DOCSLIB.ORG

Mletački I Srednjoeuropski Utjecaji U Ikonografiji Sakralne Baštine XVII

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mletački I Srednjoeuropski Utjecaji U Ikonografiji Sakralne Baštine XVII Mletački i srednjoeuropski utjecaji u ikonografiji sakralne baštine XVII. i XVIII. stoljeća na području Porečko-pulske biskupije Peršić, Stephanie Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:868351 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-04 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences SVEUČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET Odsjek za povijest umjetnosti Diplomski rad Mletački i srednjoeuropski utjecaji u ikonografiji sakralne baštine XVII. i XVIII. stoljeća na području Porečko-pulske biskupije Stephanie Peršić Mentor: dr. sc. Danko Šourek, docent Komentorica: dr. sc. Tanja Trška, docent Zagreb, rujan 2020. Temeljna dokumentacijska kartica Sveučilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij MLETAČKI I SREDNJOEUROPSKI UTJECAJI U IKONOGRAFIJI SAKRALNE BAŠTINE XVII. I XVIII. STOLJEĆA NA PODRUČJU POREČKO-PULSKE BISKUPIJE Venetian and Central-European influences in iconography of religious art in the 17th and 18th century in the Porec and Pula diocese Stephanie Peršić SAŽETAK U radu se, temeljem relevantne i dostupne literature te terenskim istraživanjem, proučava utjecaje Mletačke Republike i Habsburške Monarhije tijekom XVII. i XVIII. stoljeća vidljive u sačuvanom korpusu sakralne baštine današnje Porečko-pulske biskupije. Podijeljen je u nekoliko većih cjelina. Uvodni dio donosi pregled povijesnih zbivanja, crkvenu i političku raspodjelu te umjetničku i naručiteljsku strukturu toga područja, a u svrhu pružanja konteksta i boljeg razumijevanja daljnje rasprave. Rasprava sačinjava najveći dio rada, a podijeljena je na dva ključna dijela – mletački i srednjoeuropski krug svetačkih čašćenja, s ciljem prikazivanja karakterističnih kultova ili onih čašćenih na državnoj razini, kao i načine njihova obilježavanja u javnom prostoru glavnih središta, Venecije odnosno Beča. U nastavku se donose primjeri odabranih kultova iz istarske umjetničke baštine kako bi se pokušala utvrditi njihova zastupljenost u istarskoj sredini svetačkih čašćenja. Također, razmatra se kontekst javljanja određenih svetaca, koji može biti isključivo devocionalne, no i političke prirode, te izvorni smještaj djela na mletačkom ili habsburškom dijelu istarskog teritorija. Posljednji dio rada donosi katalog djela iz likovne baštine u Porečko-pulskoj biskupiji s temeljnim informacijama o djelu i relevantnoj literaturi. Rad je pohranjen u knjižnici Filozofskog fakulteta u Zagrebu. Rad sadrži: 170 str., 66 reprodukcija, 47 kataloških jedinica. Izvornik je pisan na hrvatskom jeziku. Ključne riječi: Istra, Porečko-pulska biskupija, novi vijek, srednjoeuropski i mletački kulturni krug, sakralna baština, svetačka čašćenja, ikonografija. Mentor: dr. sc. Danko Šourek, doc. Komentorica: dr. sc. Tanja Trška, doc. Ocjenjivači: dr. sc. Sanja Cvetnić, red. prof., Filozofski fakultet Sveučilišta u Zagrebu, dr. sc. Danko Šourek, doc., Filozofski fakultet Sveučilišta u Zagrebu, dr. sc. Tanja Trška, doc., Filozofski fakultet Sveučilišta u Zagrebu Datum prijave rada: __12. rujan 2018._____________________________ Datum predaje rada: __25. rujan 2020.___________________________ Datum obrane rada: __ 29. rujan 2020.__________________________ Ocjena: ____________odličan (5)___________________ Izjava o autentičnosti rada Ja, Stephanie Peršić, diplomantica na Istraživačkom smjeru – umjetnost renesanse i baroka diplomskog studija povijesti umjetnosti na Odsjeku za povijest umjetnosti Filozofskog fakulteta Sveučilišta u Zagrebu, izjavljujem da je diplomski rad pod nazivom »Mletački i srednjoeuropski utjecaji u ikonografiji sakralne baštine XVII. i XVIII. stoljeća na području Porečko-pulske biskupije« rezultat istraživanja i u potpunosti samostalno napisan. Također, izjavljujem da niti jedan dio diplomskoga rada nije izravno preuzet iz nenavedene literature ili napisan na nedozvoljen način, te da se tekst u potpunosti temelji na literaturi kako je navedeno u bilješkama, uz poštivanje etičkih standarda u citiranju i korištenju izvora. U Zagrebu, 25. rujna 2020. Vlastoručni potpis: Stephanie Peršić SADRŽAJ 1. UVOD .................................................................................................................................. 