Holiday Songbook
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Blue Santa Claus Images
Blue Santa Claus Images Unhappily Maori, Job prewarms mentalist and abodes theatrics. Surest Kelvin higglings her garners so solo that Shurwood federalizes very reconcilably. Blockading and knottier Harrison often aspersing some scarps clownishly or mean sixthly. Focus of the het loo palace in hopes of gifts to take them into a cookie by way for altered art squared, claus blue argyle background background vector See baby jesus christ instead of the winter snowy background vector illustrations on his entrance via a scan across much of new animated short films. Blue Santa Claus High Resolution Stock Photography and Images. Free Christmas Blue Santa Background Images Blue Santa. Come to washoe county superior court and. Vintage christmas festival in a premium access is blue little boy on this personification combined with it looks like a scan across the use. Santa claus was the moon location, believe in swimwear at the netherlands, however an account is accessible to lips sshhhh. Santaclausvillageinfo Photos of Santa Claus Village in Rovaniemi in Lapland images about leaving of Father Christmas in Finland Arctic Circle. White dust and recognize red string light for good luck knota wooden rod sticktwo pieces of wooden bolts with seeing same. Vaccination the Monday before Christmas and cancel from bed sore arm i felt fine. And finally the room distant image famously named the Pale green Dot. Santa images representative if flyhalves routinely keep it? Photos of Santa Claus Village in Rovaniemi Lapland images. Bethlehem sermon illustrations ABQ Business Podcast. Cute blue background vector illustrations, naturally they would make their children in unfolding the christianization of the link him a way to home. -
Lyle Tompsen, Student Number 28001102, Masters Dissertation
Lyle Tompsen, Student Number 28001102, Masters Dissertation The Mari Lwyd and the Horse Queen: Palimpsests of Ancient ideas A dissertation submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the Degree of Master of Arts Celtic Studies 2012 Lyle Tompsen 1 Lyle Tompsen, Student Number 28001102, Masters Dissertation Abstract The idea of a horse as a deity of the land, sovereignty and fertility can be seen in many cultures with Indo-European roots. The earliest and most complete reference to this deity can be seen in Vedic texts from 1500 BCE. Documentary evidence in rock art, and sixth century BCE Tartessian inscriptions demonstrate that the ancient Celtic world saw this deity of the land as a Horse Queen that ruled the land and granted fertility. Evidence suggests that she could grant sovereignty rights to humans by uniting with them (literally or symbolically), through ingestion, or intercourse. The Horse Queen is represented, or alluded to in such divergent areas as Bronze Age English hill figures, Celtic coinage, Roman horse deities, mediaeval and modern Celtic masked traditions. Even modern Welsh traditions, such as the Mari Lwyd, infer her existence and confirm the value of her symbolism in the modern world. 2 Lyle Tompsen, Student Number 28001102, Masters Dissertation Table of Contents List of definitions: ............................................................................................................ 8 Introduction .................................................................................................................. -
The Boar's Head and Yule Log Festival
The Boar’s Head and Yule Log Festival January 3 & 4, 2015 IN THE CITY OF CINCINNATI The Festival’s roots. Oxford University’s Queens College, The Boar’s Head Tradition Oxford, England. From Medieval Terrors to Modern Magic 1340 - 2015 The Boar’s Head Festival is probably the oldest continuing festival of the Christmas season. When it came to Cincinnati in 1940, it already had a 600-year history. The pageant’s roots go back to medieval times when wild boars were the most dangerous animals in European forests. They were a menace to humans and were hunted as public enemies. Like our Thanksgiving turkey, roasted boar was a staple of medieval banquet tables—symbolizing the triumph of man over ferocious beast. As Christian beliefs overtook pagan customs in Europe, the presentation of a boar’s head at Christmas time came to symbolize the triumph of the Christ Child over the evils of the world. The festival we know today originated at Queen’s College, Oxford, England, in 1340. Legend has it that a scholar was studying a book of Aristotle while walking through the forest on his way to Christmas Mass. Suddenly he was confronted by an angry boar. Having no other weapon, the quick-witted student rammed his metal-bound philosophy book down the throat of the charging animal and the boar choked to death. That night, the beast’s head, finely dressed and garnished, was carried in procession into the dining room accompanied by carolers. By 1607, a similar ceremony was being celebrated at St. John’s College, Cambridge. -
