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Telling the Truth About Class
TELLING THE TRUTH ABOUT CLASS G. M. TAMÁS ne of the central questions of social theory has been the relationship Obetween class and knowledge, and this has also been a crucial question in the history of socialism. Differences between people – acting and knowing subjects – may influence our view of the chances of valid cognition. If there are irreconcilable discrepancies between people’s positions, going perhaps as far as incommensurability, then unified and rational knowledge resulting from a reasoned dialogue among persons is patently impossible. The Humean notion of ‘passions’, the Nietzschean notions of ‘resentment’ and ‘genealogy’, allude to the possible influence of such an incommensurability upon our ability to discover truth. Class may be regarded as a problem either in epistemology or in the philosophy of history, but I think that this separation is unwarranted, since if we separate epistemology and the philosophy of history (which is parallel to other such separations characteristic of bourgeois society itself) we cannot possibly avoid the rigidly-posed conundrum known as relativism. In speak- ing about class (and truth, and class and truth) we are the heirs of two socialist intellectual traditions, profoundly at variance with one another, although often intertwined politically and emotionally. I hope to show that, up to a point, such fusion and confusion is inevitable. All versions of socialist endeavour can and should be classified into two principal kinds, one inaugurated by Rousseau, the other by Marx. The two have opposite visions of the social subject in need of liberation, and these visions have determined everything from rarefied epistemological posi- tions concerning language and consciousness to social and political attitudes concerning wealth, culture, equality, sexuality and much else. -
Checklist for Returning to Community Radio Stations
RETURNING TO COMMUNITY RADIO STATIONS - CHECKLIST As the various states and territories progressively lift social distancing requirements, community radio station boards and management committees should consider their roadmap for safe return. Every station will be different – with each returning in the way that is best suited for their situation. Public health remains the most important consideration. Following advice from Federal Government health authorities and any state/territory regulation is critical. Organisational Consideration Action Y/N Access to information 1. Do you and your organisation have all relevant facts about COVID-19? 2. Is your organisation staying up to date? 3. Check official information sources including: • Australian Government Department of Health: www.health.gov.au/news/health-alerts/novel- coronavirus-2019-ncov-health-alert • World Health Organisation: www.who.int • Safe Work Australia ww.safeworkaustralia.org.au 4. Relevant State/Territory/local government websites. Governance 5. Is station board and staff clear on who within your organisation will make and implement decisions on returning to the studio/office? 6. Does everyone within your organisation understand their role? 7. Has your organisation nominated a COVID-19 Safety Coordinator to oversee delivery of your return plan? You can locate a description of this role on CBAAs website. Strategy 8. Has your organisation reviewed its strategic plan for COVID-19 considerations? 9. Has your organisation defined what success looks like? 10. Does your organisation need to amend fixtures, broadcasting and training rules or activities to ensure physical distancing? Financial 11. Does your organisation know what its new safety/return to studio measures will cost? 12. -
Public Media – Pubic Broadcasting System (PBS)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: Restore public broadcasting funding to the FY 2013 appropriation level of $445 million through the Corporation for Public Broadcasting (CPB). Pass the Community Access Preservation Act (CAP Act) to preserve public, educational, and governmental (PEG) non-commercial cable channels for local communities. OVERVIEW—PUBLIC AND COMMUNITY MEDIA Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. TALKING POINTS— CORPORATION FOR PUBLIC BROADCASTING In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. The federal portion of the average public station’s revenue is approximately 10–15 percent. -
Community Radio Journalism in India
News by any other name: community radio journalism in India Bridget Backhaus* Griffith University, Australia Abstract Community radio journalism is a cultural resource that offers a voice to local communities and works to democratise media landscapes. Despite its indisputable value, community radio journalism in India faces a unique set of challenges: the foremost being that, officially, it does not exist. According to government policy, community radio stations are prohibited from broadcasting any news and current affairs content. The situation is further complicated by the presence of a development discourse underpinning the entire rationale for the sector. Instead of serving their listeners, community radio stations are beholden to a nebulous ‘development’ agenda. Under such circumstances, it is unsurprising that community radio journalism in India is relatively unexplored in the literature. This paper aims to address this gap by exploring how community radio practitioners in India source content and work around their restrictions in order to provide their listeners with relevant information and news. Keywords Community radio, India, news, journalism, development, social change Introduction Community radio is considered to be a voice for the voiceless and a stronghold of alternative views. Similarly, community radio journalism also has a tradition of democratising the media and acting as a cultural resource to provide communities with a local voice (Forde, Meadows & Foxwell-Norton, 2002). In India however, community radio journalism faces a unique set of challenges: the foremost of which being that, officially, it does not exist. Government policy prevents community radio stations in India from broadcasting any news or current affairs coverage. Employing the concept of community radio as rhizome as a theoretical framework, this article explores the fluid and contingent nature of community radio news and journalism in an environment where it officially does not exist. -
