTANT PAINTINGS & CONTEMPORARY ART 12 APRIL The Wisdom of Crowds is the title of the American writer’s James Surowiecki’s 2004 Front cover: analysis of group psychology. His central tenets relating to collective intelligence 'Colin McCahon: On came to mind when looking back on the recent weekend of March 17/18 in Going Out with the Tide', installation view, City Gallery Wellington where ART+OBJECT held its first ever auction in the capital, offering The Wellington, 2017. Photo: Collection of Frank and Lyn Corner. Speaking of crowds the A+O team was almost Shaun Waugh. Courtesy of overwhelmed by the number of Wellington art lovers (and others from around the Colin McCahon Research country who flew in for the viewing) who visited the Corner family home for the and Publication Trust. three days of the viewing. For a complete report on this landmark collection and Page 1: auction, turn to page 4 in the introduction to the current catalogue. lot 71, Charlie Tjapangati More crowds were in evidence for the opening of Te Papa Tongarewa’s 20th Tingari Painting anniversary exhibition Toi Art. For those of us who can remember the 1998 opening exhibition Dream Collectors this new show curated by Te Papa Head of Art Charlotte Davy and her team was a radical re-proposal of the contemporary art discourse of New Zealand in 2018 – proof positive of the power of art to engage the public to the tune of over 15 000 visitors on the opening weekend. If one makes a basic back of an envelope head count that adds up to over 20 000 people who enjoyed New Zealand art over a three day period in the capital.