Daniel Vernan CV

Total Page：16

File Type：pdf, Size：1020Kb

CV Daniel Vernan Senast uppdaterad 2021-06-10 10:07 Personal data Age 32 Length: 185 cm Weight: 84 kg Hair color: Dark Blonde/Red Clothing size: M/L Shoe size: 45 Voice: Bass Baritone Playing age: 26-37 år Eye Color: Blue Physique: Athletic Daniel Vernan CV Stage Year Production Character/Role Prod. Company Director 2020 Fidelio Warder Royal Opera House Tobias Kratzer 2019 Andrea Chenier Filandro Fiorinelli Royal Opera House David McVicar 2019 French Without Tears Brian The Chapel Playhouse Gareth Pilkington 2019 September Tide Evan The Bread and Roses Dimitry Devdariani Theatre 2019 Queen Of Spades Saint Sebastian Royal Opera House Stefan Herheim 2018 Vanessa Ensemble Glyndebourne Keith Warner 2018 Macbeth Fighter Royal Opera House Phyllida Lloyd 2017 Mitridate Re Di Ponto Dancer Royal Opera House Graham Vick 2017 Don Carlo Fighter Royal Opera House Nicholas Hytner 2017 Rigoletto Ensemble English National Opera Jonathan Miller 2016 Il Trovatore Gypsy Royal Opera House David Bösch 2016 Die Meistersinger Von Fighter Glyndebourne David McVicar Nürnberg Sida 1/3 2015 Die Entführung Aus Dem Wache Glyndebourne+BBC David McVicar Serail Proms 2015 The Indian Queen Conquistador English National Opera Peter Sellars 2014 Tristan & Isolde Fighter Royal Opera House Christof Loy 2014 Xerxes Courtier English National Opera Nicholas Hytner 2014 Dialogues des Carmélites Ensemble Royal Opera House Robert Carsen 2013 Simon Boccaneggra Fighter Royal Opera House Elijah Moshinsky 2013 The Miser Cléante Questors Steve Fitzpatrick Film/TV Production Character/Role Prod. Company Director Glow & Darkness Hendrik Dream Light Productions José Luis Moreno International Suspicion Salesman AppleTV+ Chris Long Kingsman: The King's Man German Foreign Officer 1 20th Century Fox Matthew Vaughn Perfect Baby Eugene Paul Rodriguez Productions Paul Rodriguez Avengers: Age Of Ultron Action Performer Marvel Studios Joss Whedon A Dream Of You And Me Chris Eugenia Stevenson Production Scott Aldridge Kingsman: The Secret Service Fight Performer 20th Century Fox Matthew Vaughn Guardians Of The Galaxy Action Performer Marvel Studios James Gunn Maleficent Fight Performer Walt Disney Pictures Robert Stromberg Thor: The Dark World Fight Performer Marvel Studios Alan Taylor Kick-Ass 2 Fight Performer Universal Pictures Jeff Wadlow The Atlantic Wall Jürgen National Geographic Christopher Spencer The Bletchley Circle Sergeant ITV Andy DeEmmony Snow White And The Huntsman Fight Performer Universal Pictures Rupert Sanders Captain America: The First Action Performer Marvel Studios Joe Johnston Avenger Commercial Production Character/Role Prod. Company Director Dorian The Avenger Hero Doritos Global Store Design Andy Vodafone Store Of The Future Andy Vodafone Superspeed Sprinter Bell Internet Olympics Boyfriend Panasonic Diva Teammate Snickers Voice over Production Character/Role Prod. Company Director GCSE German Practice Paper German Voice Footstep Productions Books BBC Bitesize German Voice Footstep Productions Tes German Voice Footstep Productions Sida 2/3 Images Sida 3/3 Powered by TCPDF (www.tcpdf.org).

Copy Link

Recommended publications

La Donna Del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met
Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Eva Chien 212-870-4589 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Joyce DiDonato and Juan Diego Flórez Star In Rossini's La Donna del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS Joyce DiDonato and Juan Diego Flórez headline Rossini's bel canto tour-de-force La Donna del Lago on THIRTEEN’S Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS. (Check local listings.) In this Rossini classic based on the work by Sir Walter Scott, DiDonato sings the title role of Elena, the lady of the lake pursued by two men, with Flórez in the role of Giacomo, the benevolent king of Scotland. Michele Mariotti , last featured in the Great Performance at the Met broadcast of Rigoletto , conducts debuting Scottish director Paul Curran's staging, a co-production with Santa Fe Opera. The cast also includes Daniela Barcellona in the trouser role of Malcolm, John Osborn as Rodrigo, and Oren Gradus as Duglas. "The wondrous Ms. DiDonato and Mr. Mariotti, the fast-rising young Italian conductor, seemed almost in competition to see who could make music with more delicacy,” noted The New York Times earlier this year, and “Mr. Mariotti drew hushed gentle and transparent playing from the inspired Met orchestra.” And NY Classical Review raved, "Joyce DiDonato…was beyond perfect..