Jo Drake Hair & Make-Up Artist
Jo Drake Hair & Make-Up Artist Television/Film/Photographic 07803 501983 www.jodrake.co.uk [email protected] I am highly experienced and qualified broadcast, film and photographic make- up artist based in London having worked extensively for major UK broadcasters and production companies including ITV, BBC, Channel 4, Sky, Hat Trick, ITN and Flame Television. I’ve covered all genres including news, entertainment, ob docs, scripted reality, sport, current affairs and live events. Television Credits (Selected) xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx Charles at 70 Nov 2018 BBC Studios/BBC1 Documentary of the life of Prince Charles as he turns 70. Harry and Meghan: A Royal Engagement Nov 2017 Renegade Pictures/BBC1 Documentary presented by Kirsty Young about the royals Elizabeth & Philip: Love and Duty July – Sept 2017 BBC Studios/BBC Documentary presented by Kirsty Young for BBC1 World War One Remembered: Passchendaele July 2017 BBC Studios/BBC1 Show presented by Dan Snow and Kirtsy Young covering the commemorations of the Battle of Passchendaele in Belgium. John Bishop In Conversation With April 2016 BBC Studios/BBC1 Prime time series with John Bishop interviewing guests Her Majesty the Queens 90th Birthday. June 2016 Lola Entertainment/BBC1 Live coverage celebrating the queen’s 90 birthday presented by Kirsty Young BBC History Quiz: The Tudors. Sept 2015 BBC Studios/BBC2 Make up designer for the guests Attenborough At 90 Sept 2015 BBC Studios/BBC1 Celebration of David Attenborough career presented by Kirsty Young Battle of Britain 75th Anniversary service at Westminster Abbey Sept 2015 BBC Studios/BBC1 Live broadcast of from Westminster Abbey presented by Dan Snow and Kirsty Young The Festival of Quilts Exhibition & The Knitting & Stitching Show Aug 2014 Create & Craft TV Live show presented from the NEC Unbelievable Moments Caught on Camera Dec 2014 Celebro Studios/ITV1 Page 1 Series presented by Alistair Stewart Made in Chelsea 2013 - 2014 Monkey Kingdom Productions/ITV Make-up & hair designer for the cast. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Table of Contents
TABLE OF CONTENTS SECTIONS 1. Audience - AUD ........................................................................................................ 4 2. Communication Policy & Technology - CPT ............................................................. 14 3. Community Communication - COC ......................................................................... 27 4. Emerging Scholars - ESN ......................................................................................... 42 5. Gender and Communication - GEC .......................................................................... 50 6. History - HIS ........................................................................................................... 61 7. International Communication - INC ........................................................................ 67 8. Journalism ResearcH & Education - JRE + UNESCO .................................................. 83 9. Law - LAW ............................................................................................................ 106 10. Media and Sport - MES ....................................................................................... 113 11. Media Education ResearcH - MER ....................................................................... 117 12. Mediated Communication, Public Opinion & Society - MPS ................................ 122 13. Participatory Communication ResearcH - PCR ..................................................... 129 14. Political Communication - POL ........................................................................... -
Culpable Neutrality Ronald Channing P 13 Hat Is the Moral Worth of a Neutrality out Its Entire Being Like a Stick of Seaside Rock
Volume LII No. 8 August 1997 £3 (to non-members) Don't miss... Dr Wiener's monument /s /t possible to be equidistant from good and evil? Anthony Grenville p.4 New Holocaust Research Project Culpable neutrality Ronald Channing p 13 hat is the moral worth of a neutrality out its entire being like a stick of seaside rock. Be based on equidistance from the combat sides, it requires less effort of the imagination to W ants in a struggle of good versus evil? envisage the Mosleys making Britain judenrein than (Para)normal For an answer to this question one need look no to see Jessica Mitford as a Madame Ceausescu clone. life further than Switzerland which, thanks to the In Nazi-occupied Britain deportations would have pressure of world opinion, is daily made more aware been the task of the SS, dubbed the 'black corps' on aranormal - of how reprehensible its wartime conduct had been. account of their fear-inspiring uniforms. Das dictionary But for all the tumbling of skeletons out of the Schtvarze Korps was the organ of the SS and like definition P cupboards of the wartime neutrals - the Swiss, the Der Stiirmer, reached millions of readers via display 'beyond normal Swedes, the Spaniards, the Portuguese, the Vatican cases up and down the country. explanation' - is - indifference to moral issues has by no means van the appropriate term Unlike Der Stiirmer's Julius Streicher, who was ished from the contemporary world. for describing hanged at Nuremberg, Schivarze Korps editor A case in point is the high esteem in which Ernst the fact (see p. -
Kothmale Community Radio Interorg Project: True Community Radio Or Feel-Good Propaganda?