2 2. POVIJESNE PRILIKE U ISTRI NOVOG VIJEKA – PITANJE GRANICA ..................... 6 3. BISKUPIJE I CRKVE UZ GRANICU ................................................................................ 9 4. KORPUS UMJETNINA I NARUDŽBE U XVII. I XVIII. STOLJEĆU .......................... 10 5. SVETAČKI KULTOVI – STVARANJE IMAGINARIJA................................................. 14 6. MLETAČKI DRŽAVNI KULTOVI ................................................................................... 15 6.1. Mletački krug svetaca u istarskim djelima ............................................................... 18 6.1.1. Sv. Febronija ...................................................................................................... 18 6.1.2. Sv. Foška (Fuska) .............................................................................................. 20 6.1.3. Sveti Ivan i Pavao ............................................................................................. 25 6.1.4. Sv. Justina Padovanska ....................................................................................... 28 6.1.5. Sv. Lorenzo Giustiniani biskup .......................................................................... 30 6.1.6. Sv. Marko evanđelist ......................................................................................... 34 6.1.7. Sv. Pietro Orseolo (Urseolus) ............................................................................. 41 6.1.8. Sv. Vinko Ferrerski (Ferrer) ............................................................................... 42 6.1.9. Predstavnici ili personifikacije mletačke vlasti ................................................. 47 7. SREDNJOEUROPSKI (HABSBURŠKI) DRŽAVNI KULTOVI ...................................... 50 7.1. Srednjoeuropski (habsburški) krug svetaca u istarskim djelima ................................ 51 7.1.1 Sv. Antun opat (pustinjak).................................................................................... 51 7.1.2. Sv. Elizabeta Ugarska (Tirinška) ......................................................................... 53 7.1.3. Sv. Florijan iz Lorcha ......................................................................................... 55 7.1.4. Sv. Henrik od Bamberga (Kralj) ........................................................................ 59 7.1.5. Sv. Ivan Nepomuk .............................................................................................. 61 7.1.6. Sv. Ljudevit kralj (Louis IX.) ............................................................................ 65 7.1.7. Sv. Notburga iz Rattenberga .............................................................................. 66 7.1.8. Sv. Osvald kralj .................................................................................................. 68 7.1.9. Sv. Pavao pustinjak (sv. Pavao iz Tebe) ............................................................ 72 7.1.10. Sv. Ulrik (Udalrik) od Augsburga ................................................................... 75 8. TEME S BOGORODICOM – ČAŠĆENJA I PREZENTACIJA U SERENISSIMI I HABSBURŠKOJ MONARHIJI ............................................................................................. 77 8.1. Mletački tipovi Bogorodice čašćeni u Istri ............................................................... 79 8.1.1. Bogorodica zaštitnica – Platytera ...................................................................... 79 8.1.2. Bogorodica od sv. Ružarija s pobjednicima bitke kod Lepanta ......................... 81 8.1.3. Bogorodica od sv. Škapulara s pobjednicima bitke kod Lepanta ....................... 87 8.2. Srednjoeuropski tipovi Bogorodice čašćeni u Istri ................................................... 90 8.2.1. Marija Pomoćnica ............................................................................................. 