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Lsm11-6 Ayout sm19-7_FR_p01_Cover_sm19-1_FR_pXX 14-05-28 1:37 PM Page 1 sm19-7_FR_p02_ADs_sm19-1_FR_pXX 14-05-27 10:02 PM Page 2 Soins naturels pour le corps et l’âme Direction générale et artistique : Grégoire Legendre Une gamme de soins inspirée de recettes ancestrales. 23 Pour des effets rapides, juillet visibles et durables. Fabriqués au Canada. Sans additifs chimiques. au 4 août Non testés sur les animaux. Vivaldi et Haendel à l’opéra (Les Violons du Roy) L’Enfant et les sortilèges www.arganat.com Le Jugement dernier (Requiem de Verdi) Les Grands Feux Loto-Québec La Brigade lyrique Musique en plein air La grande histoire chantée de la musique lyrique ) du jardin impérial Wagner à l’apéro 418 643-8131 www.festivaloperaquebec.com sm19-7_FR_p03_AD-ottawachamberfest_sm19-1_FR_pXX 14-05-27 8:19 PM Page 3 CHAMBERFEST JULY 24 JUILLET AUGUST 07 AOÛT OTTAWA OTTAWA INTERNATIONAL CHAMBER MUSIC FESTIVAL FESTIVAL INTERNATIONAL DE MUSIQUE DE CHAMBRE D’OTTAWA RÉCITAL SONDRA RADVANOVSKY LE MARDI 29 JUILLET 19H Un des plus éminents sopranos verdiens de sa génération offre un récital précieux et rare. TOP 100 LEVEL OF DISTINCTION POINTS SAILLANTS A FAR CRY JANINA FIALKOWSKA IL TRIONFO DEL TEMPO LE VENDREDI 25 JUILLET 19H LE VENDREDI 01 AOÛT 19H LE MARDI 05 AOÛT 19H DESPASSEPORTS MAINTENANT ET BILLETS EN VENTE 613.234.6306CHAMBERFEST.COM/FR/BILLETS LSM-French-Chamberfest2014.indd 1 23/05/2014 10:47:16 AM sm19-7_FR_p04_TOC_sm17-4_FR_pXX 14-05-28 12:49 PM Page 4 SOMMAIRE VOL 19-7 JUIN/JUILLET/AOÛT 2014 6 JEAN PHILIPPE TREMBLAY 6 Jean-Philippe Tremblay : Passeur de savoir 10 NOUVELLES DE L’INDUSTRIE 12 Le financement des festivals canadiens 14 Oliver Jones et ses hommes 26 SECTION JAZZ » Ingrid et Christine Jensen : Âmes sœurs 20 Festivals de musique classique : nos choix 25 Festivals des arts : nos choix 28 CRITIQUES DE DISQUE NOUVEAU QUATUOR 31 CALENDRIER DÉTACHABLE GUIDES 36 Guide des festivals d’été ORFORD 52 CALENDRIER RÉGIONAL 53 CONCERTS À VENIR 58 PHOTOS Alain Lefort RÉDACTEUR JAZZ TECHNICIEN COMPTABLE ADRESSES ÉDITEURS FONDATEURS Marc Chénard Mourad Ben Achour 5409, rue Waverly, Montréal Wah Keung Chan, Philip Anson RÉDACTEUR ADJOINT PHOTO DE COUVERTURE (Québec) Canada H2T 2X8 La Scena Musicale VOL. 19-7 Hassan Laghcha Alain Lefort Tél. : (514) 948-2520 JUIN/JUILLET/AOÛT 2014 RÉVISEURS CALENDRIER RÉGIONAL [email protected] www.scena.org Scène Musicale, un organisme sans but lu- cratif. La Scena Musicale est la traduction Alain Cavenne, Annie Prothin, Eric Legault, Michael Vincent Production – artwork : ÉDITEUR italienne de La Scène Musicale. Brigitte Objois RÉDACTEUR WEB [email protected] La Scène Musicale Le contenu de LSM ne peut être reproduit, DIRECTEUR ARTISTIQUE Michael Vincent RÉDACTEUR EN CHEF Ver : 2014-06-01 © La Scène Musicale en tout ou en partie, sans autorisation de Adam Norris COLLABORATEURS l’éditeur. La direction n’est responsable Wah Keung Chan DIRECTRICE DE LA PRODUCTION Renée Banville, Justin Bernard, ABONNEMENTS d’aucun document soumis à la revue. / CONSEIL D’ADMINISTRATION Rebecca Anne Clark Philip Erhensaft, Shira Gilbert, L. H. L’abonnement postal (Canada) coûte All rights reserved. No part of this publica- Wah Keung Chan (prés.), Holly Production : [email protected] Tiffany Hseih Caroline Rodgers, 33 $ / an (taxes incluses). Veuillez en- tion may be reproduced without the writ- Higgins-Jonas, Sandro Scola, CN ten permission of LSM. GÉRANTE DU BUREAU Joseph So voyer nom, adresse, numéros de télé- COMITÉ CONSULTATIF phone, télécopieur et courrier Brigitte Objois TRADUCTEURS ISSN 1486-0317 Version imprimée/Print Gilles Cloutier, Pierre Corriveau, électronique. Tous les dons seront appré- version (La Scena Musicale); ABONNEMENTS ET DISTRIBUTION Rebecca Anne Clark, David-Marc Maurice Forget, C.M., Ad. E, David ciés et sont déductibles d’impôt Envois de publication canadienne Jennifer St-Arnaud Newman, Brigitte Objois, Karine Franklin, Ad. E, Margaret Lefebvre, (no 14199 6579 RR0001) Contrat de vente No.40025257 PUBLICITÉ Poznanski, Dwain Richards, Lina Stephen Lloyd, Constance V. Pathy, LA SCENA MUSICALE, publié sept fois par Jennifer Clark, Brigitte Objois, Scarpellini, Anne-Marie Trudeau C.Q., E. Noël Spinelli, C.M., Bernard année, est consacré à la promotion de la Polina Gubnitskaia, Anna Kourilova BÉNÉVOLES Stotland, FCA musique classique et jazz. Chaque numéro ads.scena.org Wah Wing Chan, Lilian I. Liganor, contient des articles et des critiques ainsi Annie Prothin que des calendriers. LSM est publié par La 4 JUIN/JUILLET/AOÛT 2014 sm19-7_FR_p05_ADs_sm19-1_FR_pXX 14-05-28 1:53 PM Page 5 NOUVEL Tour de France TrioALBUM Arkaède Isabelle Fournier, Violon / Alto Julien LeBlanc, Piano Karin Aurell, Flute YAMAHA d’occasion certifié et garantie 5193, BOUL. DÉCARIE, MONTRÉAL (QC) H3W 3C2 www.leaf-music.ca (514) 700-1099 | 1 855 LE-PIANO (537-4266) | pianovertu.com VEnTE AUX EnCHÈRES EN LIGNE! COLLECTE DE FONDS DE LA SCENA BAGUETTES SIGNÉES ! ŒUVRES D’ART FABIEN GABEL ORIGINALES ! ALAIN TRUDEL CHARLES DUTOIT BORIS BROTT ANN MCCALLMIKA WAH WING CHAN OTTO JOACHIM Aidez et appuyez La Scena Musicale! www.lascena.ca Pour donner un article, contactez [email protected] sm19-7_FR_p06-08_Tremblay_sm19-1_FR_pXX 14-05-30 11:54 AM Page 6 JEAN-PHILIPPE TREMBLAY Passeur de savoir par CAROLINE RODGERS a beau être encore jeune, la feuille de route de Jean- Philippe Tremblay est déjà impressionnante. À 35 ans, il a déjà dirigé des Ilorchestres sur trois continents et de- meure depuis 2001 à la tête de l’Or- chestre de la Francophonie (OF), qu’il a cofondé. Portrait d’un chef qui trouve de plus en plus sa vocation PHOTO Alain Lefort dans des projets musicaux à saveur pédagogique. 6 JUIN/JUILLET/AOÛT 2014 sm19-7_FR_p06-08_Tremblay_sm19-1_FR_pXX 14-05-30 11:54 AM Page 7 EN COUVERTURE JEAN-PHILIPPE TREMBLAY Pour Jean-Philippe Tremblay, la vie de mu- sicien idéale se décline en trois grands axes : la pratique instrumentale en musique de chambre – il joue encore de son instrument, l’alto –, la carrière de chef invité et la trans- mission du savoir et de la passion musicale grâce à des projets à vocation pédagogique comme l’OF. À travers ces trois volets, il re- cherche l’équilibre. « Je passe une quinzaine de semaines par an à diriger de grands orchestres. C’est très bon pour moi, mais c’est aussi bon pour l’OF. Je leur ramène de l’expérience, des connais- sances, du nouveau répertoire. Cela fait de moi un meilleur chef. » Tout au long de son