The Chhandogya Upanishad

Total Page:16

File Type:pdf, Size:1020Kb

The Chhandogya Upanishad TTHEHE CCHHANDOGYAHHANDOGYA UUPANISHADPANISHAD by Swami Krishnananda The Divine Life Society Sivananda Ashram, Rishikesh, India (Internet Edition: For free distribution only) Website: www.swami-krishnananda.org CONTENTS PUBLISHERS’ PREFACE 5 CHAPTER I: VAISHVANARA-VIDYA 7 The Panchagni-Vidya 7 The Course of the Soul After Death 8 Vaishvanara, The Universal Self 28 Heaven as the Head of the Universal Self 31 The Sun as the Eye of the Universal Self 32 Air as the Breath of the Universal Self 33 Space as the Body of the Universal Self 33 Water as the Lower Belly of the Universal Self 33 The Earth as the Feet of the Universal Self 34 The Self as the Universal Whole 34 The Five Pranas 37 The Need for Knowledge is Stressed 39 Conclusion 40 CHAPTER II 43 Section 1: Preliminary 43 Section 2: The Primacy of Being 46 Section 3: Threefold Development 51 Section 4: Threefold Development (Contd.) 53 Section 5: Illustrations of the Threefold Nature 56 Section 6: Further Illustrations 57 Section 7: Importance of Physical Needs 58 Section 8: Concerning Sleep, Hunger, Thirst and Dying 60 Section 9: The Indwelling Spirit 65 Section 10: The Indwelling Spirit (Contd.) 67 Section 11: The Indwelling Spirit (Contd.) 68 Section 12: The Indwelling Spirit (Contd.) 69 Section 13: The Indwelling Spirit (Contd.) 71 Section 14: The Indwelling Spirit (Contd.) 73 Section 15: The Indwelling Spirit (Contd.) 76 Section 16: The Indwelling Spirit (Contd.) 78 CHAPTER III: SANATKUMARA’S INSTRUCTIONS ON BHUMA-VIDYA 81 The Chhandogya Upanishad by Swami Krishnananda 2 Section 1: Name 82 Section 2: Speech 86 Section 3: Mind 88 Section 4: Will 89 Section 5: Memory 91 Section 6: Contemplation 93 Section 7: Understanding 94 Section 8: Strength 95 Section 9: Food 97 Section 10: Water 98 Section 11: Heat 99 Section 12: Ether 100 Section 13: Memory 101 Section 14: Hope 103 Section 15: Life 104 Section 16: Truth 107 Section 17: Truth and Understanding 108 Section 18: Thought and Understanding 108 Section 19: Faith 109 Section 20: Steadfastness 109 Section 21: Activity 110 Section 22: Happiness 110 Section 23: The Infinite 112 Section 24: The Infinite and the Finite 114 Section 25: The Ego and the Self 115 Section 26: The Primacy of Self 117 CHAPTER VI: AN ANALYSIS OF THE NATURE OF THE SELF 120 Section 1: The Universal Self Within the Heart and in the World 120 Section 2: Different Higher Worlds 126 Section 3: The Space Within the Heart 128 Section 4: Life Beyond 132 Section 5: Importance of Brahmacharya 133 Section 6: Course After Death 135 The Chhandogya Upanishad by Swami Krishnananda 3 Section 7: Prajapati’s Instruction to Indra Concerning the Real Self 139 Section 8: The Bodily Self 142 Section 9: Indra Feels the Inadequacy of the Physical Theory 144 Section 10: The Dream Self 145 Section 11: The Self in Deep Sleep 146 Section 12: The Self as Spirit 148 Section 13: Exclamation of the Perfected Soul 159 Section 14: The Prayer of a Seeker for Eternal Life 160 Section 15: Parting Advice to the Pupil 160 APPENDIX I: SANDILYA-VIDYA 165 APPENDIX II: SAMVARGA-VIDYA 171 The Chhandogya Upanishad by Swami Krishnananda 4 PUBLISHERS’ PREFACE The Chhandogya Upanishad is one of the most prominent among the major group of philosophical and mystical texts constituting one of the threefold foundation of India’s spiritual lore, the tripod of Indian Culture, being constituted of the Upanishads, the Brahmasutras and the Bhagavadgita. While the Veda Samhitas are the recognised primary source of divine inspiration, their hidden intention, purported message, is supposed to be prominently revealed in the Upanishads. The Vedas are said to be capable of a variety of interpretation, - a knowledge of the adhidaiva or the transcendent divinity, adhibhuta or the created universe, adhyatma or the deepest subjective consciousness, adhiyajna or the field of action and sacrifice, and adhidharma or the function of law and order. Though, in a restricted sense, the adhyatma, in this mentioned classification, may appear as an insight into the perceiving and knowing subject as distinguished from its involvements in the objective universe and the transcendent divinity, thus categorising the Upanishads as records of inward revelations of the ancient sages, yet, the Upanishads constitute Adhyatma-Vidya or knowledge of the pure self in a wider sense, inasmuch as the self can be envisaged in the different degrees of its connotation and the many levels of its expression. God above, the universe outside, the society of persons and things in the midst of whom one’s own individuality may be included, are all, in the final analysis, comprehended within the status of the Absolute Self, so that, in its broad outlook the Upanishads may be considered as a groundwork in whose light may be studied every branch of knowledge and learning. Among the ten major Upanishads, the Chhandogya and the Brihadaranyaka stand above others in their grand stature and majesty, these two texts being