90 8.2.2. Marija Częstochowska ...................................................................................... 93 9. ZAKLJUČAK ..................................................................................................................... 96 10. KATALOG DJELA ........................................................................................................... 97 POPIS LITERATURE ..................................................................................................... 157 POPIS SLIKOVNIH PRILOGA ..................................................................................... 163 SUMMARY ...................................................................................................................... 170 1. UVOD Odabir državnih svetaca zaštitnika vezan je uz politiku i grad te potkrijepljen čvrstim vezama i razlozima. Najčešće su se birali sveci čija bi tijela na čudesan način prispjela u grad, a posebice ukoliko je njihova hagiografija imala poruku koja bi simbolički odražavala imaginarij koji je određeni vladar želio prezentirati. Uz to, ukoliko određeni svetac ranije nije imao znatnu popularnost
Load more

Recommended publications
  • La Chiesa Di San Pietro Di Castello E La Nascita Del Patriarcato Di Venezia
    1-Chiesa di San Pietro di Castello.qxp_chiesa 15/01/18 11:24 Pagina III CHIESE DI VENEZIA NUOVE PROSPETTIVE DI RICERCA Collana di Studi La chiesa di San Pietro di Castello e la nascita del patriarcato di Venezia A cura di Gianmario Guidarelli, Michel Hochmann, Fabio Tonizzi Campagna fotografica di Francesco Turio Böhm 1-Chiesa di San Pietro di Castello.qxp_chiesa 15/01/18 11:24 Pagina IV CHIESE DI VENEZIA. NUOVE PROSPETTIVE DI RICERCA. Collana di Studi DIRETTORE Gianmario Guidarelli (Università degli Studi di Padova) COMITATO SCIENTIFICO INTERNAZIONALE Bernard Aikema (Università di Verona) Natalino Bonazza (Venezia) Patricia Fortini Brown (Princeton University) Laura Corti (Università IUAV di Venezia) Martina Frank (Università Ca’ Foscari, Venezia) Michel Hochmann (Ecole Pratique des Hautes Etudes, Paris) Deborah Howard (University of Cambridge) Paola Modesti (Università degli Studi di Trieste) Laura Moretti (University of St. Andrews) Mario Piana (Università IUAV di Venezia) Paola Rossi (Università Ca’ Foscari, Venezia) Fabio Tonizzi (Facoltà Teologica dell’Italia Centrale, Firenze) Giovanni Trabucco (Facoltà Teologica dell’Italia Settentrionale, Milano) Il volume è stato realizzato Con il patrocinio del con il contributo di Dottorato Internazionale in Storia delle Arti (Università Ca’ Foscari Venezia) e di Richard V. Schofield © 2018, Marcianum Press, Venezia Marcianum Press - Edizioni Studium S.r.l. Dorsoduro 1 - 30123 Venezia Tel. 041 27.43.914 - Fax 041 27.43.971 e.mail: [email protected] - www.marcianumpress.it Impaginazione e grafica: Linotipia Antoniana, Padova In copertina: Girolamo Pellegrini, Gloria di San Lorenzo Giustiniani, ca. 1695, Venezia, San Pietro di Castello, presbiterio, calotta absidale (foto Francesco Turio Böhm) © Per gentile concessione dell’Ufficio per la Promozione dei Beni Culturali del Patriarcato di Venezia L’Editore ha cercato con ogni mezzo i titolari dei diritti di alcune immagini senza riuscire a reperirli; resta a disposizione per l’assolvimento di quanto occorra nei loro confronti.
    [Show full text]
  • The Changing Face of Venice by Palma Il Giovane Depicting the History of the Restoration of the Theatre Malibran
    ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MESTREMESTRE Aeroporto SANTA LUCIA RAILWAY STATION - Venice Marco Polo MARGHERA TORCELLO BURANO autostrada Padova-Venezia S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA PUNTA SABBIONI VTP. - M. 103 for Venice RIVIERA DEL BRENTA VENEZIA LIDO MALAMOCCO WATER-BUS STATION ALBERONI VTP - San Basilio S. PIETRO IN VOLTA WATER-BUS STATION PORTOSECCO Riva 7 Martiri - Venice PELLESTRINA P PIAZZALE ROMA CAR PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA CAR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre Venezia P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year. gned by U.