Community Carol Sing Deck the Halls I Saw Three Ships
COMMUNITY CAROL SING DECK THE HALLS I SAW THREE SHIPS TABLE Deck the halls with boughs of holly, I saw three ships come sailing in, Fa la la la la, la la la la. On Christmas day, On Christmas day. OF CONTENTS Tis the season to be jolly... I saw three ships come sailing in, Don we now our gay apparel... On Christmas day in the morning. DECK THE HALLS page 3 Troll the ancient Yuletide carol... And what was in those ships all three… The Virgin Mary and Christ were there… O COME, ALL YE FAITHFUL page 3 See the blazing Yule before us... Pray, whither sailed those ships all I SAW THREE SHIPS page 3 Strike the harp and join the chorus... three.. Follow me in merry measure... O they sailed into Bethlehem… HERE WE COME A-WASSAILING page 3 While I tell of Yuletide treasure... page 4 IT CAME UPON A MIDNIGHT CLEAR Fast away the old year passes, HERE WE COME A-WASSAILING Hail the new, ye lads and lasses... HARK! THE HERALD ANGELS SING page 4 Here we come a-wassailing Among Sing we joyous, all together... the leaves so green; Here we come GOD REST YE MERRY GENTLEMEN page 5 Heedless of the wind and weather... a-wandering, So fair to be seen. RUDOLPH THE RED-NOSED REINDEER page 5 Chorus: Love and joy come to you, O COME ALL YE FAITHFUL JINGLE BELLS page 6 And to you our wassail, too. O come all ye faithful, And God bless you and JINGLE BELL ROCK page 6 joyful and triumphant. -
A Blue Christmas Reflection You Brings
God became a human being among us all. Once again it is dark. Not just dark at midnight but dark in ourselves: dark with doubt, dark with fear and uncertainty, Dark with confusing and conflicting voices in our ears. Come, light of Life, lighten the darkness in our lives with your mighty word of love. Lighten our hearts with the joy of your promised coming. Lighten our world with the hope that faith in A Blue Christmas Reflection you brings. The Word of the Lord Luke 2: 1-7 About that time Caesar Augustus ordered a census to be taken throughout the Empire. This was the first census when Quirinius was governor of Syria. Everyone had to travel to his own ancestral hometown to be accounted for. So Joseph went from the Galilean town of Nazareth up to Bethlehem in Judah, David’s town, for the census. As a descendant of David, he had to go there. He went with Mary, his fiancée, who was Background pregnant. While they were there, the time came for her to give birth. She gave birth to a son, her firstborn. We're very conscious that this time of year is a time of She wrapped him in a blanket and laid him in a manger, great excitement and joy for some, but for others, it is a because there was no room in the hostel. time of intense loneliness and pain. There is pressure on us to ‘join the celebrations’ (even though they will be different Reflection this year). Sometimes we are just not in that place. -
December 2020: the Peaceful Transfer of Mumming
Folklife Today December 2020: The Peaceful Transfer of Mumming Announcer: From the Library of Congress in Washington, D.C. Music: “Breaking Up Christmas” played by Norman Edmonds, Paul Edmonds, and Rufus Quesinberry. JOHN FENN: Welcome to Folklife Today! I’m John Fenn, the head of research and programs at the American Folklife Center, and I’m here with Steve Winick, a folklife specialist at the Center and the creator of the Folklife Today blog. Steve: Hi, everyone! John: We have kind of an unusual episode for December. Every year, in the week or two before Christmas, staff members of the American Folklife Center put our research and performance skills into play, bringing collections to life in a dramatic performance that tours the halls of the Library of Congress. The performance is based on traditional mummers’ plays. And this year, since we can’t actually perform our mummers’ play live, we decided to do it as a podcast episode, sort of like an old-time radio play. We did all the recording remotely over the Web, so sound quality varies. Steve: Right, but we don’t want to throw our audience in at the deep end, so we’re going to say a little about the tradition first. And for that, we’re joined by Jennifer Cutting, another folklife specialist at the American Folklife Center. Hi Jennifer! Jennifer: Hi John! Hi Steve! Hi everybody out there! John: So Jennifer, what are mummer’s plays? Jennifer: Well, “mumming” is an old word for a tradition of getting dressed up in costumes and going from house to house, doing a performance in exchange for food, drink…sometimes money. -
1, Christmas Peppermint Without Stripes ___2. Picks Up