parcours, il a rencontré nombre de grands musiciens qui avaient une véritable passion pour l’enseignement et qui ont su la lui transmettre. « Un bel exemple est celui de Pinchas Zukerman, avec qui j’ai beau- coup travaillé. Même s’il a une grande carrière internationale, il ne pourrait pas se passer de l’enseignement, qui occupe maintenant les deux tiers de son temps. Quand il est avec des jeunes, il devient une autre personne. » En ayant grandi comme chef avec l’OF, Jean- Philippe Tremblay constate à quel point il aime lui aussi travailler avec de jeunes musiciens. « À l’OF, nous avons des gens dont la moyenne JEAN-PHILIPPE TREMBLAY dirige les orchestres d’âge se situe autour de 22 ans. Ils sont excel- jumelés de Westmount et du Saguenay—Lac-St- UNE BIOGRAPHIE lents techniquement et très motivés. C’est le Jean. PHOTO Keith dunn/AOJQ. moment idéal pour essayer de les guider sur la 1978 : Naissance à Chicoutimi. meilleure voie possible. » À six ans, il commence l’apprentissage du CHANGER LE MONDE Pour sauver notre métier, violon. AVEC LA MUSIQUE la chose intelligente à À onze ans, il passe du violon à l’alto. « J’adore diriger de grands orchestres et c’est Études : Conservatoire de Saguenay, Royal très important dans ma carrière, dit Jean-Phi- faire, c’est de mettre Academy of Music de Londres et Maîtrise en lippe Tremblay. Mais plus le temps passe et direction d’orchestre à l’Université de Montréal. plus je constate que ce qui m’allume vraiment, plus de musique dans À 17 ans, il participe aux camps d’été de ce sont les projets qui font une différence dans l’École Pierre-Monteux. la société. » les écoles. « L’exemple le plus évident qui vient à l’esprit 2000 : sélectionné parmi 400 candidats pour est celui d’El Sistema, ce fameux système na- participer au camp d’été en direction tional d’éducation musicale du Venezuela. d’orchestre à Tanglewood. notre métier, la chose intelligente à faire, c’est « J’ai dirigé à quelques reprises l’Orchestre 2001 : il cofonde l’Orchestre de la de mettre plus de musique dans les écoles. symphonique Simon Bolivar, qui fait partie Francophonie. d’El Sistema, à l’invitation de Gustavo Duda- L’enseignement musical n’est plus obligatoire mel et de José Antonio Abreu, le fondateur d’El dans le système public, alors il faut que les ins- 2003 : lauréat du Concours international Sistema. Je compte bien y retourner. » titutions musicales prennent la relève. C’est ce Dimitris Mitropoulos, en Grèce. qu’a fait, par exemple, la Vancouver Sym- Ce fort penchant pour la transmission du 2004 : phony Orchestra School of Music en Colom- débuts comme chef invité aux mat- savoir l’influence même parfois quand vient le inées symphonique de l’OSM. moment d’accepter ou de refuser de diriger un bie-Britannique en donnant des cours orchestre en tant que chef invité. gratuits. C’est un immense succès. » 2004-2005 : il participe, avec Gustavo « Je privilégie autant que possible les or- Les preuves ne sont plus à faire : l’appren- Dudamel, au programme Allianz International chestres qui ont des programmes jeune public, tissage de la musique développe aussi les ca- Conductor’s Academy. qui incluent de la musique contemporaine pacités cognitives.
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