    [Show full text]
  • Brutality of Spain Conflict Is Related Review Given Of
    1 JOINT PASTORAL TREATS OF LABOR PROBLEMS The Register Has the International News Service (W ire and H a il), the N. C. W . C. News Service (Inclnding Radios and Cables), Its Own Special Service, Lumen Service of China. International lUnstrated Mews, and N. C!. W . C. Picture Service. REVIEW GIVEN BRUTALITY OF Local Local The New York Times tells Edition Edition us:_ “ A set of ten books SPAIN CONFLICT OF ATTITUDE' which frankly challenge the validity of contemporary THE views on sex, marriage, the family, and ethical stand­ IS RELATED CHURCH TAKES ards will be put to experi­ mental use this fall in 26 public and private schools Resistance of Communism’s Assault Only Hierarchy of San Antonio Province Outline and teachers’ colleges Alternative, Bishops Declare in (Name Registered in the U; S. Patent Office) Rights of Workingmen and Employers throughout the country. In­ REGISTER stead the books offer a Joint Statement VOL. XIII. No. 36 DENVER, COLO., SUNDAY, SEPT. 5,1937 TWO CENTS In Important Letter ‘higher morality’ divested of ‘superstitions, habits, and Wholesale slaughter of the clergy, destroying of thou­ The Hierarchy of the Province of San Antonio have customs, racial superiorities, sands of churches, atrocities of the most abominable type— just issued a joint pastoral letter outlining the Church’s and economic frustrations’.” these are graphically described in a pastoral letter on the Texas Mission Is Restored With WPA Help stand on the serious labor problems confronting this coun­ Spanish war just issued by the Hierarchy of Spain and try today. ‘‘Sound Christian principles recognize that labor We have not seen the sent to the Catholic Bishops of the whole world.
    [Show full text]
  • Veneziaterreing.Pdf
    ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MMEESSTTRREE Aeroporto Marco Polo SANTA LUCIA RAILWa AY STATION - Venice MARGHERA ezia TORCELLO Padova-Ven BURANO autostrada S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ i ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA VTP. - M. 103 for Venice PUNTA SABBIONI RIVIERA DEL BRENTA VENEZIA LIDO WATER-BUS STATION MALAMOCCO VTP - San Basilio ALBERONI z S. PIETRO IN VOLTA WATER-BUS STATION Riva 7 Martiri - Venice PORTOSECCO PELLESTRINA P PIAZZALE ROMA CAe R PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA Cn AR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre e P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre V P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year.
    [Show full text]
  • The Magical Light of Venice
    The Magical Light of Venice Eighteenth Century View Paintings The Magical Light of Venice Eighteenth Century View Paintings The Magical Light of Venice Eighteenth Century View Paintings Lampronti Gallery - London 30 November 2017 - 15 January 2018 10.00 - 18.00 pm Catalogue edited by Acknowledgements Marcella di Martino Alexandra Concordia, Barbara Denipoti, the staff of Itaca Transport and staff of Simon Jones Superfright Photography Mauro Coen Matthew Hollow Designed and printed by De Stijl Art Publishing, Florence 2017 www.destijlpublishing.it LAMPRONTI GALLERY 44 Duke Street, St James’s London SW1Y 6DD Via di San Giacomo 22 00187 Roma On the cover: [email protected] Giovanni Battista Cimaroli, The Celebrations for the Marriage of the Dauphin [email protected] of France with the Infanta Maria Teresa of Spain at the French Embassy in www.cesarelampronti.com Venice in 1745, detail. his exhibition brings together a fine selection of Vene- earlier models through their liveliness of vision and master- T tian cityscapes, romantic canals and quality of light ful execution. which have never been represented with greater sensitivity Later nineteenth-century painters such as Bison and Zanin or technical brilliance than during the wondrous years of reveal the profound influence that Canaletto and his rivals the eighteenth century. had upon future generations of artists. The culture of reci- The masters of vedutismo – Canaletto, Marieschi, Bellot- procity between the Italian Peninsula and England during to and Guardi – are all included here, represented by key the Grand Siècle, epitomised by the relationship between works that capture the essence and sheer splendour of Canaletto and Joseph Consul Smith, is a key aspect of the Venice.