[Show full text]
Andrea Chénier Giordano
ANDREA CHÉNIER GIORDANO Argument MT / 3 Andrea Chénier Argument 4 / 5 Andrea Chénier Andrea Chénier torna al Liceu amb la producció de David McVicar. (ROH/Bill Cooper) Fitxa L’autèntic 6 / 7 9 45 André Chénier Alain Verjat Repartiment 10 Entrevista a 53 Sondra Radvanovsky Amb el teló abaixat 12 Andrea Chénier al 61 Gran Teatre del Liceu 17 Argument Jaume Tribó Cronologia 27 English Synopsis 68 Jordi Fernández M. Selecció d’enregistraments Andrea Chénier, Javier Pérez-Senz 35 una òpera verista 77 entre el Romanticisme i el romàntic Biografies Jesús Ruiz Mantilla 80 Andrea Chénier Temporada 2017-18 8 / 9 ANDREA CHÉNIER Dramma storico en quatre actes. Llibret de Luigi Illica. Música d’Umberto Giordano. Estrenes 28 de març de 1896: estrena absoluta al Teatro alla Scala de Milà 12 de novembre de 1898: estrena a Barcelona al Gran Teatre del Liceu 17 d’octubre de 2007: última representació al Liceu Total de representacions al Liceu: 49 Març 2018 Torn Tarifa 9 20:00 1 Durada total aproximada 2h 35m 10 20:00 PB 6 (*): Amb audiodescripció 12 20:00 1 13 20:00 PC 6 15 20:00 1 17 20:00 C 4 18 17:00 T 3 19 20:00 G 5 21 20:00 D 3 22 20:00 B 4 24 20:00 E 2 25 18:00 F 3 27 20:00 A 4 28* 20:00 H 4 Uneix-te a la conversa #AndreaChénierLiceu liceubarcelona.cat facebook.com/liceu @liceu_cat @liceu_opera_barcelona Andrea Chénier Andrea Chénier, poeta Madelon, anciana revolucionària Jonas Kaufmann 9, 12 i 15 de març Anna Tomowa-Sintow Jorge de León 9, 12, 15, 18, 21, 24 i 27 de març 10, 13, 17, 19, 22, 25 i 28 de març Elena Zaremba Antonello Palombi 18, 21,
[Show full text]
Metropolitan Opera 19-20 Season Press Release
Updated: November 12, 2019 New Productions of Porgy and Bess, Der Fliegende Holländer, and Wozzeck, and Met Premieres of Agrippina and Akhnaten Headline the Metropolitan Opera’s 2019–20 Season Yannick Nézet-Séguin, in his second season as Music Director, conducts the new William Kentridge production of Wozzeck, as well as two revivals, Met Orchestra concerts at Carnegie Hall, and a New Year’s Eve Puccini Gala starring Anna Netrebko Sunday matinee performances are offered for the first time From Roberto Alagna to Sonya Yoncheva, favorite Met singers return Debuting conductors are Karen Kamensek, Antonello Manacorda, and Vasily Petrenko; returning maestros include Valery Gergiev and Sir Simon Rattle New York, NY (February 20, 2019)—The Metropolitan Opera today announced its 2019–20 season, which opens on September 23 with a new production of the Gershwins’ classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson. Philip Glass’s Akhnaten receives its Met premiere with Anthony Roth Costanzo as the title pharaoh and J’Nai Bridges as Nefertiti, in a celebrated staging by Phelim McDermott and conducted by Karen Kamensek in her Met debut. Acclaimed visual artist and stage director William Kentridge directs a new production of Berg’s Wozzeck, starring Peter Mattei and Elza van den Heever, and led by the Met’s Jeanette Lerman-Neubauer Music Director Yannick Nézet-Séguin. In another Met premiere, Sir David McVicar stages the black comedy of Handel’s Agrippina, starring Joyce DiDonato as the conniving empress with Harry Bicket on the podium.