viewed by scholars as representing the cosmic and the acosmic aspect of Reality. In the Brihadaranyaka there is a preponderating emphasis on the ultra-spiritual nature of every plane of existence and stage of evolution, a rather super-idealistic sweep of all the phenomena of experience. The Chhandogya, however, tries to be more realistic in its rather matter-of- fact consideration of the issues of life. This is the reason why, evidently, there is a prevalent feeling that the Chhandogya is saprapancha (considerate as to the visible forms of experience), while the Brihadaranyaka is nishprapancha (transcendent to all available experience). This exposition of the Chhandogya Upanishad is, perhaps, the most in-depth study ever made of its philosophical and spiritual message, and goes certainly as a companion to the author’s interpretative exposition of the Brihadaranyaka Upanishad in a separate volume. Herein, the first chapter constitutes a brilliant study of the Panchagni-Vidya and the Vaishvanara-Vidya sections occurring in the fifth chapter of the original text. This single chapter of the book may well form a classical presentation of a grand theme for the cosmical meditations characteristic of the Upanishads in general. The second chapter expounds the great content of sixth chapter of the original, constituting the instruction of Sage Uddalaka to his son Svetaketu. The third chapter is a study of the seventh section of the original, dealing with the majestic Bhuma-Vidya, being the teaching of Sage Sanatkumara to Narada. The fourth chapter studies the eighth section of the original, which actually concludes the Upanishad. The Samvarga-Vidya and the Sandilya-Vidya occurring at other places in the Upanishad are also included in the end as pieces of stimulating meditation of absorbing interest. The internal details of this vast The Chhandogya Upanishad by Swami Krishnananda 5 study of the Upanishad can be gathered from the list of contents appended herein. May this valuable production come as a solacing blessing to seekers of Truth the world over. THE DIVINE LIFE SOCIETY SHIVANANDANAGAR, 23rd January, 1984. The Chhandogya Upanishad by Swami Krishnananda 6 CHAPTER ONE VAISHVANARA-VIDYA THE PANCHAGNI-VIDYA The Upanishads are mainly meditations intended to act as correctives to the binding effects that are produced by the phenomena of natural processes. While what we call a natural process subjects us to its own laws, these laws can be overcome and their imposition upon the individual can be counteracted by techniques of meditation. The philosophy of the Upanishads is that it is an ignorance of the way in which the Universe works that binds the individual to samsara,—the series of births and deaths. Our sorrows are, in a way, created by our own selves, because they follow as a consequence of our not abiding by the law of the universe. The affirmation of a reality independent of what really is, is called the ego. That is the centre of personality. This affirmation of individuality, jivatva, personality, or something separate from the organic structure of creation, is the cause of the sorrow or the suffering of the jiva, the individual manifested due to the affirmation of the ego. Births and deaths are the punishments, as it were, meted out to the individual in order that it may be reformed in the field of experience of the world for the purpose of enabling it to return to the normal state of consciousness which is universality of being, of which it is deprived at present due to the ignorance of its connection with the universe and a false notion that it has about its own self that it has an independence of its own. The sections of the Chhandogya Upanishad, which we are going to study, are a gradational ascent of knowledge for the purpose of meditations which lift us above the phenomena of ordinary experience, such as birth and death and bondage of every kind, and point to the methods of transcending all sorrow, whatever be its nature, and regaining the originality of being. The various sections that follow are a systematic teaching on what we may call Adhyatma-Vidya, or Atma-Vidya, a knowledge of the ultimate Self, which is the only remedy for the malady of empirical existence. This section which we are about to commence, is a treatise on a particular method of meditation called Panchagni-Vidya, the knowledge of the Five Fires, by which the Upanishad means the various processes of manifestation, or, we may say, evolution, it being one’s bondage and the way in which the cycle of transmigration revolves. There is a coming and going, descending and ascending in this samsara-chakra, or the revolving wheel of bondage. How it happens, and how one can be free from it, what are the methods to be employed for the purpose of freeing oneself from the clutches of this involuntary law that imposes itself upon us and binds us to its own mandate so that we do not seem to have any say in the matter of births and deaths or even the experiences that we have to pass through,—these are our themes.