    [Show full text]
  • The the Pope's Address Parish Schojqls' Reopening to Showws
    The Pittsh» ti kh VToP^vv ìm of Pittsburgh—Founded in 1S44 100th YEAR—No. 25 ^H, PA., THURSDAY, SEPTEMBER 2, 1943 TWO DOLLAB8 PEE YEAS SINGLE COPY FIVE GENT» The Pope's Address Parish SchojQls' Reopening Although arrangements had been mad| to receive by wire a report of the address delivered by Pope Pius XII yesterday morning, on the fourth anniversary of the To ShowwS-Time Changes breaking out of the second World War, it arrived too late to be included in this issue. A report, based upon 'Church in Actigp^ Two New Schools, Fewer Boys in Secondary; the official text, will appear jn next week's edition. Subject of Coming Course« Mark Resumption of Classes; Catholic Hour Talks Boarding Schools Crowded The resumption, next Tuesday, of the parish school« Di 3cesan Centenary Washington, Sept 1 HO—Mem- bers of the clergy who are lead- of the Pittsburgh Diocese, will be marked by the open- Monday, Oct. 25, has been selected by Most Rev. Hugh ers in the field of social action ing of two new schools, the reopening of one that has C. Boyle, Bishop of Pittsburgh, as the date for the cele- will be heard in a series of nine been closed for the past four years, and by changes in bration of the Pontifical Mass of Thanksgiving in St. talks of "The Church in Action" Paul's Cathedral which will commemorate the 100th an- on successive Sundays on the enrollment and curriculum reflecting the war-time con- niversary of the erection of the diocese. Announcement "Catholic Hour" produced by the ditions that prevail.
    [Show full text]
  • Andrea Palladio's Influence on Venetian
    ANDREA PALLADIO'S INFLUENCE ON VENETIAN CHURCH DESIGN: 1581 - 1751 By RICHARD JAMES GREEN B.A. (Honours), The University of Saskatchewan, 1975 B. Arch., The University of British Columbia, 1980 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE in THE FACULTY OF GRADUATE STUDIES (School of Architecture) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1987 ©Richard James Green, 1987 k In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of dst^/~j£e^&<^K. The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date Q^t>-C-c^ /S( /9gft- . DE-6G/81) ABSTRACT Andrea Palladia was born in Padua in the Republic of Venice in 1508 and practiced his architecture throughout the Veneto until his death in 1580. Today, there are some forth-four surviving palaces, villas, and churches by the master. These buildings have profoundly moved the imagination of countless generations of academics, artists, and architects for over four hundred years. Without a doubt, he has been the most exalted and emulated architect in modern history.