[Show full text]
Roberto Devereux
GAETANO DONIZETTI roberto devereux conductor Opera in three acts Maurizio Benini Libretto by Salvadore Cammarano, production Sir David McVicar after François Ancelot’s tragedy Elisabeth d’Angleterre set designer Sir David McVicar Saturday, April 16, 2016 costume designer 1:00–3:50 PM Moritz Junge lighting designer New Production Paule Constable choreographer Leah Hausman The production of Roberto Devereux was made possible by a generous gift from The Sybil B. Harrington Endowment Fund The presentation of Donizetti’s three Tudor queen operas this season is made possible through a generous grant from Daisy Soros, general manager in memory of Paul Soros and Beverly Sills Peter Gelb music director James Levine Co-production of the Metropolitan Opera principal conductor Fabio Luisi and Théâtre des Champs-Élysées 2015–16 SEASON The seventh Metropolitan Opera performance of GAETANO DONIZETTI’S This performance roberto is being broadcast live over The Toll Brothers– devereux Metropolitan Opera International Radio Network, sponsored by Toll Brothers, conductor America’s luxury Maurizio Benini homebuilder®, with generous long-term in order of vocal appearance support from sar ah (sar a), duchess of not tingham The Annenberg Elīna Garanča Foundation, The Neubauer Family queen eliz abeth (elisabet ta) Foundation, the Sondra Radvanovsky* Vincent A. Stabile Endowment for lord cecil Broadcast Media, Brian Downen and contributions from listeners a page worldwide. Yohan Yi There is no sir walter (gualtiero) r aleigh Toll Brothers– Christopher Job Metropolitan Opera Quiz in List Hall robert (roberto) devereux, e arl of esse x today. Matthew Polenzani This performance is duke of not tingham also being broadcast Mariusz Kwiecien* live on Metropolitan Opera Radio on a servant of not tingham SiriusXM channel 74.
[Show full text]
Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation
ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms.
[Show full text]
FABIO LUISI Direttore
CITTÀ METROPOLITANA DI FIRENZE 2020 FABIO LUISI direttore CARMELA REMIGIO soprano CITTÀ METROPOLITANA DI FIRENZE FABIO LUISI direttore CARMELA REMIGIO soprano ANTONIO VIVALDI concerto trasmesso in streaming Sinfonia in si minore per archi e sul canale YouTube e basso continuo “Al Santo Sepolcro” RV 169 sulla pagina Fb dell’ORT Adagio molto Allegro ma poco ven_27 novembre 2020 / ore 21:00 GUSTAV MAHLER Sinfonia n.4 in sol maggiore per soprano e orchestra (versione da camera di Klaus Simon 2007) riprese e streaming a cura di Sicrea 1. Bedächtig. Nicht eilen Moderato. Non affrettare 2. Im gemächlicher Bewegung. Ohne Hast Movimento con comodo. Senza fretta 3. Ruhevoll. (Poco adagio) registrazione e produzione Tranquillo audio a cura di SoundStudioService 4. Sehr behaglich - “Das himmlische Leben” Molto piacevole - “La vita celeste” per soprano solo da “Des Knaben Wunderhorn” (Il corno magico del fanciullo) con il contributo di pianoforte fornito da ANTONIO VIVALDI / Venezia 1678 / Vienna 1741 Sinfonia Al Santo Sepolcro durata: 5 minuti circa nota di Luigi Bellingardi È noto che fra la seconda metà del ‘600 e festosamente ornati, alle gondole risonan- qualche catalogo della produzione del continuo: Vivaldi si premura di precisare la prima parte del ‘700 la musica italiana ti di canti, alle rappresentazioni liriche e “prete rosso” ove si annoverano titoli “Senza Organi o Cembali”, quasi a voler assunse nei confronti dell’Europa quella drammatiche nei teatri dei palazzi. quanto mai emblematici di pagine compo- prendere le distanze da certi effetti di leadership che nei secoli precedenti era Alludere alla civiltà musicale di Venezia a ste per la solennità di San Lorenzo o per fascino sonoro che potevano generarsi stata un esclusivo appannaggio delle cavallo del ‘700 significa parlare del fasto quella della Santa Lingua di Sant’Antonio dall’impiego del basso continuo come lettere umanistiche e delle arti figurative.