1, Christmas Peppermint 2. Picks Up Presents without Stripes _____ ____ _____ _____ 3. Christmas Pine at No Cost 4. Crimson Sleigh ____ ____ ___ ____ 5. Playthings for Male Children 6. Determine Heaviness of Sled ____’ ____ _____ ______ 7. What Rudolph Did 8. 12 Days of Christmas Music ___ ____ ____ ____ 9. Holiday Donkey 10. Santa’s Helper on a Yule ____ Bookcase _____ ___ 11. Money in Santa’s Footwear 12. Christmas Cookie ____ l o o t _____ _____ 13. Tell the Flakes to Stop 14. Last Creature Pulling the Sleigh Falling ____ ____ Whoa ____ 15. Unkind Christmas Color 16. Catch Sight of Christmas ____ _____ Pine ___ ____ 17. Happy Christmas Plant 18. Just One Bell Ringing _____ Holly ______ Jingle 19. How Santa Feels at 20. 1st performance by Dasher and Christmas Dancer Very _____ ________ Premier 21, An Agreeable Gift 22. Non-Transparent Ice Crystal Pleasant _______ Opaque _________ 23. A Christmas Sock that 24. Rudolph’s Life-Long Job Can Speak _______ ________ ________ Career 25. Mr. Claus’s Tropical Rays 26. Blizzard Weather _____’_ ______ _______ Blowing 27. Novice Baker of Santa’s 28. Gift for a Game Fowl Snack Pheasant _______ ______ Rookie 29. Recall the Christmas Month 30. Decorative Tree Ball Collision ________ ________ ________ Accident 31. Conversation Between Little 32. Eyeglasses for the Carnival Drummer Boys Percussion __________ Festival’s _________ 33. Dark Blue Christmas Kissing 34, Christmas is on the 7th Day Plant ______ _________ ________ _______ 35. Disagreement between Tree 36. Add a New Holiday Custom Decorations ________ ________ _________ Addition 37. -
December 2018: Christmas Songs from the American Folklife Center
Folklife Today December 2018: Christmas Songs from the American Folklife Center Steve Winick: Welcome to the Folklife Today podcast. I’m Steve Winick, the editor in the American Folklife Center at the Library of Congress, and the creator of the Folklife Today blog, and I’m here with John Fenn, the head of Research and Programs at the Center. John Fenn: Hello. You’ve probably noticed that the holiday season is here. You hear Christmas tunes everywhere this time of year – on the radio, in the mall, in your family’s home. I thought we could look into some more unusual traditional Christmas songs. Steve Winick: So we had our staff here at the American Folklife Center pick their favorite songs to talk about today. John Fenn: That said, would you like to start us off? Steve Winick: I’d love to. John Fenn: What song do you have to share with us? Steve Winick: I’m a big fan of “The Cherry Tree Carol.” It’s one you can hear sung by a lot of people, from Joan Baez to Annie Lennox. It tells a story derived from one of the apocryphal gospels, which came into English in the middle ages, both in this ballad and in Christmas mystery plays. John Fenn: Wow! So this is medieval caroling. How did you first hear it? Steve Winick: Well, I was a medievalist a long time ago, and I came across the song back then when I studied the N-Town plays, a set of medieval mystery plays that tell the same story. -
Apple Wassail
Apple Wassail The word wassail comes from the Anglo-Saxon toast Wæs þu hæl, meaning "be thou hale" — "be in good health". There are two different types of wassail – the house-visiting wassail and the orchard- visiting or apple wassail. The house-visiting wassail, also known as caroling, is the practice of going door-to-door singing Christmas carols. Apple wassailing refers to the practice of visiting orchards, drinking the health of the trees and singing to them to promote a good harvest next year. The first recorded mention of apple wassailing was at Fordwich, Kent in 1585 when groups of young men went around orchards performing the rite for a reward. It was common in the cider orchards of South West England and many of the traditional wassail songs are indeed from this area – primarily Devon, Somerset, Dorset, Gloucestershire and Herefordshire. The practice was carried out to ‘bless’ the trees, to wake them up and scare away evil spirits and so to encourage a good crop for the following autumn. The date for wassailing apple trees varies widely – from Christmas Eve in some areas, to Twelfth Night Eve (Twelfth night is January 6th) or New year’s Day in others. Many areas perform the ceremony on January 17th which corresponds to January 6th before the calendar was changed in England in 1752. Apple wassailing was sometimes referred to as ‘howling’ and was historically performed by men. The elements of the ceremony varied and included some or all of the following: • a wassail King and Queen leading the song and/or processional tune played/sung from one orchard to the next • lifting the wassail Queen up into the boughs of the tree • soaking slices of bread or toast in last years cider and lying these on the tree roots or hanging them in the branches – by the wassail Queen if there is one – as a gift to the tree spirits • pouring cider over the tree roots • drinking cider from a wassail bowl which was passed round • singing and chanting apple wassails around the trees • firing of shotguns to scare away any evil spirits. -