    [Show full text]
  • THE CATHOLIC. :;Jjt':R:R;=\-::;::^ a Return of the Quantities of Com, Meal, and Destructive Rapidity
    j^-' ' • ^-- "10*- mmi ^ li I-. 1 «te '•GOING TEACH YE ALL NATIONS, • • • AND BEHOLD I AM WITH YOU ALL DAYS, EVEN TO THE CONSUMMATION OF THE WORLD."--MAT. xxriiu |», W. Mi)Mj9 A.* PITTSBURGH, SATURDAY, SEPTEMBER 8, 1858. NO. 26 i MEMOIR OF pilots, gondoliers, muleteers, camel-driverii, ve-l tanoe firom the resting place of Tasso-—TAe ed by a council of ** Progressive Caiholiea," b^ARDINAL MEZZOFANTI. turivi, post-masters, post-horses, post-houses,! Rambler, was dragged in exile over the moantaips of k, post-e very thing: and, egad ! be astounded me Asia Minor, till he perished from fatique. St. —even to ray Engliah." Flavian, of Constantinople, waa beaten to death )r<*«C}u|»Td JoMph Menofknti was born of RELIGIOUS DAY-DREAMS. Mrr hwnbUi imt pious parsnts, on the 17th On the 2d of February, 1831, Gregory by a broul rabble of apostate Eoelesiasdea, <rft«eptembert 1T74, m ih» oity of Bologna." XVI. ascended the Chair of St. Peter; and Day-dream is no unapt expression, whereby the Gavazzis and Achillia of the fifth cen­ tury: and, at a later aga, when the Catholic 4UB« PMMM* intendod him for some humble one of his first acts waa to endeavor to get the to designate that feasting of the imagination celebrated Abbe to Rome, without appearing on unreal joys with which persons,* in good Religion had thoroughly leavened the public Hide* FWthor Reapighi, however, Superior to exercise any extraordinary influence to draw health and comfortable circumstances, some­ intellect, so that an excommunication shook ifsihfltOratory in Bologna, one of those bene* him from his beloved university.
    [Show full text]
  • Immunity from Seizure
    THE NATIONAL GALLERY IMMUNITY FROM SEIZURE VENICE: CANALETTO AND HIS RIVALS 13 October 2010 – 16 January 2011 The National Gallery, London. Trafalgar Square, London WC2N 5DN Immunity from Seizure IMMUNITY FROM SEIZURE The National Gallery is able to provide immunity from seizure under part 6 of the Tribunals, Courts and Enforcement Act 2007. This Act provides protection from seizure for cultural objects from abroad on loan to temporary exhibitions in approved museums and galleries in the UK. The conditions are: The object is usually kept outside the UK It is not owned by a person resident in the UK Its import does not contravene any import regulations It is brought to the UK for public display in a temporary exhibition at a museum or gallery The borrowing museum or gallery is approved under the Act The borrowing museum has published information about the object For further enquiries, please contact [email protected] Protection under the Act is sought for the objects listed in this document, which are intended to form part of the forthcoming exhibition, The Sacred Made Real: Spanish Painting and Sculpture 1600 – 1700. Copyright Notice: no images from these pages should be reproduced without permission. The National Gallery, London. Trafalgar Square, London WC2N 5DN 1 Immunity from Seizure VENICE: CANALETTO AND HIS RIVALS 13 October 2010 – 16 January 2011 Protection under the Act is sought for the objects listed below: Michele Marieschi (1710 – 1743) © The State Hermitage Museum, St Petersburg. Photo Vladimir Terebenin, Leonard Kheifets, Yuri Molodkovets X6457 The Rialto Bridge from the Riva del Vin about 1737 Place of manufacture: Venice, Italy Painting Oil on canvas Support: 131 x 196 cm The State Hermitage Museum Lender’s name and address The State Hermitage Museum 34 Dvortsovaya nab St Petersburg 190000 Russia Accession Number GE 176 Provenance: (1) Count Andrei Italinsky (1743-1847), St.
    [Show full text]
  • Flocknotes Mass Schedule Confessions August 30, 2020
    Served by the Priestly Fraternity of St. Peter Fr. Christopher Pelster, FSSP Fr. Daniel Mould, FSSP Pastor Associate Pastor 435 4th Street NE Minneapolis, MN 55413 ~ (612) 379-4996 ~ fsspminneapolis.org Filiae Laboris Mariae Sisters Mother Maria Regina, FLM, Superior 428 5th Street NE Minneapolis, MN 55413 ~ (612) 353-6343 Mass Schedule Confessions Sunday 8:00 AM, 9:30 AM, 11:00 AM (High) 45 minutes before Sunday Masses Monday 12:15 PM 30 minutes before daily Masses Extended times on Sundays and First Fridays Tuesday 12:15 PM upon availability of the priests. Wednesday 12:15 PM Thursday 12:15 PM August 30, 2020 Friday 7:00 PM ~ Saturday 9:00 AM Thirteenth Sunday After Pentecost All Masses and Sacraments according to the Usus Antiquior of the Roman Rite Baptism Exposition and Benediction Choir and Schola Gregoriana Within the first month of birth. The Godparents must be Fridays from 5:30-6:45 PM Jacob Flaherty, Director. [email protected] practicing Catholics in good standing. Please contact the First Saturdays from 7:30-8:45 AM. Homeschool Co-op office to schedule. Info at www.allsaintscoop.com Monthly Recollection Marriage Third Saturday of the month from 10:00-11:30 AM. Queen of All Saints Sodality Please arrange at least six months in advance of the Third Monday of the month - 6:30 PM Holy Mass, Our anticipated date. Pre-Cana instruction with a priest. Flocknotes Mother of Perpetual Help Devotions at All Saints, Available for registered and attending parishioners only. followed by Spiritual Talk, Refreshments and Socializing To sign up for and receive information at St.