[Show full text]
Opera Warhorses Interview
Rising Stars: An Interview with Raymond Aceto, Part I February 26th, 2010 [Note from William: Over the past several months, I have posted occasional interviews with opera singers and other artists, whose careers are obviously in their ascendancy, reflecting worldwide interest in securing their talents for future opera seasons. The current interview is with Raymond Aceto, the basso cantante graduate of the Metropolitan Opera Company's Lindemann Young Artists Development Program. I interviewed him last month in Houston singing Baron Scarpia in the new Houston Grand Opera production of Puccini's "Tosca" and again last week in San Diego, where he sang Zaccaria in Verdi's "Nabucco" for the San Diego Opera. The "Houston" half of the interview is published here. The remainder will be posted at a later date.] * * * * * Wm: How did you become interested in opera? RA: It’s a funny answer. I grew up in Brunswick Ohio, outside of Cleveland. I went to Brunswick High School, where I was in the band and choir and also sang in a rock band. I have a collection of guitars. I determined that I would pursue music in college. I was admitted to the Bowling Green State University (near Toledo) and took the music courses. There, I had a wonderful voice teacher, Andreas Poulimenos, who helped me discover that I have more voice than I thought I had. Bowling Green offers extensive training in both music and the performing arts. I switched into a performance major and fell in love with the idea of operatic performance. I was then accepted into the Metropolitan Opera’s Lindemann Young Artists Development Program.
[Show full text]
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.
[Show full text]
La Traviata with Celebrated Soprano Natalie Dessay in Her Met Role Debut on THIRTEEN’S Great Performances at the Met Sunday, August 26 at 12 P.M
Press Contacts: Harry Forbes 212-560-8027 [email protected] Sam Neuman 212-870-7457; [email protected] Press materials: www.thirteen.org/pressroom/gperf Verdi’s La Traviata With Celebrated Soprano Natalie Dessay in Her Met Role Debut on THIRTEEN’s Great Performances at the Met Sunday, August 26 at 12 p.m. on PBS Matthew Polenzani as Alfredo and Dmitri Hvorostovsky as Giorgio Germont under Fabio Luisi’s baton in Willy Decker’s production, which will premiere Thursday, August 23 at 9 p.m. on THIRTEEN in New York Acclaimed French soprano Natalie Dessay makes her Met role debut as Violetta, the fallen woman who sacrifices her last chance for love, in Verdi’s La Traviata airing on THIRTEEN’s Great Performances at the Met Sunday, August 26 at 12 p.m. on PBS (check local listings). In New York, THIRTEEN will premiere the opera on the previous Thursday, August 23 at 9 p.m. with an encore presentation Sunday, August 26 at 12:30 p.m. Matthew Polenzani co-stars as Alfredo Germont, a young man from a good family who is willing to risk everything for Violetta. Dmitri Hvorostovsky sings Giorgio Germont, Alfredo’s father, who disapproves of Violetta’s lifestyle, but is moved by her plight. Met Principal Conductor Fabio Luisi leads Verdi’s romantic tragedy, one of the most beloved operas of all time, in Willy Decker ’s highly theatrical production, a hit when it premiered at the Met in 2010. In recent seasons, Dessay has sung the role at the Vienna State Opera, the Aix-en- Provence Festival, and the Santa Fe Opera.
[Show full text]
NATALIE DESSAY Superstar Lyrique Mais Pas Que…
NATALIE DESSAY Superstar lyrique mais pas que… Née en 1965 à Lyon, Natalie (sans "h", hommage discret à Natalie Wood) grandit à Bordeaux. Après s'être rêvée danseuse étoile, elle entame parallèlement des études d'allemand, de théâtre et de chant, catégorie soprano léger. Elle progresse à pas de géant, fait en une année ce que les autres font en cinq et quitte le conservatoire avec un premier prix. Elle a 20 ans. Après un bref séjour au sein des chœurs du Théâtre du Capitole de Toulouse, elle retrouve Bordeaux et une certitude : elle sera soliste. En 1989, la France lance le Concours des Voix nouvelles. Natalie obtient le deuxième prix, l'Opéra de Paris l'invite à intégrer son école. Une nouvelle vie commence. En 1992, sur la scène de l'opéra Bastille, elle interprète pour la première fois Olympia dans Les Contes d'Hoffmann de Jacques Offenbach, dans une mise en scène de Roman Polanski. L'année suivante, elle est accueillie au Staatsoper de Vienne : elle y venait pour un rôle, on lui propose d'intégrer, pendant un an, une troupe prestigieuse. En 1993, à l'occasion de l'ouverture de l'Opéra de Lyon, Natalie chante à nouveau Olympia, mis en scène par Louis Erlo. Jusqu'en 2001, elle interprètera ce "véritable numéro de music-hall" dans huit productions différentes. En 1994, Natalie signe son premier contrat d'exclusivité avec EMI Classics. Cette année-là, elle est prête pour interpréter la Reine de la Nuit d'une première Flûte Enchantée , dirigée par William Christie et mise en scène par Robert Carsen : "Deux airs, deux numéros de voltige".