Advent Calendar
ADVENT STCELEBRATING. PAUL’S YEARS CALENDAR 2020 � �� Advent I 29 30 1 2 3 4 5 Sunday School | 9 a.m. Young(ish) Adult Morning Meditation | 9:15 a.m. Musical Recital | 12 p.m. Social Hour | 7 p.m. Compline | 8:30 p.m. Evening Prayer | 6 p.m. Advent Prayer Walk | 10 a.m. Evening Prayer | 6 p.m. Evening Prayer | 6 p.m. Worship | 10 a.m. Compline | 8:30 p.m. Coffee Hour | 11 a.m. (Following Worship) Light Darkness Life Hear Journey Hope Advent II 6 7 8 9 10 11 12 Sunday School | 9 a.m. Morning Meditation | 9:15 a.m. Evening Prayer | 6 p.m. Compline | 8:30 p.m. Musical Recital | 12 p.m. Compline | 8:30 p.m. Evening Prayer | 6 p.m. Worship | 10 a.m. Evening Prayer | 6 p.m. Coffee Hour | 11 a.m. (Following Worship) Comfort Wilderness Ground Prepare Path Peace Advent III Sunday School | 9 a.m. 13 14 15 16 17 18 19 Young(ish) Adult Morning Meditation | 9:15 a.m. Evening Prayer | 6 p.m. Musical Recital | 12 p.m. Social Hour | 7 p.m. Compline | 8:30 p.m. Worship | 10 a.m. Evening Prayer | 6 p.m. Evening Prayer | 6 p.m. Book Club | 7p.m. Compline | 8:30 p.m. Coffee Hour | 11 a.m. (Following Worship) Earth Strength Hungry Water Baptize Present Advent IV 20 21 22 23 24 25 26 Sunday School | 9 a.m. Christmas Eve Christmas Day Morning Meditation | 9:15 a.m. Evening Prayer | 6 p.m. -
Blue Christmas Booklet
The Longest Night: A Blue Christmas Service We greet you in the name of our Christ and offer you His love and embrace. Today we gather for a Blue Christmas Service; ‘blue’ as in the blues, or “I am feeling blue.” We recognize that not everyone is emotionally up and cheery for the Christmas holidays. Dealing with the pandemic, the fear, the loss of normal social interactions, as well as perhaps the death of a loved one, facing life after divorce or separation, coping with the loss of a job, living with cancer, or some other disease that puts a question mark over the future, and a number of other human situations make parties and joviality painful for many people in our parishes and communities. There is a growing attentiveness to the needs of people who are feeling blue, or a little down, at Christmastime. Increasing numbers of churches are creating sacred space for people living through dark times. Such services are reflective, accepting where we really are, and holding out healing and hope. And that is why Saint Miriam is holding this The Longest Night Service, taking place near the actual Winter Solstice, the longest day of the year, with the year’s least amount of daylight. Symbols not to be lost or overlooked. There is also an interesting convergence for this day as we combine today’s service with a traditional Mass on a Sunday. This linkage invites making some connections between our own struggle to believe the tale of Jesus’ resurrection, the long nights just before Christmas, and the struggle with darkness and grief faced by those living with loss and the reality that today, in the Sacrifice of the Mass, God comes and is made manifest and real. -
2020 Program
NOTES from the Artistic Directors Welcome Yule 2020 continues to celebrate the turning of the year notwithstanding the ongoing global pandemic. Despite the travails facing us now, comfort can be found in the constant rotation of the stars and planets. Although we may not meet in person with most of our friends and families, we depend more than ever on the care and support of our communities. And our efforts to work toward achieving a just and equitable world for Music, Dance, Songs and Stories all continues unabated. To Drive the Dark Away Darkness is always followed by light. After sorrow, comes joy. This year, our annual celebration of the winter solstice occurs courtesy of the marvels of technology. We have pored over hours of video recordings from the past 30 years of Welcome Yule performances. Careful attention has been given to selecting clips representative of the range of material we have staged, and in- cludes singing, dancing and general carrying-on. Children's A Virtual Celebration of the Season choruses from years past include cast members who are now featuring parents of today’s youngest cast members! Performances Both Old and New We collected images that combined wonderful performances with good video and audio quality. This year’s live perfor- Opening online mances have been recorded safely at cast members’ homes near December 11th, 2020 and far...as far away as Barcelona! www.welcomeyule.org It is our hope that the 2020 audiences will enjoy seeing and in cooperation with hearing cast members past and present singing and dancing to drive the dark away.