    [Show full text]
  • Manahath-Marriage, Heathen
    THE AGES DIGITAL LIBRARY REFERENCE CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Manahath - Marriage, Heathen by James Strong & John McClintock To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Rio, WI USA Version 1.0 © 2000 2 Man’ahath (Heb. Mana’chath, tjinim;, rest), the name of a man and of a place. 1. (Sept. Manaca>q.) The second named of the five sons of Shobal, the son of Seir the Horite (<013623>Genesis 36:23; <130140>1 Chronicles 1:40). B.C. cir. 1927. 2. (Sept. Manacaqi> v. r. Macanaqi>.) A town or region to which certain descendants of Ehud, of the tribe of Benjamin, appear to have been exiled from Geba by an act of his father Bela (<130806>1 Chronicles 8:6). The context would seem to indicate some locality in the land of Moab. SEE SHAHARAIM. Some refer it to the MENUCHAH of Judah (<070943>Judges 9:43, A. Vers. “with ease;” comp. <130252>1 Chronicles 2:52, 54), but with little probability. SEE MENUCHITE. Man’ahethite (<130252>1 Chronicles 2:52). SEE HATSI-HAMMENUCHOTH. Manasse’as (Manassh>av v. r. Manassi>av, Vulg. Manasses), given (1 Esdras 9:31) in place of the MANASSEH SEE MANASSEH (q.v.), 4, of the Hebrew list (<151030>Ezra 10:30). Manas’seh (Heb. Menahssheh’, hV,nim], who makes to forget; see <014151>Genesis 41:51; Sept., Josephus, and N.T.
    [Show full text]
  • Sulmona, September 2005
    06-2018 Superina Paolo HISTORY OF THE WESTERN CHRISTIAN CHURCH A chronological summary study II III c || c == + == u || c || || THES CHRISTIAN CHRCH AND THE UNIVERSAL COMMUNION In the Name of the Father and of His Son, Jesus Christ As, at the beginning, there was perfect harmony between Yahweh and His whole creation, so it will be at the end, when all will live a new life of full spiritual communion with Yahweh and with each other IV Sulmona - Sciarborasca: 09.2005 - 03.2008; 11-12.2010 Church II Version - Sciarborasca: 11-12.2010 c || c == + == u || c || || THE CHRISTIAN CHURCH AND THE UNIVERSAL COMMUNION In the Name of the Father and of His Son, Jesus Christ HISTORY OF THE WESTERN CHRISTIAN CHURCH A chronological summary study A chronological study of the two millennia of history and evolution of the Christian Church in the western world with the purpose of understanding the present situation and its fundamental differences from early Christianity. Superina Paolo 2 History of the Church PERSONAL INTRODUCTION: What follows is not intended and does not want to be a new or original study of the Church history, but simply what I have learned from it and of it, then put in writing. Introduction Before to begin and study the history and the evolution of the Christian Church during two millennia, it is necessary -to understand it properly- to ask few fundamental que- stions and to find the appropriate answers: -Why the Christian Church exists? -Who is Christian? -Which are the fundamental beliefs of a Christian? -Which are Jesus Christ’s commandments?
    [Show full text]