Recommended publications
  • Vaishvanara Vidya.Pdf
    VVAAIISSHHVVAANNAARRAA VVIIDDYYAA by Swami Krishnananda The Divine Life Society Sivananda Ashram, Rishikesh, India (Internet Edition: For free distribution only) Website: www.swami-krishnananda.org CONTENTS Publishers’ Note 3 I. The Panchagni Vidya 4 The Course Of The Soul After Death 5 II. Vaishvanara, The Universal Self 26 The Heaven As The Head Of The Universal Self 28 The Sun As The Eye Of The Universal Self 29 Air As The Breath Of The Universal Self 30 Space As The Body Of The Universal Self 30 Water As The Lower Belly Of The Universal Self 31 The Earth As The Feet Of The Universal Self 31 III. The Self As The Universal Whole 32 Prana 35 Vyana 35 Apana 36 Samana 36 Udana 36 The Need For Knowledge Is Stressed 37 IV. Conclusion 39 Vaishvanara Vidya Vidya by by Swami Swami Krishnananda Krishnananda 21 PUBLISHERS’ NOTE The Vaishvanara Vidya is the famous doctrine of the Cosmic Meditation described in the Fifth Chapter of the Chhandogya Upanishad. It is proceeded by an enunciation of another process of meditation known as the Panchagni Vidya. Though the two sections form independent themes and one can be studied and practised without reference to the other, it is in fact held by exponents of the Upanishads that the Vaishvanara Vidya is the panacea prescribed for the ills of life consequent upon the transmigratory process to which individuals are subject, a theme which is the central point that issues from a consideration of the Panchagni Vidya. This work consists of the lectures delivered by the author on this subject, and herein are reproduced these expositions dilating upon the two doctrines mentioned.
    [Show full text]
  • The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
    The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras.
    [Show full text]
  • Indian Hieroglyphs
    Indian hieroglyphs Indus script corpora, archaeo-metallurgy and Meluhha (Mleccha) Jules Bloch’s work on formation of the Marathi language (Bloch, Jules. 2008, Formation of the Marathi Language. (Reprint, Translation from French), New Delhi, Motilal Banarsidass. ISBN: 978-8120823228) has to be expanded further to provide for a study of evolution and formation of Indian languages in the Indian language union (sprachbund). The paper analyses the stages in the evolution of early writing systems which began with the evolution of counting in the ancient Near East. Providing an example from the Indian Hieroglyphs used in Indus Script as a writing system, a stage anterior to the stage of syllabic representation of sounds of a language, is identified. Unique geometric shapes required for tokens to categorize objects became too large to handle to abstract hundreds of categories of goods and metallurgical processes during the production of bronze-age goods. In such a situation, it became necessary to use glyphs which could distinctly identify, orthographically, specific descriptions of or cataloging of ores, alloys, and metallurgical processes. About 3500 BCE, Indus script as a writing system was developed to use hieroglyphs to represent the ‘spoken words’ identifying each of the goods and processes. A rebus method of representing similar sounding words of the lingua franca of the artisans was used in Indus script. This method is recognized and consistently applied for the lingua franca of the Indian sprachbund. That the ancient languages of India, constituted a sprachbund (or language union) is now recognized by many linguists. The sprachbund area is proximate to the area where most of the Indus script inscriptions were discovered, as documented in the corpora.