[Show full text]
Director Mcvicar Biography
RUSALKA Director Biography: David McVicar David McVicar made his San Francisco Opera debut directing Don Giovanni in 2007, followed by Il Trovatore in 2009, Les Troyens and Die Meistersinger von Nürnberg in 2015, and Andrea Chénier in 2016. Career highlights include Tosca, Norma, and Cavalleria Rusticana/Pagliacci at the Metropolitan Opera; Macbeth at the Kirov (Mariinsky) Opera, Washington National Opera, the Metropolitan Opera, and the Royal Opera, Covent Garden; Salome at Covent Garden; Il Trovatore at the Met and Lyric Opera of Chicago; Billy Budd and Giulio Cesare at Lyric Opera of Chicago; L’Incoronazione di Poppea and Semele at the Théâtre des Champs-Elysées; Alcina and Manon with Houston Grand Opera, the Dallas Opera, and English National Opera; and Agrippina at English National Opera, Frankfurt Opera, the Théâtre Royal de la Monnaie, and the Théâtre des Champs-Elysées. His work has been seen frequently at Royal Opera, Covent Garden, where his credits include televised productions of Le Nozze di Figaro, Faust, Die Zauberflöte, and Rigoletto. Other productions include La Bohème, Carmen, Giulio Cesare for the Glyndebourne Festival; A Midsummer Night’s Dream and Les Contes d’Hoffmann for the Salzburg Festival; Der Rosenkavalier, Don Giovanni, Sweeney Todd, Hamlet, and Il Re Pastore for Opera North (U.K.); Tosca, Der Rosenkavalier, The Rape of Lucretia for English National Opera; The Turn of the Screw for the Mariinsky Theatre and English National Opera; and Tamerlano for Deutsche Oper Berlin. McVicar received the South Bank Show Award for his production of Giulio Cesare at the Glyndebourne Festival, and his productions have been nominated for numerous Laurence Olivier Awards.
[Show full text]
Download the Wozzeck Playbill
Upcoming Events The Met Opera in HD Porgy and Bess presents Sat & Sun, Feb 1 & 2, 1 pm The Gershwins’ modern American masterpiece returns to the Met for the first time in almost three decades. It may be February, but it will feel like “Summertime.” The Met Opera in HD Agrippina Sat & Sun, Feb 29 & Mar 1, 1 pm Joyce DiDonato leads the Met premiere of this Baroque black comedy, which finds fresh political charge with Wozzeck Sir David McVicar’s modern update. Alban Berg For tickets or more info, call the Box Office at 603.646.2422 or visit hop.dartmouth.edu. Share your experiences! #HopkinsCenter Become a Hop Member Today! For as little as $100 a year, Hop members provide vital financial support, are invited to year-round special events and enjoy unparalleled access to Hop programming! Find out more: hop.dartmouth.edu 603.646.2006 (membership) Patrick Ross and Atlas Key play at the Season Launch Party cocktail hour for Hop members. (Photo credit: Ben DeFlorio) Sat, Jan 11, 2020, 1 pm The Met: Live in HD series is made Global corporate sponsorship of Loew Auditorium, Black Family Visual Arts Center possible by a generous grant from The Met: Live in HD is provided by its founding sponsor: Sun, Jan 12, 2020, 1 pm The Neubauer Family Foundation Spaulding Auditorium The HD broadcasts are supported by Cosponsored by Free tickets for Dartmouth students to attend The Met: Live in HD are supported by a gift from Cynthia and Jeffrey Manocherian P’15, ’18 Wozzeck Alban Berg Duration: 1 hour, 40 minutes Wozzeck visits the Doctor, who pays him for use in his pseudo-scientific research.
[Show full text]