International Review of Research in Open and Distance Learning Volume 10, Number 1. ISSN: 1492-3831 February – 2009 Kothmale Community Radio Interorg Project: True Community Radio or Feel-Good Propaganda? Liz Harvey-Carter M.A. Integrated Studies Athabasca University Abstract The Kothmale Community Radio and Interorg project in Sri Lanka has been hailed as an example of how a community radio initiative should function in a developing nation. However, there is some question about whether the Kothmale Community Interorg Project is a true community radio initiative that empowers local communities to access ICT services and to participate freely and equally or another ―feel- good‖ project controlled by successive, repressive Sri-Lankan governments and international partners, as alleged by its critics? After two decades of operation, the evidence shows that the Kothmale project is a cautionary tale about what can go wrong when an ICT project is not strongly promoted as a community- based enterprise. The biggest lesson that the Kothmale model can teach us is that control of community radio must be in the hands of the community exclusively if it is to succeed. Keywords: Kothmale, Community Radio, Sri Lanka, ICT, Kothmale Interorg Project Introduction The Kothmale Community Radio Project in Sri Lanka, now called the Kothmale Community Interorg Project, has been hailed as an example of how a community radio initiative should function within a developing nation, particularly one that has been embroiled in a long, brutal civil war (FAO, no date; Hughes, 2003; IDS, 2002; Jayaweera, 1998; Op de Coul, 2003; Seneviratne, 2007; Seneviratne, 2000). While this project is described as a success, ostensibly enabling the limited community it serves to participate in ICT and to decide which aspects of their culture(s) will be broadcast or featured on air or online, it can be argued that it has failed to realize its promise as an engine for change and freedom of expression (Gunawardene, 2007). -
Does the Daily Paper Rule Britannia’:1 the British Press, British Public Opinion, and the End of Empire in Africa, 1957-60
The London School of Economics and Political Science ‘Does the Daily Paper rule Britannia’:1 The British press, British public opinion, and the end of empire in Africa, 1957-60 Rosalind Coffey A thesis submitted to the International History Department of the London School of Economics and Political Science for the degree of Doctor of Philosophy, London, August 2015 1 Taken from a reader’s letter to the Nyasaland Times, quoted in an article on 2 February 1960, front page (hereafter fp). All newspaper articles which follow were consulted at The British Library Newspaper Library. 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 99, 969 words. 2 Abstract This thesis examines the role of British newspaper coverage of Africa in the process of decolonisation between 1957 and 1960. It considers events in the Gold Coast/Ghana, Kenya, the Federation of Rhodesia and Nyasaland, South Africa, and the Belgian Congo/Congo. -
2009 Census Report.Pdf
COMMUNITY BROADCASTING DATABASE: SURVEY OF THE COMMUNITY RADIO SECTOR 2007-08 FINANCIAL PERIOD PUBLIC RELEASE REPORT Prepared by CBOnline Community Broadcasting Association of Australia Sydney, November, 2009 Produced with the assistance of the Community Broadcasting Foundation CONTENTS Introduction .................................................................................................................................. 1 Overview of the community broadcasting sector ........................................................................ 1 Main findings ................................................................................................................................ 3 Sector numbers ........................................................................................................................ 3 Audience research .................................................................................................................... 3 Broadcast hours ........................................................................................................................ 3 Local content – solo providers .................................................................................................. 4 Programming: spoken word and music mix ............................................................................. 5 Australian music content .......................................................................................................... 5 Community information .......................................................................................................... -
How True Is the Queen's Gambit?
ARTS November 13 | 2020 How true is The Queen’s Gambit? The UK women’s chess champion on the hit Netflix show Anya Taylor-Joy as Beth Harmon 2 1GT Friday November 13 2020 | the times times2 Caitlin 6 4 DOWN UP Moran Demi Lovato Quote of It’s hard being a former Disney child the Weekk star. Eventually you have to grow Celebrity Watch up, despite the whole world loving And in New!! and remembering you as a cute magazine child, and the route to adulthood the Love for many former child stars is Island star paved with peril. All too often the Priscilla way that young female stars show Anyabu they are “all grown up” is by Going revealed her Sexy: a couple of fruity pop videos; preferred breakfast, 10 a photoshoot in PVC or lingerie. which possibly 8 “I have lost the power of qualifies as “the most adorableness, but I have gained the unpleasant breakfast yet invented DOWN UP power of hotness!” is the message. by humankind”. Mary Dougie from Unfortunately, the next stage in “Breakfast is usually a bagel with this trajectory is usually “gaining cheese spread, then an egg with grated Wollstonecraft McFly the power of being in your cheese on top served with ketchup,” This week the long- There are those who say that men mid-thirties and putting on 2st”, she said, madly admitting with that awaited statue of can’t be feminists and that they cannot a power that sadly still goes “usually” that this is something that Mary Wollstonecraft help with the Struggle.