    [Show full text]
  • VIVEKA CHOODAMANI PART 1 of 9
    || ÌuÉuÉåMücÉÔQûÉqÉÍhÉÈ || VIVEKA CHOODAMANI PART 1 of 9 The Crest Jewel of Discrimination PART 1: The PURPOSE of Human Life “THE SANDEEPANY EXPERIENCE” Reflections by TEXT SWAMI GURUBHAKTANANDA 11.1 Sandeepany’s Vedanta Course List of All the Course Texts in Chronological Sequence: Text TITLE OF TEXT Text TITLE OF TEXT No. No. 1 Sadhana Panchakam 24 Hanuman Chalisa 2 Tattwa Bodha 25 Vakya Vritti 3 Atma Bodha 26 Advaita Makaranda 4 Bhaja Govindam 27 Kaivalya Upanishad 5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- ) 6 Forgive Me 29 Mundaka Upanishad 7 Upadesha Sara 30 Amritabindu Upanishad 8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text) 9 Dhanyashtakam 32 Tapovan Shatkam 10 Bodha Sara 33 The Mahavakyas, Panchadasi 5 11.1 Viveka Choodamani – Part 1/9 34 Aitareya Upanishad 12 Jnana Sara 35 Narada Bhakti Sutras 13 Drig-Drishya Viveka 36 Taittiriya Upanishad 14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living) 15 Dhyana Swaroopam 38 Kena Upanishad 16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation) 17 Manah Shodhanam 40 108 Names of Pujya Gurudev 18 “Nataka Deepa” – Panchadasi 10 41 Mandukya Upanishad 19 Isavasya Upanishad 42 Dakshinamurty Ashtakam 20 Katha Upanishad 43 Shad Darshanaah 21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras 22 Vedanta Sara 45 Jivanmuktananda Lahari 23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge AUTHOR’S ACKNOWLEDGEMENT TO SANDEEPANY Sandeepany Sadhanalaya is an institution run by the Chinmaya Mission in Powai, Mumbai, teaching a 2-year Vedanta Course. It has a very balanced daily programme of basic Samskrit, Vedic chanting, Vedanta study, Bhagavatam, Ramacharitmanas, Bhajans, meditation, sports and fitness exercises, team-building outings, games and drama, celebration of all Hindu festivals, weekly Gayatri Havan and Guru Paduka Pooja, and Karma Yoga activities.
    [Show full text]
  • The Spread of Sanskrit* (Published In: from Turfan to Ajanta
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Serveur académique lausannois Spread of Sanskrit 1 Johannes Bronkhorst Section de langues et civilisations orientales Université de Lausanne Anthropole CH-1009 Lausanne The spread of Sanskrit* (published in: From Turfan to Ajanta. Festschrift for Dieter Schlingloff on the Occasion of his Eightieth Birthday. Ed. Eli Franco and Monika Zin. Lumbini International Research Institute. 2010. Vol. 1. Pp. 117-139.) A recent publication — Nicholas Ostler’s Empires of the Word (2005) — presents itself in its subtitle as A Language History of the World. Understandably, it deals extensively with what it calls “world languages”, languages which play or have played important roles in world history. An introductory chapter addresses, already in its title, the question “what it takes to be a world language”. The title also provides a provisional answer, viz. “you never can tell”, but the discussion goes beyond mere despair. It opposes the “pernicious belief” which finds expression in a quote from J. R. Firth, a leading British linguist of the mid-twentieth century (p. 20): “World powers make world languages [...] Men who have strong feelings directed towards the world and its affairs have done most. What the humble prophets of linguistic unity would have done without Hebrew, Arabic, Latin, Sanskrit and English, it it difficult to imagine. Statesmen, soldiers, sailors, and missionaries, men of action, men of strong feelings have made world languages. They are built on blood, money, sinews, and suffering in the pursuit of power.” Ostler is of the opinion that this belief does not stand up to criticism: “As soon as the careers of languages are seriously studied — even the ‘Hebrew, Arabic, Latin, Sanskrit and English’ that Firth explicitly mentions as examples — it becomes clear that this self-indulgently tough-minded view is no guide at all to what really makes a language capable of spreading.” He continues on the following page (p.
    [Show full text]
  • Ramayana of * - Valmeeki RENDERED INTO ENGLISH with EXHAUSTIVE NOTES BY
    THE Ramayana OF * - Valmeeki RENDERED INTO ENGLISH WITH EXHAUSTIVE NOTES BY (. ^ ^reenivasa jHv$oiu$ar, B. A., LECTURER S. P G. COLLEGE, TRICHINGj, Balakanda and N MADRAS: * M. K. PEES8, A. L. T. PRKS8 AND GUARDIAN PBE8S. > 1910. % i*t - , JJf Reserved Copyright ftpfiglwtd. 3 [ JB^/to PREFACE The Ramayana of Valmeeki is a most unique work. The Aryans are the oldest race on earth and the most * advanced and the is their first ; Ramayana and grandest epic. The Eddas of Scandinavia, the Niebelungen Lied of Germany, the Iliad of Homer, the Enead of Virgil, the Inferno, the Purgatorio, and the Paradiso of Dante, the Paradise Lost of Milton, the Lusiad of Camcens, the Shah Nama of Firdausi are and no more the Epics ; Ramayana of Valmeeki is an Epic and much more. If any work can clam} to be the Bible of the Hindus, it is the Ramayana of Valmeeki. Professor MacDonell, the latest writer on Samskritha Literature, says : " The Epic contains the following verse foretelling its everlasting fame * As long as moynfain ranges stand And rivers flow upon the earth, So long will this Ramayana Survive upon the lips of men. This prophecy has been perhaps even more abundantly fulfilled than the well-known prediction of Horace. No pro- duct of Sanskrit Literature has enjoyed a greater popularity in India down to the present day than the Ramayana. Its story furnishes the subject of many other Sanskrit poems as well as plays and still delights, from the lips* of reciters, the hearts of the myriads of the Indian people, as at the 11 PREFACE great annual Rama-festival held at Benares.
    [Show full text]
  • ESSENCE of VAMANA PURANA Composed, Condensed And
    ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama
    [Show full text]
  • Vishvarupadarsana Yoga (Vision of the Divine Cosmic Form)
    Vishvarupadarsana Yoga (Vision of the Divine Cosmic form) 55 Verses Index S. No. Title Page No. 1. Introduction 1 2. Verse 1 5 3. Verse 2 15 4. Verse 3 19 5. Verse 4 22 6. Verse 6 28 7. Verse 7 31 8. Verse 8 33 9. Verse 9 34 10. Verse 10 36 11. Verse 11 40 12. Verse 12 42 13. Verse 13 43 14. Verse 14 45 15. Verse 15 47 16. Verse 16 50 17. Verse 17 53 18. Verse 18 58 19. Verse 19 68 S. No. Title Page No. 20. Verse 20 72 21. Verse 21 79 22. Verse 22 81 23. Verse 23 84 24. Verse 24 87 25. Verse 25 89 26. Verse 26 93 27. Verse 27 95 28. Verse 28 & 29 97 29. Verse 30 102 30. Verse 31 106 31. Verse 32 112 32. Verse 33 116 33. Verse 34 120 34. Verse 35 125 35. Verse 36 132 36. Verse 37 139 37. Verse 38 147 38. Verse 39 154 39. Verse 40 157 S. No. Title Page No. 40. Verse 41 161 41. Verse 42 168 42. Verse 43 175 43. Verse 44 184 44. Verse 45 187 45. Verse 46 190 46. Verse 47 192 47. Verse 48 196 48. Verse 49 200 49. Verse 50 204 50. Verse 51 206 51. Verse 52 208 52. Verse 53 210 53. Verse 54 212 54. Verse 55 216 CHAPTER - 11 Introduction : - All Vibhutis in form of Manifestations / Glories in world enumerated in Chapter 10. Previous Description : - Each object in creation taken up and Bagawan said, I am essence of that object means, Bagawan is in each of them… Bagawan is in everything.
    [Show full text]
  • Valmiki Ramayana – Bala Kanda – Chapter 29
    “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 29 The History of Siddhashrama and Their Arrival There Summary Rama and Lakshmana inquisitively [curiously] enquired [asked] into the Siddha aashrama, Accomplished Hermitage in the earlier chapter for which Sage Vishvamitra informs about the heritage [legacy or inheritance] of that hermitage for it once belonged to Vishnu in Vaamna incarnation. Vishvamitra narrates about it and how Vaamna, a dwarfish ascetic boy eradicated evil on earth. It is a suggestion to Rama from Sage Vishvamitra to do likewise in this incarnation of Rama also. Chapter [Sarga] 29 in Detail atha tasya aprameyasya vacanam paripricchatah | vishvaamitro mahaatejaa vyaakhyaatum upacakrame || 1-29-1 When that matchlessly illustrious [eminent] Rama has asked for details, that highly resplendent [shining brilliantly] sage Vishvamitra started to narrate about that forest to Rama. [1- 29-1] Page 1 of 9 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 29 iha raama mahaabaaho visnur deva namaskrita | varsaani subahuuni iha tathaa yuga shataani ca || 1-29-2 tapah carana yogaartham uvaasa su mahaatapaah | "Here, oh, dexterous [skillful] Rama, he who is worshipped by Gods and who has got outstanding asceticism [practicing strict self-denial as a measure of personal and especially spiritual discipline], that Vishnu resided here in the pursuit of practicing asceticism and yoga for good many years, likewise for a hundred eras. [1-29-2, 3a] esa puurva aashramo raama vaamanasya mahaatmanah || 1-29-3 siddha aashrama iti khyaatah siddho hi atra mahaatapaah | "This is the erstwhile [in the past or formerly] hermitage of great-souled Vamana, renowned as accomplished hermitage, why because the sage with supreme asceticism Kaashyapa got accomplishment to such of his asceticism there only.
    [Show full text]
  • Pink Floyd and Philosophy
    Table of Contents Popular Culture and Philosophy Series Editor: George A. Reisch Title Page Pink Floyd: From Pompeii to Philosophy Pink Floyd in Popular Culture Chapter 1 - “I Hate Pink Floyd,” and other Fashion Mistakes of the 1960s, 70s, ... The Four Lads from CambridgeFrom Waffling to MeddlingThe Crazy DiamondWish You Weren’t HereDoes Johnny Rotten Still Hate Pink Floyd? Chapter 2 - Life and Death on The Dub Side of the Moon Side OneSide TwoRasta ReasoningOn Rasta Time“A New Broom Sweeps Clean, but an Old Broom Knows Every Corner” Chapter 3 - Dark and Infinite Goodbye Blue SkyNobody HomeBricks in the WallWe Don’t Need No InterpretationFeelings of an Almost Human Nature Chapter 4 - Pigs Training Dogs to Exploit Sheep: Animals as a Beast Fable Dystopia The Dog-Eat-Dog MarketplacePigs in the WhitehouseSheepish ExploitationCaring Dogs Watching Flying Pigs Chapter 5 - Exploring the Dark Side of the Rainbow Major SynchronizationsDesign or Chance?Synchronizations and SynchronicityApophenia and ParadigmsThematic Synchronicity Chapter 6 - Mashups and Mixups : Pink Floyd as Cinema Defining Cinematic MusicMusic Videos and Music FilmsMashups and Sync UpsIn the End, It’s Only Round and Round (and Round) Alienation (Several Different Ones) Chapter 7 - Dragged Down by the Stone: Pink Floyd, Alienation, and the ... Wish You Were . ConnectedWhen the World You’re in Starts Playing Different TunesDon’t Be Afraid to CareDon’t Sit DownTime, Finitude, and DeathMoneyAny Colour of Us and Them You LikeArtists and Crazy DiamondsThis One’s PinkWe Don’t 2 Need No Indoctrination Chapter 8 - Roger Waters : Artist of the Absurd (C)amused to DeathThat Fat Old SunPrisms and DiamondsWelcome to the ZooThe Pros and Cons of AudiencesAlienation inside the WallWould You Help Me to Carry the Stone? Chapter 9 - Theodor Adorno, Pink Floyd, and the Psychedelics of Alienation Part I: Interstellar OverdriveIt’s Alright, We Told You What to DreamCan the Machine Be Fixed?Arnold Schoenberg had a Strraaaange .
    [Show full text]
  • Chandogya Upanishad 1.2.1: Once Upon a Time the Gods and the Demons, Both Descendants of Prajapati, Were Engaged in a Fight
    A Preview “… Dr. Prasad’s collections of the two largest and most difficult to understand Upanishads make an in-road and gives access to the magnificent conclusions left by the ancient sages of India. This book gives us a view of the information which was divulged by those teachers. It is easy to read and understand and will encourage you to delve deeper into the subject matter.” CONTENTS 1. Chāndogya Upanishad……..…….…. 3 1. The big famine…………………………….…..... 6 2. The cart-man…………………………….………13 3 Satyakama Jabala and Sevā………………… 14 4. Fire teaches Upakosala…………….………… 15 Chāndogya 5. Svetaketu: five questions……………………. 18 and 6. Svetaketu: nature of sleep…………………... 22 7. That thou art, O Svetaketu………………….…23 Brihadāranyaka 8. Indra and virochana……………………….….. 29 Commentary…………………………...……..... 31 Upanishads End of Commenrary……………………....….. 55 Two large and difficult Upanishads are presented 2. Brihadāranyaka Upanishad …….…56 (without original Sanskrit verses) in simple modern English for those advanced students who have 9. Dialogue: Ajtsatru-Gargya……………...…. 61 read Bhagavad-Gita and other 9 Principal 10. Yajnavalkya and maitreyi ……………....…..63 Upanishads. Simpler important verses are 11. Meditation taught through horse’s head.. 65 12. Yajnavalkya: The best Vedic Scholar…… 66 printed in underlined-bold; comm- 13. Three ‘Da’ …………………………….…….…78 entaries from translators, references&Glossary. Commentary…………………………….……... 84 14. Each soul is dear to the other………...……90 By 15. The Wisdom of the Wise (Yagnavalkya)… 91 16. Gargi and the Imperishable ……………..…94 Swami Swahananda 17. Janaka and Yajnavalkya 1 ……………..…..95 and 18. Janaka and Yajnavalkya 2 …………..……..97 Swami Madhavananda et al. 19. The Process of Reincarnation…… …..… 100 Editor: Ramananda Prasad End of Commenrary …………….…..……….105 A Brief Sanskrit Glossary On page 844 of 908 of the pdf: www.gita-society.com/108Upanishads.pdf INTERNATIONAL GITA ***** Editor’s note: Most of the materials in this book are SOCIETY taken from the above webpage which does not have a Copyright mark.
    [Show full text]
  • A Brief History of Vedas Index
    i A Brief History of Vedas Index Sl Particulars No 1 About the Author 2 Equivalent letters of different languages 3 About the Book 4 The Vedas: A Brief Chronicle 5 Historical Classification of the Vedas 6 Vedic Period: The Period of Śruti Post Vedic Period: Classical Period, the period 7 of Smṛiti 8 Modern Period: The period of Bhāshya 9 The Period of the Creation of Mantra 10 The Period of Compilation of Mantras 11 Āpri Sūktas 12 Brāhmanam Period 13 What is Brāhmanams 14 Śākhās and Charanas 15 Charana 16 Śākhā 17 The Samhitā Śākhās: 18 The Brāhmana Śākhās: 19 The Sūtra Śākhās: 20 Parishad: 21 Vamśa of Sāma Veda Vamśas as per the Madhukāṇḍa of Śatapatha 22 Brāhmanam Vamśas given at the end of Śatapatha 23 Brāhmanam Vamśas as per Xth Book of Śatapatha 24 Brāhmanam ii 25 Vamśas as per Khila Kāṇḍa 26 Gopatha Brāhmanam 27 Gāyatri Mantra 28 Āranyakas 29 Upanishads 30 Ṛigveda Upanishads 31 Śukla Yajurveda Upanishads 32 Krishna Yajurveda Upanishads 33 Samaveda Upanishads 34 Atharvaveda Upanishads 35 Unknown Upanishads 36 Sūtra Period 37 Prātiśākhyas 38 Ṛik Prātiśākhya by Śaunaka 39 Prātiśākhyas of Yajur Veda 40 Taittirīya Prātiśākhya 41 Maitrāyanīya Prātiśākhya 42 Vājasaneyi Prātiśākhya 43 Pratigya Pariśishṭa 44 Bhāshika Pariśishṭa 45 Prātiśākhyas of Sāma Veda 46 Atharva Veda Prātiśākhya 47 Phoneticians of Prātiśākhyas and Vyākaranas 48 Śikshā 49 General Śikshā 50 Pāninīya Śikshā 51 Śikshās of Ṛigveda 52 Svaravyanjana Śikshā 53 Samāna Śikshā 54 Śikshās of White Yajurveda 55 Yājnavalkya Śikshā 56 Vāsishṭhī Śikshā 57 Kātyāyani Śikshā 58 Parāśarī
    [Show full text]